Small Hero. Big Heart.
Small Mouse. Big Dreams.
Narrator: [voiceover] I could say they lived happily ever after, but what's the fun in that?
Narrator: Once upon a time, there was a brave, little mouse who loved honor and justice and always told the truth. [Camera zooms in and we see a rat named Roscuro] No, that's not him. That's a rat. And anyone who knows anything, knows there is a big difference between a mouse and a rat. First of all, rats hate the light. [Roscuro climbs on a barrel and looks at the sun] They spend their lives in the darkness. Also terrify the people which is why they're slinking and cover all the time. [Roscuro goes to near of a sailor] And as far as telling the truth as concerned, well, that is impossible, because as everyone knows a rat can't talk. [Roscuro starts to talk]::Roscuro: Tell me that thing again, please.::Pietro: Come on!::Roscuro: Tell me one more time and I won't ask you ever again, I swear.::Pietro: Fine. We are headed to Dor, one of the most magical places in the whole world.::Roscuro: No, that's not what you said before. You know, every place has something special and in Dor, it's "the soup".
Narrator: If you know anything about fairy tales, then you know that a hero doesn't appear until the world really needs one.
Narrator: Of course, destiny is a funny thing. We go out to meet it and we don't always know that we are.
Narrator: When your heart breaks it can grow back crooked. It grows back twisted and gnarled and hard.
Narrator: The story said she was a prisoner but that wasn't totally true because she had hope and whenever you have hope, you're never really anybody's prisoner.
Narrator: So sometimes it doesn't take much for your dreams to come true, you just have to be able to see it that way.
Princess Pea: What are you, a mouse?::Despereaux: No... I'm a gentleman.
Narrator: In fact, you can have a good heart and not even know it.
Narrator: Ok, remember when we said that grief was the strongest thing a person could feel? Well, it isn't. It's forgiveness because a single act of forgiveness can change everything.
Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli (Italian pronunciation: [ˈsandro bottiˈtʃɛlli]; c. 1445 – May 17, 1510) was an Italian painter of the Early Renaissance. He belonged to the Florentine school under the patronage of Lorenzo de' Medici, a movement that Giorgio Vasari would characterize less than a hundred years later as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. Botticelli's posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting. Among his best known works are The Birth of Venus and Primavera.
There are very few details of Botticelli's life, but it is known that he became an apprentice when he was about fourteen years old, which would indicate that he received a fuller education than other Renaissance artists. He was born in the city of Florence in a house in the Via Nuova, Borg'Ognissanti. Vasari reported that he was initially trained as a goldsmith by his brother Antonio. Probably by 1462 he was apprenticed to Fra Filippo Lippi; many of his early works have been attributed to the elder master, and attributions continue to be uncertain. Influenced also by the monumentality of Masaccio's painting, it was from Lippi that Botticelli learned a more intimate and detailed manner. As recently discovered, during this time, Botticelli could have traveled to Hungary, participating in the creation of a fresco in Esztergom, ordered in the workshop of Filippo Lippi by János Vitéz, then archbishop of Hungary.[citation needed]
Ottorino Respighi (Italian pronunciation: [ottoˈriːno resˈpiːɡi]; 9 July 1879 – 18 April 1936) was an Italian composer, musicologist and conductor. He is best known for his orchestral "Roman trilogy": Fountains of Rome (Le fontane di Roma); Pines of Rome (I pini di Roma); and Roman Festivals (Feste romane). His musicological interest in 16th-, 17th- and 18th-century music led him to also compose pieces based on the music of this period. He also wrote a number of operas, the best known being La fiamma.
Ottorino Respighi was born in Bologna, Italy. He was taught piano and violin by his father, who was a local piano teacher. He went on to study violin and viola with Federico Sarti at the Liceo Musicale in Bologna, composition with Giuseppe Martucci, and historical studies with Luigi Torchi, a scholar of early music. A year after receiving his diploma in violin in 1899, Respighi went to Russia to be principal violist in the orchestra of the Russian Imperial Theatre in St Petersburg during its season of Italian opera. While there he studied composition for five months with Rimsky-Korsakov. He then returned to Bologna, where he earned a second diploma in composition. Until 1908 his principal activity was as first violin in the Mugellini Quintet. In 1908-09 he spent some time performing in Germany before returning to Italy and turning his attention entirely to composition. Many sources indicate that while he was in Germany he studied briefly with Max Bruch, but in her biography of the composer, Respighi's wife asserts that this is not the case.
Sir James Earle (1755–1817) was a celebrated British surgeon, renowned for his skill in lithotomy.
Earle was born in London. After studying medicine at St. Bartholomew's Hospital, he became the institution's assistant surgeon in 1770. Due to the temporary incapacity of one of the hospital's surgeons, Earle performed one-third of St. Bartholomew's operations between 1776 and 1784. At the end of this phenomenal feat, Earle was elected to be a surgeon on 22 May 1784 and remained until 1815. Just two years later, he was appointed surgeon-extraordinary to George III.
In March, 1794 he was elected a fellow of the Royal Society. He was knighted in 1807. He married the daughter of Percivall Pott, the hospital's senior surgeon, and their third son, Henry Earle, also became a surgeon at St. Bartholomew's.
Earle write a memoir of Pott that was subsequently attached to his complete works (1790) and a biography of William Austin. Earle was renowned for his surgery skills, particularly in lithotomy. He also published several medical works: A Treatise on the Hydrocele (1791, with additions in 1793, 1796, and 1805), Practical Observations on the Operation for Stone (1793), A New Method of Operation for Cataract (1801), and Letter on Fractures of the Lower Limbs (1807).
VERSE 1
Wake Up In The Morning
Or Maybe Late At Night
Button Up Your Suit
Strap Your Leather Tight
Choking On The Memories
Of What You Did Last Night
Lurk In The Darkness
Live In The Light
CHORUS
I Look In Your Eyes
They're So Cold
The Monster Is Here
In your Seminary
With Bloodshot Eyes
And An Evil Grin
Reincarnate Your Hidden Sins
VERSE 2
People Let You Inside
Because The Trust You
Show The Just A Little
And they'll See Right Through
Never really Knowing
What you;ll Put Them Through
Slip Inside