- published: 20 Feb 2011
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Alan Sidney Patrick Rickman (born 21 February 1946) is an English actor of stage and screen. He is a renowned stage actor in modern and classical productions and a former member of the Royal Shakespeare Company. His breakout performance was as the Vicomte de Valmont in Les Liaisons Dangereuses, for which he was nominated for a Tony Award. Rickman is known for his film performances as Hans Gruber in Die Hard, Severus Snape in the Harry Potter film series, Éamon de Valera in Michael Collins, and Metatron in Dogma.
Rickman has also had a number of other notable film roles such as the Sheriff of Nottingham in Robin Hood: Prince of Thieves, Jamie in Truly, Madly, Deeply, P.L. O'Hara in An Awfully Big Adventure and Colonel Brandon in Ang Lee's 1995 film Sense and Sensibility. More recently, he played Judge Turpin in the film adaptation of Stephen Sondheim's musical of Sweeney Todd: The Demon Barber of Fleet Street.
Rickman was born in South Hammersmith, London, to a working class family, the son of Margaret Doreen Rose (née Bartlett), a housewife, and Bernard Rickman, a factory worker. Rickman's mother was from Wales and a Methodist, and his father was of Irish Catholic background. He has one elder brother, David (b. 1944), a graphic designer, a younger brother, Michael (b. 1947), a tennis coach, and a younger sister, Sheila (b. 1949). Rickman attended Derwentwater Primary School, in Acton, a school that followed the Montessori method of education.
Charles Parker, Jr. (August 29, 1920 – March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer.
Parker acquired the nickname "Yardbird" early in his career and the shortened form, "Bird", which continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise."
Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and improvisation. Parker introduced revolutionary harmonic ideas, including rapidly passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber. Many Parker recordings demonstrate virtuosic technique and complex melodic lines, combining jazz with other musical genres, including blues, Latin, and classical.
Parker was an icon for the hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual, rather than an entertainer.
I threw your keys in the water, I looked back,
Theyd frozen halfway down in the ice.
They froze up so quickly, the keys and their owners,
Even after the anger, it all turned silent, and
The everyday turned solitary,
So we came to February.
First we forgot where wed planted those bulbs last year,
Then we forgot that wed planted at all,
Then we forgot what plants are altogether,
and I blamed you for my freezing and forgetting and
The nights were long and cold and scary,
Can we live through February?
You know I think Christmas was a long red glare,
Shot up like a warning, we gave presents without cards,
And then the snow,
And then the snow came, we were always out shoveling,
And wed drop to sleep exhausted,
Then wed wake up, and its snowing.
And February was so long that it lasted into March
And found us walking a path alone together.
You stopped and pointed and you said, "Thats a crocus,"
And I said, "Whats a crocus?" and you said, "Its a flower,"
I tried to remember, but I said, "Whats a flower?"
You said, "I still love you."
The leaves were turning as we drove to the hardware store,
My new lover made me keys to the house,
And when we got home, well we just started chopping wood,
Because you never know how next year will be,
And well gather all our arms can carry,