Woods may refer to:
Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter and occasional actress. Raised in Wyomissing, Pennsylvania, Swift moved to Nashville, Tennessee at the age of fourteen to pursue a career in country music. She signed to the independent label Big Machine Records and became the youngest songwriter ever hired by the Sony/ATV Music publishing house. The release of Swift's self-titled debut album in 2006 established her as a country music star. "Our Song", her third single, made her the youngest sole writer and singer of a number one song on the country chart. She received a Best New Artist nomination at the 50th Grammy Awards.
Swift's second album, Fearless, was released in late 2008. Buoyed by the chart success of the singles "Love Story" and "You Belong with Me", Fearless attracted a crossover audience and became the top-selling album of 2009. The record won four Grammy Awards, with Swift becoming the youngest ever Album of the Year winner. Fearless also received Album of the Year plaudits at the American Music Awards, Academy of Country Music Awards and Country Music Association Awards, making it the most awarded album in country music history. In 2010, Swift released her third album, Speak Now, which sold over one million copies in its first week. She then embarked on the 111-date Speak Now World Tour, which was attended by over 1.6 million fans and has become one of the highest-grossing concert tours of all time. The album's third single, "Mean", won two Grammy Awards for Best Country Song and Best Country Solo Performance. Swift is currently recording her fourth studio album, due for release in the fall of 2012.
Mary Louise "Meryl" Streep (born June 22, 1949) is an American actress who has worked in theatre, television, and film. She is widely regarded as one of the most talented actors of all time.
Streep made her professional stage debut in The Playboy of Seville (1971), before her screen debut in the television movie Deadliest Season (1977). In that same year, she made her film debut with Julia (1977). Both critical and commercial success came quickly with roles in The Deer Hunter (1978) and Kramer vs. Kramer (1979), the former giving Streep her first Academy Award nomination and the latter her first win. She later won the Academy Award for Best Actress for her performances in Sophie's Choice (1982) and The Iron Lady (2011).
Streep has received 17 Academy Award nominations, winning three, and 26 Golden Globe nominations, winning eight, more nominations than any other actor in the history of either award. Her work has also earned her two Emmy Awards, two Screen Actors Guild Awards, a Cannes Film Festival award, five New York Film Critics Circle Awards, two BAFTA awards, an Australian Film Institute Award, five Grammy Award nominations, and a Tony Award nomination, amongst others. She was awarded the AFI Life Achievement Award in 2004 and the Kennedy Center Honor in 2009 for her contribution to American culture through performing arts, the youngest actress in each award's history.
Anna Kendrick (born August 9, 1985) is an American actress. She rose to fame after her performance as Natalie Keener in Up in the Air, for which she received an Academy Award nomination for Best Supporting Actress. Her other work includes The Twilight Saga, Camp, Rocket Science, Scott Pilgrim vs. the World, 50/50, and the Broadway musical High Society.
Kendrick "caught the [acting] bug" at the age of 10, when she caught a bus from Portland, Maine, to New York City so that she could attend auditions. Kendrick's first acting role was as Dinah in the Broadway musical High Society in August 1998 when she was 12 years old, a performance for which she earned Theatre World Award, Drama Desk Award, and Tony Award nominations, making her the third-youngest Tony Award nominee.
Kendrick went on to appear in a number of other theater productions, including the musical A Little Night Music, before making her film debut in the 2003 musical comedy Camp, for which she was nominated in the Best Supporting Actress category at the 2004 Chlotrudis Awards and Best Debut Performance Independent Spirit Award for her portrayal of Fritzi Wagner.
Eldrick Tont "Tiger" Woods (born December 30, 1975) is an American professional golfer whose achievements to date rank him among the most successful golfers of all time. Formerly the World No. 1, he is the highest-paid professional athlete in the world, having earned an estimated US$90.5 million from winnings and endorsements in 2010.
Woods turned professional in 1996, and by April 1997 he had already won his first major, the 1997 Masters. He first reached the number one position in the world rankings in June 1997. Through the 2000s, Woods was the dominant force in golf, spending 264 weeks from August 1999 to September 2004 and 281 weeks from June 2005 to October 2010 as world number one. From December 2009 to early April 2010, Woods took leave from professional golf to focus on his marriage after he admitted infidelity. His multiple infidelities were revealed by several different women, through many worldwide media sources. This was followed by a loss of form, and his ranking gradually fell to a low of #58 in November 2011. He snapped a career-long winless streak of 107 weeks when he captured the Chevron World Challenge in December 2011. As of April 8, 2012, he is ranked #8.
Get hooked...again!
Get Hooked...Again!
Plot
New South Wales detective sergeant Bob 'Snake' Inkster almost immediately suspects highly respected ethnic Croation businessman Andrew Kalajzich of the murder of his wife, shot in bed with him while he just rolled out of bed unharmed. Professional criminal George Cannellis makes a deal to prove his admission to have been hired anonymously for the job, but fled rather then kill adolescent son Butch too. The hit was carried out, after more failed attempts, by clumsy amateurs Kerry Orrock and/or Bill Vandenberg. Snake suspects Andrew's motive is an affair with younger secretary Marlene Watson.
Keywords: abuse, beating, male-frontal-nudity, male-full-back-nudity, male-nudity, shower, trial, urination
Plot
Luke Davenport is the 13 year old son of Paul Davenport, the President of the United States, and first lady Linda Davenport. Ill tempered Agent Woods is the secret service agent in charge of Luke. Woods is fired after mistreating Luke in front of media cameras. Woods is then replaced by former boxer Sam Simms, who won a boxing title in 1977. Sam is eager to take the job-even though no one else wants it. Everyone thinks that Luke is just a brat when the only thing Luke wants is to just fit in and be like every other kid at his school, the Georgetown Academy. Sam almost gets fired when Luke gets decked at school by school bully Rob MacArthur. This is when Sam decides to use his boxing expertise to teach Luke how to fight. Luke has his eyes on classmate Katie Warren, but so does Rob. Katie agrees to go with Luke to an upcoming school dance, so Sam teaches Luke how to dance. Rob is also at the dance, but this time when Rob tries to deck Luke, Luke turns the tables and decks Rob. Sam is then fired for taking Luke to the dance without permission, although Luke had the permission of his parents, but secret service chief Morton didn't want Luke leaving the White House grounds while Luke's parents were on the campaign trail. Luke runs away anyway to meet a friend that he has been chatting on the internet with. The meeting is set to take place at a local mall,where Luke discovers that his secret friend is a now psychotic Woods, who blames Luke for his firing and wants revenge on Luke, but not if Sam can help it.
Keywords: blow-pipe, bodyguard, boxer, boxing, boxing-gloves, brawl, bully, chase, chat-room, clothing-store
He's young. He's wild. He's fun. And he's the one protecting the president's son.
Sam Simms: Just be careful out there in cyberspace. Don't tell them anything.
Luke Davenport: Online I'm a normal kid, just like everybody else.::Sam Simms: [Quietly] You ought to try that here.::Luke Davenport: What?::Sam Simms: I said, "Go to bed". And be careful out there in cyber space. Be careful what you tell people.::Luke Davenport: Okay! And stop telling me what to do. You're not my father.::Sam Simms: [Quietly] Lucky for me.::Luke Davenport: What?::Sam Simms: Nice PJs. They got feet on them, don't they?
Woods: I'll have a Harvey Wallbanger. Make it a Harvey Oswald.::Sam Simms: What's the difference?::Woods: Oswald has three shots.
Linda Davenport: You're in high school now, and I expect you to act like it.::Luke Davenport: Then don't dress me in these dorky clothes.::Linda Davenport: You're not dressed in dorky clothes, you're in nice clothes. You look very handsome. You should consider yourself lucky.::Luke Davenport: I should consider myself dorky.
Wilkes: This is the black tie affair!::Sam Simms: I know, sir and I got it covered. I'm black and I'm wearing a tie.
Speet: He spanked you like a four year old at K-Mart.
Agent Dash: You guys suck.::Sam Simms: We suck, ya hear that Luke? We suck, alright, we suck! Let's make a sucky left turn here.
Luke Davenport: What are you doing?::Sam Simms: I'm doing my job, keepin' you alive, I'm testing your food.::Luke Davenport: But why do you always test my cookies?
Luke Davenport: The kitchen's closed.::Sam Simms: I'm Agent Double-Oh Simms. I can get into any kitchen.
Sam Simms: I ain't skated since I was a kid, and *back then* I had a pizza face. Now I got a great big pizza face!
Plot
Story of a man (Quinn) who witnesses a mob killing and rather than testify he goes to prison. When released, he decides to finally testify, even though it means that he and his family will have to go into the "witness protection program" thereby disrupting their lives. However, an unexpected courtroom maneuver by the prosecuting attorney (Dennehy) changes the outcome for this man.
Keywords: blackmail, courtroom, kidnapping, restaurant-owner, title-spoken-by-character, witness, witness-intimidation, witness-to-murder, woman-shot
It took a mob to run the city -- and one man to put them away.
It will tear your heart out.
The experience is shattering!
Publican: [after listening to the band's loud punk-rock music] It's not exactly Mantovani, is it?
Plot
This is the hard and shocking story of life in a British Borstal for young offenders. Luckily the regime has changed since this film was made. The brutal regime made no attempt to reform or improve the inmates and actively encouraged a power struggle between the 'tough' new inmate and the 'old hands'. The film was originally made as a BBC play but it was banned before ever being shown. So 'Alan Clarke' and 'Roy Minton' got it re-made as a film. This is a tough and brutal film and should not be viewed lightly.
Keywords: anarchism, anarchy, bare-chested-male, based-on-play, based-on-tv-movie, bleeding-to-death, blood, cafeteria, child-abuse, child-suicide
The film they tried to ban! A brutal story of today.
In borstal survival rules!
A brutal story - the uncut, uncensored version
Carlin: Vegetarians? I've shit 'em...
Mr Sands: Carlin! Carlin!::[Carlin stands to his ground]::Carlin: Sir?::Mr Sands: Ok, Carlin. You're really for it this time. Banks and Richards have both named you. You get 3 years for this, scum.::Carlin: I don't know what you're talking about, sir.::Mr Sands: You fuckin' well know, toe-rag. I run this wing. I'm not letting it disrupted by a back-street villain like you. You'll sign a statement downstairs.::Carlin: I've got nothin' to say. I'd like to see the House Master.::Mr Sands: You will, Carlin. You will.::Carlin: And the governor, sir. I've got a witness.::Mr Sands: Shit witness. I'm having you lad. You banged that officer at Roly. You must have thought you walked quietly away from that one. But he's here. He's me. He's every fucking screw in this borstal. Every one of us. Come on! [prods Carlin] Fancy taking a poke at me? Come on, big man.::Carlin: I've banged no screw, I retaliated. There was two of 'em, kicking the shit out of me.::[Mr Sands slaps Carlin]::Mr Sands: Well, retaliate here. Come on! [Mr Sands slap Carlin again] I'll have you. [Prods Carlin]
Mr Sands: [grabs Richards] Who was it, Richards? Who was it? Carlin? The coon?::Richards: I slipped, sir.::Mr Sands: I'll give you fucking slipped.::[throws Richards to the ground]::Mr Sands: [to everyone] Right, on your feet! Who did this?::[everyone mumbles, "Don't know, sir."]::Mr Sands: Come on! Who did it?::[everyone mumbles, "No-one, sir."]::Mr Sands: Where's Banks?::[everyone mumbles, "Don't know."]
[Mr Sands finds Banks on the floor]::Mr Sands: [grabs Banks and slams him against a wall] Dozy bastard, Banks! You let him do you over, you twat!::Banks: I slipped, sir.::[Mr Sands slaps him]::Mr Sands: Don't come at me! Who d'yer think yer talking to? Carlin! I want you to name Carlin!::Banks: I slipped, sir.::[Mr Sands slaps him again]
Davis: I feel lonely, sir... I feel depressed, even.
Carlin: [noticing Archer's bare feet] You don't do yourself no favours, mate.
Governor: There is NO violence here!
Carlin: Right Banks, you bastard! I'm the daddy now, next time, I'll fucking kill ya!
[Angel, Davis and Carlin are all lined up against a wall]::Mr Sands: Right. I'm Mr. Sands, this is Mr Greaves. I'm the senior officer and I run A wing. I run it. Right, Carlin?::Carlin: Yes, Sir!::Mr Sands: I come down very heavy on anyone who doesn't grasp that fact. Right? Right?::Carlin: Yes, Sir!::[Mr Sands walks up to Angel]::Mr Sands: Angel, you're in a single room. Some of the lads are what you might call..."prejudiced". You're well advised to keep yourself to yourself. It's your first borstal, innit lad?::Angel: Yes, sir, apart from the Scrubs...::Mr Sands: [interrupts Angel] Forget the Scrubs! The holiday's over.::Mr. Greaves: Move!::[Angel moves]::Mr Sands: Davis, you were foolish enough to run away from an open borstal and you'll soon be wishing you were back there. You're in a single room. Now move!::[Davis moves]::Mr. Greaves: [at Davis] Move it!::Mr Sands: [at Carlin] Carlin, you're in a dormitory. Now, move!::[Carlin moves]::Mr Sands: That's it! In there, on the left.::[Carlin goes to the dormitory on the left and stops. Mr Sands walks in]::Mr Sands: [points at an empty bed] That's yours, Carlin. [Carlin moves to the empty bed] You know the ropes and you know why you're here. I'll jump on you from a great height if you so much as breathe. Got that?::Carlin: Yes, sir!::Mr Sands: There's a lad, a big lad called Pongo in that bed. He heard you were coming. Now, grab that broom and get to work on that floor. I wanna shave in it! [Carlin grabs the broom and scrubs the floor. As he scrubs the floor, Mr Sands deliberately drops Carlin's gear] Carlin? [Carlin stops momentarily] We don't leave our bed space in that condition in here. Make up your bed and your gear away. On the double! [Carlin puts the broom away and unpacks his gear] Next time, you're on report.
Meakin: Up your fucking borstal!
Plot
Francesca Anderson, the rich wife of an older millionaire, can't cope with the death of her lover, who is the father of her only son, James. As her son is somehow part of her dead lover, she falls in love with him and tries to seduce him, but he has a girlfriend named Julie. As her husband finds out all about this, he wants to kill her...
Keywords: bare-breasts, based-on-novel, bath, bathrobe, billiard-table, boat, breasts, car-chase, champagne, court
"I wish my mother would stop treating me like a man"
This is a picture of a family
Plot
Forsdyke, a pathological petty thief subjects himself to a strict correction course run by a wealthy ex-con Widdowes and his Crooks Anonymous organization. Forsdyke's young and innocent girlfriend Babette, holds the hopes for his recovery and promises that she'll marry him if he'll reform. However, Forsdyke loses control when he's locked in a department store over Christmas.
Keywords: disguise, england, independent-film, larceny, shoplifting
Ceramic lights, is this television, is this first ideas
Laughter hangs from spindled towers, perception makes it real
And blankets devour, autumn stretches, on a hill up high
Say don't you wait for me to give up on my side
Holding the lights, everyone is burning down the pines
There's nowhere to hide, everyone out here is so high
Oh, good god
Insides lit up with constellations, reflect teeming eyes
And all the sounds for newborn ears, fresh, noisy and alive
No don't you wait for me, no don't you wait, no don't you wait for me
No, you can't burn what is already on fire
Holding the lights, everyone is burning down the pines
There's nowhere to hide, everyone out here is so high
Oh, good god
If there's a softness left then it's down deep
Sleeping in the mines
And to get to it would stir the sticking fits
From where they now reside
The smallness is the comfort between us
But experience makes us mean
And I know I know, I know, I know
This is where the woods will take you
Holding the lights, everyone is burning down the pines
There's nowhere to hide, everyone out here is so high
Oh, good god
Holding the lights, everyone is burning down the pines
There's nowhere to hide, everyone out here is so high
I'm up in the woods, I'm down on my mind
I'm building a sill to slow down the time
I'm up in the woods, I'm down on my mind
I'm building a sill to slow down the time
I'm up in the woods, I'm down on my mind
I'm building a sill to slow down the time
I'm up in the woods, I'm down on my mind
I'm building a sill to slow down the time
I'm up in the woods, I'm down on my mind
I'm building a sill to slow down the time
I'm up in the woods, I'm down on my mind
I'm building a sill to slow down the time
I'm up in the woods, I'm down on my mind
I'm building a sill to slow down the time
I'm up in the woods, I'm down on my mind
I'm building a sill to slow down the time
I'm up in the woods, I'm down on my mind
I'm building a sill to slow down the time
I'm up in the woods, I'm down on my mind
I'm building a sill to slow down the time
I'm up in the woods, I'm down on my mind
There's a man walking in the dark, out there waiting
Waiting for a chance
A glimpse to his fate
But there's a silence around screaming
Warning
Close up your eyes and enter the dream
And as you're looking at your sides
There's a man watching
Tells its hard smell the fear that you lose
So you wait
I'm too tired
Lower your head
Aren't you tired?
All in your head
I feel tired
Ahhhhh.....
Close
Piano
We’ve been in these woods
Since i don’t know when
Now my axe is blunt
Though there’s nothing cut
If you want me to
I will show you
Where to go to
In these woods
It’s been wonderfull
Like a struggle should
I’ve got no bitter thoughts
Yes my stay’s been good
We’ll go barefoot
Alien blisters from walking to rome
Give me my tongue back
I’ll wipe off the dirt of your songs
Soprano
Organ
Drums
Guitar
We spent a lot of time
In a hallow heartache
Breading in the pine
With a pile of footage
But there came a day
When i shook my head
Like a wind-up toy
Shiny cherry red
We grew up in woods
Defining
What broke down in woods
By denying
Either dusk or dawn
On my shoestrings
All the rabbits hung in a cold rain
Heaven of the sorry kind
Wisdom from a runner’s mind
We fell down in woods
As united doves
Lumberjacks in mist
Warming up to stoves
If i weren’t a wood
I would wrap you in with drifting wood
I’d take you down like a river would
We grew up like trees
Leaving shades behind
Cruising noman’s land
We were weak plants
If you want me to
I will hold you
I will rock you