A soundtrack can be recorded music accompanying and synchronized to the images of a motion picture, book, television program or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film or TV show; or the physical area of a film that contains the synchronized recorded sound.
In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially the dialogue, sound effects, and music in a film each has its own separate track (dialogue track, sound effects track, and music track), and these are mixed together to make what is called the composite track, which is heard in the film. A dubbing track is often later created when films are dubbed into another language. This is also known as a M & E track (music and effects) containing all sound elements minus dialogue which is then supplied by the foreign distributor in the native language of its territory.
The contraction soundtrack came into public consciousness with the advent of so-called "soundtrack albums" in the early 1950s. First conceived by movie companies as a promotional gimmick for new films, these commercially available recordings were labeled and advertised as "music from the original motion picture soundtrack." This phrase was soon shortened to just "original motion picture soundtrack." More accurately, such recordings are made from a film's music track, because they usually consist of the isolated music from a film, not the composite (sound) track with dialogue and sound effects.
Hans Florian Zimmer, German pronunciation: [hans ˈfloːʁi̯aːn ˈtsɪmɐ]; (born 12 September 1957) is a German film composer and music producer. He has composed music for over 100 films, including award winning film scores for The Lion King (1994), Crimson Tide (1995), Gladiator (2000), The Last Samurai (2003),The Dark Knight (2008), and Inception (2010).
Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions.
Zimmer's works are notable for integrating electronic music sounds with traditional orchestral arrangements. He has received four Grammy Awards, two Golden Globes, a Classical BRIT Award, and an Academy Award. He was also named on the list of Top 100 Living Geniuses, published by The Daily Telegraph.
Zimmer was born in Frankfurt am Main, Germany. As a young child, he lived in Königstein-Falkenstein, where he played the piano at home, but had piano lessons only briefly as he disliked the discipline of formal lessons. He moved to London as a teenager, where he attended Hurtwood House school. In an interview with the German television station ZDF in 2006, he commented: "My father died when I was just a child, and I escaped somehow into the music and music has been my best friend."
Ludovico Einaudi OMRI (Italian pronunciation: [ludoˈviːko eiˈnaudi]) (born 23 November 1955 in Turin, Piedmont) is an Italian pianist and composer.
Einaudi was born in Turin, Italy. His mother played to him on the piano as a child. He began his musical training at the Conservatorio Verdi in Milan, gaining a diploma in composition in 1982. That same year, he studied with Luciano Berio and gained a scholarship to the Tanglewood Music Festival.
After studying at the Conservatory in Milan, and subsequently with Berio, he spent several years composing in traditional forms. In the mid-1980s he began to search for a more personal expression in a series of works for dance and multimedia, and later for piano. His music is ambient, meditative and often introspective, drawing on minimalism, world music, and contemporary pop. He has made a significant impact in the film world, with four international awards to his name.[citation needed]
His father, Giulio Einaudi, was a publisher, and his grandfather, Luigi Einaudi, was President of Italy between 1948 and 1955. He currently resides on a vineyard in the Italian region of Piedmont.
Yann Tiersen (born 23 June 1970) is a musician from France. His musical career is split between studio albums, collaborations and film soundtracks with a distinctive sound that is always involved. It can be recognized by its use of a large variety of instruments; primarily the guitar, synthesizer or violin together with instruments like the melodica, xylophone, toy piano, harpsichord, accordion and typewriter.
Tiersen is often mistaken as a composer of soundtracks, himself saying "I'm not a composer and I really don't have a classical background", but his real focus is on touring and studio albums which just happen to often be suitable for film. His most famous soundtrack for the film Amélie was primarily made up of tracks taken from his first two studio albums.
Yann Tiersen was born in Brest in the Finistère département in Brittany in northwestern France, in 1970, into a family of Belgian and Norwegian origins. He started learning piano at the age of four, violin at the age of six, and received classical training at several musical academies, including those in Rennes, Nantes, and Boulogne. In the early 1980s when he was a teenager he was influenced by the punk subculture, and bands like The Stooges and Joy Division. In 1983, at the age of 13, he broke his violin, bought an electric guitar, and formed a rock band. Tiersen was now living in Rennes, and this turned out to be the perfect place for his musical career. In fact, Rennes is home to the three-day music festival Rencontres Trans Musicales, held annually in December, giving him the opportunity to see acts like Nirvana, Einstürzende Neubauten, Nick Cave and the Bad Seeds, The Cramps, Television, and Suicide. A few years later, when his band broke up, Tiersen bought a cheap mixing desk, an 8-track reel-to-reel audio tape recording, and started recording music solo with a synthesizer, a sampler, and a drum machine.
Howard Leslie Shore (born October 18, 1946) is a Canadian composer, notable for his film scores. He has composed the scores for over 80 films, most notably the scores for The Lord of the Rings film trilogy, for which he won three Academy Awards. He is also a consistent collaborator with director David Cronenberg, having scored all but one of his films since 1979.
He has also composed a few concert works including one opera, The Fly, based on the plot (though not his score) of Cronenberg's 1986 film premiered at the Théâtre du Châtelet in Paris on 2 July 2008., a short piece Fanfare for the Wanamaker Organ and the Philadelphia Orchestra, and a short overture for the Swiss 21st Century Symphony Orchestra.
Shore is a three-time winner of the Academy Award, and has also won three Golden Globe Awards and four Grammy Awards. He is the uncle of film composer Ryan Shore. Shore serves on the Board of Trustees at his alma mater, Berklee College of Music.
Shore was born in Toronto, Ontario, Canada, the son of Bernice (née Ash) and Mac Shore. He studied music at Berklee College of Music in Boston after graduating from Forest Hill Collegiate Institute. From 1969 to 1972, he performed with the group Lighthouse. In 1970 he was the music director of Lorne Michaels and Hart Pomerantz's short-lived TV program The Hart & Lorne Terrific Hour. Shore wrote the music for Canadian magician Doug Henning's magical/musical Spellbound in 1974, and he was the musical director for Lorne Michaels' hugely influential late-night NBC comedy show Saturday Night Live from 1975 to 1980, appearing in many musical sketches, including Howard Shore and His All-Nurse Band, and dressed as a beekeeper for a John Belushi/Dan Aykroyd performance of the Slim Harpo classic I'm a King Bee. Shore also suggested the name for The Blues Brothers to Dan Aykroyd and John Belushi.
Plot
It is happening all across America-rural landowners wake up one day to find a lucrative offer from an energy company wanting to lease their property. Reason? The company hopes to tap into a reservoir dubbed the "Saudi Arabia of natural gas." Halliburton developed a way to get the gas out of the ground-a hydraulic drilling process called "fracking"-and suddenly America finds itself on the precipice of becoming an energy superpower.
Keywords: chemical-contamination, chemical-pollution, energy, environmentally-induced-disease, fire-and-water, fracking, ground-water, hydraulic-fracturing, hydro-fracking, natural-gas
Can you light your water on fire?
There's something in the water.
The billion dollar energy industry has a dirty little secret...
Plot
The beautiful princess Giselle is banished by an evil queen from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn't operate on a "happily ever after" basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid - even though she is already promised to a perfect fairy tale prince back home - she has to wonder: Can a storybook view of romance survive in the real world?
Keywords: 2000s, african-american, animal, apple, aquarium, ball-the-dance, barefoot, bicycle, bird, black-american
The real world and the animated world collide.
This fairytale princess is about to meet a real Prince Charming.
Prince Edward: Giselle!::[leaps off a bridge, begins to sing]::Prince Edward: I've been dreaming of a...::[a group of cyclists collide with Prince Edward, everyone collapses]
Prince Edward: [talking to a TV] Magic Mirror. I beg you. Tell me where she is!::Mary Ilene Caselotti: [on TV] Reporting from 116th and Broadway.::Prince Edward: One hundred and sixteenth and Broadway!::[hugs the TV]::Prince Edward: Thank you mirror!::[kisses it and runs off]
Giselle: What about you and Nancy? You know that you will live happily ever after.::Robert: I don't know if I'll make it through today, let alone a lifetime. That's what I'm trying to tell you. It's complicated.::Giselle: But it doesn't have to be. Not if she knows.::Robert: Knows what?::Giselle: How much you really love her.::Robert: Of course she does. We just don't talk about it every minute of the day, but she knows.::Giselle: How?::Robert: What do you mean, "how?"::Giselle: [singing] How does she know...::Robert: [laughs] No, don't.::Giselle: You love her? / How does she know...::Robert: People look-looking.::Giselle: She's yours?::Robert: [interrupting] Don't sing. It's OK, you know. Let's just walk. Can we walk?::Giselle: [speaks] Well, does she?::Robert: Yeah.
Prince Edward: [threatening Robert with his sword] Have you any last words before I dispatch you?::Robert: You have got to be kidding me!::Prince Edward: Strange words!
Prince Edward: [holds sword in front of construction worker's neck, trying to find Giselle] I seek a beautiful girl. My life partner, my one coquette, the answer to my love's duet.::Arty: [stuttering] I-I'd like to find one of them too, you know?
Prince Edward: Nathaniel likes the way I leap?
Prince Edward: I'm handsome even when I sleep?
Giselle: Is that the only word you know? "No?"::Robert: No, no, no, no, no, no, no, no. I mean, No!::Giselle: "No! No! No!" Over and over! When you keep saying "No!" it just makes me so... Sometimes you make me so!... angry.::[laughs really hard]
Morgan Philip: Remember, when you go out not to put too much makeup otherwise the boys will get the wrong idea and you know how they are... [off Giselle's wide-eyed look] They're only after one thing.::Giselle: What's that?::Morgan Philip: [laughs] I don't know. Nobody will tell me.
Robert: [Giselle and the other people at Central Park all start singing] He knows the song too? I've never heard this song before! What the hell is it?
Plot
Tracy Turnblad, an overweight teenager with all the right moves, is obsessed with the Corny Collins Show. Every day after school, she and her best friend Penny run home to watch the show and drool over the hot Link Larkin, much to Tracy's mother Edna's dismay. After one of the stars of the show leaves, Corny Collins holds auditions to see who will be the next person on the Corny Collins show. With all of the help of her friend Seaweed, Tracy makes it on the show, angering the evil dance queen Amber Von Tussle and her mother Velma. Tracy then decides that it's not fair that the black kids can only dance on the Corny Collins Show once a month, and with the help of Seaweed, Link, Penny, Motormouth Maybelle, her father and Edna, she's going to integrate the show.....without denting her 'do!
Keywords: 1960s, african-american, agent, alarm-clock, applause, audition, backstage, baltimore-maryland, band-class, bar
Who's who behind the do?
Get ready for something big July 20th!
You Can't Stop The Beat...July 2007
This Summer, when you follow your own beat, there is no limit to how far you can go.
It was a time of tradition, a time of values, and a time...to shake things up.
In July 2007, are you ready for something big?
Remember when a movie can make you dream, make you dance, and make you feel on top of the world?
When you follow your own beat, the world will follow you.
On July 20th, the summer blockbuster is getting a whole new look.
For anyone who wanted something bigger, there comes a time to break all the rules.
Edna Turnblad: Penny, get home before your mother shoots you.
Velma Von Tussle: [after "New Girl in Town"] How dare you pick the same song!::Motormouth Maybelle: They wrote it.
Motormouth Maybelle: [watching Edna walk in] If we get any more white people in here, this is gonna be a suburb.
Motormouth Maybelle: Well, looks like y'all took a step outta bounds.::[to Seaweed]::Motormouth Maybelle: Who've we got here?::Seaweed: Mom, I want you to meet my new friends. This here is Link, Tracy Turnblad...::Tracy Turnblad: [interrupts] This is just so afro-tastic!::Seaweed: And this young lady right here, is Penny Pingleton.::Penny Pingleton: I'm very pleased and scared to be here.::Motormouth Maybelle: Now, honey, we got more reason to be scared on your street.
Edna Turnblad: Imagine! My little girl... regular, at last.
Link Larkin: I was just at home, practicing my new twist on The Twist, when I overheard it on the news. I can't believe Tracy savagely bludgeoned an Eagle Scout. That's just not like her.::Edna Turnblad: But it's not true! I was there! He didn't even bleed.::Link Larkin: I shoulda been there, beside her. I can't sleep. I can't eat...::Edna Turnblad: You can't eat? Well, come on in and worry with us. I'll make you some pork.
Amber von Tussel: [on the phone with Edna, disguising her voice] My name is Mike.::Edna Turnblad: [off-camera] Mike?::Amber von Tussel: Yes, Mike.::Edna Turnblad: Mike who?::Amber von Tussel: [slips back into her normal voice] It's MIKE! [catches herself, coughs] Anyway... I'm calling because I have some information about your daughter's whereabouts.::Edna Turnblad: What?::Amber von Tussel: Right now, as we speak, your daughter has entered a hotbed of moral... turpentine.
Tracy Turnblad: I'm a bad, bad girl who needs to be punished.
Edna Turnblad: [singing] You can't stop my happiness, 'cuz I like the way I am. And you just can't stop my knife and fork when I see a Christmas ham! And if you don't like the way I look, then I just don't give a damn!
Penny Pingleton: [after Tracy is rejected by Velma and the Council Members] I think they secretly liked you.
Doña Dolores: Diego Fuente used to do business with my late husband. I don't trust him, never did. He is a... how you say in America?::Fred 'Freddy' Jones: Crook?::Daphne Blake: Liar?::Velma Dinkley: Con man?::Doña Dolores: [waits a beat] Jerk!
Shaggy: [talking to Scooby] Like, whoever heard such a ridiculous story? A 10-foot hairy monster with big feet and sharp teeth? Sounds like something out of a cartoon!
El Curandero: The answers to all your questions can be found in the past. Oh. And did I also mention you're in grave danger?::Daphne Blake: [slightly nervous] Uh, no, I think you skipped that part.::El Curandero: [ominously] You're in grave danger.
Daphne Blake: Okay, Fred, how do you say "hopelessly lost" in Spanish?::Velma Dinkley: It looks like the woods get thicker up ahead.::Daphne Blake: Do you suppose we'll meet any wild animals?::Fred 'Freddy' Jones: We might.::Velma Dinkley: Mostly coyotes and jaguars and boars.::Daphne Blake: Coyotes?::Fred 'Freddy' Jones: And jaguars?::Velma Dinkley: And boars.::Daphne Blake: Oh, my!
Sofia Otero: [speaking to some kids] Now, forget all about this scary monster nonsense and play with your skeletons among the tombstones.
Fred's computer: All right! You've got mail!
Daphne's computer: Jeepers! You have mail.
Velma's computer: Jinkies! You have mail.
Shaggy's computer: Zoinks! Like, you have mail!
Fred 'Freddy' Jones: [after reading Valejo's email] Sound's great! And I can practice my Spanish!::Fred 'Freddy' Jones: [after forwarding the message to Daphne] I thought I'd catch you at your computer. So what do you think?::Daphne Blake: [after reading the message and agreeing with Fred] Of course, I'd love to go to Mexico, yes! I mean-Sí! Let's ask Velma.::Velma Dinkley: [doing a search on her computer and receives the message] Mexico? The art, the museums, the pyramids. I'm there!::Fred 'Freddy' Jones: [to both girls] Great! Let's check with the guys.::[Scooby and Shaggy eating a microwave pizza]::Shaggy: [after waiting impatiently for Scooby at his computer] Mexico? Tomorrow? [chuckles softly]::Shaggy: [to Scooby] Like, what do we got tomorrow, Scoob? Let's see.::Shaggy: [pulls out a palm pilot and reads what's onscreen] Daydreaming at 10:00, napping, snoozing, relaxing. Sorry guys, looks like I'm booked.::Scooby-Doo: Reah, rooked!::[both Shaggy and Scooby laugh]::Velma Dinkley: [to Shaggy] Do you realize we'll be there for the annual Day of the Dead celebration?::[Shaggy and Scooby stop laughing, only to be shocked by Velma's news]::Shaggy: [to Velma] Like, what's that?::Velma Dinkley: A holiday in which families gather at the cemetery to celebrate their ancestors who are allowed to come back to Earth for two days.::Shaggy: [frightened by Velma's description] Cemetary? Sounds scary!::[Scooby runs into a wardrobe hiding]::Velma Dinkley: [calming Shaggy down] Not at all. Just a bunch of kids in costumes. Lots of skeleton shaped cookies and candy.::[Scooby walks around in the wardrobe]::Daphne Blake: Basically, it's non-stop eating.::Shaggy: [Scooby pops out of the dresser, excited]::Shaggy: [to Scooby] Sounds like Halloween!::Velma Dinkley: Exactly!::Daphne Blake: So, what do you say?::Shaggy: Can't talk now, guys. Like, Scoob and I gotta pack!
(I've Had) The Time Of My Life
Be My Baby
She's like the wind
Hungry Eyes
Stay
You don't own me
Hey Baby
Overload
Love is strange
Where are you tonight
In the still of the night
Bill Medley and Jennifer Warnes: '(I've Had) The Time Of My Life'
Now I've had the time of my life
No I never felt like this before
Yes, I swear it's the truth
And I owe it all to you
'Cause I've had the time of my life
And I owe it all to you...
I've been waiting for so long,
Now I've finally found someone
To stand by me...
We saw the writing on the wall
As we felt this magical
Fantasy...
Now with passion in our eyes
There's no way we could disguise it
Secretely...
So we take each other's hand
'Cause we seem to understand
The urgency just remember...
You're the one thing
I can't get enough of
So I'll tell you something
This could be love, because...
CHORUS:
I've had the time of my life
No I never felt this way before
Yes, I swear its the truth
And I owe it all to you.
With my body and soul
I want you more than you'll ever know
So we'll just let it go
Don't be afraid to loose control.
Yes I know what's on your mind
When you say 'Stay with me tonight.'
Just remember:
You're the one thing
I can't get enough of
So I'll tell you something
This could be love, because...
CHORUS:
I've had the time of my life
No I never felt this way before
Yes, I swear its the truth
And I owe it all to you.
'Cause I had the time of my life
And I've searched through every open door
Till I've found the truth
And I owe it all to you
CHORUS:
Now I've had the time of my life
No I never felt this way before
Yes, I swear its the truth
And I owe it all to you!
CHORUS:
I've had the time of my life
No I never felt this way before
Yes, I swear its the truth
And I owe it all to you
Cause I've had the time of my life
And I've searched through every open door
Till I've found...
The Ronettes: 'Be My Baby'
The night we met
I knew I needed you so
And if I had the chance
I'd never let you go
So won't you say you love me
I'll make you so proud of me
We'll make 'em turn their heads
Every place we go -
So won't you please
CHORUS:
Be my, be my baby,
Be my little baby.
My one and only baby,
Say you'll be my darling.
Be my, be my baby,
Be my baby now!
My one and only baby.
I'll make you happy, baby
Just wait and see
For every kiss you give me
I'll give you three
Oh, since the day I saw you
I have been waiting for you
You know I will adore you
Till eternity so won't you please...
CHORUS:
Be my, be my baby,
Be my little baby!
My one and only baby,
Say you'll be my darling,
Be my, be my baby,
Be my baby now!
My one and only Baby.
So come on and
CHORUS:
Be my, be my baby,
Be my little baby!
My one and only baby,
Say you'll be my darling,
Be my, be my baby,
Be my baby now!
My one and only Baby.
Oh, oh, oh, oh
CHORUS:
Be my, be my baby,
Be my little baby!
My one and only baby, Oh,
Be my, be my baby,
Oh, oh, oh, oh, oh, oh,
My one and only Baby.
Be my, be my baby,
My one and only Baby...
Patrick Swayze: 'She's like the wind'
She's like the wind through my tree
She rides the night next to me
She leads me through the moonlight
Only to burn me with the sun
She's taken my heart
But she doesn't know what she's done!
CHORUS:
Feel her breath on my face
Her body close to me!
Can't look in her eyes
She's out of my league!
Just a fool to believe
I have anything she needs
She's like the wind...
I look in the mirror and all I see
Is a young old man with only a dream!
Am I just fooling myself
That she'll stop the pain
Living without her
I'd go insane!
CHORUS:
Feel her breath on my face
Her body close to me!
Can't look in her eyes
She's out of my league!
Just a fool to believe
I have anything she needs
She's like the wind...
Feel your breath on my face
Your body close to me!
Can't look in your eyes
You're out of my league!
Just a fool to believe
She's like the wind.
Just a fool to believe
She's like the wind.
Just a fool to believe
She's like the wind.
Just a fool to believe
She's like the wind.
Eric Carmen: 'Hungry Eyes'
I've been meaning to tell you
I've got this feelin' that won't subside
I look at you and I fantasize
You're mine tonight
Now I've got you in my sights
CHORUS:
With these hungry eyes
One look at you and I can't disguise
I've got hungry eyes
I feel the magic between you and I
I want to hold you so hear me out
I want to show you what love is all about
Darlin' tonight
Now I've got you in my sights
CHORUS:
With these hungry eyes
One look at you and I can't disguise
I've got hungry eyes
I feel the magic between you and I
I've got hungry eyes
Now I've got you in my sights
With these hungry eyes
Now did I take you by surprise
I need you to see
This love was meant to be
I've got hungry eyes
One look at you and I can't disguise
I've got hungry eyes
I feel the magic between you and I
I've got hungry eyes
Now I've got you in my sights
With these hungry eyes
Now did I take you by surprise
With my hungry eyes
Maurice Wiliams and The Zodiacs: 'Stay'
Stay
Just a little bit longer
Please, please, please, please, please
Tell me you're going to
Now your daddy don't mind
And your mommy don't mind
If we have another dance
Just one more
One more time
Oh, won't you stay
Just a little bit longer
Please let me hear
You say that you will
Stay
Won't you press your sweet lips to mine
Won't you say you love me
All of the time
Stay
Just a little bit longer
Please, please, please, please, please
Tell me you're going to
Come on, come on
Come on and stay
Come on, come on
Come on and stay
Come on, come on
Come on and stay
Merry Clayton: 'Yes'
Drivin' around
I just can't hear a sound
'Cept my own wheels turnin'
Wastin' a day
I'm just runnin' away
From a heart that's burnin'
But I can't run forever
CHORUS:
We're gonna fall in love
And it feels so right
We're gonna make love
It's gonna be tonight
I can just imagine
Huggin' and teasin' and
Lovin' and squeezin' all night
I've made up my mind
He's gonna be mine
I'm so glad I waited
Why did I try
To figure out why
Everything can't be anticipated
I can't wait to tell him
CHORUS:
We're gonna fall in love
And it feels so right
We're gonna make love
It's gonna be tonight
I can just imagine
Huggin' and teasin' and
Lovin' and squeezin' all night
Oh yes!
I can just imagine
Huggin' and teasin' and
Lovin' and squeezin' all night
Oh yes!
We're gonna fall in love
And it feels so right
We're gonna make love
It's gonna be tonight
We're gonna fall in love
And it feels so right
We're gonna make love
It's gonna be tonight
We're gonna fall in love
And it feels so right
Baby yes...
The Blow Monkeys: 'You don't own me'
You don't own me
I'm not just one of your many toys
You don't own me
Don't say I can't go with other boys
Don't tell me what to do
And don't tell me what to say
Please when I go out with you
Don't put me on display 'cause
You don't own me
Don't try to change me in any way
You don't own me
Don't tie me down
'Cause I'll never stay
Oh I don't tell you what to say
And I don't tell you what to do
So just let me be myself
That's all I ask of you
I'm young and I love to be young
Free and I love to be free
To live my life the way I want
To say and do whatever I please
You don't tell me what to do
And you don't tell me what to say
And please when I go out with you
Don't put me on display 'cause
Oh I don't tell you what to say baby
And I don't tell you what to do...
Bruce Channel: 'Hey Baby'
CHORUS:
Hey, hey baby
I wanna know
If you'll be my girl
CHORUS:
Hey, hey baby
I wanna know
If you'll be my girl
When I saw you walking down the street
I said that's the kind of gal I'd like to meet
She's so pretty, lord, she's fine
I'm gonna make her mine all mine
CHORUS:
Hey, hey baby
I wanna know
If you'll be my girl
When you turned and walked away
That's when I want to say
Come on baby give me a whirl
I wanna know if you'll be my girl
CHORUS:
Hey, hey baby
I wanna know
If you'll be my girl
When you turned and walked away
That's when I want to say
Come on baby give me a whirl
I wanna know if you'll be my girl
CHORUS:
Hey, hey baby
I wanna know
If you'll be my girl
CHORUS:
Hey, hey baby
I wanna know
If you'll be my girl
Zappacosta: 'Overload'
I can hear your heels clicking on the sidewalk
Beating to the rhythm of my heart caught up in you
You're the only one I want
I follow you home every night
Just to make sure that you get there allright
Baby it's true
Can't think of anything but you
And what I need baby
Is a little bit of sympathy
CHORUS:
You got me on my knees
I burn throughout the night
And I can't live whithout your love
Won't you help me cure this Overload
Won't you help me cure this Overload
Oh you got to know
You see me everywhere that you go
Doesn't that say something
Obsession's taken hold of me
Yeah, all because of you
You've got to see me through
Can't take another night alone without you
Honey it's true
I am so hung up on you
What I really need baby
Is a little of your company
CHORUS:
You got me on my knees
I burn throughout the night
And I can't live whithout your love
Won't you help me cure this Overload
Won't you help me cure this Overload
And what I need baby
Is a little of your sympathy
CHORUS:
You got me on my knees
I burn throughout the night
And I can't live whithout your love
Won't you help me cure this Overload
Won't you help me cure this Overload
Won't you help me cure this Overload
Won't you help me cure this Overload
Won't you help me cure this Overload
Won't you help me cure this Overload
Won't you help me cure this Overload
Mickey and Sylvia: 'Love is strange'
Love
Love is strange
Lot of people
Take it for a game
Once you get it
You never wanna quit
After you've had it
You're in an awful fix
Many people
Don't understand
They think loving
Is money in the hand
Your sweet loving
Is better than a kiss
When you leave me
Sweet kisses I miss
'Sylvia!'
'Yes, Mickey?'
'How do you call your lover boy?'
'Come here, lover boy!'
'And if he doesn't answer?'
'Oh lover boy...'
'And if he still doesn't answer?'
'I simply say:
Baby, oh baby
My sweet baby, you're the one!'
Baby, oh baby,
My sweet baby, you're the one
Tom Johnston: 'Where are you tonight'
I want to know
Where are you tonight, tonight
I want to know
Where are you tonight, tonight
I got to know
Girl I got to find you!
I look at the moon and a single star
It's making me crazy wondering where you are
I reach out and touch that heavenly face
Open my hand there's an empty space
Oh no, where are you tonight, tonight
I've got to know
Where are you tonight
The sink and the dishes spent the weekend there
Should clean up the place but I just don't care
Tonight I'll be taking to the moon and that star
Maybe they'll tell me where on earth you are
Oh no, where are you tonight, tonight
I got to know
Where are you tonight
Please believe me when you leave me
Keeps me worrying through the night
Worry baby, makes me crazy
Can't tell wrong from right
Come to me tonight
I want to know
Where are you tonight, tonight
I got to know
Where are you tonight
Don't you hear me calling through to you baby
Where are you tonight, tonight
I got to know
Where are you baby
Where are you tonight, tonight
I got to know
Where are you tonight
Baby, baby...
The Five Satins: 'In the still of the night'
In the still of the night
I held you, held you tight
'Cause I love, love you so
Promise I'll never let you go
In the still of the night
I remember that night in May
The stars were bright above
I'll hope and I'll pray
To keep your precious love
Well before the light
Hold me again with all your might
In the still of the night
So before the light
Hold me again with all of your might
In the still of the night
In the still of the night
Hey, uh huh huh
Hey, uh huh huh
What I like about you, the way you hold me tight
Tell me I'm the only one, wanna come over tonight, yeah
You're whispering in my ear
Tell me all the things that I wanna to hear, 'cause that's true
That's what I like about you
What I like about you, you really know how to dance
When you go up, down, jump around, think about true romance, yeah
You're whispering in my ear
Tell me all the things that I wanna to hear, 'cause that's true
That's what I like about you
That's what I like about you
That's what I like about you
Wahh!
Hey!
What I like about you, you keep me warm at night
Never wanna' let you go, know you make me feel alright, yeah
You're whispering in my ear
Tell me all the things that I wanna to hear, 'cause that's true
That's what I like about you
That's what I like about you
That's what I like about you
That's what I like about you (whispered)
That's what I like about you (whispered)
That's what I like about you (whispered)
That's what I like about you (whispered)
Hey, uh huh huh,
Hey, uh huh huh,
(Ghostbusters!)
If there's somethin' strange in your neighborhood
Who ya gonna call?
(Ghostbusters!)
If it's somethin' weird an' it don't look good
Who ya gonna call?
(Ghostbusters!)
I ain't afraid o' no ghost
I ain't afraid o' no ghost
If you're seein' things runnin' through your head
Who can you call?
(Ghostbusters!)
An invisible man sleepin' in your bed
Oh who ya gonna call?
(Ghostbusters!)
I ain't afraid o' no ghost
I ain't afraid o' no ghost
Who ya gonna call?
(Ghostbusters!)
If you're all alone, pick up the phone
And call
(Ghostbusters!)
I ain't afraid o' no ghost
I hear it likes the girls
I ain't afraid o' no ghost
Yeah, yeah, yeah, yeah
Who you gonna call?
(Ghostbusters!)
Mmm, if you've had a dose
Of a freaky ghost baby
You better call
(Ghostbusters!)
Let me tell you somethin'
Bustin' makes me feel good
I ain't afraid o' no ghost
I ain't afraid o' no ghost
Don't get caught alone, oh no
(Ghostbusters!)
When he comes through your door
Unless you just a want some more
I think you better call
(Ghostbusters!)
Oh, who you gonna call?
(Ghostbusters!)
Who you gonna call?
(Ghostbusters!)
Ah, think you better call
(Ghostbusters!)
Who you gonna call?
(Ghostbusters!)
I can't hear you
Who you gonna call?
(Ghostbusters!)
Louder
(Ghostbusters!)
Who you gonna call?
(Ghostbusters!)
Who can you call?
Who are these children coming down, coming down.
Like gentle rain though darken skies.
With glory trailing from their feet as they go.
And endless promise in their eyes!
Who are these youn ones growing tall, growing tall.
Like silver trees against the storm.
Who will not bend with the wind or the change,
But stand to fight the world alone!
These are the few, the warriors
Saved for Saturday, to come
The last day of the world
These are they, on Saturday.
These are the strong, the warriors
Rising in the might to win
The battle raging in
The hearts of men, on Saturday.
Strangers from a realn of light
Who have forgotten all.
The memory of their former life.
The purpose of their call.
And so they must learn why they're here
And who they really are.
They must learn why they're here
And who they are!
These are the few, the warriors
Saved for Saturday, to come
The last day of the world
I take some paper on my hand,
And with a pencil draw a man
The dream of what I'd really, really like to be.
A man with courage in his brow,
Who's licked his doubts and fears somehow,
A warrior of great nobility.
But who am I? Just a wandering kid.
A cipher on the wall, not even brave at all!
And where's my dream like his that I would fight for?
And where's my cause like his that I would die for?
And in his eyes he's not a afraid
Because you see he's got it made
The dream of what I'd really, really like to be.
A tall and noble, fiery youth.
Who's not afraid to die for truth.
Who's tall and straight, but best of all he's free!
But who am I? Just a wandering kid.
A cipher on the wall, not even brave at all!
And where's my dream like his that I would fight for?
And where's my cause like his that I would die for?
But still the paper's in my hand
And every day I sketch that man
Who knows the truth and what life's all about!
My conscience says I should be him
I guess I could at least begin
You've said a lot, believe me.
You've said too much again.
Don't cost a lot of money -
I'm gonna count to ten.
But it's OK (It's OK);
I've been here before (It's OK).
And I'll come again (It's OK).
You have to give me more (It's OK).
There's such a lot of tension,
It's almost everywhere.
A sharp increase in volume -
It fills the air.
But it's OK (It's OK);
I've been here before (It's OK).
And I'll come again (It's OK).
You have to give me more (It's OK).
But it's OK (It's OK);
I've been here before (It's OK).
And I'll come again (It's OK).
You have to give me more (It's OK).
But it's OK (It's OK);
I've been here before (It's OK).
And I'll come again (It's OK).
You have to give me more (It's OK).
But it's OK (It's OK);
I've been here before (It's OK).
And I'll come again (It's OK).
You have to give me more (It's OK).
(I'm not thinking).
(I'm not listening).
But it's OK (It's OK, it's OK)
But it's OK (It's OK, it's OK)
But it's OK (It's OK, it's OK)
But it's OK (It's OK, it's OK)
I step off the train
I'm walking down your street again
And pass your door
But you don't live there anymore
It's years since you've been there
Now you've disappeared somewhere
Like outer space
You've found some better place
And I miss you-
Like the deserts miss the rain
Could you be dead ?
You always were
Two steps ahead of everyone
We'd walk behind
While you would run
I look up at your house
And I can almost hear you
Shout down to me
Where I always used to be
And I miss you-
Like the deserts miss the rain
Back on the train
I ask
Why did I come again ?
Can I confess
I've been hanging'round
Your old address ?
And the years have proved
To offer nothing
Since you moved
You're long gone
But I can't move on
And I miss you-
Burn baby burn! Burn baby burn! Burn baby burn! Burn
baby burn!
Burnin'!
To my surprise, yes! One hundred stories high
People gettin' loose y’all gettin' down on the roof -
Do you hear?
(the folks are flaming)Folks were screamin' - out of
control
It was so entertainin' - when the boogie started to
explode
I heard somebody say
Burn baby burn! - Disco inferno!
Burn baby burn! - Burn that mother down
Burn baby burn! - Disco inferno!
Burn baby burn! - Burn that mother down
Burnin'!
Satisfaction (uhu hu hu) came in the chain reaction
(burnin') I couldn't get enough, (till I had to self-
destroy)
so I had to
self destruct, (uhu hu hu)
The heat was on (burnin’), rising to the top, huh!
Everybody's goin' strong (uhu hu hu)
And that is when my spark got hot
I heard somebody say
Burn baby burn! - Disco inferno!
Burn baby burn! - Burn that mother down, yoh!
Burn baby burn! - Disco inferno!
Burn baby burn! - Burn that mother down
Burnin'!
Up above my head I hear music in the air - I hear
music!
That makes me know there's (somebody) a promise
somewhere
Satisfaction came in a chain reaction - Do you hear?
I couldn't get enough, so I had to self destruct,
The heat was on, rising to the top
Everybody's goin' strong
That is when my spark got hot
I heard somebody say
Burn baby burn! - Disco inferno! (Aah yeah!)
Burn baby burn! - Burn that mother down
Burn baby burn! - Disco inferno!, yeah!
Burn baby burn! - Burn that mother down x2 Burnin’!
MUSIC TURN AROUND (12 bars)
I just can't stop
When (till) my spark gets hot
Just can't stop
When my spark gets hot
MUSIC TURN AROUND (24 bars)
Teenage Mutant Ninja Turtles
Teenage Mutant Ninja Turtles
Teenage Mutant Ninja Turtles
Heroes in a half-shell
Turtle power!
They're the world's most fearsome fighting team (We're
really hip!)
They're heroes in a half-shell and they're green (Hey -
get a grip!)
When the evil Shredder attacks
These Turtle boys don't cut him no slack!
Teenage Mutant Ninja Turtles
Teenage Mutant Ninja Turtles
Splinter taught them to be ninja teens (He's a radical
rat!)
Leonardo leads, Donatello does machines (That's a fact,
Jack!)
Raphael is cool but crude (Gimme a break!)
Michaelangelo is a party dude (Party!)
Teenage Mutant Ninja Turtles
Teenage Mutant Ninja Turtles
Teenage Mutant Ninja Turtles
Heroes in a half shell
I've seen that smile somewhere before
I've heard your voice before
It seems like we talk like this before.
Sometime, who can be certain when?
But if I knew you then,
It's strange I can't remember
Feelings come so strong,
Like we known each other oh, so long.
The circle of our love is more
Than just a rising sun that sets,
The circle of our love, it goes forever.
The circle of our love begins
With now and every promised dream
In God's eternal plan, it goes forever.
The circle of our love extends
Beyond the reach of time
Beyond the span of days and years, it goes forever
The circle of our love begins
With now and every promised dream
In God's eternal plan, it goes forever.
The circle of our love extends
Beyond the reach of time
Beyond the span of days and years, it goes forever
The circle of our love is found
In every warm and tender thing
That lips may breath or hearts may beat, forever.
I can't stop this feeling
Deep inside of me
Boy, you just don't realize
What you do to me
Your lips are sweet as candy
The taste stays on my mind
You just keep me thirsty
For another cup of wine
When you hold me
In your arms so tight
You let me know
Everything's alright
I'm hooked on a feeling
I'm high on believing
That you're in love with me
I've got it bad for you, darling
But I don't need a cure
I'll just stay addicted
And hope I can endure
All the good love
When we're all alone
Keep it up boy
Yeah, you turn me on
I'm hooked on a feeling
I'm high on believing
That you're in love with me
When you hold me
In your arms so tight
You let me know
Everything's alright
I'm hooked on a feeling
I'm high on believing
That you're in love with me
I said, I'm hooked on a feeling
I'm high on believing
That you're in love with me
I said, I'm hooked on a feeling
I'm high on believing
That you're in love with me
I've seen that stare, I've heard your reasons
A spiteful glare, hateful seasons rolling on & on
Blind hate but no remorse
A fantasy, a dream illusion of purity
Hateful seasons rolling on & on
Blind hate but no remorse
Set the controls for peace and love
Let the warheads fly love multiply
Target darkness, sow the seeds of hope & trust
It's your choice
Turn your back on hatred
Or turn your back on love
A fantasy, a dream illusion of purity
Hateful seasons rolling on & on
Well we got no choice
All the girls and boys
Makin all that noise
'Cause they found new toys
Well we can't salute ya, can't find a flag
If that don't suit ya that's a drag
School's out for summer
School's out forever
School's been blown to pieces
No more pencils
No more books
No more teacher's dirty looks
Well we got no class
And we got no principles
And we got no innocence
We can't even think of a word that rhymes
School's out for summer
School's out forever
My school's been blown to pieces
No more pencils
No more books
No more teacher's dirty looks
Out for summer
Out 'till fall
We might not go back at all
School's out forever
School's out for summer
School's out with fever
want to be the very best
Like no one ever was
To catch them is my real test
To train them is my cause (oooh)
I will travel across the land
Searchin' far and wide
Each Pokemon to understand
The power that's inside! (Power inside!)
Pokemon!
It's you and me.
I know it's my destiny!
Pokemon!
Ooh you're my best friend
In a world we must defend!
Pokemon!
A heart so true
Our courage will pull us through
You teach me and I'll teach you
Pokemon!
(Gotta catch 'em) Gotta catch 'em Gotta catch 'em all!
Every challenge along the way
With courage I will face
I will battle everyday
To claim my rightful place!
Come with me, the time is right!
There's no better team
Arm and arm, we'll win the fight!
It's always been a dream!
Pokemon!
It's you and me.
I know it's my destiny!
Pokemon!
Ooh you're my best friend
In a world we must defend!
Pokemon!
A heart so true
Our courage will pull us through
You teach me and I'll teach you
Pokemon!
(Gotta catch 'em) Gotta catch 'em (Pokemon!)
Pokemon!
It's you and me.
I know it's my destiny!
Pokemon!
Ooh you're my best friend
In a world we must defend!
Pokemon!
A heart so true
Our courage will pull us through
You teach me and I'll teach you
Pokemon!
(I'll catch you!)
(Gotta catch 'em Gotta catch 'em Gotta catch 'em all!
What is fun?
Let me spell it for you.
F is for friends who do stuff together
U is for you and me
N is for anywhere and anytime at all
Down here in the deep blue sea
F is for fire that burns down the whole town
U is for uranium, bombs
N is for no survivers when your
PLANKTON!
Those things aren't what fun is all about
Now do it like this
F is for friends who do stuff to
NEVER!
That's completly idiotic
Here let me help you
F is for friends who do stuff together
U is for you and me
TRY IT!
N is for anywhere and anytime at all
Down here in the deep blue sea
Wait I don't understand this
I feel all tingly inside
Should we stop?
No, that's how your supposed to feel
Well I like it
LET'S DO IT AGAIN!
F is for frollick through all the flowers
U is for ukelele
N is nose picking sharing down my side licking
Here with my best buddy
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
Pokemon Johto!
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
Everybody wants to be a master!
Everybody wants to show their skills!
Everybody wants to get there faster!
Make their way to the top of the hill!
Each time you try
Gonna get just a little better
Each day you climb
There's one more step, up the ladder!
It's a whole new world we live in!
Do-do-do, Do, Do-do-do!
It's a whole new way to see!
Do-do-do, Do, Do-do-do!
It's a whole new place
With a brand new attitude!
But you still gotta CATCH'EM ALL!
Be the best that you can be!
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
Pokemon Johto!
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
Everybody wants make a statement!
Everybody needs to carve their mark!
Stand alone in the victory circle!
Stake their claim when the music starts!
Give it all! You've got!
You can be the very best ever!
Take your best shot!
What you've learned will come together!
It's a whole new world we live in!
Do-do-do, Do, Do-do-do!
It's a whole new way to see!
Do-do-do, Do, Do-do-do!
It's a whole new place
With a brand new attitude!
But you still gotta CATCH'EM ALL!
Be the best that you can be!
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
Pokemon Johto!
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
It's a whole new world we live in...
It's a whole new way to see...
It's a whole new place...
With a brand new attitude...
But you still gotta CATCH'EM ALL!
Be the best that you can be!
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
Pokemon Johto!
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
It's a whole new world we live in!
Do-do-do, Do, Do-do-do!
It's a whole new way to see!
Do-do-do, Do, Do-do-do!
It's a whole new place
With a brand new attitude!
But you still gotta CATCH'EM ALL!
Be the best that you can be!
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
Pokemon Johto!
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
Pokemon Johto!
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
Pokemon Johto!
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
Pokemon Johto!
Do-do-do, Do, Do-do-do!
Do-do-do, Do, Do-do-do!
Instrumental
Just one more time, just one more kiss,
Just one more look upon your wilderness.
Just one last time, just one more kiss,
Just one more look upon your wilderness.
Ohhhhhh…soundtrack to kissing.
Ohhhhhh…soundtrack to killing.
Just one more time, just one more kiss,
Just one more look upon your wilderness.
Just one last time, just one more kiss,
Just one more look upon your wilderness.
Ohhhhhh…soundtrack to kissing.
Ohhhhhh…soundtrack to killing.
The Blame, the Love, the Cross, the Son, the Way to live and die
The Blame, the Love, the Cross, the Son, the Way to live and die
The Blame, the Love, The Blame, the Love, the love, the love, the love
Ohhhhhh…soundtrack to kissing.
We seem to have the world
Here in our hands
It's smaller than we thought it was and now I understand
Some of us survive
Some will get torn
If I lose my confidence I'll borrow yours
See me now
Here me out
Look for me tonight
And swear that nothing's gonna break our hearts this time
Save me from myself
Be the soundtrack to these stories that I tell
Take every single year
From then until now
Fables start to change and my head reaches through the clouds
When I'm standing trial
I will need you
Cause every wish we made is finally coming true
See me now
Here me out
Look for me tonight
And swear that nothing's gonna break our hearts this time
Save me from myself
Be the soundtrack to these stories that I tell
Mirrors show me upside down
Clocks are counting backwards
Here without you I could drown
You pull me to the surface
Ticking time is running out
But we've got symphonies still
Left inside us
Look for me tonight
And swear that nothing's gonna break our hearts this time
Save me from myself
Be the soundtrack to these stories that I tell
Save me from myself
Wir sind wieder da,auf Ganovenjagd
das Beschrenken der Gauner immer am start
wir sind wieder da und liegen auf der lauer
auf einer heißen spur in jedem Abenteuer
wenn die schmuggler und diebe,tierquäler und dealer
ihr böses spiel treiben sind wir wieder da mit Fiete und Kamera und Diktierer
wir sind die pfefferkörner!
1,2 ganoven und gangster
3,4 gauner und verbrecher
5,6 räuber und verstecker
7,8:
räuber und gangster,gauner und verbrecher wir sind da wo keiner sucht wir schlagen
die ganoven in die flucht!
Räuber und Gangster, Gauner und Verbrecher wir sind da wo keiner sucht wir schlagen
die Ganoven in die Flucht!
Überall am rechten ort zur rechten zeit auf jeden fall an ort und stelle immer
bereit geht doch klar! halte nach dem rand die gangster sind dran,wir kriegen alle
ran,
vivi,jana,natascha,fiete und cem gib mir 5 die pfefferkörnergang nehmt euch in acht
was wir auch tun, die gauner haben keine zeit sich auszuruhen!
1,2: die kleine polizei
3,4 in ihrem haupquatier
5,6:bis jeder gangster checkt
7,8:
räuber und gangster,gauner und verbrecher wir sind da wo keiner sucht wir schlagen
die ganoven in die flucht!
räuber und gangster,gauner und verbrecher wir sind da wo keiner sucht wir schlagen
die ganoven in die flucht!
1,2,3,4,5,6,7,8,:
räuber und gangster,gauner und verbrecher wir sind da wo keiner sucht wir schlagen
die ganoven in die flucht!4x
Line upon line, precept on precept
That is how He lifts us
That is how He teaches His children.
Line upon line, precept on precept
Like a summer shower
Giving us each hour His wisdom.
If we are patient we shall see
Hopw the pieces fit together in harmony.
We'll know who we are in this big universe
And then we'll live with Him forever!
Line upon line, precept on precept
That is how He lifts us
That is how He teaches His children.
Line upon line, precept on precept
Like a summer shower
I've seen that smile somewhere before
I've heard your voice before
It seems like we talk like this before.
Sometime, who can be certain when?
But if I knew you then,
It's strange I can't remember
Feelings come so strong,
Like we known each other oh, so long.
The circle of our love is more
Than just a rising sun that sets,
The circle of our love, it goes forever.
The circle of our love begins
With now and every promised dream
In God's eternal plan, it goes forever.
The circle of our love extends
Beyond the reach of time
Beyond the span of days and years, it goes forever
The circle of our love begins
With now and every promised dream
In God's eternal plan, it goes forever.
The circle of our love extends
Beyond the reach of time
Beyond the span of days and years, it goes forever
The circle of our love is found
In every warm and tender thing
Who am I, where am I going?
Here I sit all alone not knowing why.
Brace me up, I'm so discouraged.
Help, I think I'm gonna die.
How it hurts to be a no one
How I wish I was someone really loved.
Brace me up, I'm such a failure.
Heaven help me, up above.
Isn't there a someone with a hand to spare?
Who can share what they have for my hunger?
Isn't there a someone who will take me as I am
And brace me up, not put me down.
Make me feel like I'm as good as another!
Doubts and fears keep comin' faster,
Boy I'm headed for disaster, that's for sure.
Brace me up, I'm going under.
She said, "You got nothing to prove but you've got something to lose
And that something is me"
You got no reason to stay
Say you've been running away but you run like a thief
She wants you
She needs you
A soundtrack to bleed to
But can you shut up long enough to fall in love
She said, "Come on
Just let me breathe
I'm tangling now that you leave
Get me back to myself"
Tried a thousand and one times but the lines are undone
Why not believe what you felt
She wants you
She needs you
A hurricane to leave through
But can you shut up long enough to fall in love
And didn't you hear
There's a time and a place that I won't be going
Time won't erase all you fear
Well you ought to know by now there is no reason to lie
No reason to lie
Yeah
You ought to know by now
She wants you
She needs you
The soundtrack to bleed to
Tin aeroplanes trace the time
Past our fading window's eyes
And the panes are pains inside
Through which we see
All the glories fast unfold
All the joys lo and behold
It's a bitter-sweet dark secret
That we keep
Bold children of the air
Swoop and fighting feathers fly
Leave the hue and cry
Behind and far below
In the room behind the door
Like a ghost who walks the floor
I go searching for a trace
Of wing or beak
And feel so weak for a while
From your passionate smile
Hear the wind beneath the trees
It's the soundtrack of my dreams
And the song it sings
Is of the earth and sky
All the sleepers who awake
Know too well the poisoned taste
It's a sweet disease
That carries me away
Cold fountains in the dark
Pass beneath your shining arc
Oh part of me is crystal too
And dances free
In the marble mausoleum
In the shadows I can see them
Lovers
Blue bed spread they give me head
Oh how I bled
When they said that the rose had no thorns
Tin aeroplanes trace the time
Past our fading windows eyes
And the panes are pains inside