Garrison (various spellings) (from the French garnison, itself from the verb garnir, "to equip") is the collective term for a body of troops stationed in a particular location, originally to guard it, but now often simply using it as a home base. The garrison is usually in a city, town, fort, castle or similar. "Garrison town" is a common expression for any town that has a military base nearby.
"Garrison towns" (Arabic: حصون ) were used during the Arab Islamic conquests of Middle Eastern lands by Arab-Muslim armies to increase their dominance over indigenous populations. In order to occupy non-Arab, non-Islamic areas, nomadic Arab tribesmen were taken from the desert by the ruling Arab elite, conscripted into Islamic armies, and settled into garrison towns as well as given a share in the spoils of war. The primary utility of the Arab-Islamic garrisons was to control the indigenous non-Arab peoples of these conquered and occupied territories, and to serve as garrison bases to launch further Islamic military campaigns into yet-undominated lands. A secondary aspect of the Arab-Islamic garrisons was the uprooting of the aforementioned nomadic Arab tribesmen from their original home regions in the Arabian Peninsula in order to proactively avert these tribal peoples, and particularly their young men, from revolting against the Islamic state established in their midst.
Earling Carothers "Jim" Garrison (November 20, 1921 – October 21, 1992) — who changed his first name to Jim in the early 1960s — was the District Attorney of Orleans Parish, Louisiana from 1962 to 1973. A member of the Democratic Party, he is best known for his investigations into the assassination of President John F. Kennedy (JFK).
Garrison remains a controversial figure. Opinions differ as to whether he uncovered a conspiracy behind the John F. Kennedy assassination, but was blocked from successful prosecution by a federal government cover-up, whether he bungled his chance to uncover a conspiracy, or whether the entire case was an unproductive waste of resources.
Earling Carothers Garrison was born in Denison, Iowa. His family moved to New Orleans in his childhood, where he was reared by his divorced mother. He served in the U.S. National Guard in World War II, then obtained a law degree from Tulane University Law School in 1949. He worked for the Federal Bureau of Investigation (FBI) for two years and then returned to active duty with the National Guard. After fifteen months, he was relieved from duty. One Army doctor concluded he had a "severe and disabling psychoneurosis" which "interfered with his social and professional adjustment to a marked degree. He is considered totally incapacitated from the standpoint of military duty and moderately incapacitated in civilian adaptability." Although one doctor did recommend that Garrison be discharged from service and collect 10% permanent disability, Garrison opted instead to join the National Guard where his record was reviewed by the U.S. Army Surgeon General who “found him to be physically qualified for federal recognition in the national army.”
Michele Morrow (born March 19, 1978, in Spokane, Washington) is an American actress, final girl & scream queen.
Morrow earned a B.A Degree in Drama at the University of Washington in Seattle before moving to Los Angeles, California.
Morrow's appearance in independent horror films has gained her the title of Scream Queen and Final Girl.
She has appeared alongside horror genre queens Tiffany Shepis and Lynn Lowry in the 2009 horror movie Basement Jack, written by American film producer and screenwriter Brian Patrick O'Toole. Morrow plays the role of Karen Cook, the Final Girl in the film. Morrow's other credits include Bled and Slaughterhouse of the Rising Sun. Morrow also appears in Ashley's Ashes in an ensemble cast including actors Orson Bean, Willie Garson, Andy Milder, Scott Michael Foster, Clint Howard, Craig Sheffer, and Daniel Baldwin.
Enter Shikari are a British rock/hardcore group that combine post-hardcore and various heavy metal sub-genres such as metalcore and alternative metal with elements of various electronic genres such as electronica, dubstep, trance and occasionally drum and bass creating a very strong electronicore sound, formed in 2003 in St Albans, Hertfordshire. The band is named after a boat belonging to Roughton "Rou" Reynolds' uncle, and a character in a play which he wrote before forming the band, both of which are named Shikari. Shikari also means 'Hunter' in Marathi, Persian, Hindi, Nepali, Urdu, Punjabi and Bengali. Their debut album, Take to the Skies was released on 19 March 2007 and reached #4 in the Official UK Album Chart. Their second album, titled Common Dreads, was released on 15 June 2009 and debuted on the UK Albums Chart at 16. Their third studio album, A Flash Flood of Colour was released on 16 January 2012 and was positioned at the top of the UK Album Chart for almost its entire week of release, however it eventually debuted on the chart at 4. The band are currently embarking on the A Flash Flood of Colour World Tour.
Plot
James Golden is a small town, middle aged lawyer. He has raised his family and spent his entire life in Harper, Alabama. When a major nursing home malpractice death case comes into his office, he is determined to handle the case all the way to a jury trial, even though it is an area of law in which he has never practiced and against corporate defendants that never lose. An inexperienced but eager young associate, Paul Bruce, joins the fight with him. The intensity of the litigation takes them both to places and challenges they never knew and far from a small town to a larger life.
When the stakes are high, the truth has a lot of competition.
You will see Light in the Darkness...
Plot
Jack Samms' evening started normal enough. But then the mysterious masked stranger, known as Trick, pays him a visit. Within minutes, Jack is faced with a ticking clock after Trick reveals that Jack's estranged wife and her lover are buried in a wooden box - and will be out of oxygen in 75 minutes. With two cops hot on his trail, Jack must try to avoid being framed for his wife's murder while under Trick's constant watch. When a pay-off to Trick goes wrong, Jack must engage in a dangerous game of cat and mouse with the masked stranger in order to save his wife... and himself.
Keywords: coffin, mask, race-against-the-clock, surprise-ending, trapped
A kidnapper. A ransom... the clock is ticking.
Plot
Focuses on a young woman and her radical journey to discover who she is and to find out why multiple enemies want her dead. The woman, SARAH CAUL, is thrown into an action filled construct where she must put the pieces of her life together as well as confront the menace that follows her every move.
Keywords: chase, death, flashback, gun, independent-film, martial-arts, murder, pistol, violence, woman-with-gun
Once is an accident, twice is a coincidence, three times is an enemy action.
They erased her past, now she's fighting for a future.
Plot
Hoping to make a killing on the insurance money, oil refinery owner Wendell Mays decides to burn the place to the ground. His greed endangers the lives of the entire town as the fireball creates a spreading inferno threatens to engulf the entire city, and stretches the abilities of the fire department and the local hospital to their breaking points.
Keywords: action-violence, bribe, brother-brother-relationship, car-chase, die-hard-scenario, evacuation, fire, firefighter, firefighting, gun
"A firestorm of fiery action and scorching suspense!"
Every man for himself
Plot
Five Vietnam vets, on release from a mental hospital, think they're headed for a weekend camping trip. Instead they become target practice for an army of killers playing violent war games. It's a massacre until one of the vets becomes a machine of revenge.
Keywords: action-hero, ambush, bare-chested-male, battle, battlefield, blood, blood-spatter, bound-and-gagged, brawl, cabin
When a man at war becomes a machine of revenge.
Alexander Grady Puckett: You want sympathy? You can find it in the dictionary, between shit and syphilis.
Intro:
You know how we roll!!!
Garrison, garrison, garrison, garrison, garrison,
garrison, garrison, garrison
Garrison, garrison, garrison, garrison, garrison,
garrison, garrison, garrison
Verse 1:
Come mek mi tek yuh to a place weh chatty lose dem
tongue
Where di news carriers hardly come
Play like yuh dumb, else gunshot beat yuh like a drum
Bridge light and a free water run
Well yutes a buy quarter bread, caan find sugar bun
Bicycle nuffer than shoe tongues if yuh tumble down
Man a laff afta yuh, yep, knickname a stick to yuh like
bubble gum (Which part)
Chorus:
Inna di garrison, garrison, garrison full of a warrior
Garrison, garrison full of nuff news carrier
Garrison, garrison informa nuh fi tally yah
Shot time nuh hurry yah, nuff sexy marry yah
Garrison, garrison, garrison, full of a warrior
Garrison, garrison weh we bun news carrier
Garrison, garrison informa nuh fi tally yah
Shot time nuh hurry yah, nuff sexy marry yah
Verse 2:
Man a brush teeth a roadside early in di mornin
Who waan di herbs link di man weh do di farmin
Two gal a trace ova nuttin weh alarmin
Kids wid di (?) give dem a warnin
Chop it off dem yuh haffi shout and yuh call him
Debbie and har cousin dem a two gal weh brawlin
Grandson drop out and di whole family a bawlin
Saga a old foot buss weh eva stallin
Politician come a gwaan mek dem so charmin
All deh pon di yute dem mind a fi disarmin
Full we up of promise and still not performin
Man a get vexed till di dads a fi come in
Yuh nuh waan deh deh when di shotta dem warmin
Man a get wet up when di black reign stormin
Dance caan keep when di black reign formin
But tomorrow yuh criss (Which part?)
Chorus:
Inna di garrison, garrison, garrison full of a warrior
Garrison, garrison full of nuff news carrier
Garrison, garrison informa nuh fi tally yah
Shot time nuh hurry yah, nuff sexy marry yah
Garrison, garrison, garrison, full of a warrior
Garrison, garrison weh we bun news carrier
Garrison, garrison informa nuh fi tally yah
Shot time nuh hurry yah, nuff sexy marry yah
Repeat Verse 1
Repeat Chorus
With everyone so dead
It`s harder to pretend
We`re passionate for crime
When chaos is the end
But in the end there`s more
An end without a means
We don`t care who we hurt
Because no one`s ever clean
And how could we admit
We only had your name
It seemed more than enough
To point and place the blame
A scene no one could stop
With hopeless in our hands
So tight around your throat
No words would understand
Wrapped so tight around your throat
Wrapped so tight around your throat
We will not last much longer
(everything we thought, everything we read,
The lines we draw between are criminal, Projected, faint
and out of date. A passed on pattern less than suitable
With sides we can't delineate. Nowadays seems only
surgery can make you come out clean (If we don't take it,
there's no movement) So pick a side, and cut away the
lines that stitch us in the seam (If we don't take it,
there's no movement) The lines they fit us in are
criminal, Restrictive, bored and without grace A passed
on culture less than livable With all the sights but not
the taste. Nowadays seems only surgery can make you come
out clean (if we don't take it, there's no movement) So
pick a side, and cut away the lines that stitch us in the
seam (if we don't take it, there's no movement...from the
It seems the only way out
Was straight over your head
Too high for you to make out
Too dumb to be misread
Before we pass this sober point
Make sure you're listening
We kill it all and kill it off
We kill it all then kill it off
Until it's all dissected and filed
Into a glove that fits
Around the throat of a god
Who's too ignorant to miss.
We kill it all and kill it off
We kill it all then kill it off
Before we pass this sober point
Make sure you're listening
Inoculated on your tongue
So numb from asking now.
Right now, you owe me everything
Right now, you owe me everything
Right now, now, now, now
You're not a fucking thing
Trained by blaring bells Pushing paper schoolHad a better
time playing who's the fool. Tempted to fate, Loaded All
the time Debased and eyeing the bully pulpit Set to do
the crimeAll right It's nice to find A tactical place A
vicious boiling pot Some anonymous hate All right Dear
old Sam I am a ringer Set to come undone And I could
point a finger But I'd rather point a gun Give me hell,
give me pay It's an institution, institutional holiday
I'm going to get some blood on my hands I'm going to get
some blood on my hands Dear old Sam I a ringer Set to
come undone And I could point a finger But I'd rather
I Have no ignorance of thieves
In love with language.
God fearing legalese
Pushing the point till it's a shove
It's time to hang up the kid gloves
And learn the lesson like your head to a gun
It's that you can never trust anyone
Bring Destruction
By the numbers
Why spare what you can plunder
And bury like a saint
Of disappointment
Corpses for cannibals
And your a diamond in the rough
You work hard or work hard enough
Keeping well fed and well, well bred
Or die trying to just be dead
Bring Destruction
By the numbers
Why spare what you can plunder
And bury like a saint
Of disappointment
Corpses for cannibals
What's left of me
Is what's left for you
To choke on to choke on
Bring destruction
By the numbers
Why spare what you can plunder
And bury like a saint
Of disappointment
Our youth was overrated Because anger never gets old The
Street lights color the backdrop To wash away all the
Things I've been told That we "can't find a home within
This hollow shell of half-light." And I'm looking at your
Face And I'm looking at your door Through your open
Window I can see your open floor What's unbound is
Unaffected The gaze you are reflecting Staring blindly
Boldly brilliantly Emergency The cheap sex is underrated
Not that you're cheap in the way that I mean We fall
Around in your bedroom There's nothing dirty about not
Being clean Like everyone wants And I'm looking at your
Face And I'm looking at the floor Strung up all my grace
Right outside the door What's unbound is unaffected The
Gaze you are reflecting Staring blindly boldly
Brilliantly Emergency Admit it, We're desperate, And
Gorgeous Admit it, We're desperate, And gorgeous The more
They tell us not to The more we'll always take. The
Weigh anchor, draw the lines.
The flood of fortune is killing time.
Weigh anchor, draw the lines.
The flood of fortune is killing time.
And I think I heard about it on the radio.
Drinking loudly in the overflow of another buoyant year.
Take the first gust of wind makes you a glow.
Undetected here.
Weigh anchor, draw the lines.
The flood of fortune is killing time.
Weigh anchor, draw the lines.
The flood of fortune is killing time.
And I think I heard about it on the radio when my eyes
were sore from staring.
Land ho.
And on a ship of Tesla's will we watch the estate
chained.
Succumb to sea, overcome emptied.
Succumb to sea, overcome emptied.
And I think I heard about it on the radio.
And I think I heard about it on the radio.
And I think I heard about it on the radio.
W. D. O. A.
I haven't slept for days now, and if that's not enough, I
still wlak around in dreams, covered by these streets
have silent voices and I'm fading like a picture to the
past. In these ghosts, I believe, won't picture this city
fractured in light glass. Not another dusty vision, an
empty vessel. And will they look embittered now that I
can't stay and rolling eyes annoyed as I blindly say "I
used to have a life here" and no one has to die here with
nothing to take with them. I'm flyinf out by Lincoln
Hill, broken hearts beat still. Some stories never end,
they just get told again with different pictures. The
people here don't cry, they just roll their eyes and
whisper to dead friends they never really made amends to.
The spaces haunt you. Remember everything you did to gain
one inch of ground. Let them know we tried everything, we
couldn't save this victimless faith.