Apted, Michael Filmography

• Eddie
  2013, role: producer
• Bond's Greatest Moments
  2013, role: actor , character name: Himself
• The World in Action Years
  2013, role: actor , character name: Himself - Former WIA Producer
• CinemAbility
  2013, role: actor , character name: Himself
• 56 Up
  2012, role: director
• 56 Up
  2012, role: miscellaneous crew
• Chasing Mavericks
  2012, role: director
• 56 Up
  2012, role: producer
• 56 Up
  2012, role: actor , character name: Interviewer
• 56 Up
  2012, role: actor , character name: Himself - Narrator
• Hallelujah
  2011, role: director
• Broken Adonis
  2011, role: director
• Broken Adonis
  2011, role: producer
• John Belushi: Dancing on the Edge
  2010, role: actor , character name: Himself
• The Chronicles of Narnia: The Voyage of the Dawn Treader
  2010, role: director
• España, plató de cine
  2009, role: actor , character name: Himself
• Cleanflix
  2009, role: actor , character name: Himself - President, DGA
• Treasures of the Academy: Guardians of History
  2008, role: actor , character name: Himself
• Black Autumn
  2007, role: director
• How Sweet the Sound: The Story of Amazing Grace
  2007, role: actor , character name: Himself
• The Power of the Game
  2007, role: director
• AFI's 100 Years... 100 Cheers: America's Most Inspiring Movies
  2006, role: actor , character name: Himself
• The Official Film of the 2006 FIFA World Cup (TM)
  2006, role: director
• Amazing Grace
  2006, role: director
• 21 Up America
  2006, role: producer
• Married in America 2
  2006, role: actor , character name: Himself - Narrator
• Married in America 2
  2006, role: director
• Born in the USSR: 21 Up
  2005, role: miscellaneous crew
• The 50 Greatest Documentaries
  2005, role: actor , character name: Himself
• 49 Up
  2005, role: actor , character name: Interviewer
• 49 Up
  2005, role: actor , character name: Narrator
• 49 Up
  2005, role: miscellaneous crew
• 49 Up
  2005, role: director
• 49 Up
  2005, role: producer
• ITV 50 Greatest Shows
  2005, role: actor , character name: Himself
• More Than Enough
  2003, role: actor , character name: Himself
• Married in America
  2003, role: director
• Best Ever Bond
  2002, role: actor , character name: Himself
• Enough
  2002, role: director
• James Bond: A BAFTA Tribute
  2002, role: actor , character name: Himself
• Happy Anniversary Mr. Bond
  2002, role: actor , character name: Himself
• Lipstick
  2002, role: director
• Enigma
  2001, role: director
• Now Pay Attention 007: A Tribute to Actor Desmond Llewelyn
  2000, role: actor , character name: Himself
• James Bond Down River
  2000, role: actor , character name: Himself
• It's a Shame About Ray
  2000, role: producer
• The James Bond Story
  1999, role: actor , character name: Himself
• The Bond Cocktail
  1999, role: actor , character name: Himself
• The World Is Not Enough
  1999, role: director
• Nathan Dixon
  1999, role: director

Famous quotes by Michael Apted:

"? devotion to the craft of filmmaking and his wealth of head-and-heart knowledge about what we do and how we do it was a special gift to his fellow directors."

"Bob's devotion to the craft of filmmaking and his wealth of head-and-heart knowledge about what we do and how we do it was a special gift to his fellow directors. As president of the guild and as co-founder of the DGA Special Projects Committee, his decades of hands-on leadership were an inspiration to us all. We will deeply miss him."

"Bob's devotion to the craft of filmmaking and his wealth of head-and-heart knowledge about what we do and how we do it was a special gift to his fellow directors."

"Bob's devotion to the craft of filmmaking and his wealth of head-and-heart knowledge about what we do and how we do it was a special gift to his fellow directors,"

"This deal marks the first of many to come and illustrates how, by working together with producers, we will achieve agreements that are mutually beneficial."

"Peer-to-peer technology has benefits, but it also carries many dangers, the most egregious of which is the potential for widespread and unauthorized piracy. Without the permission of the author of the work, who will be able to tell when personal use ends and piracy begins? It is the fundamental question of what is fair and right for the creators and those who made that creation possible."

"It takes great skill to tell a compelling story in under 60 seconds. These five directors have mastered the format, using their talent, craft and imagination to provide us with some of the most innovative filmmaking out there today."

"Music video directors, who conceive, write and direct these works, enjoy no creative rights, receive no ongoing financial benefit from the sale of our work, and many times are not even credited,"

"Tough luck."

"[Among the demands attributed to Lopez in the gossip pages: a dressing room fitted out with white orchids, white walls, a white sofa and an endless stock of Evian-room-temperature only, thank you. So when Lopez went AWOL in winter 2000, the warnings seemed prophetic.] I lost track of her, ... It was a huge job, and all the meetings were either rescheduled or canceled. I thought, 'This is going to be very difficult.'"

"It was one of those great miracles of history that they managed to smuggle an Enigma machines out to Britain just before they were invaded by the Nazis."

"Anyway, that was the germ of the idea and of course... you know this was early days of sociology and whatever, especially on television."

"For behaviorist films, that's been much more useful - the change of technology - but for my kind of films, doing them on film is much better, because it's more beautiful."

"He wasn't, but producers are by definition annoying because they have a different agenda from you. They're trying to stop you spending money and you're trying to not spend money, but at the same time we're great artists."

"I've never much been interested in doing films that no one gets to see."

"It's still the same job, the same anxieties, but it did feel a lot different, that kind of budget, that schedule, and frankly, the slowness of it all, and also having a lot of other units working."

"Music video directors, who conceive, write and direct these works, enjoy no creative rights, receive no ongoing financial benefit from the sale of our work, and many times are not even credited."

"Now that I can edit the whole thing on AVID and edit the whole thing on tape, maybe I will do the next digitally, because maybe the quality will become less obvious between tape and film."

"One of the reasons to do documentaries is that. There's more sense of creating something, more sense of my own soul in the documentaries than in movies, because I don't write the movies I do."

"So I do tend to do documentaries where I can move in and out of them."