Plot
Clarence operates a Zombie termination service in Zombie Town. Believing true love can never be found he feels no remorse when he dates Zombies. To him Zombies never complain, don't nag or talk back and are extremely happy with the way you are. Of course Clarence's biggest love interest is Princess Betty the owner of a pet cemetery now accepting humans at discount prices. In between his romances Clarence finds time to hunt and eliminate nuisance Zombies called A-Listers. This is a hobby he thoroughly enjoys because he gets to chop the Zombie bodies up in his kitchen and sell the meat as a sideline. The action and humor keep coming as Clarence and his assistant Doofus chase and "pop" Zombies while riding around in their golf cart. You just can't have too many Zombies running around Zombie Town when the government keeps failing to pass a Zombie retirement plan!
Keywords: zombie
A Zombie Termination Specialist tries to find true love in Zombie Town
Plot
On the verge of being discovered, the lead singer for up-and-coming country folk band "65 Home" dies violently in a back alley. We follow the friends and lovers of 'Handsome Jake' as they try to come to terms with the singer's untimely death. As the band travels to Nashville to honor his passing, we discover that there are many Jake's - the brother, the lover, the poet, the liar and the cruel manipulator. Everyone knows a different side of this man and the conflicted and seemingly contradictory aspects of his life. Torn between his personal and professional relationship with his co-writer Mel and their unborn child, committed to his affair with his secret love John, determined to make it big at all costs - Jake is destined for greatness and taken from us all too soon. But by whom? And why? As the band members cross the Midwest with Jake's ashes on board their Winnebago, they must now struggle to regroup, understand what happened, and find a way to move on. But can they do it without Jake?
Plot
A coming of age story about an inner-city youth raised by a hardworking single mother. When his dream of becoming a basketball player fails to materialize, he finds himself employed in a supermarket. After his mother is tragically gunned down, Clarence (played by Jackson) is consumed by revenge and takes up a life of crime in order to support his younger brother.
What if you discovered a way to control time, but couldn't save the one you loved?
Plot
Dr. Jack Hammond has best chances to become medical superintendent in the clinic. So he's completely absorbed in his work and has no understanding for his teenage son Chris' problems with school. By accident one of them drinks a brain-exchanging serum, and it switches their identities. This leads of course to extraordinary complications in school and at work, but also to insight in the problems and feelings of each other.
Keywords: adult-as-child, body-swap, child-as-adult, childbirth, father-son-relationship, independent-film, remake, role-reversal, soul-transference
Chris and his dad have accidentally changed bodies - but no big deal. Chris gets the Jag and the Gold Card. Dad gets the fake ID and the bio final.
Trigger: The name's Trigger, as in "horse," as in "hung like."
Ginnie Armbruster: Well, well, well, who we have here?::Dr. Jack Hammond: We have... moi. Huh, me.::Ginnie Armbruster: You know when I first saw you a moment ago, a shiver ran down through my body. Do you think you have something to warm me up?::Dr. Jack Hammond: You mean, like, hot chocolate?::Ginnie Armbruster: I was thinking of something a little more personal and a lot more private.::Dr. Jack Hammond: Private as... as in... you and me?::Ginnie Armbruster: Can't think of anyone else I'd like to invite.::Dr. Jack Hammond: Okay.::Ginnie Armbruster: Okay?::Trigger: Ahh, this place is full of nuns. [to Ginnie] Hello there. How ya doing? The name's Trigger, as in horse, as in "hung like".::Dr. Jack Hammond: [to Ginnie] This is... my son's friend.::Ginnie Armbruster: Oh.::Trigger: Yeah. Me and him are inseparable. The age difference doesn't matter because we think like an adult, and we also do... [Looks at Ginnie's cleavage] other things like an adult.::Ginnie Armbruster: I have to go. It's been charming to meet your son's friend.::Trigger: Charmed's all mine.::Ginnie Armbruster: [to Dr. Hammond] I'll be seeing you.::Dr. Jack Hammond: Uh, sure. Anytime.::Ginnie Armbruster: Any... time?::Dr. Jack Hammond: Sure.
Chris Hammond: How can she stand to be so close to her own body without constantly feeling herself up?
Trigger: [Finding out that Jack and Chris have switched places] I do *not* fucking believe this!
Clarence may refer to:
Clarence Wijewardana (August 3, 1943 – December 13, 1996) was a Sri Lankan musician who pioneered the use of electric guitar in Sinhala music. He is said to have revolutionized Sri Lankan music in the 1960s and is often named as the father of Sri Lankan pop music - having influenced performers in ranging from W D Amaradewa, Premasiri Kemadasa to Athula Adhikari. His music is often characterized by simple melodies built around a melody that features the electric guitar - this style may be best illustrated by the song Malata Bambaraku Se (Translated: Like a Bee To a Flower).
Clarence Wijewardena was born on August 3, 1943, in Matale, Sri Lanka, to an estate medical practitioner. His family moved to Batugedara, Ratnapura, and abandoned a budding planting career to pursue music full time. He is married to Sheela Wijewardana and they have one daughter Amila Wijewardana.
Wijewardena formed the Moonstones at the age of 21 with Annesley Malewana as lead vocalist. Managed by an advertising icon, Sri Sangabo Corea, the group recorded several songs to be aired on the Saturday Star program in 1966. The young musicians were mentored by Sri Sangabo Corea together with veteran Radio Ceylon/SLBC broadcasters Vernon Corea and Vijaya Corea. Their 1968 debut EP Mango Nanda was released on the JVPC007 Philips label selling up to 5000 copies. It included the songs "Mango Nanda," "Ruwan Puraya," "Seetha Ude" and "Menike." The sophomore release More Hits by the Moonstones came out November that year on the Sooriya label and included the hits "Kalu Mama", "Rosa male", "Ramani" and "Goyam Kapanawa." "Mango Nanda" was selected the best Sinhala song by the Hit Parade program on Radio Ceylon. In 1969 the Moonstones welcomed female vocalist Indrani Perera who sang lead on the best selling "Dilhani." Wijewardena himself only sang lead on "Dileepa Podi Puthu," an adaptation of a poem written by Karunarathne Abesekara to his son.
Clarence Anicholas Clemons, Jr. (January 11, 1942 – June 18, 2011), also known as The Big Man, was an American musician and actor. From 1972 until his death, he was a prominent member of Bruce Springsteen's E Street Band, playing the tenor saxophone.
He released several solo albums and in 1985, had a hit single with "You're a Friend of Mine", a duet with Jackson Browne. As a guest musician he also featured on Aretha Franklin's classic "Freeway of Love" and on Twisted Sister's "Be Chrool to Your Scuel" as well as performing in concert with The Grateful Dead and Ringo Starr & His All-Starr Band. As an actor Clemons featured in several films, including New York, New York and Bill & Ted's Excellent Adventure.
He also made cameo appearances in several TV series, including Diff'rent Strokes, Nash Bridges, The Simpsons and The Wire. Together with his television writer friend Don Reo he published his semi-fictional autobiography told in third person, Big Man: Real Life & Tall Tales, in 2009. Clemons suffered a stroke on June 12, 2011, and died of complications from it on June 18.
Clarence Carter (born January 14, 1936) is an American soul singer and musician.
Born in Montgomery, Alabama on January 14, 1936, Carter attended the Alabama School for the Blind in Talladega, Alabama, and Alabama State College in Montgomery, graduating in August 1960 with a Bachelor of Science degree in music. His professional music career began with friend Calvin Scott, signing to the Fairlane Records label to release "I Wanna Dance But I Don't Know How" the following year. After the 1962 release of "I Don't Know (School Girl)," Carter and Scott left Fairlane Records for Duke Records, renaming themselves the CL Boys for their label debut, Hey. In all, the duo cut four Duke singles, none of them generating more than a shrug at radio.[citation needed].
In 1965, they traveled to Rick Hall's FAME Studios in Muscle Shoals to record "Step by Step" and its flip side, "Rooster Knees and Rice."Atlantic Records took notice and released "Step by Step" on its Atco Records subsidiary, but it flopped. Carter continued as a solo act, signing to the Fame Records label for 1967's Tell Daddy. Several more solid singles followed, until Carter released "Slip Away," which hit number 6 on the Pop Charts. "Too Weak to Fight" hit number 13. Several more soul singles followed, like "Snatching It Back," "Making Love (At the Dark End of the Street)", "The Feeling Is Right," "Doing Our Thing" and "Patches." "Patches" (first recorded by Chairmen of the Board) was a UK number 2 and a U.S. number 4 in 1970, and won the Grammy Award for Best R&B Song in 1971. This disc sold over one million copies, and received a gold disc awarded by the R.I.A.A. in September 1970, just two months after its release. Following "Slip Away" and "Too Weak to Fight", it was Carter's third million-seller.
When the feeling comes it always leaves,
to the top of the hill,
the hill of thieves.
Brush that curious out.
Hurry away.
You've got the hole in your head to feel the breeze.
If you're gonna ride, baby,
ride a/the wild horse.
I/we can't drink no more,
but I'll/we'll try.
You can't find us, baby,
in the basement.