- published: 23 Feb 2011
- views: 5088
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Louisville Lou
Words by Jack Yellen
Music by Milton Ager
Performed by Martha Pryor
Recorded April 1923
Cameo 359
I could find no biographical information on Martha Pryor except for a few newspaper clippings from the Google newspaper archives and from the on-line record discographies. She sings in the tradition of Marion Harris, Sophie Tucker, Blossom Seeley and Nora Bayes.
Martha Pryor was an actress and singer on the vaudeville and burlesque stage starting in about 1917 through the 1920s. She was sometimes billed as "The Kentucky Girl" or "The Kentucky Beauty" and known for her "Negro melodies" and blues She was also noted for her pleasing voice and magnetic personality. Her image has been included as a performer on a few song sheets during the early 1920s. The discographies show that she made about nine records between 1923 and 1924 for Pathe, Perfect, Oriole, Cameo, Triangle and Grey Gull record companies. She made one trial recording for Victor in 1922 of the song "Lovin' Sam, the Sheik of Alabam'" but it was never released.
She was married to fellow stage actor Ben Bard from 1915 to 1924 when they separated. He moved to California, divorced her and remarried. There he established a successful acting school and theatre company in Hollywood and had become had become very wealthy. In 1937 Martha filed suit against her former husband claiming that the divorce was illegal and that they were sill married. She was also asking for alimony support. The California courts rejected her suit claiming she had waited too many years to sue.
No, that's not Charley Chase...it's his brother Paul Parrott in "POST NO BILLS" (1923) with a new score by Ben Model, performed on the mighty Miditzer virtual theatre organ. From the DVD release "American Slapstick 2" from All Day Entertainment (uploaded with permission). Order the DVD set from http://www.alldayentertainment.com
JImmy Parrott had a successful series of one-reelers at Hal Roach in the early 1920s, billed onscreen as Paul Parrott, before moving behind the camera and directing; his directorial credits list him as James Parrott. The shorts are inventive and funny, and you can see why they are often misidentified as early Charley Chase shorts. More info about Chase can be found at http://www.charley-chase.com
The Miditzer (http://www.virtualorgan.com) is a FREE virtual instrument that emulates the function and sound of a movie palace theatre organ.
- published: 02 Mar 2011
- views: 4023
Arthur Gibbs and His Gang -- Charleston (Medley) (Intriducing "Open Your Heart") the Musical Comedy "Runnin' Wild" (Cecil Mack /Jimmy Johnson), Victor 1923 (USA)
NOTE: In Oct, 1923 the music show "Runnin' Wild" opened at the Colonial Theater in New York City. This Miller and Lyles Production was the first public introduction of the dance "The Charleston" to New York and the world. The Black chorus line moved and sang James P. Johnson's "Charleston" and other songs. In the show both dance and songs expressed the mood of reckless daring, abandon, and restlessness of the jazz-age flappers. The show had 228 performances and closed in June, 1924, however the tune "The Charleston" as well as the trot of the new dance soon became the craze throughout the United States. In one season of 1924/25 it went throught dance floors of all the world, starting its new life as the immortal musical icon of the Roaring Twenties. This early version was played in a slower tempo, having more to do with a ragtime that with "The Charleston" as it was leter frenzily performed by white bands of Isham Jones, Ben Selvin or -- best remembered -- Paul Whiteman.
Arthur Gibbs was a black pianist and from ca 1923 he led his own orchestra, which was featured on the record labels as "Gang". His most famous side was the first recorded version of "The Charleston" considered as "the original black" rendition of that famous dance tune of the Roaring 20s. In mid- and late 1920s. Arthur Gibbs' band was playing at the Savoy and Arcadia Ballrooms in NYC.
- published: 13 Jun 2012
- views: 6839
In a rare filmed record, the famed songwriters and vaudevillians perform. One of De Forest's earliest experimental sound films.
This film premiered at the Rivoli Theater, New York City on 15 April 1923 with other films produced in the DeForest Phonofilm sound-on-film process.
Noble Sissle and Eubie Blake perform the songs "Sons of Old Black Joe" and "My Swanee Home" in a short film using the DeForest Phonofilm sound-on-film process.
- published: 16 Sep 2012
- views: 6757
Excerpts from an old comedy film "From Fishermaid To Star" made in 1923 across Europe. I'm not sure if all this material wound up in the released movie but there's lots of candid shots and interested/bewildered extras as entertainment film was still in early stages. Set to a natural rate and added in music from 1912-1921 for period ambiance. Thanks to EYE
- published: 04 Jul 2016
- views: 219
See more custom pin-up portraits on my blog at http://igor-lukyanov.blogspot.com/search/label/pin-up%20art?&max-results;=4
This portrait of Wendy featuring a hot rod 1923 Ford T-Bucket was commissioned by Albert, Wendy's fiancé. I used music from 1920s to convey the spirit of those days when Ford T-Bucket was manufactured.
I believe such pin-up portraits could be a unique gift idea for fiancées and fiancés as well as for boyfriends, girlfriends, wives, husbands and whoever loves such kind of artworks.
- published: 03 Jun 2013
- views: 1257
This 1923 Music Master Radio Loudspeaker was purchased on ebay about two years ago. It had been in a Rhode Island basement with an Atwater Kent Model 9C Radio it was paired with in the 1920's, for over 60 years. They were sold separately. Amazingly, the speaker is in great working condition. I had to reglue two panel sections and the wood trim around the edge of the horn. Also,the original finish being very dry, was steel wooled and top coated with a shellac like the original. Paired with my A.K. Model 40, this speaker plays for the first since W.W. II.
- published: 19 Jan 2014
- views: 431
Who's Sorry Now?
Words: Bert Kalmar and Harry Ruby
Music: Ted Snyder
Performed by Irving Kaufman, accompanied by Ben Selvin's Orchestra
Recorded April 1923
Vocalion 14558
Irving Kaufman (1890 - 1976) was a prolific early twentieth century singer, recording artist and Vaudeville performer. The son of Russian Jewish immigrants, he was a member of The Kaufman Brothers, along with his brothers Phillip and Jack. He recorded heavily in the 1920s and 1930s with many bands and on many record labels, also under his own name. Strong theatrical voice somewhat along the lines of Al Jolson and Harry Richman, and he had perfect pitch, known to sing without special arrangements thus was in high demand for records. Sang with Avon Comedy Four pre-1920 and in early 1920s. Worked occasionally with singer-brother Jack Kaufman. Radio shows included Broadway Vanities (1934), Lazy Dan (1935), own series. Less active by late 1930s. Radio transcriptions in 1946, probably last recordings.
Ben Selvin (1898 - 1980) was the recording director at Columbia records. Still in his thirties, Selvin already had nearly two decades in the music business as a violinist, an orchestra leader, a songwriter, a music contractor, a radio conductor and a recording artist. His 1918 rendition of "Dardenella" is said to be the first record to sell more than a million copies. As recording director for Columbia Selvin organized sessions for popular singers like Ruth Etting, Ethel Waters and Kate Smith and produced dates by studio groups that were sometimes released under his own name, sometimes under pseudonyms as The Columbia Photo Players and The Midnight Minstrels. He was also supervised many of Benny Goodman's early recording sessions, featuring Tommy Dorsey, Manny Kline, Adrian Rollini, Rube Bloom and Eddie Lang.
- published: 28 Jul 2010
- views: 8872
Edward Elgar (1857-1934) (GB)
King Arthur Suite, incidental music (1923)
Bournemouth Sinfonietta
Dir : George Hurst
1- The King and Sir Bedivere (4.08)
2- Elaine Asleep (2.30)
3- The Banqueting Hall at Westminster (6.04)
4- Tue Queen's Tower at Night (2.29)
5- Battle Scene (2.27)
6- Arthur's Passage to Avalon (4.16)
With the support of music lover Tommy Westbrook.
On collectionCB, collectionCB2 and collectionCB3 we can also listen to Edward Elgar's « Serenade for Strings in E minor » (1892) ; « In the South (Alassio) Overture » (1904) ; « Piano Concerto -- Slow Movement » (1909/1925) ; his orchestration, in 1933, of the famous « Funeral March » for piano by Frederic Chopin.
Elevé dans une famille de musiciens amateurs, le jeune Edward Elgar a vu sa vocation se confirmer très vite. Mais lorsque le provincial autodidacte qu'il était voulut se faire connaître à Londres, il échoua et revint vivre, découragé, dans son village de Broadheath, près de Worcester dans le centre de l'Angleterre. C'est sa femme, de dix ans son aînée, qui lui redonna espoir et entreprit de le faire connaître d'abord dans le West Midlands. Les « Variations Enigmatiques », composées en 1899, dans lesquelles il décrivait plusieurs de ses proches, définis seulement par des initiales peu évidentes, le firent soudain connaître. Trois oratorios lui apportèrent une réputation que sa « Symphonie n°1 » (1907), jouée plus de cent fois pour la seule année de sa création, ne fit que confirmer. Edward Elgar est l'auteur d'une œuvre variée, à la fois académique et personnelle. Citons la « Serenade for Strings/Sérénade pour cordes » (1892), l'oratorio « The Dream of Gerontius/le Rêve de Géronte » (1900), l'ouverture « Cockaigne » (1901), les cinq marches de « Pomp and Circumstance » (la plus connue étant la 1ère, composée en 1901), le magnifique « Concerto pour violoncelle » (1915), trois symphonies (1908 ; 1911 ; 1934, achevée par Anthony Payne en 1994). Fait chevalier en 1904 par la Reine, membre de l'ordre du Mérite en 1911, « Master of the King's Music » en 1924, « King Commander of the Royal Victorian Order » en 1928, Edward Elgar fut considéré comme le plus grand compositeur anglais du XXe siècle. A la mort de son épouse Alice, il cessa de composer, mais continua à enregistrer l'essentiel de son œuvre. L'originalité de l'ouverture de concert « In the South (Alassio) » (1904) est de débuter avec un étonnant pastiche du style "bondissant" de Richard Strauss, de continuer avec une très belle mélodie pour alto et de finir dans ce style anglais pénétré et retenu qu'affectionne Elgar.
LIST OF UPLOADS OF COLLECTIONCB, COLLECTIONCB2 and COLLECTIONCB3
and
IDEAL "DISCOTHEQUE" OF MORE THAN 1,300 ORCHESTRAL WORKS OF FEELINGS :
http://www.corentinboissier.net/
- published: 13 Feb 2014
- views: 2311
1923 in music
This is a list of notable events in music that took place in the year 1923.
Events
This page contains text from Wikipedia, the Free Encyclopedia -
http://wn.com/1923_in_music
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Edward Elgar
Sir Edward William Elgar, 1st Baronet OM GCVO (2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.
Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-conscious society of Victorian and Edwardian Britain, he was acutely sensitive about his humble origins even after he achieved recognition. He nevertheless married the daughter of a senior British army officer. She inspired him both musically and socially, but he struggled to achieve success until his forties, when after a series of moderately successful works his Enigma Variations (1899) became immediately popular in Britain and overseas. He followed the Variations with a choral work, The Dream of Gerontius (1900), based on a Roman Catholic text that caused some disquiet in the Anglican establishment in Britain, but it became, and has remained, a core repertory work in Britain and elsewhere. His later full-length religious choral works were well received but have not entered the regular repertory.
This page contains text from Wikipedia, the Free Encyclopedia -
http://wn.com/Edward_Elgar
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
King Arthur
King Arthur is a legendary British leader who, according to medieval histories and romances, led the defence of Britain against Saxon invaders in the late 5th and early 6th centuries AD. The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin.
Arthur is a central figure in the legends making up the so-called Matter of Britain. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). In some Welsh and Breton tales and poems that date from before this work, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown.
This page contains text from Wikipedia, the Free Encyclopedia -
http://wn.com/King_Arthur
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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3:13Martha Pryor - Louisville Lou (1923)
Martha Pryor - Louisville Lou (1923)Martha Pryor - Louisville Lou (1923)
Louisville Lou Words by Jack Yellen Music by Milton Ager Performed by Martha Pryor Recorded April 1923 Cameo 359 I could find no biographical information on Martha Pryor except for a few newspaper clippings from the Google newspaper archives and from the on-line record discographies. She sings in the tradition of Marion Harris, Sophie Tucker, Blossom Seeley and Nora Bayes. Martha Pryor was an actress and singer on the vaudeville and burlesque stage starting in about 1917 through the 1920s. She was sometimes billed as "The Kentucky Girl" or "The Kentucky Beauty" and known for her "Negro melodies" and blues She was also noted for her pleasing voice and magnetic personality. Her image has been included as a performer on a few song sheets during the early 1920s. The discographies show that she made about nine records between 1923 and 1924 for Pathe, Perfect, Oriole, Cameo, Triangle and Grey Gull record companies. She made one trial recording for Victor in 1922 of the song "Lovin' Sam, the Sheik of Alabam'" but it was never released. She was married to fellow stage actor Ben Bard from 1915 to 1924 when they separated. He moved to California, divorced her and remarried. There he established a successful acting school and theatre company in Hollywood and had become had become very wealthy. In 1937 Martha filed suit against her former husband claiming that the divorce was illegal and that they were sill married. She was also asking for alimony support. The California courts rejected her suit claiming she had waited too many years to sue. -
8:28Paul Parrott in "Post No Bills" (1923) - music score by Ben Model
Paul Parrott in "Post No Bills" (1923) - music score by Ben ModelPaul Parrott in "Post No Bills" (1923) - music score by Ben Model
No, that's not Charley Chase...it's his brother Paul Parrott in "POST NO BILLS" (1923) with a new score by Ben Model, performed on the mighty Miditzer virtual theatre organ. From the DVD release "American Slapstick 2" from All Day Entertainment (uploaded with permission). Order the DVD set from http://www.alldayentertainment.com JImmy Parrott had a successful series of one-reelers at Hal Roach in the early 1920s, billed onscreen as Paul Parrott, before moving behind the camera and directing; his directorial credits list him as James Parrott. The shorts are inventive and funny, and you can see why they are often misidentified as early Charley Chase shorts. More info about Chase can be found at http://www.charley-chase.com The Miditzer (http://www.virtualorgan.com) is a FREE virtual instrument that emulates the function and sound of a movie palace theatre organ. -
3:08Roaring 20s: Arthur Gibbs & His Gang - Charleston, 1923
Roaring 20s: Arthur Gibbs & His Gang - Charleston, 1923Roaring 20s: Arthur Gibbs & His Gang - Charleston, 1923
Arthur Gibbs and His Gang -- Charleston (Medley) (Intriducing "Open Your Heart") the Musical Comedy "Runnin' Wild" (Cecil Mack /Jimmy Johnson), Victor 1923 (USA) NOTE: In Oct, 1923 the music show "Runnin' Wild" opened at the Colonial Theater in New York City. This Miller and Lyles Production was the first public introduction of the dance "The Charleston" to New York and the world. The Black chorus line moved and sang James P. Johnson's "Charleston" and other songs. In the show both dance and songs expressed the mood of reckless daring, abandon, and restlessness of the jazz-age flappers. The show had 228 performances and closed in June, 1924, however the tune "The Charleston" as well as the trot of the new dance soon became the craze throughout the United States. In one season of 1924/25 it went throught dance floors of all the world, starting its new life as the immortal musical icon of the Roaring Twenties. This early version was played in a slower tempo, having more to do with a ragtime that with "The Charleston" as it was leter frenzily performed by white bands of Isham Jones, Ben Selvin or -- best remembered -- Paul Whiteman. Arthur Gibbs was a black pianist and from ca 1923 he led his own orchestra, which was featured on the record labels as "Gang". His most famous side was the first recorded version of "The Charleston" considered as "the original black" rendition of that famous dance tune of the Roaring 20s. In mid- and late 1920s. Arthur Gibbs' band was playing at the Savoy and Arcadia Ballrooms in NYC. -
6:52(1923) Very early music clip - Noble Sissle and James Hubert Blake - Snappy Tunes
(1923) Very early music clip - Noble Sissle and James Hubert Blake - Snappy Tunes(1923) Very early music clip - Noble Sissle and James Hubert Blake - Snappy Tunes
In a rare filmed record, the famed songwriters and vaudevillians perform. One of De Forest's earliest experimental sound films. This film premiered at the Rivoli Theater, New York City on 15 April 1923 with other films produced in the DeForest Phonofilm sound-on-film process. Noble Sissle and Eubie Blake perform the songs "Sons of Old Black Joe" and "My Swanee Home" in a short film using the DeForest Phonofilm sound-on-film process. -
14:551923 - Making a comedy film across Europe (speed corrected w/ music)
1923 - Making a comedy film across Europe (speed corrected w/ music)1923 - Making a comedy film across Europe (speed corrected w/ music)
Excerpts from an old comedy film "From Fishermaid To Star" made in 1923 across Europe. I'm not sure if all this material wound up in the released movie but there's lots of candid shots and interested/bewildered extras as entertainment film was still in early stages. Set to a natural rate and added in music from 1912-1921 for period ambiance. Thanks to EYE -
12:54Wendy and 1923 Ford T-Bucket | Featuring Music of 1920s
Wendy and 1923 Ford T-Bucket | Featuring Music of 1920sWendy and 1923 Ford T-Bucket | Featuring Music of 1920s
See more custom pin-up portraits on my blog at http://igor-lukyanov.blogspot.com/search/label/pin-up%20art?&max-results;=4 This portrait of Wendy featuring a hot rod 1923 Ford T-Bucket was commissioned by Albert, Wendy's fiancé. I used music from 1920s to convey the spirit of those days when Ford T-Bucket was manufactured. I believe such pin-up portraits could be a unique gift idea for fiancées and fiancés as well as for boyfriends, girlfriends, wives, husbands and whoever loves such kind of artworks. -
17:441923 Music Master Radio Loudspeaker - Wildwood Castle
1923 Music Master Radio Loudspeaker - Wildwood Castle1923 Music Master Radio Loudspeaker - Wildwood Castle
This 1923 Music Master Radio Loudspeaker was purchased on ebay about two years ago. It had been in a Rhode Island basement with an Atwater Kent Model 9C Radio it was paired with in the 1920's, for over 60 years. They were sold separately. Amazingly, the speaker is in great working condition. I had to reglue two panel sections and the wood trim around the edge of the horn. Also,the original finish being very dry, was steel wooled and top coated with a shellac like the original. Paired with my A.K. Model 40, this speaker plays for the first since W.W. II. -
3:09Irving Kaufman, Ben Selvin Orch.- "Who's Sorry Now?" (1923)
Irving Kaufman, Ben Selvin Orch.- "Who's Sorry Now?" (1923)Irving Kaufman, Ben Selvin Orch.- "Who's Sorry Now?" (1923)
Who's Sorry Now? Words: Bert Kalmar and Harry Ruby Music: Ted Snyder Performed by Irving Kaufman, accompanied by Ben Selvin's Orchestra Recorded April 1923 Vocalion 14558 Irving Kaufman (1890 - 1976) was a prolific early twentieth century singer, recording artist and Vaudeville performer. The son of Russian Jewish immigrants, he was a member of The Kaufman Brothers, along with his brothers Phillip and Jack. He recorded heavily in the 1920s and 1930s with many bands and on many record labels, also under his own name. Strong theatrical voice somewhat along the lines of Al Jolson and Harry Richman, and he had perfect pitch, known to sing without special arrangements thus was in high demand for records. Sang with Avon Comedy Four pre-1920 and in early 1920s. Worked occasionally with singer-brother Jack Kaufman. Radio shows included Broadway Vanities (1934), Lazy Dan (1935), own series. Less active by late 1930s. Radio transcriptions in 1946, probably last recordings. Ben Selvin (1898 - 1980) was the recording director at Columbia records. Still in his thirties, Selvin already had nearly two decades in the music business as a violinist, an orchestra leader, a songwriter, a music contractor, a radio conductor and a recording artist. His 1918 rendition of "Dardenella" is said to be the first record to sell more than a million copies. As recording director for Columbia Selvin organized sessions for popular singers like Ruth Etting, Ethel Waters and Kate Smith and produced dates by studio groups that were sometimes released under his own name, sometimes under pseudonyms as The Columbia Photo Players and The Midnight Minstrels. He was also supervised many of Benny Goodman's early recording sessions, featuring Tommy Dorsey, Manny Kline, Adrian Rollini, Rube Bloom and Eddie Lang. -
4:52The Chofetz Chaim Video - Vienna 1923 with Music
The Chofetz Chaim Video - Vienna 1923 with MusicThe Chofetz Chaim Video - Vienna 1923 with Music
A rare clip of the Chofetz Chaim and many other gedolim. -
21:51Edward Elgar (1857-1934) : "King Arthur Suite" incidental music (1923)
Edward Elgar (1857-1934) : "King Arthur Suite" incidental music (1923)Edward Elgar (1857-1934) : "King Arthur Suite" incidental music (1923)
Edward Elgar (1857-1934) (GB) King Arthur Suite, incidental music (1923) Bournemouth Sinfonietta Dir : George Hurst 1- The King and Sir Bedivere (4.08) 2- Elaine Asleep (2.30) 3- The Banqueting Hall at Westminster (6.04) 4- Tue Queen's Tower at Night (2.29) 5- Battle Scene (2.27) 6- Arthur's Passage to Avalon (4.16) With the support of music lover Tommy Westbrook. On collectionCB, collectionCB2 and collectionCB3 we can also listen to Edward Elgar's « Serenade for Strings in E minor » (1892) ; « In the South (Alassio) Overture » (1904) ; « Piano Concerto -- Slow Movement » (1909/1925) ; his orchestration, in 1933, of the famous « Funeral March » for piano by Frederic Chopin. Elevé dans une famille de musiciens amateurs, le jeune Edward Elgar a vu sa vocation se confirmer très vite. Mais lorsque le provincial autodidacte qu'il était voulut se faire connaître à Londres, il échoua et revint vivre, découragé, dans son village de Broadheath, près de Worcester dans le centre de l'Angleterre. C'est sa femme, de dix ans son aînée, qui lui redonna espoir et entreprit de le faire connaître d'abord dans le West Midlands. Les « Variations Enigmatiques », composées en 1899, dans lesquelles il décrivait plusieurs de ses proches, définis seulement par des initiales peu évidentes, le firent soudain connaître. Trois oratorios lui apportèrent une réputation que sa « Symphonie n°1 » (1907), jouée plus de cent fois pour la seule année de sa création, ne fit que confirmer. Edward Elgar est l'auteur d'une œuvre variée, à la fois académique et personnelle. Citons la « Serenade for Strings/Sérénade pour cordes » (1892), l'oratorio « The Dream of Gerontius/le Rêve de Géronte » (1900), l'ouverture « Cockaigne » (1901), les cinq marches de « Pomp and Circumstance » (la plus connue étant la 1ère, composée en 1901), le magnifique « Concerto pour violoncelle » (1915), trois symphonies (1908 ; 1911 ; 1934, achevée par Anthony Payne en 1994). Fait chevalier en 1904 par la Reine, membre de l'ordre du Mérite en 1911, « Master of the King's Music » en 1924, « King Commander of the Royal Victorian Order » en 1928, Edward Elgar fut considéré comme le plus grand compositeur anglais du XXe siècle. A la mort de son épouse Alice, il cessa de composer, mais continua à enregistrer l'essentiel de son œuvre. L'originalité de l'ouverture de concert « In the South (Alassio) » (1904) est de débuter avec un étonnant pastiche du style "bondissant" de Richard Strauss, de continuer avec une très belle mélodie pour alto et de finir dans ce style anglais pénétré et retenu qu'affectionne Elgar. LIST OF UPLOADS OF COLLECTIONCB, COLLECTIONCB2 and COLLECTIONCB3 and IDEAL "DISCOTHEQUE" OF MORE THAN 1,300 ORCHESTRAL WORKS OF FEELINGS : http://www.corentinboissier.net/
-
Martha Pryor - Louisville Lou (1923)
Louisville Lou Words by Jack Yellen Music by Milton Ager Performed by Martha Pryor Recorded April 1923 Cameo 359 I could find no biographical information on Martha Pryor except for a few newspaper clippings from the Google newspaper archives and from the on-line record discographies. She sings in the tradition of Marion Harris, Sophie Tucker, Blossom Seeley and Nora Bayes. Martha Pryor was an actress and singer on the vaudeville and burlesque stage starting in about 1917 through the 1920s. She was sometimes billed as "The Kentucky Girl" or "The Kentucky Beauty" and known for her "Negro melodies" and blues She was also noted for her pleasing voice and magnetic personality. Her image has been included as a performer on a few song sheets during the early 1920s. The discographi... -
Paul Parrott in "Post No Bills" (1923) - music score by Ben Model
No, that's not Charley Chase...it's his brother Paul Parrott in "POST NO BILLS" (1923) with a new score by Ben Model, performed on the mighty Miditzer virtual theatre organ. From the DVD release "American Slapstick 2" from All Day Entertainment (uploaded with permission). Order the DVD set from http://www.alldayentertainment.com JImmy Parrott had a successful series of one-reelers at Hal Roach in the early 1920s, billed onscreen as Paul Parrott, before moving behind the camera and directing; his directorial credits list him as James Parrott. The shorts are inventive and funny, and you can see why they are often misidentified as early Charley Chase shorts. More info about Chase can be found at http://www.charley-chase.com The Miditzer (http://www.virtualorgan.com) is a FREE virt... -
Roaring 20s: Arthur Gibbs & His Gang - Charleston, 1923
Arthur Gibbs and His Gang -- Charleston (Medley) (Intriducing "Open Your Heart") the Musical Comedy "Runnin' Wild" (Cecil Mack /Jimmy Johnson), Victor 1923 (USA) NOTE: In Oct, 1923 the music show "Runnin' Wild" opened at the Colonial Theater in New York City. This Miller and Lyles Production was the first public introduction of the dance "The Charleston" to New York and the world. The Black chorus line moved and sang James P. Johnson's "Charleston" and other songs. In the show both dance and songs expressed the mood of reckless daring, abandon, and restlessness of the jazz-age flappers. The show had 228 performances and closed in June, 1924, however the tune "The Charleston" as well as the trot of the new dance soon became the craze throughout the United States. In one season of 1924/25 ... -
(1923) Very early music clip - Noble Sissle and James Hubert Blake - Snappy Tunes
In a rare filmed record, the famed songwriters and vaudevillians perform. One of De Forest's earliest experimental sound films. This film premiered at the Rivoli Theater, New York City on 15 April 1923 with other films produced in the DeForest Phonofilm sound-on-film process. Noble Sissle and Eubie Blake perform the songs "Sons of Old Black Joe" and "My Swanee Home" in a short film using the DeForest Phonofilm sound-on-film process. -
1923 - Making a comedy film across Europe (speed corrected w/ music)
Excerpts from an old comedy film "From Fishermaid To Star" made in 1923 across Europe. I'm not sure if all this material wound up in the released movie but there's lots of candid shots and interested/bewildered extras as entertainment film was still in early stages. Set to a natural rate and added in music from 1912-1921 for period ambiance. Thanks to EYE -
Wendy and 1923 Ford T-Bucket | Featuring Music of 1920s
See more custom pin-up portraits on my blog at http://igor-lukyanov.blogspot.com/search/label/pin-up%20art?&max-results;=4 This portrait of Wendy featuring a hot rod 1923 Ford T-Bucket was commissioned by Albert, Wendy's fiancé. I used music from 1920s to convey the spirit of those days when Ford T-Bucket was manufactured. I believe such pin-up portraits could be a unique gift idea for fiancées and fiancés as well as for boyfriends, girlfriends, wives, husbands and whoever loves such kind of artworks. -
1923 Music Master Radio Loudspeaker - Wildwood Castle
This 1923 Music Master Radio Loudspeaker was purchased on ebay about two years ago. It had been in a Rhode Island basement with an Atwater Kent Model 9C Radio it was paired with in the 1920's, for over 60 years. They were sold separately. Amazingly, the speaker is in great working condition. I had to reglue two panel sections and the wood trim around the edge of the horn. Also,the original finish being very dry, was steel wooled and top coated with a shellac like the original. Paired with my A.K. Model 40, this speaker plays for the first since W.W. II. -
Irving Kaufman, Ben Selvin Orch.- "Who's Sorry Now?" (1923)
Who's Sorry Now? Words: Bert Kalmar and Harry Ruby Music: Ted Snyder Performed by Irving Kaufman, accompanied by Ben Selvin's Orchestra Recorded April 1923 Vocalion 14558 Irving Kaufman (1890 - 1976) was a prolific early twentieth century singer, recording artist and Vaudeville performer. The son of Russian Jewish immigrants, he was a member of The Kaufman Brothers, along with his brothers Phillip and Jack. He recorded heavily in the 1920s and 1930s with many bands and on many record labels, also under his own name. Strong theatrical voice somewhat along the lines of Al Jolson and Harry Richman, and he had perfect pitch, known to sing without special arrangements thus was in high demand for records. Sang with Avon Comedy Four pre-1920 and in early 1920s. Worked occasionally with s... -
The Chofetz Chaim Video - Vienna 1923 with Music
A rare clip of the Chofetz Chaim and many other gedolim. -
Edward Elgar (1857-1934) : "King Arthur Suite" incidental music (1923)
Edward Elgar (1857-1934) (GB) King Arthur Suite, incidental music (1923) Bournemouth Sinfonietta Dir : George Hurst 1- The King and Sir Bedivere (4.08) 2- Elaine Asleep (2.30) 3- The Banqueting Hall at Westminster (6.04) 4- Tue Queen's Tower at Night (2.29) 5- Battle Scene (2.27) 6- Arthur's Passage to Avalon (4.16) With the support of music lover Tommy Westbrook. On collectionCB, collectionCB2 and collectionCB3 we can also listen to Edward Elgar's « Serenade for Strings in E minor » (1892) ; « In the South (Alassio) Overture » (1904) ; « Piano Concerto -- Slow Movement » (1909/1925) ; his orchestration, in 1933, of the famous « Funeral March » for piano by Frederic Chopin. Elevé dans une famille de musiciens amateurs, le jeune Edward Elgar a vu sa vocation se confirmer très vite. Mai...
Martha Pryor - Louisville Lou (1923)
- Order: Reorder
- Duration: 3:13
- Updated: 23 Feb 2011
- views: 5088
Louisville Lou
Words by Jack Yellen
Music by Milton Ager
Performed by Martha Pryor
Recorded April 1923
Cameo 359
I could find no biographical informatio...
Louisville Lou
Words by Jack Yellen
Music by Milton Ager
Performed by Martha Pryor
Recorded April 1923
Cameo 359
I could find no biographical information on Martha Pryor except for a few newspaper clippings from the Google newspaper archives and from the on-line record discographies. She sings in the tradition of Marion Harris, Sophie Tucker, Blossom Seeley and Nora Bayes.
Martha Pryor was an actress and singer on the vaudeville and burlesque stage starting in about 1917 through the 1920s. She was sometimes billed as "The Kentucky Girl" or "The Kentucky Beauty" and known for her "Negro melodies" and blues She was also noted for her pleasing voice and magnetic personality. Her image has been included as a performer on a few song sheets during the early 1920s. The discographies show that she made about nine records between 1923 and 1924 for Pathe, Perfect, Oriole, Cameo, Triangle and Grey Gull record companies. She made one trial recording for Victor in 1922 of the song "Lovin' Sam, the Sheik of Alabam'" but it was never released.
She was married to fellow stage actor Ben Bard from 1915 to 1924 when they separated. He moved to California, divorced her and remarried. There he established a successful acting school and theatre company in Hollywood and had become had become very wealthy. In 1937 Martha filed suit against her former husband claiming that the divorce was illegal and that they were sill married. She was also asking for alimony support. The California courts rejected her suit claiming she had waited too many years to sue.
wn.com/Martha Pryor Louisville Lou (1923)
Louisville Lou
Words by Jack Yellen
Music by Milton Ager
Performed by Martha Pryor
Recorded April 1923
Cameo 359
I could find no biographical information on Martha Pryor except for a few newspaper clippings from the Google newspaper archives and from the on-line record discographies. She sings in the tradition of Marion Harris, Sophie Tucker, Blossom Seeley and Nora Bayes.
Martha Pryor was an actress and singer on the vaudeville and burlesque stage starting in about 1917 through the 1920s. She was sometimes billed as "The Kentucky Girl" or "The Kentucky Beauty" and known for her "Negro melodies" and blues She was also noted for her pleasing voice and magnetic personality. Her image has been included as a performer on a few song sheets during the early 1920s. The discographies show that she made about nine records between 1923 and 1924 for Pathe, Perfect, Oriole, Cameo, Triangle and Grey Gull record companies. She made one trial recording for Victor in 1922 of the song "Lovin' Sam, the Sheik of Alabam'" but it was never released.
She was married to fellow stage actor Ben Bard from 1915 to 1924 when they separated. He moved to California, divorced her and remarried. There he established a successful acting school and theatre company in Hollywood and had become had become very wealthy. In 1937 Martha filed suit against her former husband claiming that the divorce was illegal and that they were sill married. She was also asking for alimony support. The California courts rejected her suit claiming she had waited too many years to sue.
- published: 23 Feb 2011
- views: 5088
Paul Parrott in "Post No Bills" (1923) - music score by Ben Model
- Order: Reorder
- Duration: 8:28
- Updated: 02 Mar 2011
- views: 4023
No, that's not Charley Chase...it's his brother Paul Parrott in "POST NO BILLS" (1923) with a new score by Ben Model, performed on the mighty Miditzer virtual...
No, that's not Charley Chase...it's his brother Paul Parrott in "POST NO BILLS" (1923) with a new score by Ben Model, performed on the mighty Miditzer virtual theatre organ. From the DVD release "American Slapstick 2" from All Day Entertainment (uploaded with permission). Order the DVD set from http://www.alldayentertainment.com
JImmy Parrott had a successful series of one-reelers at Hal Roach in the early 1920s, billed onscreen as Paul Parrott, before moving behind the camera and directing; his directorial credits list him as James Parrott. The shorts are inventive and funny, and you can see why they are often misidentified as early Charley Chase shorts. More info about Chase can be found at http://www.charley-chase.com
The Miditzer (http://www.virtualorgan.com) is a FREE virtual instrument that emulates the function and sound of a movie palace theatre organ.
wn.com/Paul Parrott In Post No Bills (1923) Music Score By Ben Model
No, that's not Charley Chase...it's his brother Paul Parrott in "POST NO BILLS" (1923) with a new score by Ben Model, performed on the mighty Miditzer virtual theatre organ. From the DVD release "American Slapstick 2" from All Day Entertainment (uploaded with permission). Order the DVD set from http://www.alldayentertainment.com
JImmy Parrott had a successful series of one-reelers at Hal Roach in the early 1920s, billed onscreen as Paul Parrott, before moving behind the camera and directing; his directorial credits list him as James Parrott. The shorts are inventive and funny, and you can see why they are often misidentified as early Charley Chase shorts. More info about Chase can be found at http://www.charley-chase.com
The Miditzer (http://www.virtualorgan.com) is a FREE virtual instrument that emulates the function and sound of a movie palace theatre organ.
- published: 02 Mar 2011
- views: 4023
Roaring 20s: Arthur Gibbs & His Gang - Charleston, 1923
- Order: Reorder
- Duration: 3:08
- Updated: 13 Jun 2012
- views: 6839
Arthur Gibbs and His Gang -- Charleston (Medley) (Intriducing "Open Your Heart") the Musical Comedy "Runnin' Wild" (Cecil Mack /Jimmy Johnson), Victor 1923 (USA...
Arthur Gibbs and His Gang -- Charleston (Medley) (Intriducing "Open Your Heart") the Musical Comedy "Runnin' Wild" (Cecil Mack /Jimmy Johnson), Victor 1923 (USA)
NOTE: In Oct, 1923 the music show "Runnin' Wild" opened at the Colonial Theater in New York City. This Miller and Lyles Production was the first public introduction of the dance "The Charleston" to New York and the world. The Black chorus line moved and sang James P. Johnson's "Charleston" and other songs. In the show both dance and songs expressed the mood of reckless daring, abandon, and restlessness of the jazz-age flappers. The show had 228 performances and closed in June, 1924, however the tune "The Charleston" as well as the trot of the new dance soon became the craze throughout the United States. In one season of 1924/25 it went throught dance floors of all the world, starting its new life as the immortal musical icon of the Roaring Twenties. This early version was played in a slower tempo, having more to do with a ragtime that with "The Charleston" as it was leter frenzily performed by white bands of Isham Jones, Ben Selvin or -- best remembered -- Paul Whiteman.
Arthur Gibbs was a black pianist and from ca 1923 he led his own orchestra, which was featured on the record labels as "Gang". His most famous side was the first recorded version of "The Charleston" considered as "the original black" rendition of that famous dance tune of the Roaring 20s. In mid- and late 1920s. Arthur Gibbs' band was playing at the Savoy and Arcadia Ballrooms in NYC.
wn.com/Roaring 20S Arthur Gibbs His Gang Charleston, 1923
Arthur Gibbs and His Gang -- Charleston (Medley) (Intriducing "Open Your Heart") the Musical Comedy "Runnin' Wild" (Cecil Mack /Jimmy Johnson), Victor 1923 (USA)
NOTE: In Oct, 1923 the music show "Runnin' Wild" opened at the Colonial Theater in New York City. This Miller and Lyles Production was the first public introduction of the dance "The Charleston" to New York and the world. The Black chorus line moved and sang James P. Johnson's "Charleston" and other songs. In the show both dance and songs expressed the mood of reckless daring, abandon, and restlessness of the jazz-age flappers. The show had 228 performances and closed in June, 1924, however the tune "The Charleston" as well as the trot of the new dance soon became the craze throughout the United States. In one season of 1924/25 it went throught dance floors of all the world, starting its new life as the immortal musical icon of the Roaring Twenties. This early version was played in a slower tempo, having more to do with a ragtime that with "The Charleston" as it was leter frenzily performed by white bands of Isham Jones, Ben Selvin or -- best remembered -- Paul Whiteman.
Arthur Gibbs was a black pianist and from ca 1923 he led his own orchestra, which was featured on the record labels as "Gang". His most famous side was the first recorded version of "The Charleston" considered as "the original black" rendition of that famous dance tune of the Roaring 20s. In mid- and late 1920s. Arthur Gibbs' band was playing at the Savoy and Arcadia Ballrooms in NYC.
- published: 13 Jun 2012
- views: 6839
(1923) Very early music clip - Noble Sissle and James Hubert Blake - Snappy Tunes
- Order: Reorder
- Duration: 6:52
- Updated: 16 Sep 2012
- views: 6757
In a rare filmed record, the famed songwriters and vaudevillians perform. One of De Forest's earliest experimental sound films.
This film premiered at the Rivo...
In a rare filmed record, the famed songwriters and vaudevillians perform. One of De Forest's earliest experimental sound films.
This film premiered at the Rivoli Theater, New York City on 15 April 1923 with other films produced in the DeForest Phonofilm sound-on-film process.
Noble Sissle and Eubie Blake perform the songs "Sons of Old Black Joe" and "My Swanee Home" in a short film using the DeForest Phonofilm sound-on-film process.
wn.com/(1923) Very Early Music Clip Noble Sissle And James Hubert Blake Snappy Tunes
In a rare filmed record, the famed songwriters and vaudevillians perform. One of De Forest's earliest experimental sound films.
This film premiered at the Rivoli Theater, New York City on 15 April 1923 with other films produced in the DeForest Phonofilm sound-on-film process.
Noble Sissle and Eubie Blake perform the songs "Sons of Old Black Joe" and "My Swanee Home" in a short film using the DeForest Phonofilm sound-on-film process.
- published: 16 Sep 2012
- views: 6757
1923 - Making a comedy film across Europe (speed corrected w/ music)
- Order: Reorder
- Duration: 14:55
- Updated: 04 Jul 2016
- views: 219
Excerpts from an old comedy film "From Fishermaid To Star" made in 1923 across Europe. I'm not sure if all this material wound up in the released movie but the...
Excerpts from an old comedy film "From Fishermaid To Star" made in 1923 across Europe. I'm not sure if all this material wound up in the released movie but there's lots of candid shots and interested/bewildered extras as entertainment film was still in early stages. Set to a natural rate and added in music from 1912-1921 for period ambiance. Thanks to EYE
wn.com/1923 Making A Comedy Film Across Europe (Speed Corrected W Music)
Excerpts from an old comedy film "From Fishermaid To Star" made in 1923 across Europe. I'm not sure if all this material wound up in the released movie but there's lots of candid shots and interested/bewildered extras as entertainment film was still in early stages. Set to a natural rate and added in music from 1912-1921 for period ambiance. Thanks to EYE
- published: 04 Jul 2016
- views: 219
Wendy and 1923 Ford T-Bucket | Featuring Music of 1920s
- Order: Reorder
- Duration: 12:54
- Updated: 03 Jun 2013
- views: 1257
See more custom pin-up portraits on my blog at http://igor-lukyanov.blogspot.com/search/label/pin-up%20art?&max-results;=4
This portrait of Wendy featuring a ho...
See more custom pin-up portraits on my blog at http://igor-lukyanov.blogspot.com/search/label/pin-up%20art?&max-results;=4
This portrait of Wendy featuring a hot rod 1923 Ford T-Bucket was commissioned by Albert, Wendy's fiancé. I used music from 1920s to convey the spirit of those days when Ford T-Bucket was manufactured.
I believe such pin-up portraits could be a unique gift idea for fiancées and fiancés as well as for boyfriends, girlfriends, wives, husbands and whoever loves such kind of artworks.
wn.com/Wendy And 1923 Ford T Bucket | Featuring Music Of 1920S
See more custom pin-up portraits on my blog at http://igor-lukyanov.blogspot.com/search/label/pin-up%20art?&max-results;=4
This portrait of Wendy featuring a hot rod 1923 Ford T-Bucket was commissioned by Albert, Wendy's fiancé. I used music from 1920s to convey the spirit of those days when Ford T-Bucket was manufactured.
I believe such pin-up portraits could be a unique gift idea for fiancées and fiancés as well as for boyfriends, girlfriends, wives, husbands and whoever loves such kind of artworks.
- published: 03 Jun 2013
- views: 1257
1923 Music Master Radio Loudspeaker - Wildwood Castle
- Order: Reorder
- Duration: 17:44
- Updated: 19 Jan 2014
- views: 431
This 1923 Music Master Radio Loudspeaker was purchased on ebay about two years ago. It had been in a Rhode Island basement with an Atwater Kent Model 9C Radio i...
This 1923 Music Master Radio Loudspeaker was purchased on ebay about two years ago. It had been in a Rhode Island basement with an Atwater Kent Model 9C Radio it was paired with in the 1920's, for over 60 years. They were sold separately. Amazingly, the speaker is in great working condition. I had to reglue two panel sections and the wood trim around the edge of the horn. Also,the original finish being very dry, was steel wooled and top coated with a shellac like the original. Paired with my A.K. Model 40, this speaker plays for the first since W.W. II.
wn.com/1923 Music Master Radio Loudspeaker Wildwood Castle
This 1923 Music Master Radio Loudspeaker was purchased on ebay about two years ago. It had been in a Rhode Island basement with an Atwater Kent Model 9C Radio it was paired with in the 1920's, for over 60 years. They were sold separately. Amazingly, the speaker is in great working condition. I had to reglue two panel sections and the wood trim around the edge of the horn. Also,the original finish being very dry, was steel wooled and top coated with a shellac like the original. Paired with my A.K. Model 40, this speaker plays for the first since W.W. II.
- published: 19 Jan 2014
- views: 431
Irving Kaufman, Ben Selvin Orch.- "Who's Sorry Now?" (1923)
- Order: Reorder
- Duration: 3:09
- Updated: 28 Jul 2010
- views: 8872
Who's Sorry Now?
Words: Bert Kalmar and Harry Ruby
Music: Ted Snyder
Performed by Irving Kaufman, accompanied by Ben Selvin's Orchestra
Recorded April 1923
...
Who's Sorry Now?
Words: Bert Kalmar and Harry Ruby
Music: Ted Snyder
Performed by Irving Kaufman, accompanied by Ben Selvin's Orchestra
Recorded April 1923
Vocalion 14558
Irving Kaufman (1890 - 1976) was a prolific early twentieth century singer, recording artist and Vaudeville performer. The son of Russian Jewish immigrants, he was a member of The Kaufman Brothers, along with his brothers Phillip and Jack. He recorded heavily in the 1920s and 1930s with many bands and on many record labels, also under his own name. Strong theatrical voice somewhat along the lines of Al Jolson and Harry Richman, and he had perfect pitch, known to sing without special arrangements thus was in high demand for records. Sang with Avon Comedy Four pre-1920 and in early 1920s. Worked occasionally with singer-brother Jack Kaufman. Radio shows included Broadway Vanities (1934), Lazy Dan (1935), own series. Less active by late 1930s. Radio transcriptions in 1946, probably last recordings.
Ben Selvin (1898 - 1980) was the recording director at Columbia records. Still in his thirties, Selvin already had nearly two decades in the music business as a violinist, an orchestra leader, a songwriter, a music contractor, a radio conductor and a recording artist. His 1918 rendition of "Dardenella" is said to be the first record to sell more than a million copies. As recording director for Columbia Selvin organized sessions for popular singers like Ruth Etting, Ethel Waters and Kate Smith and produced dates by studio groups that were sometimes released under his own name, sometimes under pseudonyms as The Columbia Photo Players and The Midnight Minstrels. He was also supervised many of Benny Goodman's early recording sessions, featuring Tommy Dorsey, Manny Kline, Adrian Rollini, Rube Bloom and Eddie Lang.
wn.com/Irving Kaufman, Ben Selvin Orch. Who's Sorry Now (1923)
Who's Sorry Now?
Words: Bert Kalmar and Harry Ruby
Music: Ted Snyder
Performed by Irving Kaufman, accompanied by Ben Selvin's Orchestra
Recorded April 1923
Vocalion 14558
Irving Kaufman (1890 - 1976) was a prolific early twentieth century singer, recording artist and Vaudeville performer. The son of Russian Jewish immigrants, he was a member of The Kaufman Brothers, along with his brothers Phillip and Jack. He recorded heavily in the 1920s and 1930s with many bands and on many record labels, also under his own name. Strong theatrical voice somewhat along the lines of Al Jolson and Harry Richman, and he had perfect pitch, known to sing without special arrangements thus was in high demand for records. Sang with Avon Comedy Four pre-1920 and in early 1920s. Worked occasionally with singer-brother Jack Kaufman. Radio shows included Broadway Vanities (1934), Lazy Dan (1935), own series. Less active by late 1930s. Radio transcriptions in 1946, probably last recordings.
Ben Selvin (1898 - 1980) was the recording director at Columbia records. Still in his thirties, Selvin already had nearly two decades in the music business as a violinist, an orchestra leader, a songwriter, a music contractor, a radio conductor and a recording artist. His 1918 rendition of "Dardenella" is said to be the first record to sell more than a million copies. As recording director for Columbia Selvin organized sessions for popular singers like Ruth Etting, Ethel Waters and Kate Smith and produced dates by studio groups that were sometimes released under his own name, sometimes under pseudonyms as The Columbia Photo Players and The Midnight Minstrels. He was also supervised many of Benny Goodman's early recording sessions, featuring Tommy Dorsey, Manny Kline, Adrian Rollini, Rube Bloom and Eddie Lang.
- published: 28 Jul 2010
- views: 8872
The Chofetz Chaim Video - Vienna 1923 with Music
- Order: Reorder
- Duration: 4:52
- Updated: 24 Feb 2015
- views: 11338
A rare clip of the Chofetz Chaim and many other gedolim.
A rare clip of the Chofetz Chaim and many other gedolim.
wn.com/The Chofetz Chaim Video Vienna 1923 With Music
Edward Elgar (1857-1934) : "King Arthur Suite" incidental music (1923)
- Order: Reorder
- Duration: 21:51
- Updated: 13 Feb 2014
- views: 2311
Edward Elgar (1857-1934) (GB)
King Arthur Suite, incidental music (1923)
Bournemouth Sinfonietta
Dir : George Hurst
1- The King and Sir Bedivere (4.08)
2- Elai...
Edward Elgar (1857-1934) (GB)
King Arthur Suite, incidental music (1923)
Bournemouth Sinfonietta
Dir : George Hurst
1- The King and Sir Bedivere (4.08)
2- Elaine Asleep (2.30)
3- The Banqueting Hall at Westminster (6.04)
4- Tue Queen's Tower at Night (2.29)
5- Battle Scene (2.27)
6- Arthur's Passage to Avalon (4.16)
With the support of music lover Tommy Westbrook.
On collectionCB, collectionCB2 and collectionCB3 we can also listen to Edward Elgar's « Serenade for Strings in E minor » (1892) ; « In the South (Alassio) Overture » (1904) ; « Piano Concerto -- Slow Movement » (1909/1925) ; his orchestration, in 1933, of the famous « Funeral March » for piano by Frederic Chopin.
Elevé dans une famille de musiciens amateurs, le jeune Edward Elgar a vu sa vocation se confirmer très vite. Mais lorsque le provincial autodidacte qu'il était voulut se faire connaître à Londres, il échoua et revint vivre, découragé, dans son village de Broadheath, près de Worcester dans le centre de l'Angleterre. C'est sa femme, de dix ans son aînée, qui lui redonna espoir et entreprit de le faire connaître d'abord dans le West Midlands. Les « Variations Enigmatiques », composées en 1899, dans lesquelles il décrivait plusieurs de ses proches, définis seulement par des initiales peu évidentes, le firent soudain connaître. Trois oratorios lui apportèrent une réputation que sa « Symphonie n°1 » (1907), jouée plus de cent fois pour la seule année de sa création, ne fit que confirmer. Edward Elgar est l'auteur d'une œuvre variée, à la fois académique et personnelle. Citons la « Serenade for Strings/Sérénade pour cordes » (1892), l'oratorio « The Dream of Gerontius/le Rêve de Géronte » (1900), l'ouverture « Cockaigne » (1901), les cinq marches de « Pomp and Circumstance » (la plus connue étant la 1ère, composée en 1901), le magnifique « Concerto pour violoncelle » (1915), trois symphonies (1908 ; 1911 ; 1934, achevée par Anthony Payne en 1994). Fait chevalier en 1904 par la Reine, membre de l'ordre du Mérite en 1911, « Master of the King's Music » en 1924, « King Commander of the Royal Victorian Order » en 1928, Edward Elgar fut considéré comme le plus grand compositeur anglais du XXe siècle. A la mort de son épouse Alice, il cessa de composer, mais continua à enregistrer l'essentiel de son œuvre. L'originalité de l'ouverture de concert « In the South (Alassio) » (1904) est de débuter avec un étonnant pastiche du style "bondissant" de Richard Strauss, de continuer avec une très belle mélodie pour alto et de finir dans ce style anglais pénétré et retenu qu'affectionne Elgar.
LIST OF UPLOADS OF COLLECTIONCB, COLLECTIONCB2 and COLLECTIONCB3
and
IDEAL "DISCOTHEQUE" OF MORE THAN 1,300 ORCHESTRAL WORKS OF FEELINGS :
http://www.corentinboissier.net/
wn.com/Edward Elgar (1857 1934) King Arthur Suite Incidental Music (1923)
Edward Elgar (1857-1934) (GB)
King Arthur Suite, incidental music (1923)
Bournemouth Sinfonietta
Dir : George Hurst
1- The King and Sir Bedivere (4.08)
2- Elaine Asleep (2.30)
3- The Banqueting Hall at Westminster (6.04)
4- Tue Queen's Tower at Night (2.29)
5- Battle Scene (2.27)
6- Arthur's Passage to Avalon (4.16)
With the support of music lover Tommy Westbrook.
On collectionCB, collectionCB2 and collectionCB3 we can also listen to Edward Elgar's « Serenade for Strings in E minor » (1892) ; « In the South (Alassio) Overture » (1904) ; « Piano Concerto -- Slow Movement » (1909/1925) ; his orchestration, in 1933, of the famous « Funeral March » for piano by Frederic Chopin.
Elevé dans une famille de musiciens amateurs, le jeune Edward Elgar a vu sa vocation se confirmer très vite. Mais lorsque le provincial autodidacte qu'il était voulut se faire connaître à Londres, il échoua et revint vivre, découragé, dans son village de Broadheath, près de Worcester dans le centre de l'Angleterre. C'est sa femme, de dix ans son aînée, qui lui redonna espoir et entreprit de le faire connaître d'abord dans le West Midlands. Les « Variations Enigmatiques », composées en 1899, dans lesquelles il décrivait plusieurs de ses proches, définis seulement par des initiales peu évidentes, le firent soudain connaître. Trois oratorios lui apportèrent une réputation que sa « Symphonie n°1 » (1907), jouée plus de cent fois pour la seule année de sa création, ne fit que confirmer. Edward Elgar est l'auteur d'une œuvre variée, à la fois académique et personnelle. Citons la « Serenade for Strings/Sérénade pour cordes » (1892), l'oratorio « The Dream of Gerontius/le Rêve de Géronte » (1900), l'ouverture « Cockaigne » (1901), les cinq marches de « Pomp and Circumstance » (la plus connue étant la 1ère, composée en 1901), le magnifique « Concerto pour violoncelle » (1915), trois symphonies (1908 ; 1911 ; 1934, achevée par Anthony Payne en 1994). Fait chevalier en 1904 par la Reine, membre de l'ordre du Mérite en 1911, « Master of the King's Music » en 1924, « King Commander of the Royal Victorian Order » en 1928, Edward Elgar fut considéré comme le plus grand compositeur anglais du XXe siècle. A la mort de son épouse Alice, il cessa de composer, mais continua à enregistrer l'essentiel de son œuvre. L'originalité de l'ouverture de concert « In the South (Alassio) » (1904) est de débuter avec un étonnant pastiche du style "bondissant" de Richard Strauss, de continuer avec une très belle mélodie pour alto et de finir dans ce style anglais pénétré et retenu qu'affectionne Elgar.
LIST OF UPLOADS OF COLLECTIONCB, COLLECTIONCB2 and COLLECTIONCB3
and
IDEAL "DISCOTHEQUE" OF MORE THAN 1,300 ORCHESTRAL WORKS OF FEELINGS :
http://www.corentinboissier.net/
- published: 13 Feb 2014
- views: 2311
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2016 04 09 1923 14
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VID 00006 20121208 1923
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Ambrose And His Embassy Orchestra 'Dearest' Acoustic 1923 78 rpm
Bert Ambrose was to become one of the greatest band leaders by the 1930's but in 1923 he was halfway through his first engagement at The Embassy Club in London with a 7 piece band when he made a dozen acoustic recordings for Columbia Records. This being one of them. The band consisted of Arthur Aaronson alto sax, Rupert Dixon tenor sax, Max Raderman on piano, Harry Edelson banjo, Julius Nussbaum tuba and American Eddie Gross-Bart on drums, a trumpet and trombone can be heard on the recordings so were probably added for the sessions. These early recordings are competent but nothing special, in 1927 Bert signed for HMV in 1927 whilst working at the Mayfair Club were he had gained a following through radio broadcasts. -
Salomé (1923) with original Soundtrack by Mike Frank
In October of last year I watched a documentary called 'Sunset Strip', which details the short history of a small area in West Hollywood famous for its past and present residents and all the crazy things that may or may not have occurred there. During the film it mentioned a movie star named Alla Nazimova, who at her peak was the highest paid actress at Metro Pictures. It also showed extracts from her most notable endeavour, 'Salomé'. These short clips instantly struck me as incredible and I knew in an instant I had to have some kind of involvement with the film. Time travel was obviously out of the question, but I had been wanting for a while to score an entire film, and Salomé was the perfect opportunity for this. Lack of dialogue and original sound meant I could start with a fresh canva... -
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György Ligeti (1923-2006) - Chamber Concerto
Recorded live on 12th February 2009. Duration: 19 minutes György Ligeti (1923-2006) Chamber Concerto I. Corrente II. Calmo, sostenuto III. Movimento preciso e meccanico IV. Presto Composed in 1969-70, this piece helped make the ensemble of soloists a standard line-up for new music, though Ligeti's treatment has had few equals in terms of fantasy and delightfulness. It begins with the instruments moving within a narrow range, sliding in register, until suddenly the whole pitch space is opened up by the arrival of piled octaves. Their pure sound is soon muddied, and wonderful confusion resumes: at one point the wind instruments start to sing a massively amplified folktune. Finally the music explodes into dispersed melody, only to be clamped again. 'My general idea for this movement', Lige... -
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Charles Penrose - Laughing P. C. Brown / Laughing Jazz Drummer, 1923
Charles Penrose (born Charles Penrose Dunbar Cawse on November 11, 1873 – November 17, 1952) was an English music hall and theatre performer, and later radio comedian, who is best known for his unusual comic song "The Laughing Policeman". Charles Penrose was born Charles Penrose Dunbar Cawse in Biggleswade, Bedfordshire, the son of a master watchmaker and jeweller. He initially followed his father into the jewellery trade, but enjoyed such success with his innovative laughing songs at local concert parties that he was invited to join a theatrical tour at the age of 18. His theatrical career took off, and he appeared in music hall and the West End. One of his most successful performances was in Tonight's the Night at the Gaiety Theatre, London in 1914–15. Penrose married architect's daughte...
2016 04 09 1923 14
- Order: Reorder
- Duration: 0:13
- Updated: 26 Jul 2016
- views: 0
- published: 26 Jul 2016
- views: 0
VID 00006 20121208 1923
- Order: Reorder
- Duration: 1:11
- Updated: 26 Jul 2016
- views: 0
- published: 26 Jul 2016
- views: 0
Ambrose And His Embassy Orchestra 'Dearest' Acoustic 1923 78 rpm
- Order: Reorder
- Duration: 2:57
- Updated: 05 Mar 2016
- views: 58
Bert Ambrose was to become one of the greatest band leaders by the 1930's but in 1923 he was halfway through his first engagement at The Embassy Club in London ...
Bert Ambrose was to become one of the greatest band leaders by the 1930's but in 1923 he was halfway through his first engagement at The Embassy Club in London with a 7 piece band when he made a dozen acoustic recordings for Columbia Records. This being one of them.
The band consisted of Arthur Aaronson alto sax, Rupert Dixon tenor sax, Max Raderman on piano, Harry Edelson banjo, Julius Nussbaum tuba and American Eddie Gross-Bart on drums, a trumpet and trombone can be heard on the recordings so were probably added for the sessions.
These early recordings are competent but nothing special, in 1927 Bert signed for HMV in 1927 whilst working at the Mayfair Club were he had gained a following through radio broadcasts.
wn.com/Ambrose And His Embassy Orchestra 'Dearest' Acoustic 1923 78 Rpm
Bert Ambrose was to become one of the greatest band leaders by the 1930's but in 1923 he was halfway through his first engagement at The Embassy Club in London with a 7 piece band when he made a dozen acoustic recordings for Columbia Records. This being one of them.
The band consisted of Arthur Aaronson alto sax, Rupert Dixon tenor sax, Max Raderman on piano, Harry Edelson banjo, Julius Nussbaum tuba and American Eddie Gross-Bart on drums, a trumpet and trombone can be heard on the recordings so were probably added for the sessions.
These early recordings are competent but nothing special, in 1927 Bert signed for HMV in 1927 whilst working at the Mayfair Club were he had gained a following through radio broadcasts.
- published: 05 Mar 2016
- views: 58
Salomé (1923) with original Soundtrack by Mike Frank
- Order: Reorder
- Duration: 72:14
- Updated: 13 Jan 2016
- views: 1054
In October of last year I watched a documentary called 'Sunset Strip', which details the short history of a small area in West Hollywood famous for its past and...
In October of last year I watched a documentary called 'Sunset Strip', which details the short history of a small area in West Hollywood famous for its past and present residents and all the crazy things that may or may not have occurred there. During the film it mentioned a movie star named Alla Nazimova, who at her peak was the highest paid actress at Metro Pictures. It also showed extracts from her most notable endeavour, 'Salomé'. These short clips instantly struck me as incredible and I knew in an instant I had to have some kind of involvement with the film. Time travel was obviously out of the question, but I had been wanting for a while to score an entire film, and Salomé was the perfect opportunity for this. Lack of dialogue and original sound meant I could start with a fresh canvas and do whatever the hell I liked with it, however I did set myself a few rules.
Musically I wanted to create something that used the traditional orchestral instruments available at the time of filming, mixed with sounds we're more familiar with today. I also felt I had to be considerate of the film quality and age; a completely modern soundtrack would seem out of place and subtract from the enjoyment of the film, so I stuck to this rule (with a few exceptions). I really wanted to get across in the music how young and sweet Salome appears, but really how manipulative, spoilt and sinister her character really is. So the first few scenes paint a portrait of this sweet girl who looks bored of the life she's been born into and sick of the guy her mother married perving over her. But quite quickly the music changes with her actions to reveal a very nasty character. The 'Dance of the Seven Veils' scene best portrays this with the opening into the dance where Salomé is parted by her entourage. In the middle of the courtyard in front of the Tetrarch and his court, she begins a very dainty dance, gradually moving into bigger more expressive moves until finally she's moving freely (and kinda crazy) to reveal the dance that sends the Tetrarch wild. I read somewhere that the dance is actually a death dance, for at that moment Salomé knew and accepted her fate, which I kept in consideration for this scene. I felt it necessary to follow these moves entirely, from every tiny footstep to the swinging of her shroud. Honestly, my main inspiration for Salome and her dance was Miley Cyrus, I think she fits the character perfectly. So if there's ever a modern remake, I vote Miley for Salomé. And it's in this scene where I break all the rules I set out for myself in an effort to truly convey the character of Salomé. I really wanted to get across that she's a spoilt 14 year old girl, very aware of sexuality and capable of getting anything and everything she wants until she's turned down by Jokaanan, the Prophet. So I wanted to write a song with pop sensibilities, which also conveys the madness of the dance and its purpose. Why pop you may ask? Well, what else would a 14 year old dance and listen to today? It seemed like the obvious choice to truly get across the character of Salome. And may I just add, for a 40 something year old woman, Alla Nazimova mostly pulled it off... with a few exceptions.
I'm drawn to failure, there's something about people trying hard and putting their whole into something but completely failing that interests me and I find very bittersweet (my favourite film of all time is 'The Life Aquatic with Steve Zissou'). So I gained even more of an appreciation from researching Salome and Nazimova herself. Apparently at the time of its release it was a complete flop, there were rumours about the choice of cast members and how Alla Nazimova had chosen mainly gay actors to fill the roles as a nod to Salome's original writer Oscar Wilde. Which you could imagine in 1920's America wouldn't have gone down so well and didn't help at the box office. Alla Nazimova financed the film herself and in doing so lost a lot money. She also made several bad financial decisions and trusted in the wrong people. This made 'Salomé' was one of the last films she acted in, and 1925 she could no longer afford to invest in more films. Eventually Nazimova could no longer afford to keep running costs of her beloved Garden of Allah (Google it) and had to sell up before returning to her roots on Broadway.
I hope watching this film is an enjoyable experience for you. It's difficult for modern audiences to enjoy pre-colour and pre-sound films because we're so used to perfect arrangements, CGI and pristine digital video. However I think there's the odd exception for some silent films and I like to think 'Salome' fits in that category. I especially hope that my contribution to the film helps grow this audience and that my take on the music and little quirky sound effects makes it easier to watch for someone who wouldn't normally take the time to watch this type of film.
Mike Frank
http://mikefrank.co.uk
wn.com/Salomé (1923) With Original Soundtrack By Mike Frank
In October of last year I watched a documentary called 'Sunset Strip', which details the short history of a small area in West Hollywood famous for its past and present residents and all the crazy things that may or may not have occurred there. During the film it mentioned a movie star named Alla Nazimova, who at her peak was the highest paid actress at Metro Pictures. It also showed extracts from her most notable endeavour, 'Salomé'. These short clips instantly struck me as incredible and I knew in an instant I had to have some kind of involvement with the film. Time travel was obviously out of the question, but I had been wanting for a while to score an entire film, and Salomé was the perfect opportunity for this. Lack of dialogue and original sound meant I could start with a fresh canvas and do whatever the hell I liked with it, however I did set myself a few rules.
Musically I wanted to create something that used the traditional orchestral instruments available at the time of filming, mixed with sounds we're more familiar with today. I also felt I had to be considerate of the film quality and age; a completely modern soundtrack would seem out of place and subtract from the enjoyment of the film, so I stuck to this rule (with a few exceptions). I really wanted to get across in the music how young and sweet Salome appears, but really how manipulative, spoilt and sinister her character really is. So the first few scenes paint a portrait of this sweet girl who looks bored of the life she's been born into and sick of the guy her mother married perving over her. But quite quickly the music changes with her actions to reveal a very nasty character. The 'Dance of the Seven Veils' scene best portrays this with the opening into the dance where Salomé is parted by her entourage. In the middle of the courtyard in front of the Tetrarch and his court, she begins a very dainty dance, gradually moving into bigger more expressive moves until finally she's moving freely (and kinda crazy) to reveal the dance that sends the Tetrarch wild. I read somewhere that the dance is actually a death dance, for at that moment Salomé knew and accepted her fate, which I kept in consideration for this scene. I felt it necessary to follow these moves entirely, from every tiny footstep to the swinging of her shroud. Honestly, my main inspiration for Salome and her dance was Miley Cyrus, I think she fits the character perfectly. So if there's ever a modern remake, I vote Miley for Salomé. And it's in this scene where I break all the rules I set out for myself in an effort to truly convey the character of Salomé. I really wanted to get across that she's a spoilt 14 year old girl, very aware of sexuality and capable of getting anything and everything she wants until she's turned down by Jokaanan, the Prophet. So I wanted to write a song with pop sensibilities, which also conveys the madness of the dance and its purpose. Why pop you may ask? Well, what else would a 14 year old dance and listen to today? It seemed like the obvious choice to truly get across the character of Salome. And may I just add, for a 40 something year old woman, Alla Nazimova mostly pulled it off... with a few exceptions.
I'm drawn to failure, there's something about people trying hard and putting their whole into something but completely failing that interests me and I find very bittersweet (my favourite film of all time is 'The Life Aquatic with Steve Zissou'). So I gained even more of an appreciation from researching Salome and Nazimova herself. Apparently at the time of its release it was a complete flop, there were rumours about the choice of cast members and how Alla Nazimova had chosen mainly gay actors to fill the roles as a nod to Salome's original writer Oscar Wilde. Which you could imagine in 1920's America wouldn't have gone down so well and didn't help at the box office. Alla Nazimova financed the film herself and in doing so lost a lot money. She also made several bad financial decisions and trusted in the wrong people. This made 'Salomé' was one of the last films she acted in, and 1925 she could no longer afford to invest in more films. Eventually Nazimova could no longer afford to keep running costs of her beloved Garden of Allah (Google it) and had to sell up before returning to her roots on Broadway.
I hope watching this film is an enjoyable experience for you. It's difficult for modern audiences to enjoy pre-colour and pre-sound films because we're so used to perfect arrangements, CGI and pristine digital video. However I think there's the odd exception for some silent films and I like to think 'Salome' fits in that category. I especially hope that my contribution to the film helps grow this audience and that my take on the music and little quirky sound effects makes it easier to watch for someone who wouldn't normally take the time to watch this type of film.
Mike Frank
http://mikefrank.co.uk
- published: 13 Jan 2016
- views: 1054
Joaquín Sorolla y Bastida (1863-1923) ~ Spanish painter
- Order: Reorder
- Duration: 4:37
- Updated: 04 Jul 2015
- views: 1330
György Ligeti (1923-2006) - Chamber Concerto
- Order: Reorder
- Duration: 18:31
- Updated: 06 Apr 2015
- views: 1215
Recorded live on 12th February 2009. Duration: 19 minutes
György Ligeti (1923-2006)
Chamber Concerto
I. Corrente
II. Calmo, sostenuto
III. Movimento preciso e...
Recorded live on 12th February 2009. Duration: 19 minutes
György Ligeti (1923-2006)
Chamber Concerto
I. Corrente
II. Calmo, sostenuto
III. Movimento preciso e meccanico
IV. Presto
Composed in 1969-70, this piece helped make the ensemble of soloists a standard line-up for new music, though Ligeti's treatment has had few equals in terms of fantasy and delightfulness. It begins with the instruments moving within a narrow range, sliding in register, until suddenly the whole pitch space is opened up by the arrival of piled octaves. Their pure sound is soon muddied, and wonderful confusion resumes: at one point the wind instruments start to sing a massively amplified folktune. Finally the music explodes into dispersed melody, only to be clamped again. 'My general idea for this movement', Ligeti has remarked, 'was the surface of a stretch of water, where everything takes place below the surface.'
The second movement takes a different route through dense chords, jostling movements and strains of melody sounding like echoes of folksong or Romantic music, such as are played by a plaintive trio of horn, oboe d'amore and trombone. After a fortissimo climax, something absolutely inevitable and yet totally unexpected turns up around the corner: a tritone sounding quietly in octaves. From this develops a second part of the movement, which beautifully disintegrates …
… to be replaced by an extraordinary musical machine, a disconnected chirruping of regular rhythms from different odd ensembles. The presto finale continues the mechanical feeling a little, but the twitterings are now rustlings that develop and echo through clusters, single intervals and arpeggios, and that race around the small orchestra in a perpetuum mobile of great virtuosity. Once again, as in the first and second movements, one way out of the maze appears to be through melody, and a line starts out on the horn, most positive of instruments. But the melody quickly begins to lose its distinctiveness, and the perpetual motion continues until another tritone, like a single light of gathering intensity, begins to shine through the texture and freeze the music, leaving only disjointed echoes.
Notes by Paul Griffiths © 2009
Nicholas Kok conductor
PSAPPHA ENSEMBLE
Conrad Marshall - flute
Rachael Clegg - oboe
Dov Goldberg - clarinet
Colin Pownall - clarinet
Rebecca Goldberg - french horn
Phil Goodwin - trombone
Paul Janes - piano/celesta
Richard Casey - harpsichord
David Routledge - violin
Martin Clark - violin 2
Raymond Lester - viola
Jennifer Langridge - cello
Anita Langridge - double bass
wn.com/György Ligeti (1923 2006) Chamber Concerto
Recorded live on 12th February 2009. Duration: 19 minutes
György Ligeti (1923-2006)
Chamber Concerto
I. Corrente
II. Calmo, sostenuto
III. Movimento preciso e meccanico
IV. Presto
Composed in 1969-70, this piece helped make the ensemble of soloists a standard line-up for new music, though Ligeti's treatment has had few equals in terms of fantasy and delightfulness. It begins with the instruments moving within a narrow range, sliding in register, until suddenly the whole pitch space is opened up by the arrival of piled octaves. Their pure sound is soon muddied, and wonderful confusion resumes: at one point the wind instruments start to sing a massively amplified folktune. Finally the music explodes into dispersed melody, only to be clamped again. 'My general idea for this movement', Ligeti has remarked, 'was the surface of a stretch of water, where everything takes place below the surface.'
The second movement takes a different route through dense chords, jostling movements and strains of melody sounding like echoes of folksong or Romantic music, such as are played by a plaintive trio of horn, oboe d'amore and trombone. After a fortissimo climax, something absolutely inevitable and yet totally unexpected turns up around the corner: a tritone sounding quietly in octaves. From this develops a second part of the movement, which beautifully disintegrates …
… to be replaced by an extraordinary musical machine, a disconnected chirruping of regular rhythms from different odd ensembles. The presto finale continues the mechanical feeling a little, but the twitterings are now rustlings that develop and echo through clusters, single intervals and arpeggios, and that race around the small orchestra in a perpetuum mobile of great virtuosity. Once again, as in the first and second movements, one way out of the maze appears to be through melody, and a line starts out on the horn, most positive of instruments. But the melody quickly begins to lose its distinctiveness, and the perpetual motion continues until another tritone, like a single light of gathering intensity, begins to shine through the texture and freeze the music, leaving only disjointed echoes.
Notes by Paul Griffiths © 2009
Nicholas Kok conductor
PSAPPHA ENSEMBLE
Conrad Marshall - flute
Rachael Clegg - oboe
Dov Goldberg - clarinet
Colin Pownall - clarinet
Rebecca Goldberg - french horn
Phil Goodwin - trombone
Paul Janes - piano/celesta
Richard Casey - harpsichord
David Routledge - violin
Martin Clark - violin 2
Raymond Lester - viola
Jennifer Langridge - cello
Anita Langridge - double bass
- published: 06 Apr 2015
- views: 1215
The Latest Craze - The Charleston Dance (1923)
- Order: Reorder
- Duration: 2:47
- Updated: 13 Feb 2015
- views: 21366
Charles Penrose - Laughing P. C. Brown / Laughing Jazz Drummer, 1923
- Order: Reorder
- Duration: 5:51
- Updated: 19 Jan 2015
- views: 32
Charles Penrose (born Charles Penrose Dunbar Cawse on November 11, 1873 – November 17, 1952) was an English music hall and theatre performer, and later radio co...
Charles Penrose (born Charles Penrose Dunbar Cawse on November 11, 1873 – November 17, 1952) was an English music hall and theatre performer, and later radio comedian, who is best known for his unusual comic song "The Laughing Policeman". Charles Penrose was born Charles Penrose Dunbar Cawse in Biggleswade, Bedfordshire, the son of a master watchmaker and jeweller. He initially followed his father into the jewellery trade, but enjoyed such success with his innovative laughing songs at local concert parties that he was invited to join a theatrical tour at the age of 18. His theatrical career took off, and he appeared in music hall and the West End. One of his most successful performances was in Tonight's the Night at the Gaiety Theatre, London in 1914–15. Penrose married architect's daughter Harriet Lewcock in 1899. It was though his second wife, songwriter Mabel Anderson, 26 years younger than he was, who became his most important collaborator. In 1922, Penrose made the first recording of his song "The Laughing Policeman" under the pseudonym 'Charles Jolly'. The composition of the song is officially credited to his wife Mabel under the pseudonym 'Billie Grey', however the music, melody, and laughing are taken from "The Laughing Song" by the American George W. Johnson which was recorded in 1898, 1901 and 1902. The Penroses wrote numerous other laughing songs (The Laughing Major, Curate, Steeplechaser, Typist, Lover, Sneezing Man etc.). The B side of The Laughing Sneezing Man was a short comical sketch called "The Dog Vs The Cornet" where a little boy had to get his dog to out-sing a cornet player and make him stop playing. Penrose was one of the first comedians to star on BBC Radio, his most popular role being Sgt. Bob Evergreen in the wartime radio series The Pig and Whistle. He was also a character actor in a number of films in the 1930s and 1940s. Charles Penrose died of heart disease on 17 November 1952 at the Princess Beatrice Hospital, Kensington, aged 79.
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wn.com/Charles Penrose Laughing P. C. Brown Laughing Jazz Drummer, 1923
Charles Penrose (born Charles Penrose Dunbar Cawse on November 11, 1873 – November 17, 1952) was an English music hall and theatre performer, and later radio comedian, who is best known for his unusual comic song "The Laughing Policeman". Charles Penrose was born Charles Penrose Dunbar Cawse in Biggleswade, Bedfordshire, the son of a master watchmaker and jeweller. He initially followed his father into the jewellery trade, but enjoyed such success with his innovative laughing songs at local concert parties that he was invited to join a theatrical tour at the age of 18. His theatrical career took off, and he appeared in music hall and the West End. One of his most successful performances was in Tonight's the Night at the Gaiety Theatre, London in 1914–15. Penrose married architect's daughter Harriet Lewcock in 1899. It was though his second wife, songwriter Mabel Anderson, 26 years younger than he was, who became his most important collaborator. In 1922, Penrose made the first recording of his song "The Laughing Policeman" under the pseudonym 'Charles Jolly'. The composition of the song is officially credited to his wife Mabel under the pseudonym 'Billie Grey', however the music, melody, and laughing are taken from "The Laughing Song" by the American George W. Johnson which was recorded in 1898, 1901 and 1902. The Penroses wrote numerous other laughing songs (The Laughing Major, Curate, Steeplechaser, Typist, Lover, Sneezing Man etc.). The B side of The Laughing Sneezing Man was a short comical sketch called "The Dog Vs The Cornet" where a little boy had to get his dog to out-sing a cornet player and make him stop playing. Penrose was one of the first comedians to star on BBC Radio, his most popular role being Sgt. Bob Evergreen in the wartime radio series The Pig and Whistle. He was also a character actor in a number of films in the 1930s and 1940s. Charles Penrose died of heart disease on 17 November 1952 at the Princess Beatrice Hospital, Kensington, aged 79.
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- published: 19 Jan 2015
- views: 32
-
Salomé (1923) [Music Free]
This notorious film was released in 1923 and directed by Charles Bryant. It stars his "wife" the glamorous Alla Nazimova as Salomé. This version of the film has been edited, cleaned, and retitled. As with the original-cut I have used the Douglas translation. Cast: Alla Nazimova ... Salomé Nigel De Brulier ... Jokaanan, the Prophet Mitchell Lewis ... Herod, Tetrarch of Judea Rose Dione ... Herodias - wife of Herod Earl Schenck ... Narraboth, Captain of the Guard Arthur Jasmine ... Page of Herodias Frederick Peters ... Naaman, the Executioner -
Salomé (1923) [W/Ad Supported Music]
This notorious film was released in 1923 and directed by Charles Bryant. It stars his "wife" the glamorous Alla Nazimova as Salomé. This version of the film has been edited, cleaned, and retitled. As with the original-cut I have used the Douglas translation. Cast: Alla Nazimova ... Salomé Nigel De Brulier ... Jokaanan, the Prophet Mitchell Lewis ... Herod, Tetrarch of Judea Rose Dione ... Herodias - wife of Herod Earl Schenck ... Narraboth, Captain of the Guard Arthur Jasmine ... Page of Herodias Frederick Peters ... Naaman, the Executioner **************** Music: Piano Quintet in A Minor, Op. 14- Composer Camille Saint Saën Performed by Cristina Ortiz Violin Concerto- Composer Alban Berg Arranged by A. Schönberg & A. Tarkmann Preformed by Winfried Rademacher -
Original Prague Syncopated Orchestra - Jazz music 1923 - 31
Recorded from original vinyl desk -
The Ten Commandments - Music by Paul Kayser
The Ten Commandments Silent movie by Cecil de Mille (1923) The music of this version is a live improvisation by Paul Kayser. Recorded during the performance at the Consdorf Church (Luxembourg) on 19th oct. 2012. -
King Oliver's Creole Jazz Band (Gennett, April 5-6, 1923 Session)
King Oliver's Creole Jazz Band - The Gennett Sessions April 5-6, 1923 Gennett Recording Studio, Richmond, IN * The songs were taken from The Chronological Classics: King Oliver And His Creole Jazz Band 1923. * The songs were mixed following their catalog numbers' order. TRACK LISTING 00:00 Dipper Mouth Blues [Master 11389-B] [King Oliver / Louis Armstrong] [Gennett 5132-A] 02:27 Weather Bird Rag [Master 11388] [Louis Armstrong] [Gennett 5132-B] 05:06 Just Gone [Master 11383-B] [Bill Johnson / King Oliver] [Gennett 5133-A] 07:44 Canal Street Blues [Master 11384-B] [King Oliver / Louis Armstrong] [Gennett 5133-B] 10:14 Mandy Lee Blues [Master 11385-C] [Marty Bloom / Walter Melrose] [Gennett 5134-A] 12:23 I'm Going Away To Wear You Off My Mind [Master 11386-C] [Clarence Johnson / Lloyd Smit... -
Early 1920's Dance Music - Abe Lyman - Ambassadors - Caroliners - Bob Haring - Roger Wolfe Kahn
Song 1 - Roger Wolfe Kahn - Hot Hot Hottentot - recorded 3/10/1925 Song 2 - The Ambassadors - Sunshine Of Mine - recorded 11/1923 Song 3 - Lymans's California Ambassador Hotel Orchestra - Weary Weazel - recorded 7/27/1923 Song 4 - Casino Dance Orchestra - Peggy Dear Song 5 - Bob Haring & His Orchestra - Bagdad Song 6 - Oreste & His Queensland Orchestra - Desert Eyes Song 7 - Ted Bartell & His Orchestra - I Get The Blues When It Rains - vocal by Irving Kaufman - recorded 5/3/1929 Song 8 - The Caroliners - I'm Sitting On Top Of The World - recorded 10/19/1925 -
The Best Of King Oliver's Creole Jazz Band (The Very Best of Jazz) 1923
Subscribe for more jazz and classical music http://bit.ly/YouTubeHalidonMusic Listen to The very best of Jazz https://bit.ly/YTJazzEssential ▶ BUY - HALIDONMUSIC: http://bit.ly/1TqR1Wk ● SPECIAL OFFER NOW !!! € 2,99 ● Follow us here: https://www.facebook.com/halidonmusic/ https://twitter.com/halidonmusic http://www.halidon.it/index.php More Music Here https://play.spotify.com/user/halidon?play=true&utm;_source=open.spotify.com&utm;_medium=open THE BEST OF KING OLIVER'S CREOLE JAZZ BAND (1923) KING OLIVER'S CREOLE JAZZ BAND: King Oliver, Louis Armstrong, cn / Honore Dutrey, tb / Johnny Dodds, cl / Lil Hardin, p / Bill Johnson, bj/ Baby Dodds, dm . Rec. Richmond, Indiana, April 5, 1923. 1. Just Gone (Oliver - Johnson) 2. Canal Street Blues (Oliver - Armstrong) 3. I’m Going Away... -
Buena Vista Street | Area Music Loop (2012 - current)
Welcome to Buena Vista Street! In 1923, Walt Disney came to the Golden State of California with nothing but a suitcase, forty dollars, and a dream. Today, Buena Vista Streets pays tribute to young dreamers such as Walt Disney, where every avenue is filled with opportunity and every citizen has that ever-hopeful optimism. Likewise, to capture that prevalent spirit of the 1920s and 30s, the music that plays on Buena Vista Streets features a variety of "hot" jazz and Big Band classics to "liven" up the atmosphere and harken back to a long bygone era. So sit back, grab a cup of hot coffee from the Fiddler, Fifer, & Practical Cafe and let the music take you back through time. Enjoy! This area music loop is for entertainment purposes only. Please support these artists if you enjoy them an...
Salomé (1923) [Music Free]
- Order: Reorder
- Duration: 54:07
- Updated: 14 Oct 2015
- views: 88
This notorious film was released in 1923 and directed by Charles Bryant. It stars his "wife" the glamorous Alla Nazimova as Salomé.
This version of the film ha...
This notorious film was released in 1923 and directed by Charles Bryant. It stars his "wife" the glamorous Alla Nazimova as Salomé.
This version of the film has been edited, cleaned, and retitled. As with the original-cut I have used the Douglas translation.
Cast:
Alla Nazimova ... Salomé
Nigel De Brulier ... Jokaanan, the Prophet
Mitchell Lewis ... Herod, Tetrarch of Judea
Rose Dione ... Herodias - wife of Herod
Earl Schenck ... Narraboth, Captain of the Guard
Arthur Jasmine ... Page of Herodias
Frederick Peters ... Naaman, the Executioner
wn.com/Salomé (1923) Music Free
This notorious film was released in 1923 and directed by Charles Bryant. It stars his "wife" the glamorous Alla Nazimova as Salomé.
This version of the film has been edited, cleaned, and retitled. As with the original-cut I have used the Douglas translation.
Cast:
Alla Nazimova ... Salomé
Nigel De Brulier ... Jokaanan, the Prophet
Mitchell Lewis ... Herod, Tetrarch of Judea
Rose Dione ... Herodias - wife of Herod
Earl Schenck ... Narraboth, Captain of the Guard
Arthur Jasmine ... Page of Herodias
Frederick Peters ... Naaman, the Executioner
- published: 14 Oct 2015
- views: 88
Salomé (1923) [W/Ad Supported Music]
- Order: Reorder
- Duration: 54:08
- Updated: 14 Oct 2015
- views: 92
This notorious film was released in 1923 and directed by Charles Bryant. It stars his "wife" the glamorous Alla Nazimova as Salomé.
This version of the film ha...
This notorious film was released in 1923 and directed by Charles Bryant. It stars his "wife" the glamorous Alla Nazimova as Salomé.
This version of the film has been edited, cleaned, and retitled. As with the original-cut I have used the Douglas translation.
Cast:
Alla Nazimova ... Salomé
Nigel De Brulier ... Jokaanan, the Prophet
Mitchell Lewis ... Herod, Tetrarch of Judea
Rose Dione ... Herodias - wife of Herod
Earl Schenck ... Narraboth, Captain of the Guard
Arthur Jasmine ... Page of Herodias
Frederick Peters ... Naaman, the Executioner
****************
Music:
Piano Quintet in A Minor, Op. 14-
Composer Camille Saint Saën
Performed by Cristina Ortiz
Violin Concerto-
Composer Alban Berg
Arranged by A. Schönberg & A. Tarkmann
Preformed by Winfried Rademacher
wn.com/Salomé (1923) W Ad Supported Music
This notorious film was released in 1923 and directed by Charles Bryant. It stars his "wife" the glamorous Alla Nazimova as Salomé.
This version of the film has been edited, cleaned, and retitled. As with the original-cut I have used the Douglas translation.
Cast:
Alla Nazimova ... Salomé
Nigel De Brulier ... Jokaanan, the Prophet
Mitchell Lewis ... Herod, Tetrarch of Judea
Rose Dione ... Herodias - wife of Herod
Earl Schenck ... Narraboth, Captain of the Guard
Arthur Jasmine ... Page of Herodias
Frederick Peters ... Naaman, the Executioner
****************
Music:
Piano Quintet in A Minor, Op. 14-
Composer Camille Saint Saën
Performed by Cristina Ortiz
Violin Concerto-
Composer Alban Berg
Arranged by A. Schönberg & A. Tarkmann
Preformed by Winfried Rademacher
- published: 14 Oct 2015
- views: 92
Original Prague Syncopated Orchestra - Jazz music 1923 - 31
- Order: Reorder
- Duration: 22:02
- Updated: 05 Jul 2014
- views: 463
Recorded from original vinyl desk
Recorded from original vinyl desk
wn.com/Original Prague Syncopated Orchestra Jazz Music 1923 31
Recorded from original vinyl desk
- published: 05 Jul 2014
- views: 463
The Ten Commandments - Music by Paul Kayser
- Order: Reorder
- Duration: 50:11
- Updated: 01 Nov 2012
- views: 2759
The Ten Commandments
Silent movie by Cecil de Mille (1923)
The music of this version is a live improvisation by Paul Kayser. Recorded during the performance...
The Ten Commandments
Silent movie by Cecil de Mille (1923)
The music of this version is a live improvisation by Paul Kayser. Recorded during the performance at the Consdorf Church (Luxembourg) on 19th oct. 2012.
wn.com/The Ten Commandments Music By Paul Kayser
The Ten Commandments
Silent movie by Cecil de Mille (1923)
The music of this version is a live improvisation by Paul Kayser. Recorded during the performance at the Consdorf Church (Luxembourg) on 19th oct. 2012.
- published: 01 Nov 2012
- views: 2759
King Oliver's Creole Jazz Band (Gennett, April 5-6, 1923 Session)
- Order: Reorder
- Duration: 24:02
- Updated: 24 Aug 2013
- views: 47279
King Oliver's Creole Jazz Band - The Gennett Sessions
April 5-6, 1923
Gennett Recording Studio, Richmond, IN
* The songs were taken from The Chronological Clas...
King Oliver's Creole Jazz Band - The Gennett Sessions
April 5-6, 1923
Gennett Recording Studio, Richmond, IN
* The songs were taken from The Chronological Classics: King Oliver And His Creole Jazz Band 1923.
* The songs were mixed following their catalog numbers' order.
TRACK LISTING
00:00 Dipper Mouth Blues [Master 11389-B] [King Oliver / Louis Armstrong] [Gennett 5132-A]
02:27 Weather Bird Rag [Master 11388] [Louis Armstrong] [Gennett 5132-B]
05:06 Just Gone [Master 11383-B] [Bill Johnson / King Oliver] [Gennett 5133-A]
07:44 Canal Street Blues [Master 11384-B] [King Oliver / Louis Armstrong] [Gennett 5133-B]
10:14 Mandy Lee Blues [Master 11385-C] [Marty Bloom / Walter Melrose] [Gennett 5134-A]
12:23 I'm Going Away To Wear You Off My Mind [Master 11386-C] [Clarence Johnson / Lloyd Smith / Warren Smith] [Gennett 5134-B]
15:14 Froggie Moore [Master 11390-B] [Reb Spikes / Jelly Roll Morton / John Spikes] [Gennett 5135-A]
18:13 Chimes Blues [Master 11387-A] [King Oliver] [Gennett 5135-B]
21:02 Snake Rag [Master 11391] [A.J. Piron / King Oliver] [Gennett 5184-B]
* Just Gone, Canal Street Blues, Mandy Blues, I'm Going Away To Wear You Off My Mind and Chimes Blues were recorded on April 5, whereas Dipper Mouth Blues, Weather Bird Rag, Froggie Moore and Snake Rag, on April 6.
* I'm Going Away To Wear You Off My Mind is credited to "Smith" only, but it was actually composed by Clarence Johnson, Lloyd Smith and Warren Smith.
* Snake Rag is credited to "Oliver" only, but it was actually composed by A.J. Piron and King Oliver.
* Snake Rag was released b/w Choo Choo Blues [Elmer Barr / William Creager], by Art Landry's Syncopatin' Six.
FORMAT
Single / 78 rpm [10-inch] / Mono
PERSONNEL
Arthur "Bud" Scott, Jr. or William Manuel "Bill" Johnson - Banjo & Voice Break
Honoré Dutrey - Trombone
John M. "Johnny" Dodds - Clarinet
Joseph Nathan "King" Oliver - Cornet
Lillian Beatrice "Lil" Hardin - Arrangements, Piano
Louis Daniel Armstrong - Cornet
Warren "Baby" Dodds - Percussion [Woodblocks]
BIOGRAPHY
A key figure in the first period of jazz history, Oliver's career was a mix of triumph and miscalculation. He was bandleading in New Orleans in the early years of the century, but it wasn't until the 1910s that he really rose above the other local groups. He went to Chicago in 1919 and created what became the Creole Jazz Band around 1921, which Louis Armstrong joined in 1922. They were a sensation, and made the first important group of records by black jazzmen. His later band, the Dixie Syncopators, was less successful, and turning down an offer from New York's Cotton Club may have been a crucial mistake (it went to Duke Ellington). Though he was still touring and recording, he was out of fashion by the early '30s and was often barely able to play, owing to poor teeth. He died in Savannah, Georgia, reduced to working as a pool-hall janitor (COOK, Richard; MORTON, Brian. The Penguin Guide to Jazz Recordings. 8th edition. London: Penguin Books, 2006, p. 997).
REVIEWS
00:00 Dipper Mouth Blues [98/100, by Peter Gerler; 100/100, by Ted Gioia]
http://www.jazz.com/music/2009/3/24/king-oliver-s-creole-jazz-band-dippermouth-blues
http://www.jazz.com/music/2009/3/24/king-oliver-s-creole-jazz-band-dippermouth-blues-gioia
07:44 Canal Street Blues [96/100, by Peter Gerler; 100/100 David Sager]
http://www.jazz.com/music/2009/3/24/king-oliver-s-creole-jazz-band-canal-street-blues
http://www.jazz.com/music/2009/3/24/king-oliver-canal-street-blues-sager
18:13 Chimes Blues [86/100, by Peter Gerler; 95/100, by Alan Kurtz]
http://www.jazz.com/music/2009/3/24/king-oliver-s-creole-jazz-band-chimes-blues
http://www.jazz.com/music/2009/3/24/king-oliver-s-creole-jazz-band-chimes-blues-kurtz
PICTURES
1st (left to right): Baby Dodds, Honoré Dutrey, King Oliver, Bill Johnson, Louis Armstrong, Johnny Dodds and Lil Hardin
2nd: King Oliver
3rd (left to right): Louis Armstrong and King Oliver
wn.com/King Oliver's Creole Jazz Band (Gennett, April 5 6, 1923 Session)
King Oliver's Creole Jazz Band - The Gennett Sessions
April 5-6, 1923
Gennett Recording Studio, Richmond, IN
* The songs were taken from The Chronological Classics: King Oliver And His Creole Jazz Band 1923.
* The songs were mixed following their catalog numbers' order.
TRACK LISTING
00:00 Dipper Mouth Blues [Master 11389-B] [King Oliver / Louis Armstrong] [Gennett 5132-A]
02:27 Weather Bird Rag [Master 11388] [Louis Armstrong] [Gennett 5132-B]
05:06 Just Gone [Master 11383-B] [Bill Johnson / King Oliver] [Gennett 5133-A]
07:44 Canal Street Blues [Master 11384-B] [King Oliver / Louis Armstrong] [Gennett 5133-B]
10:14 Mandy Lee Blues [Master 11385-C] [Marty Bloom / Walter Melrose] [Gennett 5134-A]
12:23 I'm Going Away To Wear You Off My Mind [Master 11386-C] [Clarence Johnson / Lloyd Smith / Warren Smith] [Gennett 5134-B]
15:14 Froggie Moore [Master 11390-B] [Reb Spikes / Jelly Roll Morton / John Spikes] [Gennett 5135-A]
18:13 Chimes Blues [Master 11387-A] [King Oliver] [Gennett 5135-B]
21:02 Snake Rag [Master 11391] [A.J. Piron / King Oliver] [Gennett 5184-B]
* Just Gone, Canal Street Blues, Mandy Blues, I'm Going Away To Wear You Off My Mind and Chimes Blues were recorded on April 5, whereas Dipper Mouth Blues, Weather Bird Rag, Froggie Moore and Snake Rag, on April 6.
* I'm Going Away To Wear You Off My Mind is credited to "Smith" only, but it was actually composed by Clarence Johnson, Lloyd Smith and Warren Smith.
* Snake Rag is credited to "Oliver" only, but it was actually composed by A.J. Piron and King Oliver.
* Snake Rag was released b/w Choo Choo Blues [Elmer Barr / William Creager], by Art Landry's Syncopatin' Six.
FORMAT
Single / 78 rpm [10-inch] / Mono
PERSONNEL
Arthur "Bud" Scott, Jr. or William Manuel "Bill" Johnson - Banjo & Voice Break
Honoré Dutrey - Trombone
John M. "Johnny" Dodds - Clarinet
Joseph Nathan "King" Oliver - Cornet
Lillian Beatrice "Lil" Hardin - Arrangements, Piano
Louis Daniel Armstrong - Cornet
Warren "Baby" Dodds - Percussion [Woodblocks]
BIOGRAPHY
A key figure in the first period of jazz history, Oliver's career was a mix of triumph and miscalculation. He was bandleading in New Orleans in the early years of the century, but it wasn't until the 1910s that he really rose above the other local groups. He went to Chicago in 1919 and created what became the Creole Jazz Band around 1921, which Louis Armstrong joined in 1922. They were a sensation, and made the first important group of records by black jazzmen. His later band, the Dixie Syncopators, was less successful, and turning down an offer from New York's Cotton Club may have been a crucial mistake (it went to Duke Ellington). Though he was still touring and recording, he was out of fashion by the early '30s and was often barely able to play, owing to poor teeth. He died in Savannah, Georgia, reduced to working as a pool-hall janitor (COOK, Richard; MORTON, Brian. The Penguin Guide to Jazz Recordings. 8th edition. London: Penguin Books, 2006, p. 997).
REVIEWS
00:00 Dipper Mouth Blues [98/100, by Peter Gerler; 100/100, by Ted Gioia]
http://www.jazz.com/music/2009/3/24/king-oliver-s-creole-jazz-band-dippermouth-blues
http://www.jazz.com/music/2009/3/24/king-oliver-s-creole-jazz-band-dippermouth-blues-gioia
07:44 Canal Street Blues [96/100, by Peter Gerler; 100/100 David Sager]
http://www.jazz.com/music/2009/3/24/king-oliver-s-creole-jazz-band-canal-street-blues
http://www.jazz.com/music/2009/3/24/king-oliver-canal-street-blues-sager
18:13 Chimes Blues [86/100, by Peter Gerler; 95/100, by Alan Kurtz]
http://www.jazz.com/music/2009/3/24/king-oliver-s-creole-jazz-band-chimes-blues
http://www.jazz.com/music/2009/3/24/king-oliver-s-creole-jazz-band-chimes-blues-kurtz
PICTURES
1st (left to right): Baby Dodds, Honoré Dutrey, King Oliver, Bill Johnson, Louis Armstrong, Johnny Dodds and Lil Hardin
2nd: King Oliver
3rd (left to right): Louis Armstrong and King Oliver
- published: 24 Aug 2013
- views: 47279
Early 1920's Dance Music - Abe Lyman - Ambassadors - Caroliners - Bob Haring - Roger Wolfe Kahn
- Order: Reorder
- Duration: 24:43
- Updated: 27 Aug 2013
- views: 13261
Song 1 - Roger Wolfe Kahn - Hot Hot Hottentot - recorded 3/10/1925
Song 2 - The Ambassadors - Sunshine Of Mine - recorded 11/1923
Song 3 - Lymans's California...
Song 1 - Roger Wolfe Kahn - Hot Hot Hottentot - recorded 3/10/1925
Song 2 - The Ambassadors - Sunshine Of Mine - recorded 11/1923
Song 3 - Lymans's California Ambassador Hotel Orchestra - Weary Weazel - recorded 7/27/1923
Song 4 - Casino Dance Orchestra - Peggy Dear
Song 5 - Bob Haring & His Orchestra - Bagdad
Song 6 - Oreste & His Queensland Orchestra - Desert Eyes
Song 7 - Ted Bartell & His Orchestra - I Get The Blues When It Rains - vocal by Irving Kaufman - recorded 5/3/1929
Song 8 - The Caroliners - I'm Sitting On Top Of The World - recorded 10/19/1925
wn.com/Early 1920's Dance Music Abe Lyman Ambassadors Caroliners Bob Haring Roger Wolfe Kahn
Song 1 - Roger Wolfe Kahn - Hot Hot Hottentot - recorded 3/10/1925
Song 2 - The Ambassadors - Sunshine Of Mine - recorded 11/1923
Song 3 - Lymans's California Ambassador Hotel Orchestra - Weary Weazel - recorded 7/27/1923
Song 4 - Casino Dance Orchestra - Peggy Dear
Song 5 - Bob Haring & His Orchestra - Bagdad
Song 6 - Oreste & His Queensland Orchestra - Desert Eyes
Song 7 - Ted Bartell & His Orchestra - I Get The Blues When It Rains - vocal by Irving Kaufman - recorded 5/3/1929
Song 8 - The Caroliners - I'm Sitting On Top Of The World - recorded 10/19/1925
- published: 27 Aug 2013
- views: 13261
The Best Of King Oliver's Creole Jazz Band (The Very Best of Jazz) 1923
- Order: Reorder
- Duration: 75:56
- Updated: 17 Feb 2016
- views: 5823
Subscribe for more jazz and classical music http://bit.ly/YouTubeHalidonMusic
Listen to The very best of Jazz
https://bit.ly/YTJazzEssential
▶ BUY - HALIDONM...
Subscribe for more jazz and classical music http://bit.ly/YouTubeHalidonMusic
Listen to The very best of Jazz
https://bit.ly/YTJazzEssential
▶ BUY - HALIDONMUSIC: http://bit.ly/1TqR1Wk ● SPECIAL OFFER NOW !!! € 2,99 ●
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THE BEST OF KING OLIVER'S CREOLE JAZZ BAND (1923)
KING OLIVER'S CREOLE JAZZ BAND: King Oliver, Louis Armstrong, cn / Honore Dutrey, tb / Johnny Dodds, cl / Lil Hardin, p / Bill Johnson, bj/ Baby Dodds, dm . Rec. Richmond, Indiana, April 5, 1923.
1. Just Gone (Oliver - Johnson)
2. Canal Street Blues (Oliver - Armstrong)
3. I’m Going Away To Wear You Off My Mind (Smith)
4. Chimes Blues (Oliver)
Same. Bill Johnson, voc break where shown. Rec. Richmond, Indiana, April 6, 1923 11388
5. Weather Bird Rag (Armstrong)
6. Dipper Mouth Blues (vBJ) (Oliver - Armstrong)
7. Froggie Moore (Morton - Spikes)
KING OLIVER'S JAZZ BAND: same. Bud Scott, bj replaces Johnson; Baby Dodds or Louis Armstrong doubles slide whistle*. Rec. Chicago, June 22, 1923.
8. Snake Rag - (Oliver)
9. Sweet, Lovin' Man (Melrose - Hardion)
10. High Society Rag (Steele)
11. Sobbin' Blues* (Kassell - Burton)
Same. Rec. Chicago, June 23, 1923.
12. Where Did You Stay Last Night? (Armstrong - Hardin)
13. Jazzin' Babies' Blues (Jones)
KING OLIVER AND HIS CREOLE JAZZ BAND: King Oliver, Louis Armstrong, cn / Honore Dutrey, tb / unknown or Johnny Dodds, cl / Stump Evans, Cm / Lil Hardin, p / Johnny St Cyr, bj / Baby Dodds, dm. Rec. Richmond, Indiana, October 5, 1923. 14. Alligator Hop (Oliver - Picou)
15. Zulus Ball (Oliver - Robinson)
16. Krooked Blues (Spikes - Johnson)
KING OLIVER'S JAZZ BAND: King Oliver, Louis Armstrong, cn / ? Ed Atkins, tb / Buster Bailey, cl / Lil Hardin, p / Johnny St. Cyr, bj / Baby Dodds, dm. Rec. Chicago, October 16, 1923.
17. London Blues (Morton)
18. Camp Meeting Blues (Oliver)
19. New Orleans Stomp (Oliver - Picou)
King Oliver, Louis Armstrong, cn/ Honore Dutrey, tb / Johnny Dodds, cl / Charlie Jackson, bsx / Lil Hardin, p / Johnny St. Cyr, bj / Baby Dodds, dm Louis Armstrong also plays slide whistle on “Buddy’s Habit”. Rec. Chicago, c. October 25, 1923.
20. Buddy's Habit (Nelson)
21. Tears (Armstrong - Hardin)
22. I Ain't Gonna Tell Nobody (Jones)
23. Room Rent Blues (Newton)
Same. St. Cyr omitted. Rec. Chicago, c. October 26, 1923.
24. Riverside Blues (Dorsey - Jones)
25. Working Man Blues (Oliver-Hardin)
26. Mabel's Dream (Smith)
Same. Rec. Chicago, c. December 24, 1923.
27. The Southern Stomps (Jones) Thank you so much for watching this video by Halidon Music channel, we hope you enjoy it!
Don't forget to share it and subscribe to our channel http://bit.ly/YouTubeHalidonMusic
wn.com/The Best Of King Oliver's Creole Jazz Band (The Very Best Of Jazz) 1923
Subscribe for more jazz and classical music http://bit.ly/YouTubeHalidonMusic
Listen to The very best of Jazz
https://bit.ly/YTJazzEssential
▶ BUY - HALIDONMUSIC: http://bit.ly/1TqR1Wk ● SPECIAL OFFER NOW !!! € 2,99 ●
Follow us here:
https://www.facebook.com/halidonmusic/
https://twitter.com/halidonmusic
http://www.halidon.it/index.php
More Music Here
https://play.spotify.com/user/halidon?play=true&utm;_source=open.spotify.com&utm;_medium=open
THE BEST OF KING OLIVER'S CREOLE JAZZ BAND (1923)
KING OLIVER'S CREOLE JAZZ BAND: King Oliver, Louis Armstrong, cn / Honore Dutrey, tb / Johnny Dodds, cl / Lil Hardin, p / Bill Johnson, bj/ Baby Dodds, dm . Rec. Richmond, Indiana, April 5, 1923.
1. Just Gone (Oliver - Johnson)
2. Canal Street Blues (Oliver - Armstrong)
3. I’m Going Away To Wear You Off My Mind (Smith)
4. Chimes Blues (Oliver)
Same. Bill Johnson, voc break where shown. Rec. Richmond, Indiana, April 6, 1923 11388
5. Weather Bird Rag (Armstrong)
6. Dipper Mouth Blues (vBJ) (Oliver - Armstrong)
7. Froggie Moore (Morton - Spikes)
KING OLIVER'S JAZZ BAND: same. Bud Scott, bj replaces Johnson; Baby Dodds or Louis Armstrong doubles slide whistle*. Rec. Chicago, June 22, 1923.
8. Snake Rag - (Oliver)
9. Sweet, Lovin' Man (Melrose - Hardion)
10. High Society Rag (Steele)
11. Sobbin' Blues* (Kassell - Burton)
Same. Rec. Chicago, June 23, 1923.
12. Where Did You Stay Last Night? (Armstrong - Hardin)
13. Jazzin' Babies' Blues (Jones)
KING OLIVER AND HIS CREOLE JAZZ BAND: King Oliver, Louis Armstrong, cn / Honore Dutrey, tb / unknown or Johnny Dodds, cl / Stump Evans, Cm / Lil Hardin, p / Johnny St Cyr, bj / Baby Dodds, dm. Rec. Richmond, Indiana, October 5, 1923. 14. Alligator Hop (Oliver - Picou)
15. Zulus Ball (Oliver - Robinson)
16. Krooked Blues (Spikes - Johnson)
KING OLIVER'S JAZZ BAND: King Oliver, Louis Armstrong, cn / ? Ed Atkins, tb / Buster Bailey, cl / Lil Hardin, p / Johnny St. Cyr, bj / Baby Dodds, dm. Rec. Chicago, October 16, 1923.
17. London Blues (Morton)
18. Camp Meeting Blues (Oliver)
19. New Orleans Stomp (Oliver - Picou)
King Oliver, Louis Armstrong, cn/ Honore Dutrey, tb / Johnny Dodds, cl / Charlie Jackson, bsx / Lil Hardin, p / Johnny St. Cyr, bj / Baby Dodds, dm Louis Armstrong also plays slide whistle on “Buddy’s Habit”. Rec. Chicago, c. October 25, 1923.
20. Buddy's Habit (Nelson)
21. Tears (Armstrong - Hardin)
22. I Ain't Gonna Tell Nobody (Jones)
23. Room Rent Blues (Newton)
Same. St. Cyr omitted. Rec. Chicago, c. October 26, 1923.
24. Riverside Blues (Dorsey - Jones)
25. Working Man Blues (Oliver-Hardin)
26. Mabel's Dream (Smith)
Same. Rec. Chicago, c. December 24, 1923.
27. The Southern Stomps (Jones) Thank you so much for watching this video by Halidon Music channel, we hope you enjoy it!
Don't forget to share it and subscribe to our channel http://bit.ly/YouTubeHalidonMusic
- published: 17 Feb 2016
- views: 5823
Buena Vista Street | Area Music Loop (2012 - current)
- Order: Reorder
- Duration: 82:23
- Updated: 19 Dec 2013
- views: 49235
Welcome to Buena Vista Street! In 1923, Walt Disney came to the Golden State of California with nothing but a suitcase, forty dollars, and a dream. Today, Bue...
Welcome to Buena Vista Street! In 1923, Walt Disney came to the Golden State of California with nothing but a suitcase, forty dollars, and a dream. Today, Buena Vista Streets pays tribute to young dreamers such as Walt Disney, where every avenue is filled with opportunity and every citizen has that ever-hopeful optimism. Likewise, to capture that prevalent spirit of the 1920s and 30s, the music that plays on Buena Vista Streets features a variety of "hot" jazz and Big Band classics to "liven" up the atmosphere and harken back to a long bygone era. So sit back, grab a cup of hot coffee from the Fiddler, Fifer, & Practical Cafe and let the music take you back through time. Enjoy!
This area music loop is for entertainment purposes only. Please support these artists if you enjoy them and buy their albums . . . they are worth it!
Buena Vista Street uses several wonderful artists, including the Crazy Rhythm Hot Society Orchestra, Dean Mora, the Palm Court Theatre Orchestra, and Don Neely's Royal Society Band. Click on the following websites to learn more!
Crazy Rhythm Hot Society Orchestra:
http://www.crazyrhythm.com/
Don Neely's Royal Society Jazz Orchestra
http://www.rsjo.com/don.html
Dean Mora
http://www.morasmodern.com/
wn.com/Buena Vista Street | Area Music Loop (2012 Current)
Welcome to Buena Vista Street! In 1923, Walt Disney came to the Golden State of California with nothing but a suitcase, forty dollars, and a dream. Today, Buena Vista Streets pays tribute to young dreamers such as Walt Disney, where every avenue is filled with opportunity and every citizen has that ever-hopeful optimism. Likewise, to capture that prevalent spirit of the 1920s and 30s, the music that plays on Buena Vista Streets features a variety of "hot" jazz and Big Band classics to "liven" up the atmosphere and harken back to a long bygone era. So sit back, grab a cup of hot coffee from the Fiddler, Fifer, & Practical Cafe and let the music take you back through time. Enjoy!
This area music loop is for entertainment purposes only. Please support these artists if you enjoy them and buy their albums . . . they are worth it!
Buena Vista Street uses several wonderful artists, including the Crazy Rhythm Hot Society Orchestra, Dean Mora, the Palm Court Theatre Orchestra, and Don Neely's Royal Society Band. Click on the following websites to learn more!
Crazy Rhythm Hot Society Orchestra:
http://www.crazyrhythm.com/
Don Neely's Royal Society Jazz Orchestra
http://www.rsjo.com/don.html
Dean Mora
http://www.morasmodern.com/
- published: 19 Dec 2013
- views: 49235
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close fullscreen
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3:13
Martha Pryor - Louisville Lou (1923)
Louisville Lou
Words by Jack Yellen
Music by Milton Ager
Performed by Martha Pryor
Rec...
published: 23 Feb 2011
Martha Pryor - Louisville Lou (1923)
Martha Pryor - Louisville Lou (1923)
- Report rights infringement
- published: 23 Feb 2011
- views: 5088
8:28
Paul Parrott in "Post No Bills" (1923) - music score by Ben Model
No, that's not Charley Chase...it's his brother Paul Parrott in "POST NO BILLS" (1923) w...
published: 02 Mar 2011
Paul Parrott in "Post No Bills" (1923) - music score by Ben Model
Paul Parrott in "Post No Bills" (1923) - music score by Ben Model
- Report rights infringement
- published: 02 Mar 2011
- views: 4023
3:08
Roaring 20s: Arthur Gibbs & His Gang - Charleston, 1923
Arthur Gibbs and His Gang -- Charleston (Medley) (Intriducing "Open Your Heart") the Music...
published: 13 Jun 2012
Roaring 20s: Arthur Gibbs & His Gang - Charleston, 1923
Roaring 20s: Arthur Gibbs & His Gang - Charleston, 1923
- Report rights infringement
- published: 13 Jun 2012
- views: 6839
6:52
(1923) Very early music clip - Noble Sissle and James Hubert Blake - Snappy Tunes
In a rare filmed record, the famed songwriters and vaudevillians perform. One of De Forest...
published: 16 Sep 2012
(1923) Very early music clip - Noble Sissle and James Hubert Blake - Snappy Tunes
(1923) Very early music clip - Noble Sissle and James Hubert Blake - Snappy Tunes
- Report rights infringement
- published: 16 Sep 2012
- views: 6757
14:55
1923 - Making a comedy film across Europe (speed corrected w/ music)
Excerpts from an old comedy film "From Fishermaid To Star" made in 1923 across Europe. I'...
published: 04 Jul 2016
1923 - Making a comedy film across Europe (speed corrected w/ music)
1923 - Making a comedy film across Europe (speed corrected w/ music)
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- published: 04 Jul 2016
- views: 219
12:54
Wendy and 1923 Ford T-Bucket | Featuring Music of 1920s
See more custom pin-up portraits on my blog at http://igor-lukyanov.blogspot.com/search/la...
published: 03 Jun 2013
Wendy and 1923 Ford T-Bucket | Featuring Music of 1920s
Wendy and 1923 Ford T-Bucket | Featuring Music of 1920s
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- published: 03 Jun 2013
- views: 1257
17:44
1923 Music Master Radio Loudspeaker - Wildwood Castle
This 1923 Music Master Radio Loudspeaker was purchased on ebay about two years ago. It had...
published: 19 Jan 2014
1923 Music Master Radio Loudspeaker - Wildwood Castle
1923 Music Master Radio Loudspeaker - Wildwood Castle
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- published: 19 Jan 2014
- views: 431
3:09
Irving Kaufman, Ben Selvin Orch.- "Who's Sorry Now?" (1923)
Who's Sorry Now?
Words: Bert Kalmar and Harry Ruby
Music: Ted Snyder
Performed by Irvin...
published: 28 Jul 2010
Irving Kaufman, Ben Selvin Orch.- "Who's Sorry Now?" (1923)
Irving Kaufman, Ben Selvin Orch.- "Who's Sorry Now?" (1923)
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- published: 28 Jul 2010
- views: 8872
4:52
The Chofetz Chaim Video - Vienna 1923 with Music
A rare clip of the Chofetz Chaim and many other gedolim.
published: 24 Feb 2015
The Chofetz Chaim Video - Vienna 1923 with Music
The Chofetz Chaim Video - Vienna 1923 with Music
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- published: 24 Feb 2015
- views: 11338
21:51
Edward Elgar (1857-1934) : "King Arthur Suite" incidental music (1923)
Edward Elgar (1857-1934) (GB)
King Arthur Suite, incidental music (1923)
Bournemouth Sinfo...
published: 13 Feb 2014
Edward Elgar (1857-1934) : "King Arthur Suite" incidental music (1923)
Edward Elgar (1857-1934) : "King Arthur Suite" incidental music (1923)
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- published: 13 Feb 2014
- views: 2311
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0:13
2016 04 09 1923 14
published: 26 Jul 2016
2016 04 09 1923 14
2016 04 09 1923 14
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- published: 26 Jul 2016
- views: 0
1:11
VID 00006 20121208 1923
published: 26 Jul 2016
VID 00006 20121208 1923
VID 00006 20121208 1923
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- published: 26 Jul 2016
- views: 0
2:57
Ambrose And His Embassy Orchestra 'Dearest' Acoustic 1923 78 rpm
Bert Ambrose was to become one of the greatest band leaders by the 1930's but in 1923 he w...
published: 05 Mar 2016
Ambrose And His Embassy Orchestra 'Dearest' Acoustic 1923 78 rpm
Ambrose And His Embassy Orchestra 'Dearest' Acoustic 1923 78 rpm
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- published: 05 Mar 2016
- views: 58
72:14
Salomé (1923) with original Soundtrack by Mike Frank
In October of last year I watched a documentary called 'Sunset Strip', which details the s...
published: 13 Jan 2016
Salomé (1923) with original Soundtrack by Mike Frank
Salomé (1923) with original Soundtrack by Mike Frank
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- published: 13 Jan 2016
- views: 1054
4:37
Joaquín Sorolla y Bastida (1863-1923) ~ Spanish painter
Music: Robert Michaels
published: 04 Jul 2015
Joaquín Sorolla y Bastida (1863-1923) ~ Spanish painter
Joaquín Sorolla y Bastida (1863-1923) ~ Spanish painter
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- published: 04 Jul 2015
- views: 1330
18:31
György Ligeti (1923-2006) - Chamber Concerto
Recorded live on 12th February 2009. Duration: 19 minutes
György Ligeti (1923-2006)
Cham...
published: 06 Apr 2015
György Ligeti (1923-2006) - Chamber Concerto
György Ligeti (1923-2006) - Chamber Concerto
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- published: 06 Apr 2015
- views: 1215
2:47
The Latest Craze - The Charleston Dance (1923)
Performed by Miss Stella Doyle aboard the Aquitania.
published: 13 Feb 2015
The Latest Craze - The Charleston Dance (1923)
The Latest Craze - The Charleston Dance (1923)
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- published: 13 Feb 2015
- views: 21366
5:51
Charles Penrose - Laughing P. C. Brown / Laughing Jazz Drummer, 1923
Charles Penrose (born Charles Penrose Dunbar Cawse on November 11, 1873 – November 17, 195...
published: 19 Jan 2015
Charles Penrose - Laughing P. C. Brown / Laughing Jazz Drummer, 1923
Charles Penrose - Laughing P. C. Brown / Laughing Jazz Drummer, 1923
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- published: 19 Jan 2015
- views: 32
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54:07
Salomé (1923) [Music Free]
This notorious film was released in 1923 and directed by Charles Bryant. It stars his "wif...
published: 14 Oct 2015
Salomé (1923) [Music Free]
Salomé (1923) [Music Free]
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- published: 14 Oct 2015
- views: 88
54:08
Salomé (1923) [W/Ad Supported Music]
This notorious film was released in 1923 and directed by Charles Bryant. It stars his "wif...
published: 14 Oct 2015
Salomé (1923) [W/Ad Supported Music]
Salomé (1923) [W/Ad Supported Music]
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- published: 14 Oct 2015
- views: 92
22:02
Original Prague Syncopated Orchestra - Jazz music 1923 - 31
Recorded from original vinyl desk
published: 05 Jul 2014
Original Prague Syncopated Orchestra - Jazz music 1923 - 31
Original Prague Syncopated Orchestra - Jazz music 1923 - 31
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- published: 05 Jul 2014
- views: 463
50:11
The Ten Commandments - Music by Paul Kayser
The Ten Commandments
Silent movie by Cecil de Mille (1923)
The music of this version i...
published: 01 Nov 2012
The Ten Commandments - Music by Paul Kayser
The Ten Commandments - Music by Paul Kayser
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- published: 01 Nov 2012
- views: 2759
24:02
King Oliver's Creole Jazz Band (Gennett, April 5-6, 1923 Session)
King Oliver's Creole Jazz Band - The Gennett Sessions
April 5-6, 1923
Gennett Recording St...
published: 24 Aug 2013
King Oliver's Creole Jazz Band (Gennett, April 5-6, 1923 Session)
King Oliver's Creole Jazz Band (Gennett, April 5-6, 1923 Session)
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- published: 24 Aug 2013
- views: 47279
24:43
Early 1920's Dance Music - Abe Lyman - Ambassadors - Caroliners - Bob Haring - Roger Wolfe Kahn
Song 1 - Roger Wolfe Kahn - Hot Hot Hottentot - recorded 3/10/1925
Song 2 - The Ambassado...
published: 27 Aug 2013
Early 1920's Dance Music - Abe Lyman - Ambassadors - Caroliners - Bob Haring - Roger Wolfe Kahn
Early 1920's Dance Music - Abe Lyman - Ambassadors - Caroliners - Bob Haring - Roger Wolfe Kahn
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- published: 27 Aug 2013
- views: 13261
75:56
The Best Of King Oliver's Creole Jazz Band (The Very Best of Jazz) 1923
Subscribe for more jazz and classical music http://bit.ly/YouTubeHalidonMusic
Listen to T...
published: 17 Feb 2016
The Best Of King Oliver's Creole Jazz Band (The Very Best of Jazz) 1923
The Best Of King Oliver's Creole Jazz Band (The Very Best of Jazz) 1923
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- published: 17 Feb 2016
- views: 5823
82:23
Buena Vista Street | Area Music Loop (2012 - current)
Welcome to Buena Vista Street! In 1923, Walt Disney came to the Golden State of Californi...
published: 19 Dec 2013
Buena Vista Street | Area Music Loop (2012 - current)
Buena Vista Street | Area Music Loop (2012 - current)
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- published: 19 Dec 2013
- views: 49235
![Salomé (1923) [Music Free]](http://web.archive.org./web/20160730204307/http://i.ytimg.com/vi/8RGUd3iNA3g/0.jpg)
Salomé (1923) [Music Free]...
![Salomé (1923) [W/Ad Supported Music]](http://web.archive.org./web/20160730204307/http://i.ytimg.com/vi/41z-i2saeJU/0.jpg)
Salomé (1923) [W/Ad Supported Music]...
Original Prague Syncopated Orchestra - Jazz music ...
The Ten Commandments - Music by Paul Kayser...
King Oliver's Creole Jazz Band (Gennett, April 5-6...
Early 1920's Dance Music - Abe Lyman - Ambassadors...
The Best Of King Oliver's Creole Jazz Band (The Ve...
Buena Vista Street | Area Music Loop (2012 - curre...
-
Lyrics list:lyrics
-
Trinity Cross
-
Suki
-
Romancers Neo
-
Pray
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Phantom Minds
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Love's Wonderland
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Innocent Starter
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Eternal Blaze
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Dancing In The Velvet Moon
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Astrogation
Trinity Cross
the prologue snatches away everything along with the
scenery before us as the pure white feathers falls now
flying away without even hearing the last words into
this uncertain sky with nowhere to go
the special color that blocks my heart, sometimes a
shadow, sometimes a dream, and sometimes love
when the shard of memories become important, they
change into small courage
and overlap in the silhouette
if the prayers will become an unseen wind and reach the
nape of your neck
I feel that I can overcome the pain and lies and the
regret left behind so
believe, the many radiance that appears when you close
your eyes
the proof of eternity is this Trinity Cross
even if there's no song that will echo forever, this
feeling will never fade
the pain I carried without knowing it, sometimes
darkness, sometimes rain, and sometimes love
the important feeling
that was similar to the warmth notifying me that every
scene is wonderful now
with a strong force that can be called as an oath I
felt that 'I want to protect you'
I feel that I can cope with the sins and punishment and
the regret from sadness so
believe, even if the sudden wind makes you uneasy
the proof of eternity is this Trinity Cross
I wonder why? I feel far from time to time. although
I'm very close.
feeling painful by wanting to convey more words than
to an endless tomorrow
the pure white feathers fall now and become the veil
that covers the two of us
I feel that I will never get lost again in the morning
and night and the regret of reminiscence
believe, the many radiance that appears when you close
your eyes
photo: WN / Periasamy
Hot air balloon carrying at least 16 people crashes in Texas
Edit San Francisco Chronicle 30 Jul 2016
LOCKHART, Texas (AP) — Federal officials say a hot air balloon carrying at least 16 people caught on fire and crashed in Central Texas, and it is unclear whether there are injuries or deaths. Lynn Lunsford with the Federal Aviation Administration said in a statement that the accident happened about 8.40 a.m. Saturday near Lockhart, Texas, when the hot air balloon crashed into a pasture ... Lockhart is about 30 miles south of Austin ... ....
photo: Creative Commons / Gage Skidmore
Convention over, Clinton faces hacking, Trump criticism
Edit The Virginian-Pilot 30 Jul 2016
HARRISBURG, Pa. (AP) — A giddy if exhausted Hillary Clinton embarked on a post-convention Rust Belt bus tour just hours after becoming the first female presidential nominee of a major political party ... ....
photo: Public Domain / Avibliz
Stephen Hawking Issues Warning For What Brexit Could Mean For The Human Species
Edit WorldNews.com 29 Jul 2016
Stephen Hawking has penned a thoughtful appeal for post-Brexit Britain to reconsider the role that wealth plays in society, warning that isolationism and envy could even lead to the end of the human species, Mashable reports. In a Guardian essay, the world-renowned physicist made the case for a more comprehensive and generous definition of wealth "to include knowledge, natural resources and human capacity."...
photo: WN / jamal
Fighting between Turkish forces, Kurdish rebels kills 43
Edit The Roanoke Times 30 Jul 2016
ISTANBUL (AP) — Authorities say fighting between Turkish forces and Kurdish rebels in the restive southeast of the country has killed eight Turkish soldiers and 35 Kurdish fighters ... Security forces have begun an operation in the area to apprehend those responsible....
photo: Creative Commons / Salkin0122
Air France strike grounds 20 pct of flights
Edit Daily Star Lebanon 30 Jul 2016
Air France Saturday cancelled around 20 percent of its flights on the fourth day of a strike by flight attendants during the peak summer travel season, the airline said ... ....
« back to news headlines
Centre to amend compensation law
Edit The Hindu 30 Jul 2016
Millions of people working in the unorganised sector, who sustain injuries at their workplace, will soon be eligible for higher compensation from employers as the Union Cabinet has approved amendments to the Employee’s Compensation Act of 1923 ... The Employees’ Compensation Act, enacted in 1923, is one of the first legislations providing a social security net to workers in the country which covers all work-related injuries....
Google Docs add-ons make the jump from desktop to Android
Edit Digital Trends 30 Jul 2016
Google is bringing Google Docs add-ons, plug-ins that add third-party functionality to search giant's productivity tools, to Android. They may come to iOS in the future, depending on "demand.". The post Google Docs add-ons make the jump from desktop to Android appeared first on Digital Trends ... ....
Thome discusses 'dream' to join Indians HOF (Cleveland Indians)
Edit Public Technologies 30 Jul 2016
And on Saturday, Thome will be inducted into the franchise's Hall of Fame in front of several of his friends and family, in addition to many fans at Progressive Field. 'To get an honor and to go in like this is -- I think it's everybody's dream that plays the game,' Thome said ... He is the franchise leader in home runs with 337 ... Jamieson hit .316 in 14 seasons with the Indians, and he recorded 172 singles in the 1923 season....
Thome discusses 'dream' to join Indians HOF
Edit MLB 30 Jul 2016
And on Saturday, Thome will be inducted into the franchise's Hall of Fame in front of several of his friends and family, in addition to many fans at Progressive Field. "To get an honor and to go in like this is -- I think it's everybody's dream that plays the game," Thome said ... He is the franchise leader in home runs with 337 ... Jamieson hit .316 in 14 seasons with the Indians, and he recorded 172 singles in the 1923 season....
Thome discusses 'dream' to join Indians HOF (MLB - Major League Baseball)
Edit Public Technologies 30 Jul 2016
And on Saturday, Thome will be inducted into the franchise's Hall of Fame in front of several of his friends and family, in addition to many fans at Progressive Field. 'To get an honor and to go in like this is -- I think it's everybody's dream that plays the game,' Thome said ... He is the franchise leader in home runs with 337 ... Jamieson hit .316 in 14 seasons with the Indians, and he recorded 172 singles in the 1923 season....
Brian Dawkins joins Philadelphia Eagles scouting staff through fellowship
Edit Penn Live 30 Jul 2016
"In this role, Dawkins will study and work closely with all phases of the scouting and football operations departments," the team said in a press release. The Eagles drafted Dawkins in the ......
From harpsichord to guitar
Edit The Hindu 30 Jul 2016
Born in Delhi in 1939, Aruna studied music privately in England and Germany. She raised crores to disseminate the niche art of western classical music and BSM was instrumental in popularising fusion music in the city ... Konarak says, “While BSM was born out of Aruna’s deep sense of music, her endeavour to spread melody in Bengaluru was phenomenal....
Birthday Special: Singer Sonu Nigam's 10 greatest hits
Edit DNA India 30 Jul 2016
Sonu Nigam is one of the most talented singers of our times and his voice has forever etched several songs in our hearts. Inspired the Mohd Rafi, Sonu began singing at a young age and received much acclaim especially after 2001, for the songs 'Tanhayee' in Dil Chahta Hai and 'Suraj Hua Maddham' in Kabhi Khushi Kabhie Gham ... Music by ... Music by....
Kanye West to Apple CEO Tim Cook: 'Give Jay his check for Tidal now'
Edit Business Insider 30 Jul 2016Kanye West tells Apple to ‘give Jay Z his check for Tidal now’
Edit Venture Beat 30 Jul 2016
Rapper Kanye West this morning took to Twitter to weigh in on the report that Apple was considering an acquisition of Jay Z’s Tidal music streaming service, demanding a meeting with himself, Jay Z, and Apple executives and insisting that Apple “give Jay his check for Tidal now.”. Apple, whose premium Apple Music service competes ......
Music and metadata (The University of Texas at Arlington)
Edit Public Technologies 30 Jul 2016
A new website developed at The University of Texas at Arlington plans to make music produced by UTA music students, alumni, professors and independent artists in the North Texas region available for free to the world ... David Arditi, a UTA assistant professor of sociology, is developing 'MusicDetour - the DFW Local Music Archive,' with three goals in mind ... The research was published in the journal Popular Music and Society....
Richmond DJ works to preserve music genre's legacy
Edit The Miami Herald 30 Jul 2016
Carl Hamm, 40, has long been a fixture in the local music scene ... Hamm has released two compilations with Pop Yeh Yeh music that has been unavailable for decades, certainly in the United States ... Both played a major role in his musical education, Hamm said ... My sister got into hard-core punk music in the 1980s, and she's definitely always been an inspiration to me," Hamm said....
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