Domingo may refer to:
Plácido Domingo (Spanish pronunciation: [ˈplaθiðo ðoˈmiŋɡo]; born 21 January 1941), born José Plácido Domingo Embil, is a Spanish tenor and conductor known for his versatile and strong voice, possessing a ringing and dramatic tone throughout its range. In March 2008, he debuted in his 128th opera role, and as of July 2011, his 136 roles give Domingo more roles than any other tenor.
One of The Three Tenors, he has also taken on conducting opera and concert performances, and he is the General Director of the Los Angeles Opera in California.
Plácido Domingo was born on January 21, 1941, in the distrito de Retiro section of Madrid, Spain, and in 1949 moved to Mexico with his family, who ran a zarzuela company. He studied piano at first privately and later at the National Conservatory of Music in Mexico City.
In 1957, Domingo made his first professional appearance, performing with his mother in a concert at Mérida, Yucatán. He made his opera debut performing in Manuel Fernández Caballero's zarzuela, Gigantes y cabezudos, singing a baritone role. At that time, he was working with his parents' zarzuela company, taking baritone roles and as an accompanist for other singers. Among his first performances was a minor role in the first Mexican production of My Fair Lady where he was also the assistant conductor and assistant coach. The company gave 185 performances, which included a production of Lehár's The Merry Widow in which he performed alternately as either Camille or Danilo.
Sondra Radvanovsky (born April 11, 1969) is an American soprano. Specializing in 19th century Italian opera, Radvanovsky has been called one of premiere Verdi sopranos of her generation. Her signature roles include Elvira in Ernani, Leonora in Il Trovatore, Elena in I vespri siciliani and Élisabeth in Don Carlos.
Radvanovsky was born in Berwyn, Illinois, a suburb of Chicago. At age 11, she moved to Richmond, Indiana. She sang her first full length opera in Richmond at the age of 21. Radvanovsky studied theater and voice at University of Southern California and University of California, Los Angeles. She would later undertaken advanced studies at at the Tanglewood Music Center and the University of Cincinnati's College Conservatory of Music.
After winning Metropolitan Opera’s National Council Auditions in 1995, she enrolled in the Metropolitan Opera’s Lindemann Young Artist Development Program. Her teachers that include Martial Singher,Ruth Falcon, and Diana Soviero.
Radvanovsky has performed in every major opera house in the world, including Royal Opera House Covent Garden, Paris Opera, Teatro alla Scala, Vienna State Opera, Lyric Opera of Chicago, San Francisco Opera, and numerous others.
Anna Yuryevna Netrebko (Russian: Анна Юрьевна Нетребко, born 18 September 1971) is a Russian operatic soprano. She now holds dual Russian and Austrian citizenship and currently resides in Vienna. She has been nicknamed "La Bellissima" by fans.
Netrebko was born in Krasnodar (Russia), in a family of Kuban Cossack background. While a student at the Saint Petersburg conservatoire, Netrebko worked as a janitor at Saint Petersburg's Mariinsky Theatre. Later, she auditioned for the Mariinsky Theatre, where conductor Valery Gergiev recognized her from her prior work in the theater. He subsequently became her vocal mentor. Under Gergiev's guidance, Netrebko made her operatic stage debut at the Mariinsky at age 22, as Susanna in Le nozze di Figaro. She went on to sing many prominent roles with the Kirov Opera, including Amina in La sonnambula, Pamina in Die Zauberflöte, Rosina in Il Barbiere di Siviglia, and Lucia in Lucia di Lammermoor.
In 1994, she sang the Queen of the Night in Die Zauberflöte with the Riga Independent Opera Avangarda Akadēmija under conductor David Milnes.
Emilio Rolando Villazón Mauleón (born February 22, 1972) is a Mexican tenor. He settled in France and in 2007 became a French citizen.
He was raised in Fuentes de Satélite, a suburban area of Greater Mexico City, Mexico. In an interview for Mexican television, Villazón told the story of how he was discovered as a tenor. He said that one day, as he was getting out of the shower in his apartment in Mexico City, somebody came knocking on his door; it was baritone Arturo Nieto, a friend of his neighbour, who had heard him singing while in the shower. He told Rolando he had an amazing voice and invited him to his music academy to develop his voice, there Rolando fell in love with opera.
He came to international attention in 1999 when he won both first prizes awarded in the Operalia international competition - both for opera and zarzuela. The same year he sang for the first time in Italy as des Grieux in Manon at the Teatro Carlo Felice in Genoa. In 2000 he appeared for the first time at the Berlin State Opera - as Macduff in Macbeth. Over the years he has presented many of his best roles there, among them José in Carmen and des Grieux in Manon.
Tres años en el paro. Una licenciatura en el bolsillo. Y el anuncio que les cambiará la vida. Una comedia de agitación.
Plot
Willow Creek, Alaska, is going through a depression because the local cannery has shut down putting many of the residents out of work. Ray and Pete are truck-driving brothers, different as day and night, who are hired by an old friend to bring Christmas presents and one huge surprise from sunny California up to his home town. Along the way, the brothers and Pete's son Michael argue and get stuck in a blizzard, but finally reconcile with each other.
Keywords: baby, brother, christmas, fatherhood, feud, holiday, pregnancy, truck-driver, trucking
Blindman, Blindman, what did he do? Stole 50 women that belong to you.
Blindman: What kind of a son of a bitch puts a snake in a man's salad?
Blindman: When a woman has you by the short hairs, you're done, man; finished!
Blindman: Every night I kneel down and I say my prayers. And every night I ask the good lord 'lord-who are my friends?', and you know something? Every night he don't answer.
Blindman: To be blind is a half a man; to be blind, with no money, now that's a bitch.
Blindman: Well Sweet mama, the sun don't shine on the same dogs ass all the time.
Plot
El Aguila Negra (Fernando Casanova) -a mix of Zorro with The Lone Ranger- has a new problem to deal with. Sectarian group known as "The Masked of Death", formed by seven masked men, is threatening a small village in the Mexican country. They are murdering and kidnapping the villagers, and occasionally stealing. Raúl (Casanova), a kind young man and also a great shooter, is worry about the situation. But the richest man in town, suspects that Raúl is one of the Masked of Death. In order to clean his name, Raúl will fight with the masked bandits, trying to rescue two beautiful girls, one of them the daughter of his best friend. What just a few people know, is that Raul is, in fact, El Aguila Negra.
Roda toda gente
roda ao redor nesta praça
é formosa
e a rosa pousada no meio da roda
no meio tarde de um imenso jardim
Rosa não espera por mim
rosa menina pousada
não espera por nada
não espera por mim
Roda toda gente
roda ao redor nesta praça
está tarde está morta
e a rosa coitada
na praça e na porta
na sala na tarde do mesmo jardim
Que dia espera por mim
nova perdida calada
não ha madrugada esperando por mim
Contributed by Joaquín Moya
moya@algonet.se
Feb-97
We are here
In this holy cave today
To celebrate
The reincarnation
Of Domingo de Santa Clara
The man who convinced us
That there is no Lord
For His name is Buddha, Allah, Shiva, Jahve
Outside our bodies
We are God
'Cause only we can create the idea
Of His existence in our holy brains
Let us pray to ourselves and our spirits!
Domingo you show me just nothing
Like no one before
Domingo you show me just nothing
Like no one before
Domingo you show me just nothing
Like no one before
Domingo you show me just nothing
Like no one before
Domingo of Santa Clara
You made us believe
That you are no phantom
When without
The slightest spot of a thousand nations
You sprayed your blood of Domingo
We all know
Domingo of Santa Clara
Will be born today, tomorrow, and the day after
Billions of times
'Til the end of the Universe
Here with a smile on his face
As the rest of our species watches
The catastrophe
Domingo you show me just nothing
Like no one before
Domingo you show me just nothing
Like no one before
Domingo you show me just nothing
Roda toda gente
roda ao redor nesta praça
é formosa
e a rosa pousada no meio da roda
no meio tarde de um imenso jardim
Rosa não espera por mim
rosa menina pousada
não espera por nada
não espera por mim
Roda toda gente
roda ao redor nesta praça
está tarde está morta
e a rosa coitada
na praça e na porta
na sala na tarde do mesmo jardim
Que dia espera por mim
nova perdida calada
não ha madrugada esperando por mim
Contributed by Joaquín Moya
moya@algonet.se
Roda, toda gente roda
Ao redor nesta praça
É formosa
E a rosa pousada no meio da roda
No meio da tarde
De um imenso jardim
Rosa, não espera por mim
Rosa, menina pousada
Não espera por nada
Não espera por mim
Roda, toda gente
Roda ao redor nesta praça
Está tarde, está morta
E a rosa, coitada, na praça e na porta
Na sala, na tarde do mesmo jardim
Que dia espera por mim
Nova, perdida, calada
Não há madrugada
Esperando por mim
Nova, perdida, calada
Não há madrugada
Esperando por mim
Não sei o que fazer
Não sei o que fazer
Eu saio por aí
Sem ter aonde ir
Não é sete de setembro
Nem dia de finados
Não é sexta-feira santa
Nem um outro feriado
E antes que eu esqueça aonde estou
Antes que eu esqueça aonde estou
Aonde estou com a cabeça?
Tudo está fechado
Tudo está fechado
Domingo é sempre assim
E quem não está acostumado?
É dia de descanso
Nem precisava tanto
É dia de descanso
Programa Sílvio Santos
E antes que eu confunda o domingo
Antes que eu confunda o domingo
O domingo com a segunda
Domingo eu quero ver o domingo passar
Domingo eu quero ver o domingo acabar
Domingo eu quero ver o domingo passar
Domingo eu quero ver o domingo acabar
Tudo está fechado
Tudo está fechado
Domingo é sempre assim
E quem nao está acostumado?
É dia de descanso
Nem precisava tanto
É dia de descanso
Programa Sílvio santos
E antes que eu confunda o domingo
Antes que eu confunda o domingo
O domingo com a segunda
Domingo eu quero ver o domingo passar
Domingo eu quero ver o domingo acabar
Domingo eu quero ver o domingo passar
Domingo eu quero ver o domingo acabar
Até o próximo, até o próximo, até o próximo domingo