In the late 1960s, the term supergroup was coined to describe "a rock music group whose performers are already famous from having performed individually or in other groups".

In some cases, an act will later be referred to as a supergroup when multiple members from said group end up securing individual fame later on. Supergroups are often short-lived, lasting only for an album or two, although this is not always the case, as some of the examples shown below demonstrate. They are sometimes formed as side projects that are not intended to be permanent, while other times can become the primary project of the band members' careers.

The term took its name from the 1968 album Super Session with Al Kooper, Mike Bloomfield, and Stephen Stills. The coalition of Crosby, Stills & Nash (later Crosby, Stills, Nash & Young) is another early example, given the success of their prior bands (The Byrds, Buffalo Springfield, and The Hollies respectively). In 1969, Rolling Stone editor Jann Wenner credited Cream with being the first supergroup. Music writers have also applied the term, wrongly in the context of this article, to bands or vocal groups that sold huge numbers of albums, headlined massive concerts or have a high celebrity or media status, regardless of the previous (or even subsequently acquired) fame of their individual members, such as the band Led Zeppelin, wherein only Jimmy Page was well known at the time the group formed.^{[citation needed]} The term is also used to describe existing bands whose members achieved individual fame after the band's founding, such as The Beatles, Pink Floyd, Queen, Genesis and Yes^{[citation needed]}.

Supergroup or super group may refer to:

Music is an art form whose medium is sound and silence. Its common elements are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics, and the sonic qualities of timbre and texture. The word derives from Greek μουσική (mousike; "art of the Muses").

The creation, performance, significance, and even the definition of music vary according to culture and social context. Music ranges from strictly organized compositions (and their recreation in performance), through improvisational music to aleatoric forms. Music can be divided into genres and subgenres, although the dividing lines and relationships between music genres are often subtle, sometimes open to individual interpretation, and occasionally controversial. Within "the arts", music may be classified as a performing art, a fine art, and auditory art. There is also a strong connection between music and mathematics.

To many people in many cultures, music is an important part of their way of life. Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, "There is no noise, only sound." Musicologist Jean-Jacques Nattiez summarizes the relativist, post-modern viewpoint: "The border between music and noise is always culturally defined—which implies that, even within a single society, this border does not always pass through the same place; in short, there is rarely a consensus ... By all accounts there is no single and intercultural universal concept defining what music might be."

James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942 – September 18, 1970) was an American musician and singer-songwriter. He is widely considered to be the greatest electric guitarist in music history, and one of the most influential musicians of his era despite mainstream exposure limited to just three years. After initial success in Europe with his group The Jimi Hendrix Experience, he achieved fame in the United States following his 1967 performance at the Monterey Pop Festival. Later, he headlined the iconic 1969 Woodstock Festival and the 1970 Isle of Wight Festival. He often favored raw overdriven amplifiers with high gain and treble and helped develop the previously undesirable technique of guitar amplifier feedback.

Hendrix helped to popularize use of the wah-wah pedal in mainstream rock, which he often used to deliver tonal exaggerations in his solos, particularly with high bends, complex guitar playing, and use of legato. As a record producer, he also broke new ground in using the recording studio as an extension of his musical ideas. He was one of the first to experiment with stereophonic phasing effects for rock recording.^{[citation needed]} He was influenced by blues artists such as B.B. King, Muddy Waters, Howlin' Wolf, Albert King and Elmore James,rhythm and blues and soul guitarists Curtis Mayfield and Steve Cropper, and the jazz guitarist Wes Montgomery. Hendrix began dressing and wearing a moustache like Little Richard when he performed and recorded in his band from March 1, 1964 through to the spring of 1965. In 1966, he stated, "I want to do with my guitar what Little Richard does with his voice".