The Wall of Sound is a music production technique for pop and rock music recordings developed by record producer Phil Spector at Gold Star Studios in Los Angeles, California, during the early 1960s. Working with such audio engineers as Larry Levine and the session musicians who became known as The Wrecking Crew, Spector created a dense, layered, reverberant sound that came across well on AM radio and jukeboxes popular in the era. He created this sound by having a number of electric and acoustic guitarists perform the same parts in unison, adding musical arrangements for large groups of musicians up to the size of orchestras, then recording the sound using an echo chamber.
To attain Spector's signature sound, his arrangements called for large ensembles (including some instruments not generally used for ensemble playing, such as electric and acoustic guitars), with multiple instruments doubling many of the parts to create a fuller, richer sound. Spector also included orchestral instruments - strings, woodwind, brass and percussion - not previously associated with youth-oriented pop music. Spector himself called his technique "a Wagnerian approach to rock & roll: little symphonies for the kids".
Quincy Delight Jones, Jr. (born March 14, 1933) is an American record producer, conductor, arranger, film composer, television producer, and trumpeter. His career spans five decades in the entertainment industry and a record 79 Grammy Award nominations, 27 Grammys, including a Grammy Legend Award in 1991. He is particularly recognized as the producer of the album Thriller, by pop icon Michael Jackson, which has sold more than 110 million copies worldwide, and as the producer and conductor of the charity song “We Are the World”.
In 1968, Jones and his songwriting partner Bob Russell became the first African Americans to be nominated for an Academy Award for Best Original Song "The Eyes of Love" from the Universal Pictures film Banning. That same year, he became the first African American to be nominated twice within the same year when he was nominated for Best Original Score for his work on the music of the 1967 film In Cold Blood. In 1971, Jones would receive the honor of becoming the first African American to be named musical director/conductor of the Academy Awards ceremony. He was the first African American to win the Academy's Jean Hersholt Humanitarian Award, in 1995. He is tied with sound designer Willie D. Burton as the most Oscar-nominated African American, each of them having seven nominations. At the 2008 BET Awards, Quincy Jones was presented with the Humanitarian Award. He was played by Larenz Tate in the 2004 biopic about Ray Charles, Ray.
Phillip Harvey "Phil" Spector (born Harvey Phillip Spector on December 26, 1939) is an American record producer and songwriter.
The originator of the "Wall of Sound" production technique, Spector was a pioneer of the 1960s girl-group sound and produced over 25 Top 40 hits in 1960–1965. Some of his famous girl groups are The Ronettes and The Crystals. After this initial success, Spector later worked with artists including Ike and Tina Turner, John Lennon, George Harrison, and the Ramones with similar acclaim. He produced The Beatles' Academy Award winning album Let It Be, and the Grammy Award–winning Concert for Bangladesh by former Beatle George Harrison. In 1989, Spector was inducted into the Rock and Roll Hall of Fame as a non-performer. The 1965 song "You've Lost That Lovin' Feelin'", produced and co-written by Spector for The Righteous Brothers, is listed by BMI as the song with the most U.S. airplay in the 20th century.
In 2009 Spector was convicted of second-degree murder in the 2003 shooting death of actress Lana Clarkson in his Alhambra, California home. He is serving a prison sentence of 19 years to life.
Tina Turner (born Anna Mae Bullock; November 26, 1939) is an American singer and actress whose career has spanned more than 50 years. She has won numerous awards. Turner started out her music career with husband Ike Turner as a member of the Ike & Tina Turner Revue. Success followed with a string of hits including "River Deep, Mountain High" and the 1971 hit "Proud Mary". With the publication of her autobiography I, Tina (1986), Turner revealed severe instances of spousal abuse against her by Ike Turner prior to their 1976 split and subsequent 1978 divorce. After virtually disappearing from the music scene for several years following her divorce from Ike Turner, she rebuilt her career, launching a string of hits beginning in 1983 with the single "Let's Stay Together" and the 1984 release of her fifth solo album Private Dancer.
Her musical career led to film roles, beginning with a prominent role as The Acid Queen in the 1975 film Tommy, and an appearance in Sgt. Pepper's Lonely Hearts Club Band. She starred opposite Mel Gibson as Aunty Entity in Mad Max Beyond Thunderdome for which she received the NAACP Image Award for Outstanding Actress in a Motion Picture, and her version of the film's theme, "We Don't Need Another Hero", was a hit single. She appeared in the 1993 film Last Action Hero.
Armin van Buuren (Dutch pronunciation: [ˈɑr.mɪn vɑn ˈby.rə(n)]), OON (born 25 December 1976 in Leiden, Netherlands) is a Dutch trance producer and DJ. Between 2007 and 2010, he was voted number one in DJ Magazine's annual top 100 list of the most popular DJs. In the 2011 list, he ranked in second place. Since 2001, Van Buuren has hosted a weekly radio show called A State of Trance, which claims to have around 15 million weekly listeners in 26 countries, which would make it one of the most listened-to radio shows in the world. His 2008 studio album, Imagine, entered the Dutch album chart at #1, a first for a dance music artist in Dutch music history.
Armin van Buuren was born in Leiden, Netherlands on 25 December 1976, but grew up in Koudekerk aan den Rijn. Van Buuren started making music when he was 14.[citation needed] He was inspired by French electronic music composer, Jean Michel Jarre, and wished to become a great electronic music composer like Jarre.[citation needed]
He finished high school at the Stedelijk Gymnasium Leiden in 1995, and left for college to study law at Leiden University. While studying law, Van Buuren's interest for making music blossomed, and he began working as a DJ in a local club called Nexus. As his musical career began to take off, he put his law degree on hold, although he did return to finish law school in 2003.
My blood's gettin' hot
No matter what you got
You can't stop the roll of the thunder
Yeah
You wanna take a shot
So gimme me all you got
Can't break the spell that I'm under
And the battle never ends
And the soldiers never die
And you don't back down
And you don't pretend when you look them in the eye
And it all comes down
To the wall of sound
Yeah, it all comes down
When it all goes wrong
You gotta be strong
The rest of the world's gonna shatter
It doesn't matter
Let the floods go raging by
Let the sinners wash away
Till the dark of night sees a ray of light
And begins another day
And it all comes down
To the wall of sound, ooh
Yeah
And the battle never ends
And the soldiers never die
And you don't back down
And you don't pretend when you look them in the eye
Yeah
And we all bow down
To the wall of sound
Yeah, we all bow down
To the wall of sound
Bow down
Yeah, bow down
it don't mean nothing
when you say it's gonna be alright
cause you'll tell me anything i wanna hear
and it don't mean nothing
when you laugh at my jokes
cause it's all or nothing when i fall apart
fade, fade, fade
into you
you're under my skin now
i could shut out the world that we know
i'll try to be everything you want me to be
and i've gotta head start
but i'm making the same mistakes
cause it's all or nothing when i fall apart
fade, fade, fade
into you
caught in the rush of the crowd
lost in a wall of sound
you were ringing in my ear
caught in the rush of the crowd
lost in a wall of sound
you were ringing in my ear
my ear
Featuring: Justine Suissa
He Said
I am the worldly wise
Just look into my eyes
And wish for anything
And so she held his gaze
And fell into his maze
And saw that all around
Was just a wall of sound
Out there, it's all around
See it through his eyes
I can touch the wall of sound,
And feel
Out there, it's all around
See it through his eyes
I can touch the wall of sound
And feel, alive
She felt a warmth decend
Her life from start to end
A Magic energy
No longer half a life
Immersed and mesmerised
A perfect vision found
Inside the wall of sound
Out there, it's all around
See it through his eyes
I can touch the wall of sound,
And feel
Out there, it's all around
See it through his eyes
I can touch the wall of sound
Higher and higher
I'm building seek
Consumed by desire
It's killing me
Like a moth to the fire
I go willingly
With windows of fame but they can't keep it safe so
I built this wall, all around me
I built this wall, to surround me
I build this wall, from the ground see
These sticks and stones can't break these tones no...
Shout out..
Shout out...
Shout out all you want to
I suppose call me Mr., Please Acknowledge me
Self imposed i'm a prisoner, no apologies
Wrote a note to my listeners, don't you follow me
I'm probably strange but i know i can change cos
I don't wanna be alone anymore
There's a hole in my soul
Yet i'm happy at home no
I built this wall, all around me
I built this wall, to surround me
I build this wall, from the ground see
These sticks and stones can't break these tones no...
[Rap]
I built this wall, all around me
I built this wall, to surround me
I build this wall, from the ground see
These sticks and stones can't break these tones no...
Shout out..
Shout out...
Shout out all you want to
We're so afraid of you
We can't explain just what we do
Stars and minds, blend in time
By default, by design
We've touched down in a wall of sound
I can't see you, I can't feel you
We've touched down in a warning cloud
Static takes me, fascinates me
All I want is all I need
And all I need is all I hear
So come over, come over to me
Forever has no end
Of countless, story re-begins
Hearts and minds, starry eyed
Shrouded in this cold and empty place
We've touched down in a wall of sound
I can't see you, I can't feel you
We've touched down in a warning cloud
Static takes me, fascinates me
All I want is all I need
And all I need is all I hear
So come over, come over to me
We've touched down
We've touched down
All I want is all I need
And all I need is all I hear
They took it all, Wanted more from me
My resistance it's all I need
Painted faces, deffective swine
No accusations, it's a free ride
We are the wall of sound, Yeah Yeah Yeah
We'll reach the higher ground
Carve your name on the tickest stone
It'll remind them of who you are
In the maze of imagination
Can you feel my wall of sound?
In the maze of imagination
Can you feel my wall of sound?
Wavin' flags, one spoken voice
Elusive conflict, revolution time
No detour for hypocrites
Prepare the battle, face to face
Carve your name on the tickest stone
It'll remind them of who you are
In the maze of imagination
Can you feel my wall of sound?
In the maze of imagination
Can you feel my wall of sound?
Wall of sound, we are the wall of sound
Wall of sound
In the maze of imagination
Can you feel my wall of sound?
In the maze of imagination
Can you feel my wall of sound?
Wall of sound, we are the wall of sound