Bonnets are a variety of headgear for both sexes, which have in common only the absence of a brim.Bonnet derives from the same word in French, where it originally indicated a type of material. In the 21st century, only a few kinds of headgear are still referred to as bonnets, most commonly those worn by babies and Scottish soldiers.
The most common kind of bonnet worn today is a soft headcovering for babies. They are shaped similarly to the kind of bonnets women used to wear, that is they cover the hair and ears, but not the forehead. See also Coif.
In the mid-17th and 18th century "house bonnets" worn by women and girls were generally brimless headcoverings which were secured by tying under the chin, and which covered no part of the forehead. They were worn indoors, to keep the hair tidy, (illustration, left) and outdoors, to keep dust out of the hair. With hairstyles becoming increasingly elaborate after 1770, the "calash" bonnet was worn outdoors to protect the hair from wind and weather: a hood of silk or black taffeta stiffened with whalebone or arched cane battens, collapsible like a fan or the calash top of a carriage, they were fitted with ribbons to allow them to be held secure in a gale.
Headgear, headwear or headdress is the name given to any element of clothing which is worn on one's head.
Headgear serve a variety of purposes:
Bonnets, as worn by women and girls, were hats worn outdoors which were secured by tying under the chin, and often which had some kind of peak or visor. Some styles of bonnets had peaks so large that they effectively prevented women from looking right or left without turning their heads. Bonnets worn by men and boys are generally distinguished from hats by being soft and having no brim—this usage is now rare (they would normally be called caps today, except in Scotland where the "bunnet" is common in both civilian life and in the Royal Regiment of Scotland).
Caps are generally soft and often have no brim or just a peak (like on a baseball cap). For many centuries women wore a variety of head-coverings which were called caps. For example, in the 18th and 19th centuries a cap was a kind of head covering made of a flimsy fabric such as muslin; it was worn indoors or under a bonnet by married women, or older unmarried women who were "on the shelf" (e.g. mob-cap). An ochipok is part of traditional Ukrainian costume.
Doris Eaton Travis (March 14, 1904 – May 11, 2010) was a Broadway and film performer, dance instructor, and author. She was also the last surviving Ziegfeld girl.
Travis began performing onstage as a young child, and made her Broadway debut at the age of 13. A year later, in 1918, she joined entrepreneur Florenz Ziegfeld who founded the famed Ziegfeld Follies as the youngest Ziegfeld Girl ever cast in the show. She continued to perform in stage productions and silent films throughout the 1920s and early 1930s. As of 2010, she was, along with Miriam Seegar and Barbara Kent, one of the last surviving non-child actors who appeared in silent films.
When her career in stage and screen declined, she started a second career as an Arthur Murray dance instructor and local television personality in Detroit. Her association with Arthur Murray lasted for three decades, during which time she rose through the ranks to own and manage a chain of nearly 20 schools. After retiring from her career with Arthur Murray, she went on to manage a horse ranch with her husband and returned to school, eventually earning several degrees.
Give me a hope
To be alone
I want arms around
I want arms around
It'll be all right
You can be sure
Don't crease that perfect cote d'azure
Soul Pirate, drifting in a sea of bliss (oh)
Soul Pirate, get your Headgear around this (wooawoo wooawoo wooawoo-oh)
Don't close the door
Into your heart
I want arms around
I want arms around
If what you want, aint what you get.. intoxicating silhouette
Soul Pirate, drifting in a sea of bliss (oh)
Soul Pirate, get your Headgear around this (wooawoo wooawoo wooawoo-oh)
So all you grieve, 'cause your own hope and exile
Will emphasise your livewire
Sophisticated, daring it balances what you're wearing
The likes of you, a Brummel, we will not see again
To polish the soles of your shoes with bouvac and champagne
You let her go three whole times
I want arms around
I want arms around
Just be yourself, embodied Empresses
Just wave that spangled wand of yours and glamour is!
Soul Pirate, drifting in a sea of bliss (oh)
Soul Pirate, get your Headgear around this (wooawoo wooawoo wooawoo-oh)
Get you headgear around this
Get you headgear around this
Get you headgear around this (wooawoo wooawoo wooawoo-oh)
Give me a hope
To be alone
I want arms around
I want arms around
It'll be all right
You can be sure
Don't crease that perfect cote d'azure
Soul pirate, drifting in a sea of bliss (oh)
Soul pirate, get your headgear around this (wooawoo wooawoo wooawoo-oh)
Don't close the door
Into your heart
I want arms around
I want arms around
If what you want, ain't what you get.. intoxicating silhouette
Soul pirate, drifting in a sea of bliss (oh)
Soul pirate, get your headgear around this (wooawoo wooawoo wooawoo-oh)
So all you grieve, 'cause your own hope and exile
Will emphasise your livewire
Sophisticated, daring it balances what you're wearing
The likes of you, a brummel, we will not see again
To polish the soles of your shoes with bouvac and champagne
You let her go three whole times
I want arms around
I want arms around
Just be yourself, embodied empresses
Just wave that spangled wand of yours and glamour is!
Soul pirate, drifting in a sea of bliss(oh)
Soul pirate, get your headgear around this(wooawoo wooawoo wooawoo-oh)
Get you headgear around this
Get you headgear around this