Charles-Camille Saint-Saëns (French pronunciation: [ʃaʁl kamij sɛ̃sɑ̃s]; 9 October 1835 – 16 December 1921) was a French late-Romantic composer, organist, conductor, and pianist. He is known especially for The Carnival of the Animals, Danse macabre, Samson and Delilah, Piano Concerto No. 2, Cello Concerto No. 1, Havanaise, Introduction and Rondo Capriccioso, and his Symphony No. 3 (Organ Symphony).
Saint-Saëns was born in Paris, France, on 9 October 1835. His father, a government clerk, died three months after his birth. He was raised by his mother, Clémence, with the assistance of her aunt, Charlotte Masson, who moved in. Masson introduced Saint-Saëns to the piano, and began giving him lessons on the instrument. At about this time, age two, Saint-Saëns was found to possess perfect pitch. His first composition, a little piece for the piano dated 22 March 1839, is now kept in the Bibliothèque nationale de France. Saint-Saëns's precocity was not limited to music. He learned to read and write by age three, and had some mastery of Latin by the age of seven. His first public concert appearance occurred when he was five years old, when he accompanied a Beethoven violin sonata. He went on to begin in-depth study of the full score of Don Giovanni. In 1842, Saint-Saëns began piano lessons with Camille-Marie Stamaty, a pupil of Friedrich Kalkbrenner, who had his students play the piano while resting their forearms on a bar situated in front of the keyboard, so that all the pianist's power came from the hands and fingers but not the arms. At ten years of age, Saint-Saëns gave his debut public recital at the Salle Pleyel, with a performance of Mozart's Piano Concerto No. 15 in B-flat major (K. 450), and various pieces by Handel, Kalkbrenner, Hummel, and Bach. As an encore, Saint-Saëns offered to play any of Beethoven's 32 piano sonatas from memory. Word of this incredible concert spread across Europe, and as far as the United States with an article in a Boston newspaper.
Sol Gabetta (born 1981, Villa María, Córdoba, Argentina) is an Argentine cellist of French and Russian descent, now settled in Switzerland.
Sol Gabetta was born in Villa María, her family moved to the capital city of Córdoba where she studied piano, cello and sang in a chorus.[citation needed] She continued her studies as a cellist in Buenos Aires with Leo Viola and in Madrid at the Escuela Superior de Música Reina Sofía.[citation needed] At the age of 12 she left Argentina to live in Spain and then Alsace in France.[citation needed]
Since winning her first competition at the age of ten, she has gone on to win numerous other awards, including the Natalia Gutman Award for best musical interpretation in the International Tchaikovsky Competition, an award from the ARD competition in Munich, a Fellowship from the Borletti Buitoni Trust (2003) and 5th place in the Mstislav Rostropovich International Cello Competition.[citation needed] She continues to study in Berlin at the Hochschule für Musik "Hanns Eisler" with David Geringas, and currently plays on a 1759 G. B. Guadagnini cello, made available to her through private funding by Hans K. Rahn.
Arthur Rubinstein (January 28, 1887 – December 20, 1982) was a Polish-American classical pianist who received international acclaim for his performances of the music written by a variety of composers; many regard him as the greatest Chopin interpreter of his time. He is widely considered one of the greatest classical pianists of the twentieth century.
Rubinstein was born in Łódź, Congress Poland (part of the Russian Empire for the entire time Rubinstein resided there) on January 28, 1887, to a family of assimilated Jews. He was the youngest of eight children, and his father was a wealthy factory owner.
Rubinstein's birth name was Artur Rubinstein, although in English-speaking countries, he preferred to be known as Arthur Rubinstein. However, his United States impresario Sol Hurok insisted he be billed as Artur, and records were released in the West under both versions of his name.
At the age of two, Rubinstein demonstrated perfect pitch and a fascination with the piano, watching his elder sister's piano lessons. By the age of four, he was recognised as a child prodigy. Rubinstein first studied piano in Warsaw. His early piano training came from Karl Heinrich Barth.
Aldo Ciccolini (Italian pronunciation: [ˈaldo tʃikkoˈlini]) (born 15 August 1925), is an Italian-French pianist.
Aldo Ciccolini was born in Naples. His father, who bore the title of Marquis of Macerara, worked as a typographer. He took his first lessons with Maria Vigliarolo d'Ovidio, and entered Naples Conservatory in 1934 at the age of 9, by special permission of the director, Francesco Cilea. There he studied piano with Paolo Denza, a pupil of Ferruccio Busoni, and harmony and counterpoint with Achile Longo.
He began his performing career playing at the Teatro San Carlo at the age of 16. However, by 1946 he was reduced to playing in bars to support his family. In 1949, he won the Marguerite Long-Jacques Thibaud Competition in Paris (among the other prizewinners were Paul Badura-Skoda and Pierre Barbizet). He became a French citizen in 1969 and taught at the Conservatoire de Paris from 1970 to 1988, where his students included Akiko Ebi, Géry Moutier, Jean-Yves Thibaudet, Artur Pizarro, Nicholas Angelich and André Sayasov. Among his students at the Biella L.Perosi International Academy were Roberto Cominati, Andrea Padova, Filippo Faes, Francesco Libetta and Angela Annese.
Kirill Petrovich Kondrashin (Russian: Кири́лл Петро́вич Кондра́шин, Kirill Petrovič Kondrašin; 6 March [O.S. 21 February] 1914 – 7 March 1981) was a Russian conductor.
He was born in Moscow to a family of orchestral musicians. Having spent many hours at rehearsals, he made a firm decision at the age of 14 to become a conductor. He studied at the Moscow Conservatory from 1931 to 1936 under the conductor Boris Khaykin (who was only 3 years older than Kondrashin himself). Kondrashin began conducting in the Young People's Theatre in Moscow in 1931, continuing in the Stanislavsky and Nemirovich-Danchenko Moscow Academic Music Theatre three years later. He conducted at the Maliy Opera Theatre in Leningrad from 1938 to 1942 and the Bolshoi Theatre in Moscow from 1943. His performance of Shostakovich's Symphony No.1 attracted the composer's attention and led to the formation of a firm friendship. In 1947 he was awarded the Stalin Medal.