Coordinates: 51°29′27″N 0°07′38″W / 51.490833°N 0.127222°W / 51.490833; -0.127222

Tate Britain is an art gallery situated on Millbank in London, and part of the Tate gallery network in Britain, with Tate Modern, Tate Liverpool and Tate St Ives. It is the oldest gallery in the network, opening in 1897. It houses a substantial collection of the works of J. M. W. Turner.

It is housed in the Tate's original premises on Millbank on the site of Millbank Prison. The front part of the building was designed by Sidney R. J. Smith with a classical portico and dome behind. Construction, undertaken by Higgs and Hill, commenced in 1893. The gallery opened on 21 July 1897 as the National Gallery of British Art, but became commonly known as the Tate Gallery, after its founder Sir Henry Tate. There have been several extensions over the years. The central sculpture gallery was designed by John Russell Pope.

Crises during its existence include flood damage to work from the River Thames and bomb damage during World War II, though most of the collection was in safe storage elsewhere, and a large Stanley Spencer painting, deemed too big to move, had a protective brick wall built in front of it.

The Tate is an institution that houses the United Kingdom's national collection of British Art, and International Modern and Contemporary Art. It is a network of four art museums: Tate Britain, London (previously known as the Tate Gallery, founded 1897), Tate Liverpool (founded 1988), Tate St Ives, Cornwall (founded 1993) and Tate Modern, London (founded 2000), with a complementary website, Tate Online (created 1998). There are plans to open a TATE in Southampton in 2020. It is an executive non-departmental public body of the Department for Culture, Media and Sport.

Tate is used as the operating name for the corporate body which was established by the Museums and Galleries Act 1992 as The Board of Trustees of the Tate Gallery.

The gallery was founded in 1897, as the National Gallery of British Art. When its role was changed to include the national collection of Modern Art as well as the national collection of British art, in 1932, it was renamed the Tate Gallery after sugar magnate Henry Tate of Tate & Lyle, who had laid the foundations for the collection. The Tate Gallery was housed in the current building occupied by Tate Britain which is situated in Millbank, London. In 2000, the Tate Gallery transformed itself into the current-day Tate, or the Tate Modern, which consists of a federation of four museums: Tate Britain which displays the collection of British art from 1500 to the present day; Tate Modern which is also in London, houses the Tate's collection of British and International Modern and Contemporary Art from 1900 to the present day. Tate Liverpool, in Liverpool has the same purpose as Tate Modern but on a smaller scale, and Tate St Ives displays Modern and Contemporary Art by artists who have connections with the area. All four museums share the Tate Collection. One of the Tate's most publicised art events is the awarding of the annual Turner Prize, which takes place at Tate Britain.

Benjamin Obadiah Iqbal Zephaniah (born 15 April 1958, Birmingham, England) is an English writer and dub poet. He is a well-known figure in contemporary English literature, and was included in The Times list of Britain's top 50 post-war writers in 2008.

Zephaniah was born and raised in the Handsworth district of Birmingham, which he called the "Jamaican capital of Europe". He is the son of a Barbadian postman and a Jamaican nurse. A dyslexic, he attended an approved school but left aged 13 unable to read or write.

He writes that his poetry is strongly influenced by the music and poetry of Jamaica and what he calls "street politics". His first performance was in church when he was ten, and by the age of fifteen, his poetry was already known among Handsworth's Afro-Caribbean and Asian communities. He received a criminal record with the police as a young man and served a prison sentence for burglary. Tired of the limitations of being a black poet communicating with black people only, he decided to expand his audience, and headed to London at the age of twenty-two.

Kevin McCloud (born 8 May 1958) is a British designer, writer and television presenter best known for his work on the Channel 4 series Grand Designs.

He lives in a 15th-century farmhouse in Frome, Somerset, with his wife (childhood sweetheart) Anna-Charlotte McFadyen ("Char", who runs an online interior decoration business) and their two children, Milo (b. 1998) and Elsie (b. 2001), plus Hugo (b. 1988) and Grace (b. 1991) from McCloud's previous relationship.

Born in Bedfordshire, McCloud and his two brothers, Terence and Graham, were raised in a house his parents had built. McCloud attended Dunstable Grammar School, which became Manshead Upper School, and then studied the history of art and architecture at Corpus Christi College, Cambridge. He is conversant in French and Italian.

After graduating, McCloud trained and worked as a theatre designer, then set up his own lighting design practice and manufacturing business 'McCloud Lighting' - at one point employing 26 people. His work includes the carved and painted rococo-style vegetable ceiling in the food halls at Harrods, many projects in conjunction with J.J. Desmond Interiors and lighting installations at Ely Cathedral, Edinburgh Castle, the Savoy Hotel and the Dorchester Hotel. Today he concentrates on television work, journalism and product design, including work for British manufacturers.

Phyllida Barlow (born 1944, Newcastle upon Tyne, England) is a British artist living and working in London. Barlow studied at Chelsea College of Art (1960-1963) before moving to the Slade School of Fine Art, (1963-1966) where she later became a Professor. Former pupils of Barlow include artists Tacita Dean, Rachel Whiteread and Douglas Gordon. In 2009, she stopped teaching in order to focus on her own work. In 2011, Barlow was elected a Royal Academician .

"Things aren't just visual. They are sensations of physicality". – Phyllida Barlow in Modern Painters, Summer 2011

For over four decades, Barlow has created anti-monumental sculptures from inexpensive, low-grade materials such as cardboard, fabric, plywood, polystyrene, scrim and cement. Barlow's sculptural practice is centred on her experimentation with these materials and the process of re-contextualising them to create large-scale, three-dimensional collages. Her constructions are often crudely painted in industrial or synthetic colours, resulting in abstract, seemingly unstable forms: the seams of their construction are simultaneously revealed and concealed. Often appearing unstable and ephemeral, Barlow’s work constantly reinvestigates the possibilities of form, mass and volume. Drawing also plays an important role in Barlow’s practice. Her works on paper echo the rough surfaces of her sculpture and play with matter and space. The drawings are made independently of the sculptural works and are not preparatory sketches but works in their own right.