Gascony ( /ˈɡæskəni/; French: Gascogne [ɡaskɔɲ]; Gascon: Gasconha [ɡasˈkuɲɔ]) is an area of southwest France that was part of the "Province of Guyenne and Gascony" prior to the French Revolution. The region is vaguely defined and the distinction between Guyenne and Gascony is unclear; sometimes they are considered to overlap, and sometimes Gascony is considered a part of Guyenne. Most definitions put Gascony east and south of Bordeaux.

It is currently divided between the Aquitaine région (départements of Landes, Pyrénées-Atlantiques, south and west of Gironde, and south of Lot-et-Garonne) and the Midi-Pyrénées région (départements of Gers, Hautes-Pyrénées, southwest of Tarn-et-Garonne, and west of Haute-Garonne).

Gascony was historically inhabited by Basque-related people who appear to have spoken a language similar to Basque. The name Gascony comes from the same root as the word Basque (see Wasconia below). From medieval times until the nineteenth century, the Gascon language was spoken, which is a regional variant of the Occitan Language. It is also the land of d'Artagnan, who inspired Alexandre Dumas's character in The Three Musketeers. It is also home to the hero of the play Cyrano de Bergerac (though this character has little in common with the real Cyrano de Bergerac, who was a Parisian) and to Henry III of Navarre who later became king of France as Henry IV.

Wynton Learson Marsalis (born October 18, 1961) is a trumpeter, composer, teacher, music educator, and Artistic Director of Jazz at Lincoln Center in New York City, United States. Marsalis has promoted the appreciation of classical and jazz music often to young audiences. Marsalis has been awarded nine Grammys in both genres, and a jazz recording of his was the first of its kind to win the Pulitzer Prize for Music.

Marsalis is the son of jazz musician Ellis Marsalis, Jr. (pianist), grandson of Ellis Marsalis, Sr., and brother of Branford (saxophonist), Delfeayo (trombonist), Mboya, and Jason (drummer).

Wynton was born in New Orleans, Louisiana, on October 18, 1961, the second of six sons of Dolores (née Ferdinand) and Ellis Louis Marsalis, Jr., a pianist and music professor. At an early age, he exhibited an aptitude for music. At age eight, Wynton performed traditional New Orleans music in the Fairview Baptist Church band led by banjoist Danny Barker, and at 14, he performed with the New Orleans Philharmonic. During high school, Wynton performed with the New Orleans Symphony Brass Quintet, New Orleans Community Concert Band, New Orleans Youth Orchestra, New Orleans Symphony, various jazz bands and with a local funk band, the Creators.

The Inspector is a series of 1960s theatrical cartoons produced by DePatie-Freleng Enterprises and released through United Artists. The titular character is based on Jacques Clouseau, a comical French police officer who is the main character in the Pink Panther series of films.

Although the titular character was never given a name, in contrast to the completely inept Inspector Clouseau, the cartoon character was generally competent, if prone to moments of bad judgement. Humor came from the sometimes surreal villains and situations the Inspector was exposed to, with a healthy dose of stylized cartoon slapstick. Through these difficult circumstances, criminals often get the better of him and he must face the wrath of his ill-tempered, bullying Commissioner (based on Herbert Lom's Commissioner Dreyfus) who holds him in well-deserved contempt.

Pat Harrington, Jr., provided the voice (and voiceover narration) for the Inspector and, with the exception of one cartoon, his assistant, a Spanish gendarme named Deux-Deux (common nickname in French for Eduard or Eduardo). In Spain, the character was named "Totó", and in the Mexican dubbing, Dodó. The name in the English version of the cartoon sounds like Ju-Du. The frustrated Commissioner was voiced by Larry Storch in the first two cartoons, Paul Frees in most of the following ones, and Marvin Miller in the final few cartoons. The first entry, The Great DeGaulle Stone Operation, was the short featured before screenings of the James Bond film Thunderball.