Year 1587 (MDLXXXVII) was a common year starting on Thursday (link will display the full calendar) of the Gregorian calendar and a common year starting on Sunday of the 10-day slower Julian calendar.
Tarak Mehta (born 1930) is an Indian columnist, humorist, writer and playwright. best known for the column Duniya Na Undha Chasma in Gujarati Language. He has translated and adapted several comedies into Gujarati, and has been well-known figure in the Gujarati theatre.
The humorous weekly column first appeared in Chitralekha in March 1971 and ever since has been looking at contemporary issues from a different perspective. He has published 80 books, over the years, three books are based on the columns he wrote in Gujarati newspaper, Divya Bhaskar while rest were compiled from the stories in Taarak Mehta Ka Ooltah Chashmah.
In 2008 SAB TV, a popular entertainment channel in India, started a show Taarak Mehta Ka Ooltah Chashmah that is based on his column., and soon it became the flagship show of the channel.
He stays in Ahmedabad, Gujarat, where he moved in year 2000, with second wife, Indu of over 30 years, His first wife, Ila who later married Manohar Doshi, (died 2006), also stayed in the same apartment building. He has daughter from his first marriage, Ishani, who stays in US, and has two children, Kushan and Shaili.
Samuel Scheidt (baptized 3 November 1587 – 24 March 1654) was a German composer, organist and teacher of the early Baroque era.
Scheidt was born in Halle, and after early studies there, he went to Amsterdam to study with Sweelinck, the distinguished Dutch composer, whose work had a clear influence on Scheidt's style. On his return to Halle, Scheidt became court organist, and later Kapellmeister, to the Margrave of Brandenburg. Unlike many German musicians, for example Heinrich Schütz, he remained in Germany during the Thirty Years' War, managing to survive by teaching and by taking a succession of smaller jobs until the restoration of stability allowed him to resume his post as Kapellmeister. When Samuel Scheidt lost his job because of Wallenstein, he was appointed in 1628 as musical director over three churches in Halle, including the Market Church.
Scheidt was the first internationally significant German composer for the organ, and represents the flowering of the new north German style, which occurred largely as a result of the Protestant Reformation. In south Germany and some other countries of Europe, the spiritual and artistic influence of Rome remained strong, so most music continued to be derivative of Italian models. Cut off from Rome, musicians in the newly Protestant areas readily developed styles that were much different from those of their neighbors.
Andrea Gabrieli (1532/1533 – August 30, 1585) was an Italiancomposer and organist of the late Renaissance. The uncle of the somewhat more famous Giovanni Gabrieli, he was the first internationally renowned member of the Venetian School of composers, and was extremely influential in spreading the Venetian style in Italy as well as in Germany.
Details on Gabrieli's early life are sketchy. He was probably a native of Venice, most likely the parish of S. Geremia. He may have been a pupil of Adrian Willaert at St. Mark's in Venice at an early age. There is some evidence that he may have spent some time in Verona in the early 1550s, due to a connection with Vincenzo Ruffo, who worked there as maestro di cappella – Ruffo published one of Gabrieli's madrigals in 1554, and Gabrieli also wrote some music for a Veronese academy. Gabrieli is known to have been organist in Cannaregio between 1555 and 1557, at which time he competed unsuccessfully for the post of organist at St. Mark's.
In 1562 he went to Germany, where he visited Frankfurt am Main and Munich; while there he met and became friends with Orlande de Lassus, one of the most wide-ranging composers of the entire Renaissance, who wrote secular songs in French, Italian, and German, as well as abundant Latin sacred music. This musical relationship proved immensely fruitful for both composers: while Lassus certainly learned from the Venetian, Gabrieli took back to Venice numerous ideas he learned while visiting Lassus in Bavaria, and within a short time was composing in most of the current idioms, including one which Lassus entirely avoided: purely instrumental music.
Guillaume Bouzignac (ca. 1587–ca. 1643) was a French composer.
Bouzignac was probably born in 1587 in Saint-Nazaire-d'Aude. He studied at the Cathedral of Narbonne until 1604, and was choirmaster at the Cathedrals of Angoulême, Bourges, Tours, and Clermont-Ferrand.
His motets are preserved in two manuscripts. His motets are highly distinctive: "Simply stated, there is no other music of the time that looks the same on the page or sounds the same as the motets of Bouzignac." "One name in this period rises above those of his contemporaries for all sacred music, including Masses: that of Guillaume Bouzignac." His dialogue motets, such as Unus ex vobis and Dum silentium, are small scale oratorios which anticipate Giacomo Carissimi, and then Marc-Antoine Charpentier (1643–1704) two generations later.