3 Idiots is a 2009 Indian comedy-drama film directed by Rajkumar Hirani, with a screenplay by Abhijat Joshi, and produced by Vidhu Vinod Chopra. It was loosely adapted from the novel Five Point Someone by Chetan Bhagat. 3 Idiots stars Aamir Khan, Kareena Kapoor, R. Madhavan, Sharman Joshi, Omi Vaidya, Parikshit Sahni and Boman Irani.
Upon release, the film broke all opening box office records in India. It was the highest-grossing film in its opening weekend in India and has the highest opening day collections for a Bollywood film. It also has the record for highest net collections in the first week for a Bollywood film. Within 10 days of its release, the film crossed the 1 billion mark in India and became the first film of 2009 to do so. The film also created a new box office record for a release in the last quarter of a year (October to December), breaking the previous record set by Ghajini. It is also the highest-grossing film to be released in the second half of the year (July to December), breaking the previous record also held by Ghajini.
Aamir Hussain Khan (pronounced [ˈaːmɪr ˈxaːn]) (born 14 March 1965) is an Indian film actor, director and producer who has established himself as one of the leading actors of Hindi cinema.
Starting his career as a child actor in his uncle Nasir Hussain's film Yaadon Ki Baaraat (1973), Khan began his professional career eleven years later with Holi (1984) and had his first commercial success with Qayamat Se Qayamat Tak (1988). He received his first National Film Award as a Special Jury Award for his roles in the films Qayamat Se Qayamat Tak (1988) and Raakh (1989). After eight previous nominations during the 1980s and 1990s, Khan received his first Filmfare Award for Best Actor for his performance in the major grosser Raja Hindustani (1996) and later earned his second Best Actor award for his performance in the Academy Award-nominated Lagaan, which also marked the debut of his own production company.
Following a four-year break from acting, Khan made his comeback playing the title role in the historical Mangal Pandey: The Rising (2005), and later won a Filmfare Critics Award for Best Actor for his role in Rang De Basanti (2006). The following year, he made his directorial debut with Taare Zameen Par, for which he received a Filmfare Award for Best Director. This was followed by Ghajini (2008), which became the highest grossing film of that year, and 3 Idiots (2009), which became the highest-grossing Bollywood film of all-time, unadjusted for inflation. The Government of India honoured him with the Padma Shri in 2003 and the Padma Bhushan in 2010 for his contributions towards the arts.
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Kareena Kapoor (pronounced [kəˈriːnaː kəˈpuːr]; born 21 September 1980), also known as Kareena Kapoor Khan, is an Indian actress who appears in Bollywood films. She is the daughter of actors Randhir Kapoor and Babita, and the younger sister of actress Karisma Kapoor. Noted for playing a variety of characters in a range of film genres—from contemporary romantic dramas to comedies—Kapoor has received six Filmfare Awards, and has established herself as a leading actress of Hindi cinema.[1][2]
After making her acting debut in the 2000 war drama Refugee, Kapoor's early years in the film industry were successful; she received a Filmfare nomination for Asoka (2001) and appeared in the melodrama Kabhi Khushi Kabhie Gham... the same year, one of her biggest commercial successes to date. This was followed by a series of commercial failures and repetitive roles, which garnered her negative reviews. She portrayed a sex worker in Chameli (2004), the turning point in her career, and starred in the critically acclaimed films Dev (2004) and Omkara (2006). Kapoor played the lead female role in the romantic comedy Jab We Met (2007, which earned her the Filmfare Award for Best Actress) and the dramedy 3 Idiots (2009, the highest-grossing Bollywood film of all time).
Married to actor Saif Ali Khan, Kapoor's off-screen life is the subject of widespread coverage in India. She is known in the Indian media for being publicly outspoken and assertive, and is recognised for her contributions to the film industry through her fashion style and film roles. In addition to film acting, Kapoor is a stage performer and has contributed as a co-author to three books: an autobiographical memoir, and two nutrition guides. She has also launched her own clothing line in association with the retail chain Globus.
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Born into a film family in Mumbai on 21 September 1980, Kapoor (often informally referred to as 'Bebo')[4] is the younger daughter of Randhir Kapoor and Babita (née Shivdasani);[5] her elder sister Karisma is also an actress. She is the granddaughter of actor and filmmaker Raj Kapoor and niece of actor Rishi Kapoor. According to Kapoor, the name "Kareena" was derived from the book Anna Karenina, which her mother read while she was pregnant with her.[6] She is of Punjabi descent on her father's side,[7] and Sindhi on her mother's side.[8]
Describing herself as a "very naughty [and] spoilt child", Kapoor's exposure to films from a young age kindled her interest in acting;[3] she was particularly inspired by the work of actors Nargis and Meena Kumari.[9] Despite her family background, her father disapproved of women entering films because he believed it conflicted with the traditional maternal duties and responsibility of women in the family.[10] This led to a conflict between her parents, and they separated.[11] She was then raised by her mother, who worked several jobs to support her daughters until Karisma debuted as an actress in 1991.[12] After living separately for several years, her parents reconciled in October 2007.[11] Kapoor remarked "My father is also an important factor in my life [...] [Al]though we did not see him often in our initial years, we are a family now."[12]
Kapoor attended Jamnabai Narsee School in Mumbai, followed by Welham Girls' School in Dehradun.[9] She attended the institution primarily to satisfy her mother, though later admitted to liking the experience.[3] According to Kapoor, she was a good student and received first-class honours in all subjects except mathematics.[3] After graduating from Welham she studied commerce for two years at Mithibai College in Vile Parle (Mumbai).[9] Kapoor then registered for a three-month summer course in microcomputers at Harvard University in the United States.[9] She later developed an interest in law, and enrolled at the Government Law College, Mumbai; during this period, she developed a long-lasting passion for reading.[9] However, after completing her first year, Kapoor decided to pursue her interest to become an actress.[13] She began training at an acting institute in Mumbai mentored by Kishore Namit Kapoor, a member of the Film and Television Institute of India (FTII).[14]
While training at the institute, Kapoor was cast as the female lead in Rakesh Roshan's Kaho Naa... Pyaar Hai (2000) opposite his son, Hrithik Roshan.[9] Several days into the filming, however, she abandoned the project; Kapoor later explained that she had benefited by not doing the film since more prominence was given to the director's son.[9] She debuted later that year alongside Abhishek Bachchan in J. P. Dutta's war drama Refugee. Set during the Indo-Pakistani war of 1971, the film centers on a man who illegally transports civilians back and forth across the border. Kapoor portrayed Naaz, a Bangladeshi girl who falls in love with Bachchan's character while illegally migrating to Pakistan with her family. Her performance was acclaimed by critics; Taran Adarsh of Bollywood Hungama wrote that Kapoor "has a magnetic personality, which will make the viewer fall in love with her instantly. What surprises you is the ease with which she emotes the most difficult of scenes [...] There is no denying the fact that she is a natural performer who is very camera friendly."[15] On the experience of acting in her first film, Kapoor described it as "tough ... [but] also a great learning experience".[9] Refugee was a moderate box-office success in India[16] and Kapoor's performance earned her the Filmfare Award for Best Female Debut.[17]
For her second release, Kapoor was paired opposite Tusshar Kapoor in Satish Kaushik's box office success Mujhe Kucch Kehna Hai (2001).[18] A review in The Hindu noted that based on her first two films, she was "definitely the actress to watch out for".[19] She next starred in Subhash Ghai's family drama Yaadein alongside Jackie Shroff and Hrithik Roshan, which received negative reviews and was unsuccessful at the box office.[18] Later that year, she appeared in Santosh Sivan's period epic Asoka opposite Shahrukh Khan. The film was selected for the Venice and 2001 Toronto International Film Festivals, and received generally positive reviews.[20] Kapoor's portrayal of Kaurwaki—a Kalingan princess, with whom Ashoka falls in love—received mixed reactions from critics; Rediff.com concluded that her presence in the film was primarily used for aesthetic purposes.[21] She later received her first nomination for Best Actress at the 47th Filmfare Awards.[17]
Kapoor's final release of 2001 was Kabhi Khushi Kabhie Gham... in which she featured part of an ensemble cast. Directed by Karan Johar, the melodrama became India's second highest-grossing film of the year and Kapoor's highest-grossing film to that point.[18] It also became one of the biggest Bollywood success of all time in the overseas market, earning over 1 billion (US${{#invoke:Math|precision_format| 17,200,000/1E6 | 0}} million) worldwide.[22] Kapoor's performance as Poo (a good-natured, superficial girl) was described by Taran Adarsh as "one of the main highlights of the film",[23] and earned her a Filmfare Best Supporting Actress nomination.[17]
During 2002 and 2003, Kapoor experienced a setback in her career. All six films in which she starred —Mujhse Dosti Karoge!, Jeena Sirf Merre Liye, Talaash: The Hunt Begins..., Khushi, Main Prem Ki Diwani Hoon, and the four-hour war epic LOC Kargil — were critically and commercially unsuccessful.[24][25] Critics described Kapoor's performances as unoriginal, repetitive, an uninspired;[5] they expressed concern that she was becoming typecast. These negative reviews motivated her to accept more challenging roles.[26][27]
The year 2004 marked Kapoor's work in a series of films that would bring her critical acclaim.[26] Under the direction of Sudhir Mishra, Kapoor essayed the role of a golden-hearted prostitute in Chameli, a film relating the story of a young prostitute who meets with a widowed investment banker (played by Rahul Bose). When Kapoor was initially offered the film she refused it, explaining that she would be uncomfortable in the role.[27] She relented when Mishra approached her for the second time, viewing it as an opportunity to demonstrate her acting range.[27] Chameli was well received by critics and the film marked a significant turning point in her career,[26] earning Kapoor the Filmfare Special Performance Award.[28] Indiatimes praised her "intuitive brilliance" and stated that she had exceeded all expectations.[29] Rediff.com, however, found her portrayal unconvincing and excessively stereotypical, describing her as "sounding more like a teenager playacting than a brash, hardened streetwalker" and comparing her mannerisms to a caricature.[30]
Kapoor next co-starred in Mani Ratnam's bilingual project Yuva alongside Ajay Devgan, Abhishek Bachchan, Vivek Oberoi, Rani Mukerji and Esha Deol. The film, consisting of three chapters, tells the story of six individuals linked by a car accident. Kapoor is featured in the third chapter as Oberoi's love interest (Mira, a witty young woman). In a Times of India review film critic Subhash K Jha described her role as "fey and insubstantial", but further stated that "she turns these character traits to her own advantage to create a girl who is at once enigmatic and all-there".[31] She then appeared alongside Amitabh Bachchan and Fardeen Khan in Govind Nihalani's critically acclaimed film Dev, which revolved around the 2002 Hindu-Muslim riots in the Indian state of Gujarat.[32] Kapoor's role was that of a Muslim victim named Aaliya, modelled after Zaheera Sheikh (a key witness in Vadodara's Best Bakery case).[32] It earned her a Filmfare Critics Award for Best Actress and nominations for Best Actress at various award ceremonies.[17] Taran Adarsh noted that she was "first-rate" and in particular noted her scene with Bachchan's character.[33]
Shortly afterwards, Kapoor was cast for the first time as a villain in the thriller Fida. Set against the backdrop of the Mumbai underworld, the film follows the story of an online heist in which her character, Neha Mehra, becomes involved. During the filming of Fida Kapoor began a romantic relationship with co-actor Shahid Kapoor, whom she later described as having "a major positive influence in my life".[34] Although the film was unsuccessful at the box office[35] Kapoor received positive reviews for her performance, and some critics noted a distinct progression from her earlier roles.[36] Her subsequent releases that year included Abbas-Mustan's thriller Aitraaz and Priyadarshan's comedy Hulchul, both of which were successful at the Indian box office.[35] Following the success of her last two releases, she was cast as the protagonist of the 2005 drama Bewafaa. The feature received mostly negative reviews, and Kapoor's portrayal of Anjali Sahai (an unfaithful woman) was not well received. Nikhat Kazmi of Indiatimes believed that to become a serious actress Kapoor was embodying a maturer, more-jaded character beyond her years in Bewafaa.[37] She then starred in Priyadarshan's romantic drama Kyon Ki, which was a box-office failure;[38] however, Kapoor's performance was generally well received by critics (with the BBC describing her as "a pure natural").[39]
In 2006, Kapoor appeared in three films. She first starred in the thriller 36 China Town, followed by the comedy Chup Chup Ke; both were moderately successful.[40] She next portrayed the character of Desdemona in Omkara, the Hindi adaptation of William Shakespeare's Othello. Directed by Vishal Bhardwaj, the film is a tragedy of sexual jealousy set against the backdrop of the political system in Uttar Pradesh.[41] It premiered at the 2006 Cannes Film Festival and was screened at the Cairo International Film Festival.[41][42] Omkara was received positively by critics, and Kapoor's portrayal earned her a fourth Filmfare Award and first Screen Award.[17] In a 2010 retrospective of the "Top 80 Iconic Performances" of Hindi cinema, Filmfare wrote that she was "brilliant" and praised her ability to "effortless[ly]" convey the various emotions her character went through.[43] Kapoor considered her role in Omkara as a "new benchmark" in her career, and compared her portrayal of Dolly with her own evolving maturity as a woman.[44]
Following Omkara, Kapoor took a short break from acting, as she felt that "nothing [was] challenging enough for me to say yes".[44] In an interview with The Times of India Kapoor commented, "In my initial years in the industry, I pushed myself to do a lot of work because I was greedy. I did some films—which I now regret—purely for the money. Today, I want to do selective films."[45]
Kapoor returned to film as the female protagonist Geet Dhillon, a vivacious Sikh girl with a zest for life, in the Imtiaz Ali-directed romantic comedy Jab We Met (2007). Featured opposite Shahid Kapoor, the film relates the story of two people with contrasting personalities who meet on a train and eventually fall in love. The film was received favourably by critics and became successful at the box office with gross earnings of 302.5 million (US${{#invoke:Math|precision_format| 5,203,000/1E6 | 1}} million).[47] Kapoor won several awards for her performance, including her second Screen Award and the Filmfare Award for Best Actress.[17] Rajeev Masand of CNN-IBN noted, "Uninhibited and spontaneous, Kareena Kapoor is the soul of this picture, its biggest strength, as she brings alive her character with not just those smart lines, but with the kind of candor actors seldom invest in their work."[48] While shooting for Jab We Met, Kapoor and Shahid ended their three-year relationship.[46] When asked by Mumbai Mirror, she stated "I hold him in utmost regard, and I hope one day we could be good friends. He is a great guy."[12]
The following year, Kapoor co-starred with Akshay Kumar, Saif Ali Khan and Anil Kapoor in Vijay Krishna Acharya's action-thriller Tashan. Although a poll (conducted by Bollywood Hungama) named it the most anticipated release of the year,[49] the film was a commercial and critical failure.[50] She next provided her voice for the character of Laila, the love interest of a street dog named Romeo, in the Yash Raj Films and Walt Disney Pictures animated film Roadside Romeo. She then appeared in Rohit Shetty's comedy Golmaal Returns, the sequel to the 2006 film Golmaal: Fun Unlimited. Part of an ensemble cast which included Ajay Devgan, Arshad Warsi and Tusshar Kapoor, Kapoor played a mistrustful wife who believed her husband was unfaithful. The film had an ambivalent reception from critics, and Kapoor received mixed reviews. The Indian Express believed the screenplay was derivative, concluding: "There is nothing particularly new about a suspicious wife keeping tabs on her husband, and there is nothing particularly new in the way Kareena plays it."[51] Golmaal Returns was a financial success with global revenues of 792.5 million (US${{#invoke:Math|precision_format| 13,631,000/1E6 | 0}} million).[22]
In 2009, Kapoor was cast as Simrita Rai (opposite Akshay Kumar) in Sabbir Khan's battle-of-the-sexes comedy Kambakkht Ishq. Set in Los Angeles, it was the first Indian film to be shot at Universal Studios and featured cameo appearances by Hollywood actors.[52] The film was poorly received by critics but became an economic success, earning over 840 million (US${{#invoke:Math|precision_format| 14,448,000/1E6 | 0}} million) worldwide;[22] a review in The Times of India described Kapoor's performance as "a complete let-down" and "unconvincing".[53] She next played the leading lady in the dramatic thriller Kurbaan, alongside Saif Ali Khan and Vivek Oberoi. The film (which marked the directorial debut of Rensil D'Silva) featured Kapoor as Avantika Ahuja, a woman who is confined to house arrest after discovering that her husband is a terrorist. Describing the film as "an emotionally draining experience", Kapoor explained that it was difficult to disconnect from her character.[54] The film was critically praised, and Kapoor received her fourth Filmfare Best Actress nomination.[17] According to Subhash K Jha, "Kurbaan belongs to Kareena Kapoor. In her most consistently pitched performance to date she pulls out all stops to play a betrayed wife with splendid sensitivity. Kareena accommodates her radiant beauty into an utterly credible character and performance. At her best, Kareena is incomparable. She proves it in Kurbaan."[55]
Kapoor's final release of the year was Rajkumar Hirani's drama 3 Idiots, a film loosely based on the novel Five Point Someone by Chetan Bhagat.[56] Co-starring alongside Aamir Khan, R. Madhavan and Sharman Joshi, Kapoor played Pia (a medical student and Khan's love interest). The film received critical acclaim and emerged as the highest-grossing Bollywood film of all time, grossing 2,025.7 million (US${{#invoke:Math|precision_format| 34,842,040/1E6 | 0}} million) in India.[57] It also did well internationally, earning over 1.08 billion (US${{#invoke:Math|precision_format| 18,576,000/1E6 | 0}} million), the biggest Bollywood success ever in the overseas market.[58] The Deccan Herald opined that Kapoor "brings a dollop of sunshine and feminine grace to an otherwise masculine tale. She is so spunky and spontaneous you wish there was room for more of her."[59] During the 55th Filmfare Awards, Kapoor received another Best Actress nomination for her role.[17]
In 2010, Kapoor appeared in the romantic comedy Milenge Milenge, a production delayed since 2005.[60] The feature garnered negative reviews and poor box-office returns. Kapoor's role was small, and not well received.[60] She next took a supporting role as career-oriented Shreya Arora in We Are Family, adapted from the 1998 Hollywood film Stepmom. Reaction to the film was lukewarm, but Kapoor's performance drew positive reviews and ultimately won her the Filmfare Award for Best Supporting Actress.[61] Priyanka Roy of The Telegraph praised Kapoor for "breath[ing] life and a new-found maturity into what is largely a uni-dimensional character".[62] At the end of the year, she reunited with director Rohit Shetty for Golmaal 3, a sequel to Golmaal Returns. Like its predecessor, the film received mixed reviews though emerged as the most successful entry in the Golmaal series, earning more than 1 billion (US${{#invoke:Math|precision_format| 17,200,000/1E6 | 0}} million) domestically.[63] For her portrayal of the tomboy Daboo, Kapoor received Best Actress nominations at various award ceremonies including Filmfare.[61]
Kapoor had further success in 2011 as the love interest of Salman Khan's character in the romantic drama Bodyguard, a remake of the 2010 Malayalam film of the same name. The film was not well received by critics, though became a financial success, with a domestic total of 1,409.5 million (US${{#invoke:Math|precision_format| 24,243,400/1E6 | 0}} million)—India's highest-earning film of the year.[64] A review in Mint dismissed Kapoor's role as the "sacrificial, ornamental [and] submissive female";[65] Mid Day referred to her as "bright", arguing that she "actually manages to bring her caricature of a role alive".[66] She next appeared in Anubhav Sinha's science fiction film Ra.One with Shahrukh Khan. The film, employing special effects previously unused in Bollywood, became the most expensive Hindi film ever produced.[67] Despite garnering mixed reviews, Ra.One became one of the biggest earners of the year with a worldwide total of over 2 billion (US${{#invoke:Math|precision_format| 34,400,000/1E6 | 0}} million), and Kapoor's fourth major commercial success in three years.[68]
The following year, Kapoor played the role of a carefree young woman, Riana Braganza, in Shakun Batra's directorial debut Ek Main Aur Ekk Tu (2012) with Imran Khan. Produced by Dharma Productions, the romantic comedy is set in Las Vegas and tells the story of two strangers who get married one night after getting drunk. In an interview with The Times of India, Kapoor explained that she was drawn to her character's qualities: "Riana knows what she is doing. Even though she does not have a house or a job, she is a positive person [...] very similar to the way I am."[69] The film received positive reviews and was an economic success, grossing a total of 530 million (US${{#invoke:Math|precision_format| 9,116,000/1E6 | 1}} million) in India and abroad.[70] The Hollywood Reporter found her "endearingly natural";[71] Sukanya Verma of Rediff.com asserted that "after doing ornamental roles in films like Bodyguard and Ra.One, it is nice to see the spunky actress in her element again since Jab We Met. Though vivacious, her Riana isn't a child-woman like Geet but a free-spirited, unflappable adult armed with plucky impulses and scrumptious smile that helps Rahul come-of-age and Ek Main Aur Ekk Tu worth a helping."[72] Her next appearance was in Agent Vinod, an espionage thriller directed by Sriram Raghavan. Kapoor was enthusiastic about the project, but it met with a tepid response and she was described as miscast.[73] When asked why she had taken the role, Kapoor described it as an opportunity to attempt something she had never done before.[74]
For her next feature, Kapoor was cast as the protagonist of Madhur Bhandarkar's Heroine, a drama revolving around the Bollywood film industry. Originally the first choice for the role, Kapoor was hesitant to take on the project when Bhandarkar approached her with the film's initial concept.[75] With reservations about the criticism her character might evoke, she was replaced by Aishwarya Rai.[75] Days after production began, Rai left the film (due to her pregnancy) and Bhandarkar re-approached Kapoor with the film. When the director reinforced his faith in her, she agreed to do the film after receiving the completed script.[75] Kapoor (who described her character of Mahi Arora—a fading star—as "bipolar and schizophrenic") refrained from taking on any other projects, since she found Heroine "very aggressive and tiring".[76] Bollywood Hungama observed it as her best work to date noting that "[t]hough her character is inconsistent [...] Kareena furnishes the heroine's character with a rare vulnerability and an exceptional inner life."[77] She later received Best Actress nominations at the annual Apsara, Filmfare, Screen and Stardust Award ceremonies.[61]
Following the release of Heroine, Kapoor married actor Saif Ali Khan on 16 October 2012.[78] Described as India's "wedding and social event of the year" in Rupa Subramanya's blog at The Wall Street Journal,[79] the wedding consisted of a five-day celebration period beginning with a pre-wedding bash at Kapoor's residence followed by a registered marriage in the presence of family and close friends.[78] A reception was later held at the Taj Mahal Palace & Tower hotel in Mumbai and the Lutyens Bungalow Zone in Delhi.[78]
At the end of the year, she co-starred alongside Aamir Khan and Rani Mukerji as the "tantalisingly seductive prostitute"[80] Rosie, in Reema Kagti's crime mystery Talaash: The Answer Lies Within. Set against the backdrop of Mumbai's red-light districts, it follows the travails of its personnel and principal, Inspector Surjan Singh Shekhawat (Khan) who is assigned the duty of solving a mysterious car accident. The film generated predominantly positive reviews with Kapoor being praised in particular. The Telegraph described her performance as "naughty [and] nonchalan[t]," played with "an unseen mix of oomph and emotion that becomes the [film's] centrepiece".[81] Talaash eventually emerged as a financial success with global revenues of 1.74 billion (US${{#invoke:Math|precision_format| 29,928,000/1E6 | 0}} million).[82]
In February 2013, Kapoor commenced filming for two projects: Prakash Jha's political drama Satyagraha and Punit Malhotra's romantic comedy Gori Tere Pyaar Mein.[83]
Kapoor has participated in several stage shows and world tours since 2002. Her first concert tour (Heartthrobs: Live in Concert (2002) with Hrithik Roshan, Karisma Kapoor, Arjun Rampal and Aftab Shivdasani) was successful in the United States and Canada.[84] At the end of that year, she performed with several other Bollywood stars at Kings Park Stadium in Durban, South Africa in the show Now or Never.[85] Four years later, Kapoor took part with six other Bollywood celebrities in the Rockstars Concert world tour. The concert was staged in 19 cities across the United Kingdom, the United States and Canada, and was a success.[86] In 2008 Kapoor performed in Shahrukh Khan's Temptation Reloaded 2008, a series of concerts in a number of countries. The show (which also featured Arjun Rampal, Katrina Kaif, Ganesh Hegde, Javed Ali and Anusha Dandekar) debuted at the Ahoy Rotterdam venue in Rotterdam, the Netherlands.[87] Several months later she again joined Khan, Rampal and Kaif to perform for an audience of 15,000 at Dubai's Festival City Arena.[88]
During her years in the film industry, Kapoor has been involved with various philanthropic endeavours. In November 2003 she performed at a fundraiser for the World Youth Peace Summit.[89] In 2005, she and other Bollywood stars participated in a concert to raise money for victims of the 2004 Indian Ocean earthquake and tsunami.[90] Later that year, she visited the desert heartland of Rajasthan to boost morale of jawan (infantry) troops in a special Holi weekend episode of the NDTV show, Jai Jawan. The programme consists of entertainers who visit Indian troops in isolated regions (with an NDTV crew).[91] During her 2010 appearance on the NDTV Greenathon, Kapoor adopted the village of Chanderi in Madhya Pradesh to provide it with electricity.[92] Kapoor later participated in UNESCO and FIFA's international campaign, 1GOAL Education for All.[93] In March 2011 Kapoor was appointed ambassador for the Shakti Campaign, a project launched by the NDTV television network to combat violence against women in commemoration of the 100th anniversary of International Women's Day.[94]
In August 2007, Kapoor was appointed spokesperson for Globus in a five-year contract.[95] In association with the retail chain, she became the first Indian actress to launch her own line of clothing.[96] Her collection made its debut several months later in stores across India, and was well received.[97] Following the end of her contract with Globus, Kapoor expressed a desire to work with a design house to release her clothing line internationally,[98] but later explained that those plans were on hold.[99]
In 2009, Kapoor collaborated with nutritionist Rujuta Diwekar on Don't Lose Your Mind, Lose Your Weight, a book which focused on the principles of healthy eating habits.[100] Published by Random House Publications, the book was well received by critics, and sold 10,000 copies within its first twenty days.[100] A follow-up titled, Women and The Weight Loss Tamasha, was released in January 2011. It addressed the weight loss concerns and eating habits of women in various parts of their life, and featured Kapoor in a voice-over for the audiobook.[101] The following year, she released her autobiographical memoir: The Style Diary of a Bollywood Diva (2012). Co-authored alongside Rochelle Pinto, it became the first book to be launched under the Shobhaa De imprint of Penguin Books—a set of series that included celebrity memoirs, guides and biographies.[102] In a review published by Mint, Shefalee Vasudev criticised Kapoor's writing style as "too-breezy" but further stated that it is "a well-produced book, reproducing chirpy little post-it notes and diet charts, punctuated with Bebo's stunning pictures from her private albums to fashion magazine covers."[103]
Known for her nonchalant relationship with the media, Kapoor has gained a reputation for discussing her private life with no reservations.[50][104] As a child she regularly attended award ceremonies and events with her family, and would also accompany Karisma on-set during filming.[4] In an interview with Filmfare, she explained that growing up in a film family helped her develop a sense of professionalism and dedication towards her craft.[105] Kapoor's private life has been the subject of media attention in India, with frequent press coverage of her weight and relationship with actor Saif Ali Khan.[50] The couple—dubbed "Saifeena" by the entertainment media—has been one of the country's most-reported celebrity stories since 2007.[106]
While a segment of the press has described Kapoor as friendly and extremely close to her family,[4] others have criticized her for being arrogant and vain—an image she gained in the wake of her superficial character, Poo, in Kabhi Khushi Kabhie Gham... (2001).[26] She subsequently featured in films portraying similar characters, and this further established her off- and on-screen personae.[5] Before the release of Chameli (2004) (in which she played a sex worker), Kapoor stated that "there is a certain image that people identify you with [and] [i]t always follows you whichever role you play. I am trying to transgress this image and become more screen-friendly than image-friendly."[108] Chameli helped Kapoor reinvent her on-screen persona,[26] and she later explained that her honesty and openness was often perceived by the media as arrogance.[109]
Kapoor is also known for her assertive and moody nature,[109][110] and her outspoken views and independence have been singled out for making major contributions to her career; they "add to her superstar aura".[111] In an early interview, she confessed to being an "introvert, yet [...] extremely candid and blunt", reasoning: "Total faith and complete belief in myself is my attitude towards life, films and virtually everything else. I am all about doing what I feel is right. It is not easy to pin me down as I can be a bundle of contradictions."[109] Journalist Subhash K Jha explained that while this approach has sometimes been at the cost of professional opportunities, it "makes her such a favourite among the generation that believes in self regard being the highest form of creativity [...] She lives for the moment and crams all her intensity into it, not sparing a single thought for what is gone and what is waiting around the corner."[112] Meanwhile, Anu Ahuja suggested that Kapoor's demeanour is an act; she is "cold and unapproachable so that no one will act funny with her".{{#invoke:Footnotes|sfn}}
Today, Kapoor is considered as one of the most popular Bollywood celebrities in India.[113] Her look and performances have established her as a style icon for young women.[10][114] In a 2009 poll conducted by the newspaper Daily News and Analysis Kapoor was voted one of India's most popular icons;[115] with her partner Saif Ali Khan, she was listed amongst the top celebrity endorsers for brands and products worldwide.[116] She became the only Indian actress to be featured on CNNGo's list of "Who Mattered Most in India",[2] and was later selected by Verve for its list of the country's most powerful women from 2008 to 2010.[117][118][119] In June 2010 Kapoor was described as "India's Most Beautiful Woman" by People;[2] Eastern Eye and Maxim named her as "Asia's Sexiest Woman" and "India's Hottest Woman" in 2011 and 2012 respectively.[120] The following year, she ranked seventh on Forbes' list of India's biggest entertainers[121] and was later selected by India Today for its list of the country's most influential women.[122]
According to media reports, Kapoor relies on her instincts and spontaneity as an actor.[110] She is known to commit heavily to each role, and refrains from rehearsing for a project.[110][123] Commenting on this, director Rajkumar Hirani said "I usually have a habit of conducting rehearsals for my actors, but she insisted on not having them as it would affect her spontaneity. She really surprised me with a couple of emotional scenes which we canned in just one take."[110] Karan Johar described Kapoor as a "natural", explaining that "she has no craft, grammar or process attached to her acting [...] It is a great sense of cinema that can keep her going."[110] According to Rensil D'Silva (who directed her in Kurbaan), "Kareena [..] is instinctive and has emotional intelligence. She absorbs the situation and performs accordingly. Discussing the scene, in fact, harms her."[124]
While discussing her career highlights in a 2010 article, Rediff.com noted: "[E]ven though a lot of her starring roles have been forgettable, [a] look at her filmography now, however, would show a more thoughtful selection of roles [...] playing to her strengths."[104] Her portrayal of a series of superficial characters at the start of her career were criticized; film historian Gyan Prakash explained that these roles "tended to infantilise her, packaging her as daddy's little girl, all bubble and no fizz".[27] Critics noted Chameli (2004) as her coming of age, claiming that "a new actor in her was discovered".[26] Following her portrayal of a variety of character types in Chameli, Dev (2004), Omkara (2006) and Jab We Met (2007), Kapoor was noted for her versatility.[1][50] In 2010, Filmfare Magazine included two of her performances—from Omkara and Jab We Met—in its list of "80 Iconic Performances". India Today labelled her "the most versatile female lead in the industry", noting that she "play[s] her roles with trademark spunk".[125]
Manjula Sen of The Telegraph wrote that although she has "the worst success ratio among her contemporaries", it does not affect her marketability.[50] Sen further explained that Kapoor's strength lies in her being versatile; she is "effortlessly honest in her performances. It is a candour that spills over in her personal conduct."[50] Writing for CNN-IBN, Rituparna Chatterjee spoke of her transformation to date: "[A]fter 40 films and 10 years of fighting off competition from some of the most versatile actors of her generation, Kareena has matured into a bankable actor reinventing herself with surprising ease."[126] In 2004, Kapoor placed third on Rediff's list of "Top Bollywood Female Stars".[127] She was later ranked seventh and fifth in 2005 and 2006, respectively, and returned to third place in 2007.[128][129][130] In January 2011, Kapoor placed fourth on Rediff's list of "Top 10 Actresses of 2000–2010".[131]
Year | Film | Role | Notes |
---|---|---|---|
2000 | Refugee | Nazneen "Naaz" Ahmed | Filmfare Award for Best Female Debut |
2001 | Mujhe Kucch Kehna Hai | Pooja Saxena | |
2001 | Yaadein | Isha Singh Puri | |
2001 | Ajnabee | Priya Malhotra | |
2001 | Asoka | Kaurwaki | Nominated—Filmfare Award for Best Actress |
2001 | Kabhi Khushi Kabhie Gham... | Pooja "Poo" Sharma | Nominated—Filmfare Award for Best Supporting Actress |
2002 | Mujhse Dosti Karoge! | Tina Kapoor | |
2002 | Jeena Sirf Merre Liye | Pooja / Pinky | |
2003 | Talaash: The Hunt Begins... | Tina | |
2003 | Khushi | Khushi Singh (Lali) | |
2003 | Main Prem Ki Diwani Hoon | Sanjana | |
2003 | LOC Kargil | Simran | |
2004 | Chameli | Chameli | Filmfare Award for Special Performance |
2004 | Yuva | Mira | |
2004 | Dev | Aaliya | Filmfare Critics Award for Best Actress |
2004 | Fida | Neha Mehra | |
2004 | Aitraaz | Priya Saxena / Malhotra | |
2004 | Hulchul | Anjali | |
2005 | Bewafaa | Anjali Sahai | |
2005 | Kyon Ki | Dr. Tanvi Khurana | |
2005 | Dosti: Friends Forever | Anjali | |
2006 | 36 China Town | Priya | |
2006 | Chup Chup Ke | Shruti | |
2006 | Omkara | Dolly Mishra | Filmfare Critics Award for Best Actress Nominated—Filmfare Award for Best Actress |
2006 | Don | Kamini | Cameo |
2007 | Kya Love Story Hai | Herself | Special appearance in song "It's Rocking" |
2007 | Jab We Met | Geet Dhillon | Filmfare Award for Best Actress |
2008 | Halla Bol | Herself | Special appearance |
2008 | Tashan | Pooja Singh | |
2008 | Roadside Romeo | Laila | Voice |
2008 | Golmaal Returns | Ekta | |
2009 | Luck by Chance | Herself | Special appearance |
2009 | Billu | Herself | Special appearance in song "Marjaani" |
2009 | Kambakkht Ishq | Simrita Rai | |
2009 | Main Aurr Mrs Khanna | Raina Khanna | |
2009 | Kurbaan | Avantika Ahuja / Khan | Nominated—Filmfare Award for Best Actress |
2009 | 3 Idiots | Pia Sahastrabudhhe | Nominated—Filmfare Award for Best Actress |
2010 | Milenge Milenge | Priya Malhotra | |
2010 | We Are Family | Shreya Arora | Filmfare Award for Best Supporting Actress |
2010 | Golmaal 3 | Daboo | Nominated—Filmfare Award for Best Actress |
2011 | Bodyguard | Divya | |
2011 | Ra.One | Sonia Subramaniam | |
2012 | Ek Main Aur Ekk Tu | Riana Braganza | |
2012 | Agent Vinod | Iram Parveen Bilal / Dr. Ruby Mendes |
|
2012 | Rowdy Rathore | Special appearance in song "Chinta Ta" | |
2012 | Heroine | Mahi Arora | Nominated—Filmfare Award for Best Actress |
2012 | Talaash: The Answer Lies Within | Rosie / Simran | |
2012 | Dabangg 2 | Special appearance in song "Fevicol Se" | |
2013 | Bombay Talkies | Herself | Special appearance in song "Apna Bombay Talkies" |
2013 | Satyagraha | Yasmin | Post-production |
2013 | Gori Tere Pyaar Mein | Filming |
|CitationClass=book }}
|CitationClass=book }}
Wikimedia Commons has media related to: Kareena Kapoor |
{{#invoke: Navbox | navbox }}
Persondata | |
---|---|
Name | Kapoor, Kareena |
Alternative names | Bebo |
Short description | Film actress |
Date of birth | 21 September 1980 |
Place of birth | Mumbai, Maharashtra, India |
Date of death | |
Place of death |
I can feel it
on my insides
it's working
it's moving
and I feed it
carefully
and I'm really
not happy
with the things that are movin inside of me
got a heart
got a heart
got a heart
got a big heart
i smell it
on my house
on my sheets
it's working
and i feed it
often
not ripped(?)
not bleed(?)
and i never really know whats happening
got a heart
got a heart
got a heart
got a big heart
i remember when i was a kid
i had a bike that i got secondhand
.....(?)
i cut my head/leg(?) so bad i thought i died
and i never believed in you till then
and will never forget you....(?)
I believe in, i believe in, i believe in, i believe in you
got a heart
got a heart
got a heart
got a heart
got a heart
got a heart
got a heart
Saturday
with your hand held tight
white gloves, bibles
the buzz of flys
I know that somewhere
the saints still are there
they can get together, they can talk about it
they can understand
My held held tight
my bodies aches
pressed against the weight of the gospel
i know that somewhere
the saints gather around
they watch me with wisdom and patience
i hope they understand
the summer falls like a?
my body sweats beneath her
my purpose is clearer
oh! uh-huh!
you can understand, you can understand
you can understand
I don't understand
I saw you hanging
On the arm of some other guy
Like a drummer who’s been banging
Steady beating 4/4 time
Now you’re flicking at your cigarette
Batting eyes and pouty lips
Giving him the love that I need
But I can feel those eyes
And the emptiness behind them
You don’t look so happy to me
You’re so lost
You’re so alone
And I’m standing here
I am a man of stone
You said baby, you’ll change
And I did not change
You said gimme all your lovin’
And I did every day
Now you’re tattooed on my skin
And my chest is caving in
From the weight of the pain you bring
Now you got me branded
Broken but still standing
Watching you wreck everything
You’re so lost
You’re so cold
And I’m standing here
I am a man of stone
My feet are stuck to the ground
My love has bound me here
I am standing here
I gave you my last tear
Someday you’ll wake up
And you’ll think of me and you’ll know
I am a man
A man of stone
You’re so lost
You’re so alone
And I’m standing here
I tried to wish you away
I'll do more than wishing someday
no more, no more son of a bitch
no more, no more wishing
no more, no more son of a bitch
no more happy face
You and I have nothing left to say
We'll do more than talking someday
No more, no more son of a bitch
No more, no more talking, etc
If I
Could Find
The Will
To Kill
GET IT????
Here we go again
No more, no more, etc
I am just a cowboy lonesome on the trail
A starry night, a campfire light
The coyote call, the howling winds wail
So I ride out to the old sundown
I am just a cowboy lonesome on the trail
Lord, I'm just thinking about a certain female
The nights we spent together riding on the range
Looking back it seems so strange
Roll me over and turn me around
Let me keep spinning till I hit the ground
Roll me over and let me go
Running free with the buffalo
I was took in Texas I did not know her name
Lord, all these southern girls seem the same
Down below the border in a town in Mexico
I got my job busting broncs for the rodeo
Roll me over and turn me around
Let me keep spinning till I hit the ground
Roll me over and let me go
Riding in the rodeo
Roll me over and set me free
everbody shout!
come on now, sing out!
it's time for the goolies get-together
they got jokes for everyone
with laughter, songs, and fun
so let's go to the goolies get-together
come on, everybody
join the goolies.
they're gonna do their thing for you.
they're kinda strange,
they're real funny.
you'll be glad to know
they love you too!
everbody shout!
come on now, sing out!
it's time for the goolie get-together
you're gonna see
how funny they can be
ruth are you ready?
do you trust me?
can you feel the hand of jesus?
RUN, RUN, RUN, RUN, RUN
RUN, RUN, RUN, RUN, RUN
ruth if you're ready
hold onto me
trust in jesus
he will heal you
RUN, RUN, RUN, RUN, RUN
RUN, RUN, RUN, RUN, RUN
run up to
run up to heaven, heaven
run up to
run up to heaven, heaven, heaven, heaven, heaven, heaven, heaven, heaven
throw down your cane
and prove your faith
the time is right
ruth run to me
RUN! RUN!
ruth are you ready?
do you trust me?
can you feel the...
hand of jesus?
RUN, RUN, RUN, RUN, RUN
RUN, RUN, RUN, RUN, RUN
run up to
run up to heaven, heaven
run up to
run up to heaven, heaven, heaven, heaven, heaven, heaven, heaven, heaven
i'll break a cane
over my knee
to prove your faith
ruth run to me
RUN! RUN!
RUN, RUN, RUN, RUN, RUN, RUN, RUN, RUN, RUN, RUN, RUN, RUN, RUN, RUN,
Driftin' upward
Gently lifting
Lazy on the wind
Rollin' over
Turnin' slowly
Beginning and the end
Fire is bright
Fire is clean
Never so alive
Smoke is freedom
Flame is mercy
I am free tonight
And I burn
I burn
Stoke the embers
Cleanse the spirit
A prayer in every spark
Feel the lick of
Bad religion
The finish and the start
In the beginning
We were smarter
'n flame was heaven-sent
Through the ages
We got stupid
Now we must repent
And I burn
I burn
Save the ashes
For reminders
Stony things remain
Tooth and bone
unimpressive
I have left these things
Because fire is bright
Fire is clean
efficient and divine
Tooth and bone
Charms and dolls
I am free tonight
I BURN
THE AIR
YOU BREATHE
I BURN
THE AIR
YOU BREATHE
I BURN
THE AIR
YOU BREATHE
I burn
I burn
Deep in the water
I made my home
Followed my lover here
But she left me all alone
She don't like it, like it like I do
Why don't you come and see me
Beneath the waves
Maybe you visit
Maybe you stay
If you like it, like it like I do
Do you like it, like it like I do
Now you go to meeting
When Sunday comes
Then you come see me
We'll have some fun
Maybe you like it, like it like I do
Out in the water
Out in the sea
I'm waiting, lover
For you to come to me
You're gonna like it, like it like I do
Do you like it, like it like I do
I am hell in high water
And I never sleep
So watch your daughters
And stay out of the deep
Unless you like it, like it like I do
Long neck, short leash
Sweet lips are black, black, black
You walk, I lead
Little tricks, stagger and fall
Heel
You're crying, well listen
This time you really were bad, bad, bad
I will show you some discipline
Yes, you will learn some respect, respect, respect
Heel
God I love you
You're so pretty
Love you, love you
Pretty, pretty
You and me you fuck [repeat 3 times]
You and me you cunt [repeat 3 times]
Cunt, cunt, cunt, cunt
hurry, hurry, woman, woman, woman
You and me you fuck [say twice]
Here in my car
I feel safest of all
I can lock all my doors
It's the only way to live
In cars
Here in my car
I can only receive
I can listen to you
It keeps me stable for days
In cars
Here in my car
Where the image breaks down
Will you visit me please?
If I open my door
In cars
Here in my car
I know I've started to think
About leaving tonight
Although nothing seems right
I know something about you
I know you're only seventeen
on the cover of a magazine
on the cover of a magazine
and you're so mean to me
??show me the score??
its been so long since my first kill
i imagine it happening just like this
everyday on my tv
?????????????????????????
can you show me what I need?
can I touch?
can I watch?
can you show me miss teen
show me some
yeah show me something
miss teen
show me some
yeah show me some
i see you ???
the way you move
Someday soon you will sink into the ocean
weighted down without a shame in tough guy chains
I just hope I'm somewhere I can see you sinking
watch you as you drop beneath the waves
You are my sunshine turned to cloudy sky... sky
I wonder as you're rotting at the bottom of the sea
who'll find that will cater to your wishes?
maybe you can try that smile on a lonely manta ray
I bet you can even charm the fishes
You are my sunshine turned to cloudy sky... sky
I'm gonna miss the way you laugh,
even when my jokes ain't funny,
and the way you say,
never say never
and your promises
never say never say...
and I just hope I'm somewhere I can see you sinking...
see you sinking...
see you sinking...
see you sinking...
sinker
sinker
sinker
I'm not positive, but...I think this song is about Vampyres.
I do now it's based on a story the singer heard, on a lake
when he was a kid, and the lake was call "Possum Kingdom Lake"
So at least I know where the name comes from. (its about an unsolved
murder that happened at possum kingdom lake)
Enjoy!
-=David=-
Group: Toadies
Song: Possum Kingdom
lyrics
------
make up your mind
decide to walk with me
around the lake tonight
around the lake tonight
by my side
by my side
i'm not gonna lie
i'll not be a gentleman
behind the boathouse
i'll show you my dark secret
i'm not gonna lie
i want you for mine
my blushing bride
my lover, be my lover yeah....
don't be afraid
i didn't mean to scare you
so help me jesus
i can promise you
you'll stay as beautiful
with dark hair
and soft skin.....forever
forever
make up your mind
make up your mind,
and i'll promise you
i will treat you well
my sweet angel
so help me jesus
yeah..hey..yeah
give it up to me >
give it up to me > repeat all three lines 3x
do you wanna be..my angel? >
so help me
be my angel (3x)
do you wanna die? (7x)
well i'll promise you
i will treat you well
my sweet angel
so help me jesus
jesus
jesus
So long lovely eyes
Somehow we have found ourselves tonight with
No more happy sighs
Hold your breath & hope for something better
We got so far away (x3)
From the fire that we started
How did we get so fucking cold
So fucking cold
So now ease your mind
All good things must have an ending, how we
Live, love, laughed & cried
But matters they seem like just a fantasy
We got so far away (x3)
From the fire that we started
How did we get so fucking cold
So fucking cold
How did we get so
How did we get so fucking
How did we get so fucking cold
Didn't I
give you everything
didn't I take you were you wanna be
didn't I make you feel just like a queen
and all that time I was getting something right
look me in the eye and tell me something
am I supposed to walk away with ?
Do I convince myself we never happened
well I decide won't be tonight
I'm getting something right
lover
you're happy now?
quitter
In coming days
the dust will cover
all the evidence of your first lover
I hope wherever you are now
you'll wake up
see just what a mess
One month ago today, I was happy as a lark
But now I go for walks, to the movies, maybe to the park
I have a seat on the same old bench to watch the children play
You know tomorrow is their future, but for me it’s just another day
They all gather round me, they seem to know my name
We laugh, tell a few jokes, but it still doesn’t ease my pain
I know I can’t hide from a memory, though day after day I’ve tried
I keep saying she’ll be back, but today again I’ve lied
Oh I see her face everywhere I go
On the street and even at the picture show
Have you seen her, tell me have you seen her
Oh I hear her voice as the cold winds blow
In the sweet music on my radio
Have you see her, tell me have you seen her
Why oh why did she have to leave and go away
Oh I’ve been used to having someone to lean on
And I’m lost, baby I’m lost
Have you seen her, tell me have you seen her
Have you seen her, tell me have you seen her
Oh she left her kiss upon my lips
But left that break within my heart
Have you seen her, tell me have you seen her
Oh I see her hand reaching out to me
Only she can set me free
Have you seen her, tell me have you seen her
Why oh why did she have to leave and go away, oh yeah
Oh I’ve been used to having someone to lean on
And I’m lost, baby I’m lost
Have you seen her, tell me have you seen her
As another day comes to an end I’m looking for a letter or something
Anything that she would send
With all the people I know I’m still a lonely man
You know, it’s funny, I thought I had her in the palm of my hand
Have you seen her, tell me have you seen her
Have you seen her, tell me have you seen her
Have you seen her, tell me have you seen her
Have you seen her, tell me have you seen her
I don’t have plans and schemes
And I don’t have hopes and dreams
I don’t have anything
Since I don’t have you
I don’t have fond desires
And I don’t have happy hours
I don’t have anything
Since I don’t have you
I don’t have happiness and I guess
I never will again
When you walked out on me
In walked the misery
And he’s been here since then
I don’t have love to share
And I don’t have one who cares
I don’t have anything
Since I don’t have you
You, you, you
You, you, you, you
Peel away your skin just a little more
You can let me in just a little more
Can you taste it, I do
When you bite down on the truth
We can peel away just a little more
I'll cut you right down to your sweetness
Right to your sweetness
I know it hurts real bad to lay it open
I've tried so hard myself to make you love it
My love, my pride
I swallow you tonight
We can peel away just a little more
I'll cut you right down to your sweetness
Right to your sweetness
Peel away, peel away
Cut right down to the soul, to the center of you
I found me a home for the sinner in me
Cut down to the soul, to the center of you
I found me a home for the sinner in me
Cut down
The sinner in me
I'll eat you slow, my sweetness
You give control, my sweetness
I drink you down, my sweetness
I think I found my sweetness
Give me your hand and I will hold it forever
On my nightstand in a box with your love letters
I love you dear, and I know we will not be parted
I'll keep you near, scattered around my apartment
This is not the same world you lived in
And I could breathe easier once I brought you back again
You are not the same girl you had been
I promised I'd never lose you
Give me your hair, just a lock will do
An old photograph to capture the spirit of you
And I'll keep these things wrapped up in an old cotton blouse
The one you wore that summer before your love petered out
This is not the same world you lived in
And I could breathe easier once I brought you back again
You are not the same girl you had been
I promised I'd never lose you
Laid on my bed
A beautiful mess
My whole world
Jigsaw girl
You gave me your hand
You gave me your hand
I don't understand why you don't want it back
This is not the same world you lived in
And I could breathe easier once I brought you back again
You are not the same girl you had been
I promised I'd never lose you
Never heard you say goodbye
Read your letter, made me cry
Saw you with another guy
Never one to waste your time
You're in love, you're in love
Hell below me, stars above
Saw you with that other man
Feathered hair and tall and tan
Treat him like I know you can
Stroke his cheek and hold his hand
You're in love, you're in love
Hell below me, stars above
Stars above are shining down
Nothing ever gonna hurt me now
And I slip away happy as a clam
Stars above are smiling now
Ever since you put me down
And I close my eyes, and I can't see your face
I come from the water
I crawled upon the shore
I left my brothers there
I got what I came for
I sucked that hot air in
And rolled upon the sand
And burned beneath the sun
To be a man
I come from the water
I come from the water
I come from the water
I come from the water yeah
I come from the water
That weren't no easy thing
It's more than nature
It's like my destiny
I stood upon these legs
And held my head up high
Emerged beneath the sun
To start a new life
I come from the water
I come from the water
I come from the water
I come from the water yeah
Life in the desert, just to be together
The sand forever, the same forever
It moves beneath me, it pulls my body
My pulse beats hotter, so far from the water
I love to see the sun
In spite of all it's done
I pray for shade and rain
I pray to live again
I come from the water
I come from the water
I come from the water
I come from the water
Yeah
Yeah
Yeah
I come from the water
I come from the water
If this is a dream I'm happy you're having it with me
I will stay and savor the way you move me
Don't want to miss one detail, one sweet smile from your lips
One kiss sets me adrift
Chase the stars as they fall down and light up where you are
They are yours for the keeping
Trace the curves of the sheets
A riddle of desire when I watch you sleeping
You say you’re never coming out
Once you get inside your daddy’s house
Well, you got nothing to cry about
So how ‘bout you just shut your pretty mouth
C’mon
Well, your daddy lives up on the hill
Where he lights up all his pretty things
He don’t know I got the key, baby
I think I’ll go and have myself a peek
Now listen
What you’re daddy done for you
He’s gonna do for me too
You got no need for tears
You got no need to pout
You got nothing to cry about
The lights are off so take the key
And take a little walk with me
If you wanna have some fun
Baby, show me daddy’s gun
Well, what your daddy done for you
He’s gonna do for me too
And if you want some
You better get it now
You got nothing to cry about
What your daddy done for you
He’s gonna do for me too
So shut your pretty mouth
And put your foot down
You got nothing to cry about
What your daddy done for you
He’s gonna do for me too
I set you free now
Let’s burn the fucking town
Maybe I didn’t love you
As often as I could have
And maybe I didn’t treat you
As good as I should have
If I made you feel low, second best
Girl I’m sorry, I was blind
You were always on my mind
You were always on my mind
Maybe I didn’t hold you
All those lonely, lonely times
I guess I never told you
I’m so happy that you’re mine
Little things I should have said and done
I just never took the time
You were always on my mind
You were always on my mind
Tell me, tell me that your sweet love hasn’t died
And give me, give me one more chance to keep you satisfied
I’ll keep you satisfied
Little things I should have said and done
I just never took the time
You were always on my mind
You were always on my mind
You were always on my mind
Follow my love, from coast to coast
Chase bad demons, chase some ghosts
And when I wound up face in the sea
Heard the waves crashing, laughing at me
I waded into that icy black
I saw there was no, no coming back
No deliverance (x4)
Dunk my head under, started to drift
Let the tide take me and down I went
I saw great wonders, saw it from above
I saw black monster twisted in love
No deliverance (x4)
And then I saw her, bathed in light
A host of angels, no doubt a sight, she said
You have forsaken all you believe
Crossed earth and oceans to be with me
And I’ll be your lover, I’ll be your rack
And now you’re never coming back
We're coming home on a plane crash
We trip away through the night
We're breaking up on impact
We'll bring it to you live
We're creeping into your living room
We're crawling into your bed
We're taking you all back to school
We're bringing you our dead
We found a friend in Jesus
Via sattelite
He says there's nothing to regret
Just bring it to me live
We're itching, we need it
Your broken, your bleeding
We're living, we're learning
We're watching you burning
And I know I'm indestructible
And I know I'm indestructible tonight
Break down, come on and tell me its not true
It's a shakedown, come on and tell me who are you
It's so fake now, everything I see right through
I'm ashamed now to say I ever knew you
See the Great Athenians, man they're not even from Athens
And the kid from Avenue A, man he ain't even from Manhattan
And nothing is what it seems so I'll just stand here laughing
And I'm gonna keep on goin' though, I can't get distracted
And I know I'm indestructible
And I know I'm indestructible tonight
Playback, rock and roll come and save me
It's a safe bet that you will never ever betray me
And I'll give back everything that you gave me
And I know that no one can ever ever contrain me
And I won't get bogged down like some American consumer, nah
I'm dancing now to a whole different drummer
And I'll keep listening to the great Joe Strummer
We're comin home on a plane crash,
We'll trip our way through the night.
We're breakin up on impact,
We'll bring it to you live, yeah.
Religion, we need it, wow
You're broken, you're bleedin, yeah.
We're livin, we're livin, wow.
We're watchin you burnin.
We know what we really want,
We know what we really want.
We're creepin into your living room,
We're climbin into your bed.
We're takin you all back to school,
We're bringin you our dead, yeah.
Religion, we need it, wow,
You're broken, you're bleedin, yeah
We're livin, we're livin, wow,
We're watchin you burnin, yeah.
We know what we really want,
We know what we really want.
Ahhhhhhh!
Well, we found a friend in Jesus,
a via satellite, yeah.
You said there's nothin but regret,
Just bring it to me live, yeah.
Religion, we need it, wow,
You're broken, you're bleedin, yeah
We're livin, we're livin, wow,
We're watchin you burnin, yeah.
We know what we really want,
We know what we really want,
To get a leg up you must put your foot down
You roll your sleeve up
You put your back into it
You get your head around it
To find the fast track to enlightenment
You must cleanse your mind and body
You must get your head around it
Must get your head around it
You want to be ringside, or in there swinging
You want the grand prize
You must get your head around it
Let's get your head around it
You want the last laugh
You want the victory lap
You want the finer things
You want the brass ring
You must get your head around it
To get a leg up you must put your foot down
You roll your sleeve up
You get your head around it
Shut down the disease, brush it aside and stand up off your knees
Tip the scales, spin me some horrible, beautiful tales
Now you're weak, and you're tired and lonely
You can't see what could be yours for keeps all the while
You can take what you want
But you're not so nice any more
Everything we have we steal
Run your fingers over me
Pull away the skin, uncover the disease
With a weakness and a tenderness we kiss
Consuming each other all over again
You can take what you want
But you're not so nice any more
And she runs through her days
With a smile on her face
And she runs and she waits
And I wait
We can drive to any place
Day and night to cross the state
And in the morning into Mexico
We will wake up
We will wake up
We will, oh yeah, yeah
I'll be with her yeah
I find a window in the kitchen and I let myself in
Rummage through the refrigerator, find myself a beer
I can't believe I'm really here and she's lying in that bed
I can almost feel her touch and her anxious breath
I stumble in the hallway, outside her bedroom door
I hear her call out to me, I hear the fear in her voice
She pulls the covers tighter, I press against the door
I will be with her tonight, yeah
I will be with her tonight
I will be with her tonight, yeah yeah
I will be with her tonight
I will be with her, yeah yeah
I will be with her, yeah yeah
I’m giving up on you
How could I ever call you mine
You’re too pretty, too simple, too easy
You’re just a waste of time, yeah
And I won’t miss you when you’re gone
You never move me anyway
I wanna wish you all the best and send you off
I hope somebody finds you entertaining
You’re the song I hate
But I can’t let go
You’re the song I hate
But I can’t let go
You know it gets so hard, so hard to keep moving on
Through all your petty little changes
Sometimes I wish I could just close my eyes
Wish you away
You’re the song I hate
But I can’t let go
You’re the song I hate
But I can’t let go
You’re the song I (x3)
You’re the song I hate
I tried so hard to change you to make you
Something I could enjoy
But you insist on just acting the plaything
You’re just a toy, just a toy
You’re the song I hate
But I can’t let go
You’re the song I hate
But I can’t let go
You’re the song I (x3)
You’re the song that I hate
You’re the song I hate
But I can’t let go
You’re the song I hate
But I can’t let go
Yeah
The song that I hate
Are you gonna save me
Can you save me
You're gonna make me happy
You're gonna make me smile
Can you save me
Tell me Mister Love
(through megaphone): We're gonna show you a thing or to about love, be patient, be
Wish I could tell you
The way that I feel
I know that I failed you
So I make my appeal
I just want to give you
A little piece of mind
The two roads that got us here
And what did we find
We've both been blind
Chasing our demons and
Feeding the fire inside
I will wait patiently
And expect no reply
I've got my answer already
I see it in your eye
So I'll just give you my love
If you return in kind
I just hope that's enough for you and that we
Have a little more time
Are we still blind
Chasing our demons and
Feeding that fire inside
I wish I could tell you
The way that I feel
I know that I failed you
So I make my appeal
I wish I could tell you
What's on my mind
But my heart won't let me be so cold
So honest and unkind
Are we still blind
Are we still blind
Chasing our demons and
Feeding the fire inside
So this is
The way that I feel
And I forgive you
You say forever
And I confess I shiver
You say hope
I say that's where I'm goin'
To be in the shade
The oldest trees above my head
When I'm away, I know in my heart
There is a heaven
If I'm out hunting
Come right on in, yeah
And even when I'm gone
My doors are always open
And if I'm asleep
Make sure my blanket covers me, yeah
When I'm away, I know in my heart
There is a heaven
When i'm away
To be in the shade
The oldest trees above my head
When I'm away, I know in my heart
There is a heaven
I guess I left myself wide open
I guess I earned that weight
Feel that weight, feel that weight pushing down
I know you saw, you saw it coming
Well, I saw it coming, too
Now with eyes all over you
I can't help but wonder
What we'll do under that weight, that weight
Take the bait
Take, take, take
Feel that weight, feel that weight pushing down
Where's my friend, I need a hero now
Can I push that hand away, push that hand away
Lips and cheek and full of drink and tell me what I said
I thought I knew you, I thought I knew myself
Never guessed the cost, the waste
Just a taste is all I wanted
It's been a long time, a long time coming
But this is how we make or break
Take, take, take
Feel that weight, feel that weight pushing down
What the hell we stepping into now
Can I push that hand away, push that hand away
Pinch and wink and full of drink and shoulder to the weight
Feel that weight, feel that weight pushing down
I thought I knew you, I thought I knew myself
Can I push that hand away, push that hand away...
Swimming in pride, my sweet thing
It's such a pretty night for losing
Our innocence, Our tenderness
It's all been kissed away
And now you know you're a free soul
And you can't fight that little sin
Swinging your hips, you found out
It's easy as sin to put me down
Don't roll your eyes
Don't breathe a sigh
You're not so shy
So help me, now you know you're a free soul
And you can't fight that little sin
So hard to wait just for a kiss
Now we're the same, we're all regret
No tenderness
No innocence
It's all been kissed away
And now you know you're a free soul
Give me back control, give me back control, give me back
Think I'm losing hold, think I'm losing hold, think I'm losing
Because the house caught fire, in the summer of the strange
And the smoke went higher, and we lost our way
And I really don't, really don't, really don't know where we going, yeah
So give me back control, give me back control, give me back
Think I'm losing hold, losing hold, in the summer of the strange
Give me back control
So do I get down?
Rolling round on the floor
Do I fake proud?
Make you out like a heart
Do I break down?
Come in crying your door
Do I break down? Break down?
Because the days grow dark in the summer of the summer of the strange
And the air got heavy, but the sky won't rain
And I really don't, really don't, really don't know what is coming, yeah
So give me back control, give me back control, give me back
Think I'm losing hold, losing hold, in the summer of the strange
The sky won't rain
Never be the same
In the summer of the strange
In the summer of the strange
And now it's late night
And I'm waiting for the sunup
But the daylight, it never comes around
So I hold tight
Onto the one I'm loving
I got no fight, and I've never been so down
Give me back control, give me back control, give me back
Think I'm losing hold, losing hold, in the summer of the strange
Never be the same
In the summer of the strange
Make up your mind
Decide to walk with me
Around the lake tonight
Around the lake tonight
By my side
By my side
I'm not gonna lie
I'll not be a gentleman
Behind the boathouse
I'll show you my dark secret
I'm not gonna lie
I want you for mine
My blushing bride
My lover, be my lover, yeah...
Don't be afraid
I didn't mean to scare you
So help me, Jesus
I can promise you
You'll stay as beautiful
With dark hair
And soft skin...forever
Forever
Make up your mind
Make up your mind
And I'll promise you
I will treat you well
My sweet angel
So help me, Jesus
(hey, hey, hey)
Give it up to me
Give it up to me
Do you wanna be
My angel?
So help me!
Be my angel
Be my angel
Do you wanna die?
I promise you
I will treat you well
My sweet angel
So help me, Jesus
Jesus
Jesus
What was I before you
Just another guy who never knew
The right time from the wrong
His left foot from his right
Who’d sleep all day and hang around all night
Before you
Who was I, just the joker in the crowd
If I’d make them laugh how proud I would be
Though the jokes were all on me
Now it’s you and me
You and me
And the world’s a better place
Thank you baby
Thank you baby
Thank you baby
What a change love can bring
Put a different light on everything
An ordinary day is filled with something new
And suddenly I feel that I can do anything
You, my love, are the meaning of my life
You’re the reason and the rhyme of my life
I’m so grateful you’re mine
Now it’s you and me
You and me
And the world’s a better place
Thank you baby
Thank you baby
Thank you baby
You and me
On the outside she looks so peaceful
with her eyes shuut tight against all evil
and her shoulders drop like a failed messiah
and all her fears rejoice inside her
So she rolls out into the sunlight
and her daddy tells her she'll be alright
but he don't look at her and he don't smile
he whispers a prayer to ease his mind
when she gets home no one says a word
her mama's cryin' doesn't notice her
she turns the lock on the bedroom door
she finds the answer and takes one more
and one more and one more and one more
My love you're so beautiful
Like a flower
I want to touch you, to kiss you
To feel your power
Sweet thing you fill my heart
With hope, love and desire
You're my flower
Sweet thing talk to me now
Are you thinking what I'm thinking
I wanna know your name, I wanna know everything
I wanna know the secrets that you're keeping
I wanna know where you go, I wanna know where you live
I wanna know what you look like when you're sleeping
Come on baby take it easy
Stop following me around
I know you don't believe me
But you don't want to take the road I'm down
There's no pretty way to find out
And no promise you'll be OK
Just give me your word now
Baby say you won't go my way
Don't go my way
You don't want to be lonely
You don't want to see the things I've seen
And if you learn one lesson only
Baby listen stay away from me
In the middle of a house, in the middle of nowhere
Bodies glide from room to room
I hate these walls
They speak to me
Hey skin like a doll
You're no friend of the family
Catch that light
It falls in suble patterns
It crawls in and tells them when their time is up
And when it's over
He takes her hand, and he kisses her cheek
She's a doll, oh yeah she's his spitting image
Where have you gone
You're still a part of me
Hey skin like a doll
You're no friend of the family
Catch that light
It falls in suble patterns
It crawls in and tells them when their time is up
And now it's over
Where have you gone
Bended knee
Nine years old
Waiting for
just one word
I was thinking of all the things my daddy told me of
sin and salvation, manhood and dignity
all that time in the dark, just one word: BACKSLIDER!
I remember the day I stepped into the water
my daddy held me in his hands and pushed my head under
and said: "Son I am so proud" just one word: BACKSLIDER!
I opened my eyes my daddy held me in his hands
I looked up to the water thought I saw Jesus there
then, I threw up my hands and I heard a man and prayed
Give me back my legs
I want to walk like I did
You stole away my breath floating over my head
Do you lead me on with your fingers across my back, well
When I drag you down you will sink like an anchor
You will, like an anchor
And as I'm falling out of the sun, back to where I feel safe again
How did I come undone trying to save my own skin
I want to be your hero
I want to show you the good fight
I want to touch your face before you sink like an anchor
You will, like an anchor
You'll come down on my side
You'll come down in good time
You'll come down on my side
In a shady place I dig a hole
To sow the seeds of this brave soul.
I strain my back,
while mother earth
commenced the pain of giving birth.
Like perverts words
I'm strung together.
To make some pervert god feel better
My hopes and my sins,
cannot erase this
SHOCK!
SHOCK ME!
If I get home I'll kiss the ground,
and curse the hopes that held me down.
If I get home I'll tend the fields
Caress the earth beneath my heals.
SHOCK!
SHOCK ME!
In a shady place I dig a hole.
To sow the seeds of this brave soul.
Beneath the tree it's old as sin
I return to work again
I turn the stones
from earth's embrace
With the sweat and tears upon my face
My hopes and my sins
or the many years
SHOCK!
SHOCK ME!
You said honey...
I sent you 400 bucks
So you could buy some car
Well I loved you so much
I didn't get too far
For my 400 bucks
You were sweet that day
I guess that I should've known
That you'd never repay
400 bucks, 400 bucks
And you don't give a fuck
About my 400 bucks
A '57 sedan
And it's a mom and pop car
And now your old boyfriend's back
My only friends's at the bar
400 bucks, 400 bucks
And you don't give a fuck
About my 400 bucks
You got a new puppy dog
Threw your cat on the street
And now we're both fucked
Without my 400 bucks
400 bucks, 400 bucks
And you don't give a fuck
About my 400 bucks
"Remember when you said, Honey,
Someday that car is gonna look so good in front of our house."
BITCH!! I want my 400 dollars!
I want my 400 dollars and I want it now!