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Thierry Daniel Henry (French pronunciation: [tjɛʁi ɑ̃ʁi]; born 17 August 1977) is a French footballer who plays as a striker for New York Red Bulls in Major League Soccer.
Henry was born in Les Ulis, Essonne (a suburb of Paris) where he played for an array of local sides as a youngster and showed great promise as a goal-scorer. He was spotted by AS Monaco in 1990 and signed instantly, making his professional debut in 1994. Good form led to an international call-up in 1998, after which he signed for the Serie A defending champions Juventus. He had a disappointing season playing on the wing, before joining Arsenal for £11 million in 1999.
It was at Arsenal that Henry made his name as a world-class footballer. Despite initially struggling in the Premier League, he emerged as Arsenal's top goal-scorer for almost every season of his tenure there. Under long-time mentor and coach Arsène Wenger, Henry became a prolific striker and Arsenal's all-time leading scorer with 228 goals in all competitions. The Frenchman won two league titles and three FA Cups with the Gunners; he was nominated for the FIFA World Player of the Year twice, was named the PFA Players' Player of the Year twice, and the FWA Footballer of the Year three times. Henry spent his final two seasons with Arsenal as club captain, leading them to the 2006 UEFA Champions League Final.
Faith Renée Evans (born June 10, 1973) is an American singer-songwriter, record producer, and actress. Born in Florida and raised in New Jersey, Evans relocated to Los Angeles during 1993 for a career in the music business. After working as a backing vocalist for Al B. Sure and Christopher Williams, she became the first female artist to be contracted with Sean "Puff Daddy" Combs' Bad Boy Entertainment recording company during 1994, for which she released three platinum-certified studio albums between the years 1995 and 2001. During 2003, she ended her relationship with the company to contract with Capitol Records.
Other than her recording career, Evans is known as the widow of New York rapper Christopher "The Notorious B.I.G." Wallace, whom she married on August 4, 1994, a few weeks after meeting at a Bad Boy photoshoot. The turbulent marriage resulted in Evans' involvement in the East Coast-West Coast hip hop feud, dominating the rap music news at the time, and ended with Wallace's murder in a yet-unsolved drive-by shooting in Los Angeles on March 9, 1997. A 1997 tribute single featuring Puff Daddy and the band 112, named "I'll Be Missing You", became Evans' best-selling song to date and won her a Grammy Award during 1998.
Mark Jerrold Henry (born June 12, 1971) is an American powerlifter, Olympic weightlifter, strongman, and a professional wrestler with WWE, where he performs on its SmackDown brand. He is a 1992 Olympian, and winner of the 2002 Arnold Strongman Classic. Since joining the World Wrestling Federation (now WWE) in 1996, he has become a one-time WWF European Champion and a two-time world champion, having held the ECW Championship in 2008, and the World Heavyweight Championship in 2011.
Henry was a weightlifter, and competed at the 1992 Summer Olympics in Barcelona, Spain, where he placed tenth in the super heavyweight division. Three years later, at the 1995 Pan American Games, Henry won a silver medal in the super heavyweight division. The following year, he became a North America, Central America, Caribbean Islands (NACACI) champion. In 1996, Henry signed a ten-year contract with the WWF. Henry was trained by former Canadian professional wrestlers Stu and Bret Hart and Leo Burke. He made his television wrestling debut in September 1996. In January 1998, Henry joined the stable Nation of Domination. After the disbanding of the group, he acquired the moniker "Sexual Chocolate", which led him to participate in controversial angles.
Henry Chu is an American journalist who is the Los Angeles Times bureau chief in London since 2008. Previously, he has served as bureau chief in Beijing, Rio de Janeiro and New Delhi.
In a PBS NewsHour interview he noted being a reporter of Chinese descent was helpful while on assignment in China, allowing him to "blend into the woodwork in places where a Western Caucasian reporter would immediately stand out."
Plot
An erotic thriller about a twisted game a couple plays at bars, until one night, things go out of hand. The story takes us onto a nightmarish, psychosexual journey, and gradually, the true nature of their relationship comes to light.
Plot
'Sleeping Dogs' is the story of Henry and April - a married couple trying to start a new life in a new city. But when a mysterious new drug unlocks dark things inside both of them, Henry and April find that evil doesn't have an address. And no matter where you go, it's always inside you. And it can be awoken at any time.
Plot
What John Was is the story of a boy, Henry, at his brother's (John's) funeral. Henry's emotionlessness is in stark contrast to the tear-soaked faces of the other funeral guests and he can't help but feel that he is being judged for not being as sad as he should be. The film explores his day as well as the two brother's less than loving relationship that led to Henry being less grief-stricken and more confused than the others.
Plot
This comedy follows the adventures of two simple-minded cousins, Rufus and Silas, who are hoping to escape their less-than-average existence by moonlighting as 'superheroes.' They believe the power rings they purchase from a shady pawnshop salesman are their one shot at becoming somebody. 'Thunder' and 'Hurricane,' Rufus and Silas' alter egos, quickly set off for superhero-dom only to fail at their several heroic attempts. However, their fate seems to change when they meet a self-proclaimed, retired superhero who offers to train them to become the heroes they long to be. It isn't long until their newly acquired training is put to the test when they find themselves mixed up in a crime spree that plagues the town. Through turmoil, romance, deception, and imprisonment, Rufus and Silas are in for the ride of their lives.
Keywords: hurricane, power-rings, rufus, silas, thunder
Power isn't always what it seems, especially in rural America.
Plot
NEED is film #6 in the nine film 9@ Night cycle. A cinema portrait of 40-50 inner city characters living in the San Francisco Tenderloin circa 2001-2005 cast from the Tenderloin yGroup Actor's Ensemble. NEED goes into the shady alleys and smoky bars explored in many films with "noir" pedigree and genre intentions but takes a different tack. It tries to avoid the stereotypes of underworld life and the conventions of crime shows and detective series. Instead of "satin sheets, satin pillows" fatalism. it depicts the fragile friendships, the familial struggles, the competition as well as the solidarity between four women who work in the sex business in San Francisco's Tenderloin district. It is also a personal look at four distinct people and the people they love, deceive, endure and seek to know. Petite struggles to hold onto her relationship with Tyrone, a pool hustler, while Jane works as a stripper in the Gold Club. Lou, Jane's mother and a heroin addict, is a renegade aging prostitute who works the streets and bars in defiance of the pimps. Francesca manages an escort service and does phone sex. The film concentrates on the shared experiences which hold these women together and the strains of the business which threaten their friendship. In a profession which thrives on fantasy and martyrdom they struggle to hold onto their reasons for caring for each other.
Sex is in the Mind...Need is in the heart
Plot
With this film I wanted to engage people on some very dark levels. It was my goal to strip away your comfort zone in hopes to keep your emotions raw concerning the themes and topics of this film. This film was a very personal journey into my own soul in search of finding reasons for the how's and why's. After finishing this film I have realized that I'm no closer towards understanding. But perhaps this film was never supposed to supply answers than it was to keep our emotions raw. It is a very difficult film to watch. It was a very difficult film to make. But whether you agree or disagree with the film one thing remains true - atrocities like this happen constantly. And if we become numb to our atrocities we are truly lost.
Keywords: abandoned-baby, basement, independent-film, kidnapping, redemption, taboo, teenage-mother
Plot
A divorced woman seeks new sexual adventures in this erotic tale. What she doesn't count on is that her new lover will take her as a hostage and hold her against her will in an abandoned, furnished warehouse. But is she really a hostage? It is revealed that after the first days, the door is never locked and she has always been free to go. After participating in several sexual adventures, including watching her lover have sex with another woman and having sex with another man whose face she never sees, she does leave. But after awhile, she does return. There she finds a series of tapes of previous exploits and evidence of who her lover really is. Tracing him to his home with wife and kids, she turns the tables on him.
Keywords: erotica, female-nudity, sex
Plot
When the plane owned by the "Yukon and Columbia Mail Service" crashes, RCMP Sergeant Renfrew (James Newill) and Constable Kelly (Dave O'Brien) suspect murder. Their suspicions are confirmed when Renfrew finds the control stick has been jammed, forcing the plane to fly in one direction until the gas ran out. Mine owner Louise Howard (Louise Stanley) reports that her superintendent is missing. The Mounties find him murdered and that too has been made to look like an accident. A new mail service pilot, Bill Shipley (Warren Hull), arrives. He had gone to training school with Renfrew but had been cashiered for misconduct. The Mounties discover that Raymond (Karl Hackett), who had been working for Louise, really owns the flying line managed by Yuke Cardoe (William Pawley.) They find proof that all the gold from the mine isn't being turned over to Louise, and suspect that Raymond and Yuke are stealing the gold and shipping it to Seattle by plane. Renfrew sets a trap and Yuke and Raymond try to escape in their plane.
Keywords: actor-shares-first-name-with-character, airline, airplane, airplane-cargo, airplane-crash, buddy, canada, crash, crook, discovery
BULLETS WHINE A MESSAGE OF DEATH AS THE MOUNTIES PATROL THE SKIES!
RENFREW'S RED RAIDERS TEST THEIR WINGS AGAINST BANDITS OF THE AIR!
Newest, greatest, most thrilling of the exciting dramas of the Northwest Mounted!
"YOU'VE REACHED THE END OF YOUR ROPE- AND NOW YOU'LL DANGLE FROM ONE!"
Renfrew and his red raiders track down bandits of the air...as murder invades the Yukon!
RENFREW AND HIS RED RAIDERS ROAR ACROSS THE SKIES! (original ad - all caps)
Bullets whine a message of death as the mounties patrol the skies!
Every year along about this time it all goes dry
Nothing round for love or money that'll get you high.
Henry got pissed off and he run to Mexico
See if he could come back holdin' 29 keys of Gold.
Now the road to Acapulco is very hard indeed
And it isn't any better if you haven't any weed.
Henry struggled to hold it straight on twisty mountain roads
Fifty people waitin' back in hopes for Henry's load.
chorus:
Now he's rolling down the mountain goin' fast, fast, fast
And if he blows it this one's going to be his last
Run to Acapulco to turn the Golden Key
Henry keeps the brakes on for this corner if you please.
Henry got to Mexico and he turned his truck around
Talkin' with the man who has it growin' from the ground
Henry tasted, he got wasted, couldn't even see
How he's going to drive like that it's not clear to me.
CHORUS
Sunday afternoon, Tihajuana is a lovely town
Bullfight brings the tourist in, their money flowing down
Border guards are much too busy there at 5 o'clock
Henry truckin' right on through, he hardly even stopped.
Remember if you can
When cotton was picked by hand
Down in Dixy under southern sky
Working from sun to sun
Remember if you will
Lightening from a whiskey still
The blues and the breese
The sweet magnolia trees
A little church house upon the hill
Chourus
And I can hear the Delta calling
From the light of a distant star
I can see my future and i can feel my past
When Henry plays his steel guitar
Ohhh oh yea
Instrumental
Wont you take be back in time
And free me from this crime
Well I have no shame and I have no blame
Its time for us to be moving on
Chours
And I can hear the Delta calling
From the light of a distant star
I can see my future and I can feel my past
When Henry plays his steel guitar
When Henry plays his steel guitar
And I can hear the delta calling
From the light of a distant star
I can see my future and I can feel my past
When Henry plays his steel guitar
When Henry plays his steel guitar
schteu dr vor - es isch morge u du schteisch uf u geisch uf ds kloo
u underwägs luegsch schnöu i schpiegu u libsch vor em schpiegu schta
dis gsicht u dini arme - di buuch u dini bei
si übersäit mit blaue pünkt u grüene schtreiffe wienes oschterei
schteu dr vor du fingsch das vilech nume määssig attraktiiv
d'farbe si drnäbe u ds muschter isch priiv
u du schteisch sofort under d'dusche
u seiffsch di ii u fasch a ribe u schrubgbe u chratze bis es we tuet
aber d'pünkt u d'schtreiffe blibe
u jitz finsch es plötzlech nümm so luschtig
luegsch öb öppis i dr zitig schteit
e chemie-unfau i dr gägend oder e viirus wo umegeit
aber nüt vo däm - sich aues gllich wie gäng
du luegschuse u gseesch lüt mit bleiche gsichter a dr tramschtazion
aber blau-grüeni hett's nid
u jitz lütisch mau dim doktor a u fragsch ne um si rat
u är seit: junge maa - probieret's vilech mau bim psychiater
u du fluechisch u hänksch uf u loufsch im zimmer uf u ab
u geisch uf d'chnöi u bätisch
aber d'farbe gö nid ab
schteu dr vor 's vergeit e wuche so u du bisch nieme under d'lüt
u masch nidemau me fernseeluege u gänderet het sech nüt
schteu dr vor du bisch alleini u chasch di säuber nümme gsee
u dänksch nume no a eis u hesch überhoupt ke hoffnig me
du geisch zum schaft - nimmsch dis gweer
du hesch dr's lang gnue überleit u schteisc a ds fänschter
tuesch es uf u wirfsch e letschte blick uf d'wäut
vorusse faare d'ching uf ihrne minivelo hei
eis luegt ufe u rüeft: lueg emau dä papagei
u jitz macht's klick i dim chopf
e schautschteu wo düregheit
u du schiessisch uf die ching u uf jede wo süsch no umeschteit
u när faat dr krimi aa
u du wirsch abgfüert wine gängschter
toti ching - polizischte - d'lüt a de offne fänschter
u när im outo uf em rücksitz - du hocksch da u seisch kes wort
u luegsch graduus u gsesch im rückschpiegu dis gsicht
u di blaue pünkt u di grüene schtreiffe si furt
I failed you, Henry I failed you good.
I was forgotten, and I understood.
But time, it stood still when you walked in.
I'm too proud to inquire as to where you've been.
Please don't take this the wrong way.
You're truly lovely, baby.
But the welcome matt, it ain't out.
My baby and I, will be just fine.
So be a man and just turn around.
And get along Henry.
Be a good boy Henry.
This is your song, Henry.
I guess this is goodbye.
I love you, Henry. Yeah I love you still.
I love your kisses. And I always will.
But I do not need you to raise this child.
Searching for a drop of liquor, feeling like a desert lake
Empty bottles fill the place, for God's sake
Stumbling down the stairs, got to get out in the open air
Seems as not alive, like already died DIED!
Present in the liquor-store; "gimme' booze forever more"
Let loose, search for the thrill
Sweet little flirting girl, say hello to daddy's world
Yet another portrait of a serial kill KILL!
It's not like he never tried
JUST TO FRONT AND TO UNDERSTAND
Tried to act NICE
Act like a decent man
JUST TO FRONT AND TO UNDERSTAND
It wouldn't work out right
He's back, he's in a bad mood
Henry's back, back but for no good
Take that, he came here to fuck you up
HE CAME HERE TO JUDGE!
He's back, he's in a bad mood
Henry's back, back but for no good
Take that, he came here to fuck you up
HE CAME HERE TO FUCK YOU UP!
Going cruising, in the mood, drink'n drive, search and find
Loaded gun, oh so cruel
Do you, Otis, dare to do it, hammer through, squeeze the trigger?
You are so fucking cool COOL!
There is nothing they can do, Henry pulls them all through
A nightmare'd come true
Becky is a different girl, she's the loving kind'a fool
In your slate grey suit and black
brogue shoes little horn rimmed glasses
you've got nothing to lose. But it's just
like a curse when you're the owner of a
hearse. You won't get very far in your long
black car
You make me shiver Henry
down at the mortuary
you're not just ordinary
and I get all in a dream
although you bring me roses
I'll have to think it over
you're not quite Casanova
but I get all in a dream
You're there all alone with your skin and
your bones and the man in the back
wants it all painted black
You make me shiver Henry
down at the mortuary
you're not just ordinary
and I get all in a dream
although you bring me roses
I'll have to think it over
you're not quite Casanova
This is much too nice
Pressing my insides
This is much too light
[Incomprehensible] puts fear to bed
The seeds left in her head
Don't let me forget [Incomprehensible]
This is much too nice
Pressing my insides
This is much too light
[Incomprehensible] puts fear to bed
The seeds left in her head
Can you hear the sound
Of your mother calling
When she let you out
And the leaves were falling
Chase, chase, chase
You can chase it away
I can't see you but you're ok
Henry, are you coming?
Chase, chase, chase
You can chase it away
I can't see you but you're ok
Henry, are you coming?
Buried in the ground
Of your mother's garden
Strike without a sound
Can't you hear her calling?
Chase, chase, chase
You can chase it away
I can't see you but you're ok
Henry, are you coming?
Chase, chase, chase
You can chase it away
I can't see you but you're ok
Henry, are you coming?
Can you see him
Running faster
Slow down Henry, imagine for a while
That this life is all that you have
Clean out your office and pack up all your bags
I don't think that she'll understand
That your love is here with this band
Sing out Henry, the world is in you voice
It might not be far from the truth
You might not make it, you know how hard it is
But oh how you'll make the world shine
With just one song at a time
Slow down Henry, imagine for a while
That this life is all that you have
Clean out your office and pack up all your bags
I don't think that she'll understand
I just want to go there to see you falling off that
cliff.
You weren't made to last here and I don't want to know
why you wear that smile.
So please don't say it will be alright.
You don't realise you're an old man in my eyes.
Don't say it wil be alright. And if you don't mind I'm
forgetting you this time.
You can't say you like this cause.
I know what you're been doing while you where playing
with my heart.
And now you're out to get me, but you won't see me out
there now when I'm gone.
So please don't say it will be alright. You don't realise
you're an old man im my eyes.
Don't say it wil be alright. And if you don't mind I'm
forgetting you this time.
countryside – henry turns over
his potato (resting) field to the left of his house
windmill noises sound like the rush of the sea
he gave me the curtain he used to look through
he’s reached the deadend of the rails
walks off the beaten track
Henry is a lonesome man
from a hundred years ago
grown up in a time of change
never lost his childish glow
the wind is telling of a lonely son
the copper stain from years to come
he is taking pictures of the sun
decided for the calm (the neighbors house stays calm)
countryside – henry’s up early
awaking to the sparse empty land
the isolation is hard to stand
what love is there to demand
there is a field in grid, a path, a hand