Sir Peter Robert Jackson, KNZM (born 31 October 1961) is a New Zealand film director, producer, actor, and screenwriter, who is well known for his The Lord of the Rings film trilogy (2001 to 2003), adapted from the novel by J. R. R. Tolkien.
He won international attention early in his career with his "splatstick" horror comedies beginning with Bad Taste (1987) before coming to mainstream prominence with Heavenly Creatures (1994), for which he shared an Academy Award for Best Original Screenplay nomination with his wife, Fran Walsh. Jackson has been awarded three Academy Awards in his career, including the award for Best Director in 2003; he also won the BAFTA, Golden Globe and Saturn Award for Best Direction the same year.
His films also include Meet the Feebles (1989), Braindead (1992), Forgotten Silver (1995), The Frighteners (1996), King Kong (2005),The Lovely Bones (2009), and the upcoming The Lord of the Rings prequels The Hobbit: An Unexpected Journey (2012) and The Hobbit: There and Back Again (2013). He is also the producer of District 9 (2009) and The Adventures of Tintin (2011).
A story of first lust and last chances.
Plot
En route to Lake Tahoe for a much anticipated vacation, the Carver family is arrested for blowing out all four tires on their camper. Collie Entragian is the arresting officer, the self-made sheriff of a town called Desperation, Nevada, and the quintessential bad cop. Unbeknownst to the Carvers, Entragian regularly sniffs out passerbys on this stretch of road, and in fact has done in nearly every resident of his hometown. He can also change form and summon the help of creepy creatures, including scorpions, snakes and spiders.
Keywords: 15-year-old, adolescent, alcoholic, axe, back-from-the-dead, based-on-novel, based-on-the-works-of-stephen-king, bathroom, beating, belief
In this town, there are no accidents.
Evil lives here.
Tak (voice): Tak commands you to stop!::John Edward Marinville: Donald Rumsfeld commands me to stop. Adam Sandler commands me to stop. Ann Coulter commands me to stop.
Collie Entragian: [looking at Peter's license] I see you're an organ donor.::[smiles]::Collie Entragian: Are you sure that's wise?
Peter Jackson: Where is everybody?::Collie Entragian: Disneyland. [starts walking] Come on, walk, Hayfoot. [to Mary] Strawfoot. [stops walking] You're Peter. And you're Mary. So where's Paul? I mean, how can you sing "Puff the Magic Dragon" without Paul? [starts walking, then stops again] Wait a minute... Peter Jackson? I LOVE "Lord of the Rings"! [pause] You are useless. [to Mary] You at least look healthy.
Ralph Carver: Haven't you done enough to us?::Collie Entragian: In a word... no.
David Carver: Don't hurt her!::Collie Entragian: Son, I will put a stick through your mother, and spin her around til she catches fire, if I so desire! And you cannot stop me, and I'll come back for you!
Mary Jackson: Officer, you saw our registration, you know that isn't our car, and it's not our dope either. Do you think we'd be so stupid?::Collie Entragian: Shut up, you New York deviant.::Mary Jackson: What... What did... What did you call me?::Collie Entragian: I'm arresting you for possession of marijuana with intent to sale.::Peter Jackson: You can't be serious.::Collie Entragian: You have the right to remain silent. If you choose to not be silent, everything you say can be held against you in a court of law. You have the right to an attorney. I am going to kill you. If you cannot afford an attorney, one will be provided for you. Do you understand your rights as I explained them to you?::[Peter and Mary are confused and don't know what to say]::Collie Entragian: Do you understand your rights?::Peter Jackson: [to Mary, whispering] Just... Act normally, I don't think he understands what he just said.::Collie Entragian: [shouting] Do you understand your rights? Do you or not? Answer me, you smart-aleck blue state unisex swingles! Do you or not? Do you or not?::Peter Jackson: Yes! Yes, we understand. Please, just... Watch the road.::Collie Entragian: Don't worry about me, I got eyes in the back of my head. You do well to remember that.
Collie Entragian: Don't worry about me. I've got eyes in the back of my head. You'll do well to remember that.
John Edward Marinville: Why don't you pray?::David Carver: I can't. Right now I'm too pissed.::John Edward Marinville: At God?::David Carver: At Santa Claus.
Steve Ames: Stay here.::Cynthia Smith: Yeah right! Eat me, said the cake to Alice!
Cynthia Smith: Are you a nice person?::Steve Ames: Well, uh, I like to think so. But then again, if I was Ted Bundy, do you think I'd tell you?
Plot
A spy satellite has malfunctioned and is going to crash into the Earth. The US government bring on line a power laser. When the laser strikes the satellite, it causes a rip and time and sends Monroe High school 20 years into the future, including teachers, students and an escaping criminal. The students find themselves in a barren world, where they are set upon by the escaped criminal and a fierce monster. One of the students has a telepathic link with his mother, 2oo years in the past. She is able to help him find much needed medicines. The students try to find a way back to the past.
Keywords: based-on-comic
Plot
A very informative documentary on the making of Peter Jackson's gore classic Bad Taste. Highlights include behind-the-scenes footage, detailed explanations of the special effects, an interview with Peter's mom and dad, and interviews with the cast and crew.
Keywords: antonyms-in-title, independent-film, low-budget-film, making-of-film
Plot
Carla de Hulvea is a rhumba dancer who makes news by posing as a South-American heiress. She is doing fine with her hoax until she meets American Peter Jackson, a high-pressure promoter who is looking for movie-producing money. He does some big-time bluffing on his own in order to get Carla to invest in a film he is making with his partner, Roy Harley. Through Carla, Roy meets actress Diana West, who is given a role in the movie, and Roy falls in love with her. Before Carla and Peter have finished outsmarting each other, there is a merry mix-up which involves Roy, Diana and Otto Schultz. Everything works out when the film is finally completed and, due to a new color-process, the film is booked my a major theatre-circuit, enabling the independent production to pay off.
Keywords: 1930s, actress, ambassador, american, applause, audience, bluff, dancer, dancing, deceit
Chorus:
Let me keep it, keep it
Cause I ain’t gettin enough, I ain’t getting enough, I ain’t getting enough
Cause that’s what she do, what’s she doing
Keep wild on that horse, wild on that horse, wild horse
Look how we own it, aha
…the moment, aha!
She keeps calling me, call, call, call
I ain’t get enough, I ain’t get enough
I ain’t get enough cause, I ain’t get enough
Got me looking at a body like I’mma hit her up
I love the way she move, I love the way she dancing
She got my money flying up, yeah, my money flying up
She got me thinking to myself that I ain’t high enough
More battles, more bed, fuck her up and tie her up
Yeah, six am in the six benz
That’s my split frame, doing split
I told this what’s she doing
What you do for me? Yeah, you for me
No religion, it’s a true story
I ain’t getting enough, so I’mma rip it up
Cause she fine, she falls,
Cause she doing that thing like she supposed
And she fly, and she knows it
But she’s going on for that paper, and she’s going on for that paper!
Chorus:
Let me keep it, keep it
Cause I ain’t gettin enough, I ain’t getting enough, I ain’t getting enough
Cause that’s what she do, what’s she doing
Keep wild on that horse, wild on that horse, wild horse
Look how we own it, aha
…the moment, aha!
She keeps calling me, call, call, call
I ain’t get enough, I ain’t get enough
Talking down, spin around, turn your body upside down
To the bank, body playing
Come take somebody’s purple drink!
Worked the pole, think I’m gonna hit this weed and let them work your soul
Make it rain, throwing money at you was my only goal
Damn girl, where you learned that? How you make it clap?
Almost climaxing and you’re almost sitting on my lap
I ain’t get enough of you, I’m trying to take anything you got
Like the comfort of your hood, so I fuck with you
Maserati, looking like a jag, and you do Pilates
Ice is so cold, but this bitch is like the perfect hottie
Dance for me, as a matter of fact dance for my men for me
Think of girl, of everything you’re doing in my pants for me!
Chorus:
Let me keep it, keep it
Cause I ain’t gettin enough, I ain’t getting enough, I ain’t getting enough
Cause that’s what she do, what’s she doing
Keep wild on that horse, wild on that horse, wild horse
Look how we own it, aha
…the moment, aha!
She keeps calling me, call, call, call
I ain’t get enough, I ain’t get enough
You know that we all gonna die
So I’mma live it up
Hustle is in my blood, I can’t give it up!
I’mma pop a couple bottles, spend a couple bucks
But I don’t want a lap dance, I just wanna fuck
Cause we’re being passed, pills being popped
Yeah, we’re drinking champagne, but we’re still taking shots
It’s just money in the air, money on the floor
When they start kicking in, that’s when...
Now they’re looking for the water, I blow another quarter
We don’t need… the crib, after party for the slaughter
Most of them showing love, but some is acting tough
And this sack is looking right, but I ain’t get enough
Chorus:
Let me keep it, keep it
Cause I ain’t gettin enough, I ain’t getting enough, I ain’t getting enough
Cause that’s what she do, what’s she doing
Keep wild on that horse, wild on that horse, wild horse
Look how we own it, aha
…the moment, aha!
She keeps calling me, call, call, call
I ain’t get enough, I ain’t get enough
She knows what she’s doing, she grinds
I love what she’s doing, she’s mine
She saw that D black tattoo and it caught her eye
She say that I talked to a different
Real talk, I’m into the pimping
She out a king of diamonds, flowing but just for stripping
Eyes blue, but her body right
Style hard and that ass tight
First class for that one night
Two girls and they’re both piped
Uh, uh, uh it’s what you do to me
Pulling that drunk kick is how you move for me!
Yellow gold and the accent
Head game is like aspirin
…gotta pop that, let me know how that back bent!
Uh, uh, uh, uh
Baby, it’s just you and me
Can’t get enough of that body, I think it’s time to leave!
Chorus:
Let me keep it, keep it
Cause I ain’t gettin’ enough, I ain’t getting enough, I ain’t getting enough
Cause that’s what she do, what’s she doing
Keep wild on that horse, wild on that horse, wild horse
Look how we own it, aha
…the moment, aha!
She keeps calling me, call, call, call
Chorus:
Let me keep it, keep it
Cause I ain’t gettin enough, I ain’t getting enough, I ain’t getting enough
Cause that’s what she do, what’s she doing
Keep wild on that horse, wild on that horse, wild horse
Look how we own it, aha
…the moment, aha!
She keeps calling me, call, call, call
I ain’t get enough, I ain’t get enough
I ain’t get enough cause, I ain’t get enough
Got me looking at a body like I’mma hit her up
I love the way she move, I love the way she dancing
She got my money flying up, yeah, my money flying up
She got me thinking to myself that I ain’t high enough
More battles, more bed, fuck her up and tie her up
Yeah, six am in the six benz
That’s my split frame, doing split
I told this what’s she doing
What you do for me? Yeah, you for me
No religion, it’s a true story
I ain’t getting enough, so I’mma rip it up
Cause she fine, she falls,
Cause she doing that thing like she supposed
And she fly, and she knows it
But she’s going on for that paper, and she’s going on for that paper!
Chorus:
Let me keep it, keep it
Cause I ain’t gettin enough, I ain’t getting enough, I ain’t getting enough
Cause that’s what she do, what’s she doing
Keep wild on that horse, wild on that horse, wild horse
Look how we own it, aha
…the moment, aha!
She keeps calling me, call, call, call
I ain’t get enough, I ain’t get enough
Talking down, spin around, turn your body upside down
To the bank, body playing
Come take somebody’s purple drink!
Worked the pole, think I’m gonna hit this weed and let them work your soul
Make it rain, throwing money at you was my only goal
Damn girl, where you learned that? How you make it clap?
Almost climaxing and you’re almost sitting on my lap
I ain’t get enough of you, I’m trying to take anything you got
Like the comfort of your hood, so I fuck with you
Maserati, looking like a jag, and you do Pilates
Ice is so cold, but this bitch is like the perfect hottie
Dance for me, as a matter of fact dance for my men for me
Think of girl, of everything you’re doing in my pants for me!
Chorus:
Let me keep it, keep it
Cause I ain’t gettin enough, I ain’t getting enough, I ain’t getting enough
Cause that’s what she do, what’s she doing
Keep wild on that horse, wild on that horse, wild horse
Look how we own it, aha
…the moment, aha!
She keeps calling me, call, call, call
I ain’t get enough, I ain’t get enough
You know that we all gonna die
So I’mma live it up
Hustle is in my blood, I can’t give it up!
I’mma pop a couple bottles, spend a couple bucks
But I don’t want a lap dance, I just wanna fuck
Cause we’re being passed, pills being popped
Yeah, we’re drinking champagne, but we’re still taking shots
It’s just money in the air, money on the floor
When they start kicking in, that’s when...
Now they’re looking for the water, I blow another quarter
We don’t need… the crib, after party for the slaughter
Most of them showing love, but some is acting tough
And this sack is looking right, but I ain’t get enough
Chorus:
Let me keep it, keep it
Cause I ain’t gettin enough, I ain’t getting enough, I ain’t getting enough
Cause that’s what she do, what’s she doing
Keep wild on that horse, wild on that horse, wild horse
Look how we own it, aha
…the moment, aha!
She keeps calling me, call, call, call
I ain’t get enough, I ain’t get enough
She knows what she’s doing, she grinds
I love what she’s doing, she’s mine
She saw that D black tattoo and it caught her eye
She say that I talked to a different
Real talk, I’m into the pimping
She out a king of diamonds, flowing but just for stripping
Eyes blue, but her body right
Style hard and that ass tight
First class for that one night
Two girls and they’re both piped
Uh, uh, uh it’s what you do to me
Pulling that drunk kick is how you move for me!
Yellow gold and the accent
Head game is like aspirin
…gotta pop that, let me know how that back bent!
Uh, uh, uh, uh
Baby, it’s just you and me
Can’t get enough of that body, I think it’s time to leave!
Chorus:
Let me keep it, keep it
Cause I ain’t gettin’ enough, I ain’t getting enough, I ain’t getting enough
Cause that’s what she do, what’s she doing
Keep wild on that horse, wild on that horse, wild horse
Look how we own it, aha
…the moment, aha!
She keeps calling me, call, call, call
I ain’t get enough, I ain’t get enough