- published: 22 May 2020
- views: 590999
HIDDEN ERROR: Usage of "cause_of_death" is not recognized
John Taylor (25 September 1942 – 17 July 2015) was a British jazz pianist born in Manchester, England, who occasionally performed on the organ and the synthesiser.
Taylor first came to the attention of the jazz community in 1969 when he partnered with saxophonists Alan Skidmore and John Surman. He was later reunited with Surman in the short-lived group Morning Glory and in the 1980s with Miroslav Vitous's quartet.
In the early 1970s, Taylor was accompanist to the singer Cleo Laine and started to compose for his own sextet. He also worked with many visiting artists at Ronnie Scott's Jazz Club in London, and later became a member of Scott's quintet.
In 1977 Taylor formed the trio Azimuth, with Norma Winstone and Kenny Wheeler. On some of the group's recording Taylor played synthesiser and organ. The group was described by Richard Williams as "one of the most imaginatively conceived and delicately balanced contemporary chamber-jazz groups". The trio made several recordings for ECM Records and performed in Europe, the USA and Canada.
John Taylor, Johnny Taylor or similar may refer to:
John I Taylor (1711–1775) of Bordesley Hall near Birmingham (then a small town in Warwickshire), was an English manufacturer and banker. He served as High Sheriff of Warwickshire in 1756–7.
John I Taylor was the eldest son and heir of Jonathan Taylor (d.1733) of Bordesley by his wife Rebecca Kettle.
Taylor became a cabinet maker in Birmingham. There he set up a factory in what is now Union Street to manufacturer "Brummagem toys", such as buttons, buckles, snuff boxes and jewellery boxes. He eventually employed 500 people and became one of Birmingham's leading industrialists. The output of buttons from his works was estimated at £800 per week. Taylor invested the profits of his business in local land and property, buying Sheldon Hall in 1752 and Moseley Hall and the manor of Yardley in 1768, and eventually owned about 2,000 acres. In 1765, in partnership with his neighbour, the Quaker iron merchant Sampson Lloyd II (1699-1779) (who in 1742 purchased as his country residence the estate of "Farm" within the manor of Bordesley), Taylor founded Taylor and Lloyd's Bank in Dale End, Birmingham, which eventually grew into Lloyds Banking Group, one of the largest banks in the United Kingdom.
John Taylor (1840–1891) was a 19th-century Dunston born songwriter and poet (whose material won many prizes) and an accomplished artist and engraver.
John Taylor was born in 1840 in Dunston, Gateshead, (which at the time was in County Durham but is now in Tyne and Wear).
John Taylor began adult life as a clerk at the Newcastle Central Station After several years he became impatient at not gaining, in his mind, sufficient promotion, and left to “better himself” as a traveller for a brewery.
Like many other short cuts this, in time, he found had its drawbacks, and possibly the slower progress of the railway might in the end have been better.
He was a prolific writer of songs and many won prizes in the competitions run by both John W Chater and Ward's Almanacs (Ward's Directory of Newcastle upon Tyne and the Adjacent Villages; Together with an Almanac, a Town and County Guide and a Commercial Advertiser).
It was to him Joe Wilson allegedly said whilst talking in the Adelaide Hotel, "Jack, ye can write a sang aboot as weel as me, but yor sangs divn't sing, an' mine dis."
Welcome to John Taylor’s STONE LOVE BASS ODYSSEY, a bass tutorial through some of your favourite Duran Duran tracks. Each episode, which airs Wednesdays at 11am PST on the band's instagram channel (@duranduran) will be followed by a live Instagram live chat with a series of special guests . Enjoy the odyssey! Connect with Duran Duran: http://DuranDuran.com http://www.facebook.com/duranduran http://www.twitter.com/duranduran http://www.youtube.com/duranduran http://instagram.com/duranduran
Welcome to John Taylor’s STONE LOVE BASS ODYSSEY, a bass tutorial through some of your favourite Duran Duran tracks. Each episode, which airs Wednesdays at 11am PST on the band's instagram channel (@duranduran) will be followed by a live Instagram live chat with a series of special guests . Enjoy the odyssey! Connect with Duran Duran: http://DuranDuran.com http://www.facebook.com/duranduran http://www.twitter.com/duranduran http://www.youtube.com/duranduran http://instagram.com/duranduran
#duranduran #johntaylor
An awesome haunting video from James Taylor. One of my favourite videos from 1986.
Tracklist: 1. How deep is the ocean 2. My love and I 3. Windfall 4. Ellen David 5. Chairman Mao 6. Touch her soft lips 7. Silence 8. What’ll I do? Credits: Charlie Haden: bass John Taylor: piano Live at Cully Jazz Festival, Switzerland, April 11, 2010
search for more in my archives / new videos added everyday from my own collection / I don't intend to infringe any copyright : please contact me and I will remove immediately any litigious content, thank you. My email address is on the "about" section of my homepage. This account is not monetized, I don't intend to make money with it. YouTube places ads sometimes and they pay the copyright owners of my videos with it.
Dolcissima canzone ,meravigliosamente John Taylor.
Welcome to John Taylor’s STONE LOVE BASS ODYSSEY, a bass tutorial through some of your favourite tracks. Each episode, which airs most Wednesdays at 11am PST on the band's instagram channel (@duranduran) will be followed by a live Instagram live chat with a series of special guests . Enjoy the odyssey! Connect with Duran Duran: http://DuranDuran.com http://www.facebook.com/duranduran http://www.twitter.com/duranduran http://www.youtube.com/duranduran http://instagram.com/duranduran
Article and photos: http://www.premierguitar.com/articles/24444-rig-rundown-duran-durans-john-taylor PG’s Chris Kies hangs with bass icon John Taylor of Duran Duran before their headlining gig at the Ascend Amphitheater in Nashville to chat about why he prefers stock Peavey basses, how he acquired his favorite bassist’s StingRay, and the way he carves his own signature sonic space in the band. Ever since the reunion tour in 2005-2006, Taylor has relied heavily on this stock Peavey Cirrus bass. Taylor considers not only the instrument’s tone, but also the looks of it, and this one spoke to him specifically for use on their 2015 album Paper Gods. In the band’s heyday, he often was seen with an Aria Pro II SB1000 and he says these Cirrus basses are tonally the closest thing to those old Ar...
John Taylor, musician, and artist best known for being part of the Duran Duran band, explains in his film that his rehab stint, 25 years ago, changed everything. He says: “ I had 30 days in a rehab where it gave me some time to take a breath. I was introduced to the idea of myself as a sober man and what that might mean for my future.” Choices Rehabs represent a number of independent UK Addiction Treatment Centres, with the aim of telling you about the very best treatment and the wide range of treatment options that their members have to offer. Find out more here https://choicesrehabs.com/
HIDDEN ERROR: Usage of "cause_of_death" is not recognized
John Taylor (25 September 1942 – 17 July 2015) was a British jazz pianist born in Manchester, England, who occasionally performed on the organ and the synthesiser.
Taylor first came to the attention of the jazz community in 1969 when he partnered with saxophonists Alan Skidmore and John Surman. He was later reunited with Surman in the short-lived group Morning Glory and in the 1980s with Miroslav Vitous's quartet.
In the early 1970s, Taylor was accompanist to the singer Cleo Laine and started to compose for his own sextet. He also worked with many visiting artists at Ronnie Scott's Jazz Club in London, and later became a member of Scott's quintet.
In 1977 Taylor formed the trio Azimuth, with Norma Winstone and Kenny Wheeler. On some of the group's recording Taylor played synthesiser and organ. The group was described by Richard Williams as "one of the most imaginatively conceived and delicately balanced contemporary chamber-jazz groups". The trio made several recordings for ECM Records and performed in Europe, the USA and Canada.