Science fiction film is a film genre that uses science fiction: speculative, science-based depictions of phenomena that are not necessarily accepted by mainstream science, such as extraterrestrial life forms, alien worlds, extrasensory perception, and time travel, often along with futuristic elements such as spacecraft, robots, cyborgs, interstellar space travel or other technologies. Science fiction films have often been used to focus on political or social issues, and to explore philosophical issues like the human condition. In many cases, tropes derived from written science fiction may be used by filmmakers ignorant of or at best indifferent to the standards of scientific plausibility and plot logic to which written science fiction is traditionally held.
The genre has existed since the early years of silent cinema, when Georges Melies' A Trip to the Moon (1902) amazed audiences with its trick photography effects. The next major example in the genre was the 1927 film Metropolis. From the 1930s to the 1950s, the genre consisted mainly of low-budget B-movies. After Stanley Kubrick's 1968 landmark 2001: A Space Odyssey, the science fiction film genre was taken more seriously. In the late 1970s, big-budget science fiction films filled with special effects became popular with audiences after the success of Star Wars and paved the way for the blockbuster hits of subsequent decades.
Fictional film or narrative film is film that tells a fictional story, event or narrative. Narrative cinema is usually contrasted to films that present information, such as a nature documentary, as well as to some experimental films (works such as Wavelength by Michael Snow, Man with a Movie Camera by Dziga Vertov, or films by Chantal Akerman). In some instances pure documentary films, while nonfiction, may nonetheless recount a story. As genres evolve, from fiction film and documentary a hybrid one emerged, docufiction.
Unlike literary fiction, which is typically based on characters, situations and events that are entirely imaginary/fictional/hypothetical, cinema always has a real referent, called the "pro-filmic," which encompasses everything existing and done in front of the camera.
Since the emergence of classical Hollywood style in the early 20th century, narrative, usually in the form of the feature film, has held dominance in commercial cinema and has become popularly synonymous with "the movies." Classical, invisible filmmaking (what is often called realist fiction) is central to this popular definition. This key element of this invisible filmmaking lies in continuity editing. In this style, narrative and characters are foregrounded, helping the audience to lose themselves in the unfolding fiction.
Science fiction is a genre of fiction dealing with imaginary but more or less plausible (or at least non-supernatural) content such as future settings, futuristic science and technology, space travel, aliens, and paranormal abilities. Exploring the consequences of scientific innovations is one purpose of science fiction, making it a "literature of ideas".
Science fiction is largely based on writing rationally about alternative possible worlds or futures. It is similar to, but differs from fantasy in that, within the context of the story, its imaginary elements are largely possible within scientifically established or scientifically postulated laws of nature (though some elements in a story might still be pure imaginative speculation).
The settings for science fiction are often contrary to known reality, but most science fiction relies on a considerable degree of suspension of disbelief, which is facilitated in the reader's mind by potential scientific explanations or solutions to various fictional elements. Science fiction elements include:
Andrey Klimov (born July 26, 1982 in Klimovsk, Russia) is an undefeated Russian boxer in the Lightweight division and is the current National Russian Lightweight Champion.
On May 14, 2011 Klimov tookout American prospect Ty Barnett (18-1), in just three rounds.
Forever I'll enjoy you, underchevement
I gonna see you every day now if I can
Why then don't the night show really matters
I still wake on the fields of regret
There is something to this dream, we're all involved in
Whoa, can I see it, can I say it may exist
Rest me, hide my years around the planet
If we dwell in the fields of regret
What horror must invade the mind
When the approaching judge shall find
What sinful deeds from all mankind
With death and nature in surprise
Behold the wretched sinners rise
To meet the judge's searching eyes
And when the doomed no more can flee
From the flames of misery
Assist me while I die
Wander through those ever thoughts though if imagined
But come down on, it's so easy to resist
Rest me, hide my years around the planet
Sound another, no part over, won't forget
(It's just like science fiction
Who knows what the fuck they're talking about
There's always one in every crowd)
There is always one in every crowd
You can hear the voices when you're alone
They sound like metal on metal obxious and loud
Don't let go
don't listen to the sound of all the people you know
Slowly falling apart
And falling down now
(Everything is falling down now)
When I think I'm alone
I watch the news on my girlfriend's tv
It's like a bad B movie
sometimes I can't comprend
all the stupid things that I see
don't let go
you Can't believe your eyes
When everything they show you
Just makes you want to cry
and you don't even want to know
That you need to remember
that life is always getting better
So don't let go
There is always one in every crowd
You see them when you think you're alone
It all just seems like science fiction
No one knows what they're talking about
So don't let go
don't listen to the sound
of all those people you know
Slowly falling apart And falling down now
i think You need to remember
Life is always getting better
Did I hear you laugh
Or was that a scream?
I don't quite think you're what you seem
Is there an honest face
In a hidden place waiting to be seen
It's just another day
In your tragic play
And then I hear you say
"It's changed"...but there's something strange
'Cause you're not the same...
When you smile
I can see the pain and the sadness makes me cry
Your eyes
Are an open door to the fiction in your life
Is that a happy face
Or a hiding place?
'Cause your smile's not so real
Is there a touch of science to your silence
When it comes to what you feel?
It's just another stain
on your robe of shame
And now it's just so plain to see
That you're just like me...emotionally
When you smile...
I can see the pain and compassion make me cry
Your eyes...
Are an open door to the fiction in your life
If it's the truth that hurts
Then see how you're killing me
So easily...when you smile
When you smile
I can see the pain and the sadness makes me cry
Your eyes
Are an open door to the fiction in your life
I THOUGHT THAT LOVE WAS SCIENCE FICTION
UNTIL I SAW YOU TODAY
NOW THAT LOVE IS MY ADDICTION
I'VE THROWN ALL MY BOOKS AWAY
WHEN I WAS YOUNG I WAS SO NAIVE
I DIDN'T BELIEVE NO I DIDN'T BELIEVE
I DIDN'T BELIEVE
NEVER THOUGHT THAT WE'D LAST THIS LONG
ALWAYS THOUGHT THAT THEY'D DROPPED THE BOMB
DROP THE BOMB (DIDN'T )
CHORUS
WHEN I WAS YOUNG I WAS, SO NAIVE
I DIDN'T BELIEVE NO DI DINT' BELIEVE
I DIDN'T BELEIVE
I'VE BEEN WAITING FOR A MAN FROM SPACE
TO COME TO EARTH TO MEET THE HUMAN RACE
THE HUMAN RACE (DIDN'T )
you pull me by the arm
tell me what to believe
you tell me there is only one way
one way to see
whatever faith you chooce
may not be for me
how can i be saved
while being forced to believe
believe.
lets save the world
one by one
well make them believe
conform if they must
dont question the thought
its whats always been told
well make them believe
lets save the world
so spread the word
and tell me of good news
that if i act right
i can be like you
well to live is to learn
and think for yourself
and ill do just that
One, two
One, two, three, four
Michael Rennie was ill
The Day the Earth Stood Still
But he told us where we stand
And Flash Gordon was there
In silver underwear
Claude Rains was the Invisible Man
Then something went wrong
For Fay Wray and King Kong
They got caught in a celluloid jam
Then at a deadly pace
It Came From Outer Space
This is how the message ran...
Science fiction, double feature
Doctor X will build a creature
See androids fighting Brad and Janet
Anne Francis stars in Forbidden Planet
Wo oh oh oh oh oh
At the late night, double feature, picture show
I knew Leo G. Carroll
Was over a barrel
When Tarantula took to the hills
And I really got hot
When I saw Janette Scott
Fight a Triffid that spits poison and kills
Dana Andrews said prunes
Gave him the Runes
Passin' 'em used lots of skills
And When Worlds Collide
Said George Pal to his bride
I'm gonna give you some terrible thrills
Like a...
Science fiction, double feature
Doctor X will build a creature
See androids fighting Brad and Janet
Anne Francis stars in Forbidden Planet
Wo oh oh oh oh ohAt the late night, double feature,
picture show
Science Fiction, double feature
Frank has built and lost his creature
Darkness has conquered Brad and Janet
The servants gone to a distant planet
Wo oh oh oh oh oh
At the late night, double feature, picture show
I wanna go
To the late night, double feature, picture show
In the back row
By RKO
It's been more than this
More than this for years or more
And probably a week or two to go
The endless cycle bliss
The blissful words to follow yours
And my arms were wide open
But you wanted more, you needed more
But not the kind that I was giving
Iron out the blood
The blood that stains the ties of living
It's easy to believe in social calls
Contribute to my pulse
And make your best loud intrusion
Easy to believe and worst of all
But you wanted more, you needed more
But not the kind that I was giving
Wall to wall
Brick by brick
Bring the whole thing down
It's fire with fire
Miles for miles
Sinking sense of sound
Last and last burning fast
Bring the rain or water
First of all we must be wrong
Michael Rennie was ill
The Day the Earth Stood Still
But he told us where we stand
And Flash Gordon was there
In silver underwear
Claude Rains was The Invisible Man
Then something went wrong
For Fay Wray and King Kong
They got caught in a celluloid jam
Then at a deadly pace
It Came From Outer Space
And this is how the message ran...
Science fiction (ooh ooh ooh) double feature
Doctor X (ooh ooh ooh) will build a creature
See androids fighting (ooh ooh ooh) Brad and Janet
Anne Francis stars in (ooh ooh ooh) Forbidden Planet
Wo oh oh oh oh oh
At the late night, double feature, picture show
I knew Leo G. Carroll
Was over a barrel
When Tarantula took to the hills
And I really got hot
When I saw Janette Scott
Fight a Triffid that spits poison and kills
Dana Andrews said prunes
Gave him the runes
And passing them used lots of skills
But When Worlds Collide
Said George Pal to his bride
I'm gonna give you some terrible thrills
Like a...
Science fiction (ooh ooh ooh) double feature
Doctor X (ooh ooh ooh) will build a creature
See androids fighting (ooh ooh ooh) Brad and Janet
Anne Francis stars in (ooh ooh ooh) Forbidden Planet
Wo oh oh oh oh oh
At the late night, double feature, picture show
I wanna go - Oh oh oh oh
To the late night, double feature, picture show
By R.K.O. - Wo oh oh oh
To the late night, double feature, picture show
In the back row - Oh oh oh oh
I cannot depend on gravity
You are weightless everywhere
So why would it come back to me
To listen to me stare
So what are you afraid of
There's somethin' more
It's leaving you alone
There's somethin' more
There's somethin' more
There's somethin' more
I cannot believe the attitude
That we are simply all alone
So why would it come back to you
To listen to me moan
So what are you afraid of
There's somethin' more
It's leaving you alone
There's somethin' more
There's somethin' more
There's somethin' more
I was bored
I was feelin' uninspired
It caught me
But I am sure
That besides this metal plate
I'm still the same
Same!
And I resent the attitude
That we are simply all alone
Why would it come back to you
Listen to me moan
So what are you afraid of
There's somethin' more
It's leaving you alone
There's somethin' more
What are you afraid
It's leaving you alone
It's somethin' more
It's somethin' more
Yeah
Little green men coming out of paint cans,
Phosphate mines and Slaked Lime, 1966, he was sixteen,
it's Central Florida in the era of the dragline,
play it over the pit and dig up more of that green shit,
and trade it with the Russians, who are traditionally hated,
you can imagine that after a few years
that you'd run out of things to say,
and I'll be here every day.
Phospho~Gypsum, Radon-222,
the daughters watch over you,
on a transformer four stories high it walks like a cripple
and turns on its base,
diggin' up that Dicalcium Phosphate.
Travel the blacktop
and you won't have far to go to find an alien civilization,
a creature from a creation that's from outer space.
Sixty foot high for miles around;
one million tons of Phospho~Gypsum tailings rise to the sky.
Nearly half the world's fertilizer once lay beneath the overburden;
it got taken off this sandbar,
and now there's something that's left behind.
Hey, this place is a mess!
'what are you takin' about?
I'll clean it up later.
No, that's not the way it is at all, I'm not a miner I don't care,
man, that's pant of the system, I'm punk,
but who's gonna indict the Wall Street Journal, just me and Bob Ray,
it's just part of the system here on the surface of the planet
and the day has come when there's only work left
There's unlimited sunshine in a bottle of Tropicana,
with his friends and his 'Spooky Tooth' 8-track flipped upside down,
drivin' in his Mercury Monterey down to Lithia Springs,
saying that if we could take the tailings,
and build a building for the New York Stork Exchange,
then we could tell everyone about
how we live in a state that digs Radon by the ton
and you'll be loved by everyone,
and the government will give us a Superfund,
Im tired of running around,
Me and my baby's gonna settle down, ( oh, oh, oh)
Im gonna make her my July bride,
We gonna walk down the isle side by side. (oh, oh, oh)
Im tired of running around,
Me and my baby's gonna settle down ( oh,oh,oh)
Im gonna make her my July bride,
We gonna walk down the isle side by side.
Im tired of running around,
Me and my baby's gonna settle down,
Im gonna make her my July bride,
We gonna walk down the isle side by side ( oh,oh,oh)
Im tired of running around,
me and my baby's gonna settle down (oh,oh,oh)
Im gonna make her my July bride,
We gonna walk down the isle side by side ( oh,oh,oh)
Im tired of running around,
Me and my baby's gonna settle down, (oh,oh,oh)
Im Gonna make her my july bride,
We gonna walk down the isle side by side
What could I do? Only a hero,
Shame is my master and it's a cruel one,
I can't take this, I'm no-one's advert,
Hit me - leave me, make me feel human...
It was my life but I couldn't see that,
Viewing my purpose with growing hatred,
Why can't I see? Can't get through pain -
Curtain my senses 'cause I don't deserve them,
I knew that I would not be coming back,
I found I needed a home, yet that home wasn't here,
So much that we had lost with nothing to show,
'Tragic' - that wasn't the word for it, was everything...
...Down in self hate? I'll do that for you,
Clear out my soul for I won't live with it,
God's a creation - here's how you make him...
My smile's plaster - that's all I feel now,
It's not quite Paris though we'll always have it,
Dropped my cigarette but I can't notice,
I can't avoid it - don't want my freedom,
I seem so worthless - nothing was ever mine,
I knew...
I used to be in love with J.C.
Now I'm in love with J & C
You better watch what you do baby
My love is raging fire and ecstasy
What is the matter baby open the door
Ain't you in love with me no more?
The angel Gabriel is here on a mission
Did I hear you laugh
Or was that a scream?
I don't quite think you're what you seem
Is there an honest face
In a hidden place waiting to be seen
It's just another day
In your tragic play
And then I hear you say
"It's changed"...but there's something strange
'Cause you're not the same...
When you smile
I can see the pain and the sadness makes me cry
Your eyes
Are an open door to the fiction in your life
Is that a happy face
Or a hiding place?
'Cause your smile's not so real
Is there a touch of science to your silence
When it comes to what you feel?
It's just another stain
on your robe of shame
And now it's just so plain to see
That you're just like me... emotionally
When you smile...
I can see the pain and compassion make me cry
Your eyes...
Are an open door to the fiction in your life
If it's the truth that hurts
Then see how you're killing me
So easily... when you smile
When you smile
I can see the pain and the sadness makes me cry
Your eyes