Plot
Keywords: anal-sex, double-anal-penetration, double-penetration, group-sex, hardcore, sex
2 (Two; i/ˈtuː/) is a number, numeral, and glyph. It is the natural number following 1 and preceding 3.
Two has many properties in mathematics. An integer is called even if it is divisible by 2. For integers written in a numeral system based on an even number, such as decimal and hexadecimal, divisibility by 2 is easily tested by merely looking at the last digit. If it is even, then the whole number is even. In particular, when written in the decimal system, all multiples of 2 will end in 0, 2, 4, 6, or 8.
Two is the smallest and the first prime number, and the only even one (for this reason it is sometimes called "the oddest prime"). The next prime is three. Two and three are the only two consecutive prime numbers. 2 is the first Sophie Germain prime, the first factorial prime, the first Lucas prime, and the first Smarandache-Wellin prime. It is an Eisenstein prime with no imaginary part and real part of the form Failed to parse (Missing texvc executable; please see math/README to configure.): 3n - 1 . It is also a Stern prime, a Pell number, the first Fibonacci prime, and a Markov number—appearing in infinitely many solutions to the Markov Diophantine equation involving odd-indexed Pell numbers.
A number is a mathematical object used to count and measure. In mathematics, the definition of number has been extended over the years to include such numbers as zero, negative numbers, rational numbers, irrational numbers, and complex numbers.
Mathematical operations are certain procedures that take one or more numbers as input and produce a number as output. Unary operations take a single input number and produce a single output number. For example, the successor operation adds one to an integer, thus the successor of 4 is 5. Binary operations take two input numbers and produce a single output number. Examples of binary operations include addition, subtraction, multiplication, division, and exponentiation. The study of numerical operations is called arithmetic.
A notational symbol that represents a number is called a numeral. In addition to their use in counting and measuring, numerals are often used for labels (telephone numbers), for ordering (serial numbers), and for codes (e.g., ISBNs).
Dr. Zeus is the stage name of Baljit Singh Padam, who is a Birmingham based Music Producer.
Zeus gained stardom in India in late 2003 with his hit song "Kangna", which was also starred in "Chaar Din Ki Chandni". He has large fan bases in India, the United States, Pakistan, the United Kingdom, Canada, and other large Punjabi markets. His popularity broadened when he collaborated with South-Asian female trio, Rouge. Dr. Zues blends, raw Punjabi beats with urban whips. Dr. Zeus began his career in 1999 where he was signed to the Envy music label based in Birmingham, UK where he produced Pure Garage - Sue My Ass by the Punjabi singer, Balwinder Singh Safri, from the band Safri Boyz. He had two popular songs on this album, which were "Sahiba Bani Prawa Di" and "Par Langa De Veh".
A year later, he went on to producing his second complete album Deathjamm 4.5. This album is a part of the series Deathjamm Collections from the early 90's. On the album he had a pure Panjabi great similar to Sabar Koti featuring on the main track "Sajno Belio".[citation needed]
Amrinder Gill (Punjabi: ਅਮਰਿੰਦਰ ਗਿੱਲ) is a Punjabi singer and an actor.
He was born and raised in Boorchand village, Amritsar, Punjab. He has a master's degree in agriculture science. He was passionate about singing since his childhood, and came into the public limelight with his breakthrough track “Paigam,” followed by such hits such like “Daru,” “Madhaania,” “Khedan De Din,” with Sunidhi Chauhan, and many others like “Mail Kara De” and “Dildarian.”
He made his acting debut in director Manmohan Singh's superhit Punjabi Film Munde U.K. De in 2009 in a supporting role with Jimmy Shergill and Neeru Bajwa. He followed that up with a lead role in Manmohan Singh's Ik Kudi Punjab Di. His next film Taur Mittran Di for Jimmy Shergill productions releases in May 2012 which pairs him with actress Surveen Chawla and costars MTV VJ and Bollywood actor Rannvijay Singh. His next movie underproduction is Tu Mera 22 Man Tera 22 which pairs him with Punjabi rapper Honey Singh and actress Mandy Takhar
Amrinder Gill has been featured on a few Punjabi Film Soundtracks:
Eddie Garcia (born Eduardo Verchez García on May 20, 1929 in Sorsogon, Philippines) popularly known as Manoy is a Filipino film actor and film director.
He served with the Philippine Scouts during World War II and was stationed as a military policeman in Okinawa before joining showbusiness.
Garcia made his first movie, Siete Infantes de Lara in 1949.
He is also known to play the part of Leandro Montemayor, the fictional Philippine President on the television drama series, "Kung Mawawala Ka" (If Ever You Were Gone), and gave him his first Best Actor in a Drama Series in the 2002 Star Awards, and is also known for portraying various roles either the main villain or the lead or supporting character. He is also known for his trademark humorous lines which he says mostly in action films or comedy films.
He also played a part as Lolo Carlos (Grandfather Carlos) in the Filipino-American film, The Debut, the Lolo Sinat (Grandfather Sinat) in the film, Deathrow, and even the villainous Judge Valderama in Kapag Puno Na Ang Salop (If the Ganta is Full) and its two sequels, opposite of Fernando Poe, Jr.
I got a number in my pocket
Keep it in my wallet, right on my hip
When my paycheck's steady, I'm damn good and ready
I toll it up to my lip, and I go to the moon
I got my foot down on the throttle
Hands around the bottle, I think my speakers are blown
No rubber on my tire, I'm a gettin' higher
Higher than I've ever Known
And I ain't coming down
I can't remember the last time I touched the ground
You look at me like I'm gonna let you down
Hey, every time I come around
You got your finger on my button
Actin like it's nothing, bitchin' from your golden throne
You ain't no anybody, actin' high and mighty
Waitin' for me to explode, fire in the hole
Look out, down below, here I go
You're wasting time, why bother even coming 'round
add the bass ya'll....
add the trumpet ya'll...
well im five on a good day six, i got plenty of thing
need to fix a bigger chest with dimples in my face with
those i could be pushing seven to eight guitar in hand
add a point to my score no car slide me down to a four
six feet with a pair of blue eyes brings me back up to
five
chorus:
greater than less than equal too
youre making this way to mathematical the value of
personality seems to be dead. all walking around with
numbered halo's on our heads
well...
three's want four's and four's want five's eight's
think nine's have much better lives and its a
reasonable question to ask i guess its all worth doing
the math and i cant and lie to you and say this is
something i dont do but im a nother number crunching
fool whos calculators way overused
chorus:
greater than less than equal too
were making this way to mathematical the value of
personality seems to be dead. all walking around with
numbered halo's on our heads
and im thinking
just one time i wish i could have a nine she'd be hot
and she'd be mine just one time
but for every nine theres a two staring back at you
wish you would do what you wanted the nine too aye ayee
(ohhh noooo)90% of the mental judicial system is based
soley on superficial intuition to me that seems a bit
stange Only talk to people who we think we might be
kissn' that's a lot of ideas to be dismissing WE leave
it to humans to choose the criteria we can't change
doesn't make sence no doesn't make sense doesn't make
sense For the numbers to be where we are
concentrating In my minor sense i condesense in my
minor sense asymetrical interactions simply evaporating
simply evaporating
i'm a five on a good day six got plenty of things need
to fix i need a formua or some sort of plan to focus
I can't see nothin'
but a sphere
and the children are all
filled with straw.
filled with chaff.
(i'm flow? er? ing with the grains)
i fear
a dagger you
struck me
coming slightly.
whispers
i lapped milk from her
the inside of her elbows
like a cat
softly struck me.
i go out staggering, after midnight
just hopin'
the dark wind whispers down dark hallways
to me
to me I fear
well, that's just my way
of sayin'
daggers.
the salt from the inside of her wrists
weeping beams
hold up the moonlight
out in the moonlight keep me staggerin'
hold me up
sdaggerin' across a long black nothing.
i fear a sphere
dagger
I can't see nothin'
but a sphere
and the children are all
filled with straw.
filled with chaff.
(i'm flow
er
ing with the grains)
i fear
a dagger you
struck me
coming slightly.
whispers
i lapped milk from her
the inside of her elbows
like a cat
softly struck me.
i go out staggering, after midnight
just hopin'
the dark wind whispers down dark hallways
to me
to me I fear
well, that's just my way
of sayin'
daggers.
the salt from the inside of her wrists
weeping beams
hold up the moonlight
out in the moonlight keep me staggerin'
hold me up
sdaggerin' across a long black nothing.
i fear a sphere
dagger
Come new year's day's morning
Now what did you promise this time?
Can you remember
What accidentally slipped your mind?
No more degrading
Or humiliating stunts?
What were you saying
Before you pulled down your pants
You're so much more
Than a number on a mensroom wall
So much more
Than a scratch on a bedpost
You're so much more
Than a hole guys get off on
You could be anything at all
I am entitled
To speak my mind about what you do
I'm not patronizing,
I am merely endorsing:
Do what you want to
Not what others expect from you
You are a person
And should demand some respect
You're so much more
Than a number on a mensroom wall
So much more
Than a scratch on a bedpost
You're so much more
Than a hole guys get off on
You could be anything at all
You're so much more
Than a number on a mensroom wall
So much more
Than a scratch on a bedpost
You're so much more
Than a hole guys get off on
You could be anything at all
You're so much more
Than a number on a mensroom
You're so much more
Than a number on a mensroom
You're so much more
Than a number on a mensroom
You're so much more
receive your number enter the machine run through the
program do you really matter? a member of a class ignored
like all the rest schoolbook propaganda jammed inside
your head apathetic system who cares if you can't read?
you're just another fucking number pushed through the
machine open a book become a statistic graduate an