EIAJ-1, developed by the Electronic Industries Association of Japan (in conjunction with several Japanese electronics manufacturers) in 1969, was the first standardized format for industrial/non-broadcast videotape recorders (VTRs). It was developed in response to most non-broadcast industrial VTRs on the market at the time relying on proprietary formats exclusive to the make (and sometimes model) of VTR, instead of using an industry-standard format. As a result, video tapes recorded on one make and/or model of VTR could only be interchanged with the same, hampering compatibility. EIAJ-1 did away with all of this, giving those manufacturers a standardized format interchangeable with almost all the VTRs that they manufactured.
The EIAJ-1 standard paved the way for consumer oriented non-professional analog recording technology to become more affordable and widespread, with many businesses, schools, government agencies, hospitals, and even some consumers to immediately adopt the format in the early 1970s. Some of the first public-access television stations that went on the air in that same era also used EIAJ-1 extensively, due to its portability, low cost, and versatility.
June Rose Callwood, CC OOnt (June 2, 1924 – April 14, 2007) was a Canadian journalist, author and social activist. She was born in Chatham, Ontario and grew up in nearby Belle River.
Callwood began her journalism career at Brantford Collegiate Institute, her high school, where she was editor of the school paper. She dropped out of school to work for the Brantford Expositor. In 1942, she was offered a job with The Globe and Mail and moved to Toronto. She married journalist Trent Frayne two years later, but continued to use her own surname because The Globe and Mail at that time did not employ married women.
She ultimately left the Globe and Mail to raise a family but later resumed her career by becoming a freelance journalist, writing books and magazine pieces, many for Maclean's. Callwood ghost-wrote close to ten autobiographies for such prominent Americans as broadcaster Barbara Walters, film director Otto Preminger and Dr. Charles William Mayo. Frayne and Callwood also hosted the CBC Television talk show The Fraynes in the 1954-55 television season.
Weldon Leo "Jack" Teagarden (August 20, 1905 – January 15, 1964), known as "Big T" and "The Swingin' Gate", was an influential jazz trombonist, bandleader, composer, and vocalist, regarded as the "Father of Jazz Trombone".
Born in Vernon, Texas, his brothers Charlie and Clois "Cub" and his sister Norma also became noted professional musicians. Teagarden's father was an amateur brass band trumpeter and started young Jack on baritone horn; by age seven he had switched to trombone. He first heard jazz music played by the Louisiana Five and decided to play in the new style.
Teagarden's trombone style was largely self-taught, and he developed many unusual alternative positions and novel special effects on the instrument. He is usually considered the most innovative jazz trombone stylist of the pre-bebop era, and did much to expand the role of the instrument beyond the old tailgate style role of the early New Orleans brass bands. Chief among his contributions to the language of jazz trombonists was his ability to interject the blues or merely a "blue feeling" into virtually any piece of music.
You gave me hope you made me whole at the cross.
You took my place you showed me grace.
At the cross where you died for me.
Chorus
And his glory appears like the light from the sun
Age to age he shines look to the skies hear the angels cry.
Saying holy is the Lord.
Chorus
You gave me hope you made me whole at the cross.
You took my place you showed me grace
At the cross where you died for me.
And his glory appears like the light from the sun.
Age to age he shines look to the skies here the angels cry.
You were the edge of seventeen
When you first came on the scene
Whips and chains still hiding in the closet
You're gonna use that dirty talk
And destroy them with your walk
Knock them out before they know it
You play your games but it's all the same
There ain't no one that can hold your reigns
You'll be going down
On the edge of seventeen
Now you're the cat who's got the cream
Living off of all those dreams
And there's nothing you would do to stop it
I can see you going down
Like you're buying up the town
Beauty pays and you show you know it
You play your games but it's all the same
Jihua Pe Sholay Pade, Panth Nihar Nihar
Aaj Wahan Pe Chale Pade, Panth Nihar Nihar
Aankhon Mein Hai Cataract Aaya
Aaja Aaja Aaja Pukaar
(Aaja Aaja Aaja Aaja Aaja Aaja) 2
Arey Dilli Wali Didi Aaja, Jaipur Wali Jiji Aaja
Aaja Aaja Aaja Aaja Aaja Aaja
Arrey Pune Wale Bhau Aaja
Une Wale Prau Aaja
Aaja Aaja Aaja Aaja Aaja Aaja
Chalu Train Ka Ticket Kata Kar
Ya Tc Ko Ghoos Pila Kar
Aaja Aaja Aaja Aaja Aaja Aaja
Kartagiyon Suna Sa Rasta Dikha De
(Bolo Ji Bolo Atithi Kab Aaoge) 3
Bolo Ji Bolo Atithi Tum Kab Aaoge
Hum Ne Kar Kar Phone Bulaya
Apne Ghar Pe Koi Na Aaya
Aaja Aaja Aaja Aaja Aaja Aaja
Sharma Ji Ke Uncle Aa Gai
Rajni Ji Ke Devar Aa Gai
Munna Pooch Raha Hai
Papa Atithi Kya Hota Hai, Btao Na Papa
Arrey Munna Pooch Raha Hai Papa
Kya Hota Mehmaan Btao
Iski Utsukta Kuch Kam Ho
Bina Btaye Tu Na Jaao
Aaja Aaja Aaja Aaja Aaja Aaja
Hey Chaadar Wadar Dho Gayi Bai
Biwi Bhi Raashan Le Aayi
Aaja Aaja Aaja Aaja Aaja Aaja
Arrey Naya Kaam Kuch Aaya Bhi Hai
Jaib Mein Thodi Maya Bhi Hai
Aaja Aaja Aaja Aaja Aaja Aaja
Aisa Bhi Din Hota Kabhi Na Tum Paaoge
(Bolo Ji Bolo Atithi Kab Aaoge) 3
Bolo Ji Bolo Atithi Tum Kab Aaoge
Credit Card Ke Bill Jaise Tum
Bina Btaye Aa Jao Na Aa Jao Na, Aa Jao Na
Deewaron Ke Jaale Jaise
Saaf Kare Se Bhi Jaao Na Jao Na, Na Jao Na
Credit Card Ke Bill Jaise Tum
Bina Btaye Aa Jao Na
Aaja Aaja Aaja Aaja Aaja Aaja
Arrey Deewaron Ke Jaale Jaise
Saaf Kare Se Bhi Jaao Na
Aaja Aaja Aaja Aaja Aaja Aaja
Chaubis Ghante Paani Aaye
Bijli Bhi Aake Na Jaaye Na Ja Na Ja Na Ja
Arrey Khana Garama Garam Mile Ga
Phula Phulka Naram Milega
Aaja Aaja Aaja Aaja Aaja Aaja
Arrey Humko Khushi Hogi Jab Jab Tum Khaoge
(Bolo Ji Bolo Atithi Kab Aaoge) 6
Bolo Ji Bolo