The "Chitlin' Circuit" is the collective name given to the string of performance venues throughout the eastern and southern United States that were safe and acceptable for African-American musicians, comedians, and other entertainers to perform during the age of racial segregation in the United States (from at least the early 19th century through the 1960s) as well as the venues that contemporary African American soul and blues performers, especially in the South, continue to appear at regularly. The name derives from the soul food item chitterlings (stewed pig intestines) and is also a play on the term "Borscht belt" which referred to a group of venues (primarily in New York's Catskill Mountains) popular with Jewish performers during the 1940s, 50s and 60s.

Noted theaters on the Chitlin' Circuit included the Royal Peacock in Atlanta; the Carver Theatre in Birmingham, Alabama; the Cotton Club, Small's Paradise and the Apollo Theater in New York City; Robert's Show Lounge, Club DeLisa and the Regal Theatre in Chicago; the Howard Theatre in Washington, D.C.; the Uptown Theatre in Philadelphia; the Royal Theatre in Baltimore; the Fox Theatre in Detroit; the Victory Grill in Austin, Texas; the Hippodrome Theatre in Richmond, Virginia; the Ritz Theatre in Jacksonville, Florida; and The Madame C. J. Walker Theatre on Indiana Avenue in Indianapolis.

Bobby Lee Rush (born November 23, 1946) is the U.S. Representative for Illinois's 1st congressional district, serving since 1993. He is a member of the Democratic Party.

The district is located principally on the South Side of Chicago. It is a minority-majority district and has a higher percentage of African Americans (65%) than any other congressional district in the nation. Rush has the distinction of being the only person to defeat President Barack Obama in an election for public office, when Obama challenged him in a primary election in 2000. Rush is a member of the Congressional Black Caucus.

After dropping out of high school, Rush joined the U.S. Army in 1963 but went AWOL and yet, somehow received an honorable discharge in 1968. Throughout the 1960s Rush was involved in the civil-rights movement. He worked in civil-disobedience campaigns in the South, and co-founded the Illinois chapter of the Black Panthers in 1968 and was made its "defense minister". His son, Huey, was named after Panther leader Huey Newton. "We were reacting to police brutality, to the historical relationship between African-Americans and recalcitrant racist whites," Rush later told People magazine. "We needed to arm ourselves." Rush was present when fellow Black Panther Fred Hampton was killed in a police raid and later made an official statement that the police, referred only to as "pigs" by Rush, had murdered Hampton. Rush's own apartment was raided in December 1969 where police discovered an unregistered pistol, rifle, shotgun and pistol ammunition, training manuals on explosives and booby traps, a small amount of marijuana and an assortment of communist literature. Earlier that same year Rush stated the philosophy behind his membership in the Black Panthers saying, "Black people have been on the defensive for all these years. The trend now is not to wait to be attacked. We advocate offensive violence against the power structure."

Barbara Davis is a philanthropist and the widow of Marvin Davis. Although the Davis' wealth exceeded $5 billion during Marvin’s life, it has recently been reported in multiple media outlets including Forbes that the majority of the family’s wealth has been lessened to approximately 500 million dollars. After the death of her husband in 2004, Barbara sold their once opulent house for $46 million and moved into a bungalow at the Beverly Hills Hotel.

Barbara is the chair-person for the bi-annual Carousel of Hope Gala in Beverly Hills that raises money for children’s diabetes.

Bill Coday (born May 10, 1942 in Coldwater, Mississippi – died June 7, 2008) was an American musician.

As a young man he began singing in juke joints in and around Blytheville, Arkansas. Later, Coday traveled to Chicago, Illinois, and there one night he was "discovered" by Denise LaSalle. LaSalle signed Coday to her Crajon label, and introduced Coday to Willie Mitchell of Memphis, Tennessee. Mitchell's reputation in the soul and soul blues music industry includes producing such artists as Al Green and Ann Peebles. Mitchell agreed to work with Coday, and a result of this relationship, the team of Mitchell and Coday produced songs that included "Sixty Minute Teaser", "I Get High on Your Love", "You're Gonna Want Me", "I'm Back to Collect", and "Get Your Lies Straight".

Coday signed with Ecko Records and recorded the CD Sneakin' Back, which included the songs "Her Love Is Good Enough to Put in Collard Greens", "I Can Move the Hoochie Coochie Man" and "Doctor Thrill Good". Coday's second CD with Ecko Records was titled Can't Get Enough, which included the songs "In the Room Next to the Room", and "Not a Word". On the third CD with Ecko Records, Put Me in the Mood, Coday recorded the song "We're Gonna Miss You Johnnie", which is a tribute song to Johnnie Taylor.

James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942 – September 18, 1970) was an American musician and singer-songwriter. He is widely considered to be the greatest electric guitarist in music history, and one of the most influential musicians of his era despite mainstream exposure limited to just three years. After initial success in Europe with his group The Jimi Hendrix Experience, he achieved fame in the United States following his 1967 performance at the Monterey Pop Festival. Later, he headlined the iconic 1969 Woodstock Festival and the 1970 Isle of Wight Festival. He often favored raw overdriven amplifiers with high gain and treble and helped develop the previously undesirable technique of guitar amplifier feedback.

Hendrix helped to popularize use of the wah-wah pedal in mainstream rock, which he often used to deliver tonal exaggerations in his solos, particularly with high bends, complex guitar playing, and use of legato. As a record producer, he also broke new ground in using the recording studio as an extension of his musical ideas. He was one of the first to experiment with stereophonic phasing effects for rock recording.^{[citation needed]} He was influenced by blues artists such as B.B. King, Muddy Waters, Howlin' Wolf, Albert King and Elmore James,rhythm and blues and soul guitarists Curtis Mayfield and Steve Cropper, and the jazz guitarist Wes Montgomery. Hendrix began dressing and wearing a moustache like Little Richard when he performed and recorded in his band from March 1, 1964 through to the spring of 1965. In 1966, he stated, "I want to do with my guitar what Little Richard does with his voice".