A Boulevard (French, from Dutch: Bolwerk – bolwark, meaning bastion), often abbreviated Blvd, is type of road, usually a wide, multi-lane arterial thoroughfare, divided with a median down the centre, and roadways along each side designed as slow travel and parking lanes and for bicycle and pedestrian usage, often with an above-average quality of landscaping and scenery. The division into peripheral roads for local use and a central main thoroughfare for regional traffic is a principal feature of the boulevard. Larger and busier boulevards usually feature a median. It was first introduced in the French language in 1435 as boloard and has since been altered into boulevard.
Avenida 9 de Julio in the heart of Buenos Aires, capital city of Argentina, is as wide as 7 lanes in each direction, with 4 further lanes flanking the main boulevard in parallel roads on either side.
In the Dominican Republic, more specifically in Greater Santo Domingo there is the Winston Churchill and 27 de Febrero Boulevard in Downtown Santo Domingo and Las Americas Boulevard in Santo Domingo Este. These boulevards are known for their wide median with plazas and trees on it.
Daniel "Dan" Byrd (born November 20, 1985) is an American actor. His most prominent roles include the 2006 remake of The Hills Have Eyes, the CW original comedy series Aliens in America, A Cinderella Story alongside Hilary Duff, ABC's Cougar Town, and the 2010 movie Easy A.
Byrd was born in Marietta, Georgia, and began acting at a young age. His first screen role was in the 1999 film The First of May, which starred Julie Harris and Mickey Rooney. He then went on to make a string of appearances in television series such as Judging Amy, Any Day Now, ER, and Touched by an Angel before gaining his first break-out role in the TNT miniseries Salem's Lot playing schoolboy Mark Petrie. The two part miniseries also starred Rob Lowe, Andre Braugher, James Cromwell and Donald Sutherland.
Also in 2004, Byrd appeared in A Cinderella Story alongside Hilary Duff. The project was followed by short-lived CBS series, Clubhouse, alongside Mare Winningham, Michael Jai White, John Ortiz and Christopher Lloyd.
Keith Cozart (born August 15, 1995)[citation needed], better known by his stage name Chief Keef is an American rapper from Chicago, Illinois. He has signed a major record deal with Interscope Records, and is the CEO of his own record label Glory Boyz Entertainment.
Keith Cozart was born in Chicago, Illinois, on August 15, 1995.[citation needed] He attended Dulles Elementary School and later Banner High School on the city's South Side. In December 2011, Cozart was arrested on a weapons charge (aggravated unlawful use of a weapon) and put under house arrest at his grandmother’s home.
While under house arrest, Cozart released videos on Youtube. The attention he received grew in the short time between the release of several mixtapes and several of music videos, including 'Bang', '3Hunna' and 'I Don’t Like'. After two locally successful mixtapes, his song 'I Don’t Like' became a local hit in Chicago. It also caught fellow Chicago rapper Kanye West's attention who organized a remix of the song along with Pusha T, Jadakiss and Big Sean. Keef will soon be releasing his third mixtape Finally Rich in which Waka Flocka, Young Jeezy, Yo Gotti and fellow GBE members are to be featured. An interview with Keef is slated to appear as part of an upcoming feature on Chicago artists in Spin Magazine. On July 7, 2012, it was announced that Chief Keef would be performing at Lollapalooza 2012, an annual music festival held in Grant Park, Chicago, IL.
Eric Patrick Clapton, CBE, (born 30 March 1945) is an English guitarist and singer-songwriter. Clapton is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist, and separately as a member of The Yardbirds and Cream. Clapton has been referred to as one of the most important and influential guitarists of all time. Clapton ranked second in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time" and fourth in Gibson's Top 50 Guitarists of All Time.
In the mid 1960s, Clapton departed from the Yardbirds to play blues with John Mayall & the Bluesbreakers. In his one-year stay with Mayall, Clapton gained the nickname "Slowhand". Immediately after leaving Mayall, Clapton formed Cream, a power trio with drummer Ginger Baker and bassist Jack Bruce in which Clapton played sustained blues improvisations and "arty, blues-based psychedelic pop." For most of the 1970s, Clapton's output bore the influence of the mellow style of J.J. Cale and the reggae of Bob Marley. His version of Marley's "I Shot the Sheriff" helped reggae reach a mass market. Two of his most popular recordings were "Layla", recorded by Derek and the Dominos, another band he formed and Robert Johnson's "Crossroads", recorded by Cream. A recipient of seventeen Grammy Awards, in 2004 Clapton was awarded a CBE for services to music. In 1998, Clapton, a recovering alcoholic and drug addict, founded the Crossroads Centre on Antigua, a medical facility for recovering substance abusers.
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1344 North Crescent Heights Boulevard #1, West Hollywood, CA 90046 (English)
Down on the boulevard they take it hard
They look at life with such disregard.
They say it can't be won
The way the game is run
But if you choose to stay
You wind up playing anyway
It's OK
You know the kid's in shock
up and down the block
The folks are home
playing beat the clock
Down at the Golden Cup
They set the young ones up
Under the neon lights
Selling day for night
It's alright
Nobody rides for free
Nobody gets it like they want it to be
Nobody hands you any guarantee
Nobody.
The hearts are hard
and the times are tough
Down on the boulevard
the night's enough
Time passes slow between the
storefronts' shadows
and the streetlights glow
Everybody walks right by
like they're safe or something
They don't know
Nobody knows you
Nobody owes you nothing
Nobody shows you what they're thinking
Nobody
Hey hey baby
Gotta watch the street
keep your feet and be on guard.
Make it pay baby
Back there somewhere
I can hear her calling out
I’ve got so much I can tell her
She knows I miss her,
I know she thinks about me too
I just cannot wait to kiss her
On the boulevard we danced
I tell her if I get the chance
Just what all this means to me
Maybe I should say we can run away
Never look back
Never doubt it
You don’t owe me anything
I owe everything to you
Take my hand and
Hold on.
I think she likes me
I can see it in when she laughs
She wont say it but I see it
Loves to wake me
Just to see if I’m asleep
i la mir lieber vom nachtläbe la zeichne aus vom knierolf la male
mir geits guet mir dere büle i de hose u mit däm rumpf i dr schale
mir isch es zwüsche de titte vo mim meitschi viu wähler aus uf em titubiud vo dere
zitig
u bevor i a mim image afa bügle büglen i lieber wieder vo mäntig bis am fritig
i grinse dr i d'linse
i bi guet im grinse
du chasch mi frage we de öppis wettsch wüsse
i flirte gärn mit em erfoug
das macht mi irgendwie schpitz
aber gvöglet wird nid ohni z'küsse
u das boulevard nimen i nid neineinei
das boulevard nimen i nid neineinei
de bliben i viu lieber hie i däm quartier won i kenne
(hie scchpiut d'musig - hie schiint d'sunne)
Salgo por la noche a caminar
al boulevard, boulevard, boulevard.
Vuelta a la cultura estimulante
del boulevard, boulevard, boulevard.
Postales de Pompeya,
figuras chinas y hasta un cafÈ irlandÈs.
CanciÛn de nochebuena de una morena
silbando en su vaivÈn.
Para mi que nadie te vuelve a mirar
en el silencio de la oscuridad.
Para mi que nadie te vuelve a mirar
se esconden en las sombras por algo ilegal.
Para mi que nada pero nadie te vuelve a mirar
si escuchan la sirena que puede llegar.
Para mi que nada pero nadie te vuelve a mirar
si ven a la patrulla que vuelve a pasar.
Cada uno tiene su vision,
la mÌa la perdÌ en un callejon.
Vuelta a la cultura estimulante
del boulevard, boulevard, boulevard.
Un loco en su historia
y dos amantes contra la pared,
discuten sus memoria
y me preguntan algo que no se.
Paseando y mirando una bola de fuego
cada uno en la calle atiende su juego,
miradas esquivas, miradas cercanas
violines sonando hasta la madrugada,
r·pida comida se cuece en la esquina
necesito dulces en esta salida,
chicas morenas, chicas coloradas
junto a sus galanes esperando en la entrada.
Vuelta a la cultura estimulante
del boulevard, boulevard, boulevard.
Vuelta a la costumbre estimulante
del boulevard, boulevard, boulevard.
Paseando y mirando una bola de fuego
cada uno en la calle atiende su juego,
miradas esquivas, miradas cercanas
violines sonando hasta la madrugada,
r·pida comida se cuece en la esquina
necesito dulces en esta salida,
chicas morenas, chicas coloradas
junto a sus galanes esperando en la entrada.
Veo cruzando a la torre inglesa
junto a un pabellon de la Madre Teresa,
donde quedara un Deli cercano
que todo termine me produce desgano.
Boulevard
I don’t know why, You said goodbye
Just let me know you didn’t go forever my love
Please tell me why, You make me cry
I beg you please I'm on my knees if that's what you want
me to
Chorus:
Never knew that it would go so far
When you left me on that boulevard
Come again you would release my pain
And we could be lovers again
Just one more chance, Another dance
And let me feel it isn’t real that I’ve been losing you
This sun will rise, Within your eyes
Come back to me and we will be happy together
Chorus
Maybe today, I’ll make you stay
A little while just for a smile and love together
For I will show, A place I know
In Tokyo where we could be happy forever
Chorus
(Hook)
As I take a look down the boulevard
Fun of get to you, life is very hard
So many faces bearing the battle scars
But love I bring to the people
Coming straight from the heart
If crisis is what we see
All over the world is pure controversy
One man can't put the price pan humanity
It seems like the whole world's gone crazy
(Verse)
Everybody knows Johnny came from the roughest part of town
Survived the School of Hard Knox but still came up and made his chips
The realest life, never watch it down
Walk with a gun through the heart of town
We hearin bam bam bam, a familiar sound
To the youth down in the gully where Johnny boy done grow
He never thought that he would make it out
It's crabs in the barrel down in ST close
(Hook)
As I take a look down the boulevard
Fun of get to you, life is very hard
So many faces bearing the battle scars
But love I bring to the people
Coming straight from the heart
If crisis is what we see
All over the world is pure controversy
One man can't put the price pan humanity
It seems like the whole world's gone crazy
(Verse)
Poor Johnny Johnny got stuck for his money
Things get funny when you rump with the daddy
Later on the goons pull up in the black Caddy
Next step on the news them find another dead body
Tales for the inner city
We break it right down to the nitty glitty
Who's responsible for the crime and poverty?
What a tragedy
Wayoo
(Verse)
I wish that I could singlehandedly free the entire planet
Turn from crying man poverty
Love me when the love he say they near
When we burn real seize and jealousy unheard
And you take me one, you are part of this effect
Come into slavery, we would be emancipated
If they break our eggs then co-operate
Not a gyal stop me from achieving the greatest
(Hook)
As I take a look down the boulevard
Fun of get to you, life is very hard
So many faces bearing the battle scars
But love I bring to the people
Coming straight from the heart
If crisis is what we see
All over the world is pure controversy
One man can't put the price pan humanity
Spending my time thinking of you
I just can't seem to get it through.
Everything's o.k. when you're around me
way down deep inside
Givin' way to feelings that surround me.
I saw you standin' there
hopin' that you'd look my way.
A glance
a twinkle in your eye
memories of that rainy day in London town
The way I feel I can't explain
the feeling's going on inside me about you.
Never thought I'd feel this way
day to day it just kept slipping by me.
I saw you standin' there
hopin' that you'd look my way. . . .
In London town
in London town