Depth perception is the visual ability to perceive the world in three dimensions (3D) and the distance of an object. Depth sensation is the ability to move accurately, or to respond consistently, based on the distances of objects in an environment.^{[citation needed]}

Depth perception arises from a variety of depth cues. These are typically classified into binocular cues that require input from both eyes and monocular cues that require the input from just one eye. Binocular cues include stereopsis, yielding depth from binocular vision through exploitation of parallax. Monocular cues include size: distant objects subtend smaller visual angles than near objects.

Monocular cues provide depth information when viewing a scene with one eye.

Binocular cues provide depth information when viewing a scene with both eyes.

Of these various cues, only convergence, accommodation and familiar size provide absolute distance information. All other cues are relative (i.e., they can only be used to tell which objects are closer relative to others). Stereopsis is merely relative because a greater or lesser disparity for nearby objects could either mean that those objects differ more or less substantially in relative depth or that the foveated object is nearer or further away (the further away a scene is, the smaller is the retinal disparity indicating the same depth difference).

"The Man" is a slang phrase that may refer to the government or to some other authority in a position of power. In addition to this derogatory connotation, it may also serve as a term of respect and praise.

The phrase "the Man is keeping me down" is commonly used to describe oppression. The phrase "stick it to the Man" encourages resistance to authority, and essentially means "fight back" or "resist", either openly or via sabotage.

The earliest recorded use^{[citation needed]} of the term "the Man" in the American sense dates back to a letter written by a young Alexander Hamilton in September 1772, when he was 15. In a letter to his father James Hamilton, published in the Royal Dutch-American Gazette, he described the response of the Dutch governor of St. Croix to a hurricane that raked that island on August 31, 1772. "Our General has issued several very salutary and humane regulations and both in his publick and private measures, has shewn himself the Man." ^{[dubious – discuss]} In the Southern U.S. states, the phrase came to be applied to any man or any group in a position of authority, or to authority in the abstract. From about the 1950s the phrase was also an underworld code word for police, the warden of a prison or other law enforcement or penal authorities.

Miljenko "Dino" Dvornik (20 August 1964 – 7 September 2008) was a Croatian singer, songwriter, music producer, actor and reality television star.

A son of renowned Croatian actor Boris Dvornik, Dino Dvornik was born in Split, Croatia. He and his elder brother, Dean Dvornik, would play alongside their father in mainstream 1970s movies and TV shows. These included Naše malo misto (Our Little Place), Mater (Mother) (1976), Hajdučka vremena (Daredevil's Time) (1977), Priko sinjeg mora (Over the Great Sea) (1979) as well as the TV show Ljubav je hleb s devet kora (Love Is a Bread with Nine Crusts) (1990) and what was to be his final appearance, Ta divna splitska noć (A Wonderful Night in Split) (2004) by director Arsen A. Ostojić, a movie which achieved many honours at various film festivals.

In August 1989, Dino Dvornik married Danijela (née Kuljiš), with whom he had a daughter, Ella.

Dino was best known to the public as a musician, more so than an actor, as he only took sporadic forays into acting over the years. His music had originally made him famous, earning him wide popularity across the regions of the former Yugoslavia. In the early 1980s, Dino and his brother Dean founded Kineski zid (Chinese wall or Great wall), a pop band named after the building in which the Dvornik family lived at that time in Split. It was the first domestic funk record released in Croatia. He had been a perfectionist by reputation, who would lock himself in the studio for months. However, differences between the interests of the band members and the public led the band to an early breakup.