The mouth is the first portion of the alimentary canal that receives food and saliva. The oral mucosa is the mucous membrane epithelium lining the inside of the mouth.
In addition to its primary role as the beginning of the digestive system, in humans the mouth also plays a significant role in communication. While primary aspects of the voice are produced in the throat, the tongue, lips, and jaw are also needed to produce the range of sounds included in human language.
The mouth, normally moist, is lined with a mucous membrane, and contains the teeth. The lips mark the transition from mucous membrane to skin, which covers most of the body.
The first space of the mouth is the mouth cavity, bounded laterally and in front by the alveolar arches (containing the teeth), and posteriorily by the isthmus of the fauces. The oral cavity is also known as the mouth which swallows food that then goes down the esophagus and into the stomach.
The mouth plays an important role in eating, drinking and breathing. Infants are born with a sucking reflex, by which they instinctively know to suck for nourishment using their lips and jaw.
Big Mouth (Lakota: Itȟáŋka) (born 1822–died October 29, 1869) was an Oglala-born chieftain of the Brulé Lakota, highly regarded by the Brulé for his bravery and aggressive military leadership. He was one of the chiefs who signed the second Treaty of Fort Laramie in 1868 and remained a bitter opponent of further American settlement, ridiculing Spotted Tail and other Sioux chieftains upon their return from a mission to Washington, DC. He was sixth son of Old Chief Smoke (1774–1864) and twin brother of Blue Horse.
One of the principal chiefs at the Whetstone Agency, located along the Missouri River, where most of the Brulé and Oglala bands had gathered, Big Mouth gained increasing support for his stance among members of the tribe. He criticized what he described as Spotted Tail's reversal of Sioux policy, saying Spotted Tail had been entertained by American politicians and given a personal tour through the major cities of the east coast. Faced with increasing opposition to his leadership, Spotted Tail visited Big Mouth at his lodge, where, upon approaching the entrance, Big Mouth was seized by two warriors and held down while Spotted Tail shot and killed him.
The Return of VHS Horror
Plot
A voiceless Mouth's monologue- Nothing on the screen but a mouth, voiceless, utters at a ferocious pace. At the back ground, we listen to breathless sound images of a ferocious war,the film begins as the war begins, as the voiceless mouth tries to express its inner feelings stubbornly, endlessly amid the darkest time around it. The war reaches its extreme gradually, so does the mouth and the film..
Plot
Description: Feature-length movie franchise, Lost Angels[The Discovery] is an action-thriller-drama, that begins in the year 2012 with the kidnapping of retired Colonel Jack Rogan's wife Danielle. Moving very quickly to the year 2025 Col. Rogan discovers the reasons behind his wife's kidnapping and that the road to hell is paved with good intentions.
What happens in a blink of an eye can feel like a lifetime
Plot
Mikey Walsh and Brandon Walsh are brothers whose family is preparing to move because developers want to build a golf course in the place of their neighborhood -- unless enough money is raised to stop the construction of the golf course, and that's quite doubtful. But when Mikey stumbles upon a treasure map of the famed "One-Eyed" Willy's hidden fortune, Mikey, Brandon, and their friends Lawrence "Chunk" Cohen, Clark "Mouth" Devereaux, Andrea "Andy" Carmichael, Stefanie "Stef" Steinbrenner, and Richard "Data" Wang, calling themselves The Goonies, set out on a quest to find the treasure in hopes of saving their neighborhood. The treasure is in a cavern, but the entrance to the cavern is under the house of evil thief Mama Fratelli and her sons Jake Fratelli, Francis Fratelli, and the severely disfigured Lotney "Sloth" Fratelli. Sloth befriends the Goonies and decides to help them.
Keywords: 1980s, adventurer, affection, against-the-odds, arrest, asthma, attic, baby-ruth, bad-mother, beach
They call themselves "The Goonies." The secret caves. The old lighthouse. The lost map. The treacherous traps. The hidden treasure. And Sloth... Join the adventure.
The pirates map, The villainous crooks, The underground caverns, The booby traps, the skeletons, The monster, the lost treasure, and the magic that is... THE GOONIES
It's excitement all the way as Steven Spielberg and Richard Donner, the makers of 'Indiana Jones', 'Gremlins' and 'Superman', combine forces to create the Family Adventure of the year!
Chunk: Mikey, Mikey, this ain't the kind of place you want to go to the bathroom in.::Mama Fratelli: Why not?::Chunk: Because they might have daddy longlegs and um... dead things, Mikey. DEAD THINGS!
Mouth: Senior Jerk Alert!
Chunk: You guys, I'm hungry. I know when my stomach growls there's trouble.
Elgin Perkins: Hello guys. I'm Mr Perkins, Troy's father.::Richard 'Data' Wang: We know who Troy is. He's that cheap guy.::Brandon Walsh: My dad's not home, Mr. Perkins.::Elgin Perkins: Is your mommy here?::Brandon Walsh: [scarcastically] No, actually she's out at the market buying Pampers for all us kids.::Elgin Perkins: [feigning laughing] Papers, Bill. You can give these to your father to read through and sign. I'll be by to pick them up in the morning.::Brandon Walsh: Thank you.::Elgin Perkins: Thank *you*.
Rosalita: [in Spanish; subtitled] My God, I'm in a crazy house!
Sloth: Mama!::Mama Fratelli: Come to mama Slothy, come on hmm?::Sloth: Mama, you've been bad.::Mama Fratelli: Oh, Slothy. I may have been bad. I may have kept you chained up in that room but it was for your own good.::Sloth: Yeah!::Mama Fratelli: You remember that song I used to sing to you?::Sloth: Yeah!::Mama Fratelli: You were little back then?::[singing]::Mama Fratelli: Rock-a-bye baby on the tree top. When the wind blows the cradle will rock. When the bough breaks the cradle will fall...::Sloth: Break! Fall!::Mama Fratelli: No! I only dropped once.::Sloth: Ahh!::Mama Fratelli: Well, maybe twice. No Sloth! Put me down!
Jake Fratelli: You know Sloth, if you sit too close to the TV, you're going hurt your eyes.::Sloth: Eh!::Francis Fratelli: Jake leave him alone!
Jake Fratelli: Francis, the lock. The lock!::Francis Fratelli: Let go of the handle.::Jake Fratelli: I don't have the handle! Open the lock!::Mama Fratelli: Jake, up! Come on, move it!
Elgin Perkins: Alright Walsh. Today's the day so let's get this over with.::Irene Walsh: Irving?::Irving Walsh: I'm sorry Irene.::Troy Perkins: Come on Walsh we don't have all day. There's 50 more houses to tear down after yours.::Irving Walsh: Easy Brandon! Easy!
[Mikey calls for a bathroom break]::Mikey: Okay, this is the little boys' room, and that cave over there is the little girls' room.::[Brandon heads to a different cave]::Mikey: Brand, where're you going?::Brandon Walsh: This is the *men's* room.
It's the 'BLACK SOULS' vs. the 'STOMPERS' ...in the deadliest cycle-gang war ever waged!
STRADDLE YOUR HOGS AND RIDE, MAN! The 'Black Souls' vs the 'Stompers' in the deadliest gang war ever waged!
Chino: The only way out for me and my people is to either snuff you out or to sell you. There's some high class Mexicans across the border. Now being good people, we decided to sell you to these high class Mexican friends of ours.
Feel So Low Some Days
And Only I Can Taste
Resent Security
Obscuring All I See
In My Mind
In My Mouth
In My Soul
Only You Provide These Symptoms That I Show
I Could Go Out In Style
Go Back From Where I Came
But Luck Sees To Us All
And Rarely Plays The Game
We've Seen It All Through Many Years Of Lonesome Hell
Back To A Place Where We All Terminate
(Lyrics & Music: G. Thorpe, C. Albert)
You got the power with that tongue
To break a man down bring him up again
All that you got is not enough
To satisfy the hunger of that Mouth
You want me to be more like you
I am what I am and that's ok
I'm coming for you and...
That mouth
Oh that mouth
Up your mouth
Shut your mouth
Horror and pain... shock me again
Don't misunderstand me everyone wants the girl
Just when I thought I'd seen it all
Sisters... gushers... bring it on... mouth
Make me crazy over you
I can't get away or look away
I'm comlng to you and...
>From behind I work my way up
One taste of your lips and I gotta have
that mouth
Horror... you're driving me insane
And pain... you give it over again
Shock me... you shock me one more time
Oh, oh
Oh, oh
It's been a long time coming
I've been shaky for days
I bite my tongue
But I'm sick of the way
I got a couple of keys
I need you to play
(To play, to play, to play)
It's so good to know you
I can't wait to show you
My, my, my
La da da da da da da da
The feeling I get
The feeling I get
La da da da da da da da
Get under my skin
Come touch this mouth
(Mouth, mouth)
This mouth
(Mouth, mouth)
My mouth
(Mouth, mouth)
This mouth
(Mouth, mouth)
It's been a long time coming
We still haven't yet
Be my prince, and I'll be your Corvette
The door's wide open
So let yourself in
(Come in, come in, oh come in)
It's so good to know you
I can't wait to show you
My, my, my
La da da da da da da da
The feeling I get
The feeling I get
La da da da da da da da
Get under my skin
Come touch this mouth
(Mouth, mouth)
My mouth
(Mouth, mouth)
My mouth
(Mouth, mouth)
This mouth
(Mouth, mouth)
My (x2)
Oh, oh, oh, oh, oh, oh, oh
This could get messy
Oh, oh, oh, oh, oh, oh, oh
But baby, impress me
(It's so good to know you)
(I can't wait to show you)
(My, my, my)
La da da da da da da da
The feeling I get
The feeling I get
La da da da da da da da
Get under my skin
Come touch this mouth
(Mouth, mouth)
My mouth
(Mouth, mouth)
My mouth
(Mouth, mouth)
This mouth
(Mouth, mouth)
My mouth
(Mouth, mouth)
My mouth
(Mouth, mouth)
My mouth
(Mouth, mouth)
This mouth
You gave me this, made me give
Your silver grin, still sticking it in
You have soul machine, soul machine
The longest kiss, peeling furniture days
Drift madly to you, pollute my heart drain
You have broken at me, broken me
All your mental armor drags me down
Nothing hurts like your mouth, mouth, mouth
Your loaded smiles, pretty just desserts
Wish it all for you, so much, it never hurts
You have soul machine, stone at me
All your mental armor drags me down
We can't breathe when you come around
All your mental armor drags me down
Nothing hurts like your mouth, mouth, mouth
Your mouth, mouth, mouth
Your mouth, mouth, mouth
We've been missing long before
Never found our way home
We've been missing long before
Where we'll find our way
You gave me this, made me give
You have soul machine
Broken free
All your mental armor drags me down
We can't breathe when you come around
All your mental armor drags me down
Nothing hurts like your mouth, mouth, mouth
Your mouth, mouth, mouth
Your mouth, mouth, mouth
All your mental armor
All your mental armor and your
She is a financier
Employed me for a year
I clean her office shine her chandelier
I'm risking my career
I took us for a beer
I'm wondering where do we go from here
She held me in her hands while I kissed her mouth
She held me in her hands while I kissed her mouth
She held me in her hands while I kissed her mouth
She held me in her hands
While I kissed her mouth
Now I've got the fear
Her husband works near here
He's won awards for hitman of the year
But I won't disappear
Coz I'm a pioneer
And when it comes to love she's a new frontier
She held me in her hands while I kissed her mouth
She held me in her hands while I kissed her mouth
She held me in her hands while I kissed her mouth
She held me in her hands
While I kissed her (while I) while I kissed her
While I kissed her (while I) while I kissed her mouth
She held me in her hands while I kissed her mouth
She held me in her hands while I kissed her mouth
She held me in her hands while I kissed her mouth
She held me in her hands
While I kissed her (while I) while I kissed her
I feel like I've been blown apart. There are pieces here
I don't know where they go, I don't know where they go
Kiss me on my salty lips
I bet you feel a little crazy but for me
We'll be famous on T.V.
Would it be my fault if I could turn you on?
Would I be so bad if I could turn you on?
When I kiss your mouth I want to taste it
Turn you upside down, don't want to waste it
I jump on you, you jump on me
You push me out and even though you know
I love you I'd be inclined to slap you in the mouth
When I kiss your salty lips
You will feel a little crazy, but for me
I'll be famous on TV
Now, will it be my fault if
I take your love and throw it wide?
You might restrain me but could you really blame me?
And you will feel you're blown apart
All the pieces there will fit to make you whole
And I know where they go
Damn this life confuses
It uses and abuses
With so many stupid games I don't wanna play
Where do I belong?
Everywhere feels wrong
Things keep changing
It's a rearranging story
It's a mystery
How it missed me
THIS WAS MY DREAM MY WISH
AND IT DIDN'T COME TRUE
SO I'M TAKING IT BACK
I'M TAKING EM ALL BACK
Just wanna know I'm wanted
Just wanna know I'm needed
Just wanna know it's there
In case I ever need it
Everywhere I go
All the people blow
Trust in something that only brings melancholy?
Why should I just
Believe in trust?
Never, never, never
Never say die (I'm not giving up)
And I've been there
I feel like I've been blown apart, there are pieces here
I don't know where they go, I don't know where they go
Kiss me on my salty lips, I bet you feel a little crazy
But for me, we'll be famous on TV
Would it be my fault if I could turn you on?
Would I be so bad if I could turn you on?
When I kiss your mouth, I want to taste it
And turn you upside down, don't want to waste it
I jump up on you, you jump on me, you push me out
And even though you know I love you, I'd be inclined
To slap you in the mouth, when I kiss your salty lips
You will feel a little crazy but for me, I'll be famous on TV
Would it be my fault if I could turn you on?
Would I be so bad if I could turn you on?
When I kiss your mouth, I want to taste it
And turn you upside down, don't want to waste it
Would it be my fault if I could turn you on?
Would I be so bad if I could turn you on?
When I kiss your mouth, I want to taste it
And turn you upside down, don't want to waste it
Now, will it be my fault if I take your love and throw it wide?
You might restrain me but could you really blame me?
And you will feel you're blown apart, all the pieces there will fit
To make you whole and I know where they go
Would it be my fault if I could turn you on?
Would I be so bad if I could turn you on?
When I kiss your mouth, I want to taste it
And turn you upside down, don't want to waste it
When I kiss your mouth, I want to taste it
And turn you upside down, don't want to waste it
When I kiss your mouth, I want to taste it
I feel like I've been blown apart
There are pieces here, I don't know where they go
I don't know where they go
Kiss me on my salty lips
I bet you feel a little crazy but for me
We'll be famous on T.V.
Would it be my fault if I could turn you on?
Would I be so bad if I could turn you on?
When I kiss your mouth I want to taste it
Turn you upside down, don't want to waste it
I jump on you, you jump on me
You push me out and even though you know
I love you, I'd be inclined to slap you in the mouth
When I kiss your salty lips
You will feel a little crazy, but for me
I'll be famous on T.V.
Now, will it be my fault if
I take your love and throw it wide?
You might restrain me but
Could you really blame me?
And you will feel you're blown apart
All the pieces there will fit to make you whole
Sluts in skirts, scattered all over this scrabble board
and it's no wonder very few words worth using are being played.
All this unintelligible squawking is drowning out anything
worth listening to, so we're dumbing down everything
and using huge hand gestures trying to get a point across
to the deaf and blind. Chubby disgusting infants
in a giant damp crib teething and in dire need of a mothers
rum soaked digit. Anything to numb anything to encourage
ignorance. Anything to put us to sleep.
Someone, anyone, take off your shirt and pacify.
Make it easy for us to eat, easy for us to sleep.
I think we deserve it rephrased!
Someone, anyone, take us out back and put us down!
I think we deserve it.
Because it's not far from pleasure island where this
pink flesh gets it's fur. It's there that the noise you speak
can finally be heard. It will make sense to the rest of
your four-legged stench-ridden gluttonous kin.
You can feel comfortable in your skin.
You will feel comfortable in your skin.
We're trying to speak clearly but our voices get
drowned out by the over-excessive braying and