Coordinates: 36°21′34″N 43°09′10″E / 36.35944°N 43.15278°E / 36.35944; 43.15278
Nineveh (English pronunciation: /ˈnɪn.ɪv.ə/; Akkadian: Ninwe; Classical Syriac: ܢܸܢܘܵܐ; Hebrew: נינוה Nīnewē; Greek: Νινευη Nineuē; Latin: Nineve; Arabic: نينوى Naynuwa; Persian: نینوا Nainavā) was an ancient Assyrian city on the eastern bank of the Tigris River, and capital of the Neo Assyrian Empire. Its ruins are across the river from the modern-day major city of Mosul, in the Ninawa Governorate of Iraq.
The origin of the name Nineveh is obscure. Possibly it meant originally the seat of Ishtar, since Nina was one of the Babylonian names of that goddess. The ideogram means "house or place of fish," and was perhaps due to popular etymology (comp. Aramaic "nuna," denoting "fish").
Ancient Nineveh's mound-ruins of Kouyunjik and Nabī Yūnus are located on a level part of the plain near the junction of the Tigris and the Khosr Rivers within a 7 km² (1732 acres) area circumscribed by a 12-kilometre (7.5 mi) brick rampart. This whole extensive space is now one immense area of ruins overlaid in parts by new suburbs of the city of Mosul.
Ashur Bet Sargis (Syriac: ܐܫܘܪ ܒܝܬ ܣܪܓܝܤ), (Born in 2 July 1949), is an Assyrian Composer and Singer. He became famous in the Assyrian communities worldwide for his nationalistic songs in the 1970s.
Ashur Bet Sargis was born in Baghdad, Iraq in 1949 to an Assyrian family. He started playing organ as a teenager at the local Assyrian church. He later began composing nationalistic songs under the influence of established Assyrian musicians such as Evin Aghassi and King Biba, as well as western artists. As Ashur recalls of his early days in the biography written for his 4-CD set “So far”:
Shortly after the Ba'ath led revolution of 1968, Ashur fled the unstable political situation in Iraq in 1969, ending up in Chicago, IL. Two years later he formed his first band, “East Bird Band”, which released its first recording in 1973. In 1976, after relocating to Los Angeles, Ashur became the first Assyrian artist to tour overseas when he and his band played three sold-out shows in Australia. Soon afterwards he would travel to Iran, which at that time had the second largest population of Assyrians in the Middle East, and had long been a large producer of Assyrian music on the record labels that flourished in Tehran in the days before the Islamic revolution such as Irangram and Monogram. After two weeks of performances there, he returned to Los Angeles to record his second album, “Ashur Sargis Sings for Ancient Assyria”, which included re-recordings of hits from the first album like “Tanilee Lay-Lay” (“Sing Me A Lullaby”, with lyrics by Assyrian nationalist leader Freydun Atturaya) and “Bet Nahren Atrewa”, as well as several other songs that have since become staples of his catalogue and concerts.
Dolores Gray (June 7, 1924 – June 26, 2002) was an American stage and film actress. During her successful music career, she sang Marilyn Monroe's part on the Decca records soundtrack album of There's No Business Like Show Business (1954).
Born as Dolores Stein to Barbara Gray and Henry Stein[citation needed] in Chicago, Dolores Gray was briefly signed with MGM, appearing in Kismet (1955) and It's Always Fair Weather(1955).
Among her many stage roles, she appeared in Two on the Aisle (1951), Carnival In Flanders (1953); Destry Rides Again (1959); Sherry! (1967); and 42nd Street (1986). She also performed the lead role in Annie Get Your Gun in its first London production (1947).
Gray earned the Tony Award for her role in Carnival in Flanders even though this Broadway musical, with a script by Preston Sturges, ran for only six performances. She therefore holds a record that is unlikely to be broken: briefest run in a performance which still earned a Tony.[citation needed]
She was best known for her theatre roles. She recalled once "What a gift that would be to have more of a permanent record. A stage performance is just that, then it's lost. When I see movies on TV, I think, 'How great to have that.' But why look back? The decisions I made, I made. I can't change that."[citation needed]
Plot
One of the world's oldest legends comes to life. The hated King Gilgamesh strikes at the Gods as he tries to maintain power and as he seeks the answers to happiness and immortality. All his struggles are in vain, for what he seeks is closer to him than he ever realized.
Keywords: epic
5000 years ago in Mesopotamia: An odyssey of friendship, loss, grief, love, erotica & a quest for immoratlity!
it's so hard for me to tell you how i feel.
and i can never say exactly what i mean.
you are my nineveh and i've been jonah from the start.
and i can't let you make the same mistakes i've made.
if for a moment i could overcome my fear
i wouldn't have to hide behind this fiction wall.
sometimes i wonder how i call myself your friend.
a failure to myself.
a failure to him.
what if i told you.
would you reach for him after all.
would you fall down to your knees.
would you walk away from it all.
would you fall down at his feet.
(x2)
and i watch you live in months between the sun.
i can't help but feel that i wanted more than this.
and still i smile inside and know it's not the end.
Come hither in a weakened state
In my name you're bound to make some enemies
Score and one behind me
With (a) child's eyes I regard his story
Shall prohibit interaction
As the wondrous world, the wondrous world
The world collapses
Know me hear me hate me Nineveh
A panacea, human hope
Frantic fiction prevaricope
Exclusionary, narrow scope
Invented in isolation
Erstwhile it was geographic
The incontinence of Ecclesiastics
Simply just is not a fact in
The eyes of a man that has someone
Someone to save him
Know me hear me hate me Nineveh
Save them, give your everything
Except attention to the inconsistencies
Complete with deceit