Coordinates: 51°04′26″N 1°47′37″W / 51.0740°N 1.7936°W / 51.0740; -1.7936
Salisbury ( /ˈsɔːlzbri/ SAWLZ-bree or /ˈsɒlzbri/ SOLZ-bree, or locally /ˈsɔːzbri/) is a cathedral city in Wiltshire, England and the only city in the county. It is the second largest settlement in the county (the largest being Swindon). It has also been called New Sarum to distinguish it from the original site of settlement to the north of the city at Old Sarum, but this alternative name is not in common use.
The city is located in the south-east of Wiltshire, near the edge of Salisbury Plain. It sits at the confluence of five rivers: the Nadder, Ebble, Wylye and Bourne are tributary to the Avon, which flows to the south coast and into the sea at Christchurch, Dorset. Salisbury railway station serves the city, and is the crossing point between the West of England Main Line and the Wessex Main Line, making it a regional interchange.
Although the actual city was not established until 1220, there has been a settlement in the area since prehistory. There is evidence of Neolithic settlement on the hilltop of Old Sarum, which became a hill fort in the Iron Age. The Romans called this fort "Sorviodunum" and may also have occupied the fort. The Saxons established themselves there called it "Searesbyrig" and the Normans built a castle or "Seresberi". By 1086, in the Domesday Book, it was called "Salesberie".
Uriah Heep is a fictional character created by Charles Dickens in his novel David Copperfield.
The character is notable for his cloying humility, obsequiousness, and insincerity, making frequent references to his own "'humbleness". His name has become synonymous with being a yes man. He is the central antagonist of the later part of the book.
David first meets the 15-year-old Heep when he is living with Mr. Wickfield and his daughter Agnes, in chapter 15:
Uriah has been employed as clerk to Wickfield for four years, since he was eleven. Uriah's father, who instilled him with the need to be humble, died when Uriah was ten, and for the first part of the novel he lives alone with his mother in their "umble abode". Copperfield takes an immediate and permanent dislike to Uriah, in spite of the latter's persistent, if insincere attempts to win his friendship. Uriah addresses Copperfield as "Master Copperfield" well into their adulthood, an indication of his true patronising view.
Uriah is repeatedly mentioned as ugly and repulsive, even in his youth - tall, lank and pale with red hair and lashless eyes. Dickens negatively emphasizes Uriah's movements as well, described as jerking and writhing; this leads some literary scholars to believe Dickens is describing a form of dystonia, a muscular disorder, to increase Uriah's snakelike character. Uriah explains in another part of the book that his ambition and greed are fueled by resentment from the double-standard of his schooling and from his treatment as a child, and by encouragement from his parents. As Uriah works for Wickfield for the next five or so years, he teaches himself law at night, and by blackmailing Mr. Wickfield, gains control over his business.
Plot
Near an isolated beach on California's coast, a sinister plan is underway in a laboratory of horror. Three renegade scientists have resurrected the Frankenstein Monster. . . legendary indestructible dead man come to life. . . and they have also created a biogentically engineered half-man, half fish abomination. . . to use as secret weapons in the fight against terrorists worldwide. However, disaster strikes when the terrifying monsters chemical brainwashing fails and the entire plan goes to hell! Instead of stopping terror, these invincible monsters spread terror! The first victims. . . young people on a glamour photo shoot are attacked by the amphibious beast of evil! Rescued and held hostage by the scientists, the survivors must find a way to escape the madmen and the monsters!
Keywords: female-nudity, frankenstein, monster, sea-creature, strip-club
In a War of Terror, the Ultimate Terror Wins!
Plot
In San Francisco, two police inspectors are on the case when a rogue taxi driver, with the help of a rogue porter, manages to steal the suitcase of an antiques collector before running down a cop, whose dying gesture is to shoot the cabbie dead. The inspectors discover that a statuette in the suitcase contains heroin. Meanwhile, a psychopathic gangster, his malignant mentor and their dipsomaniac driver have the job of picking up the other heroin shipments, hidden in the luggage of unsuspecting travelers. All goes well until they attempt to retrieve the heroin stuffed in a Japanese doll. A little girl and her lovely young mother have the doll, but when the crooks take possession of it, they find that the heroin has mysteriously vanished.
Keywords: .38-silenced-revolver, airport, alcoholic, aquarium, arcade, asian-servant, automobile, based-on-tv-show, blackmail, bloody-hand
Starring Eli Wallach (the sensation of "Baby Doll"...as the killer!)
Too Hot ... Too Big .. For TV!
The Manhunt They Had To Put on the Giant-Sized Movie Theatre Screen!
The big, new lineup of thrills comes to the BIG movie theatre screen.
Julian: When you live outside the law, you have to eliminate dishonesty.
Dancer: [as a dying Julian gasps something unintellible] Say something for the book!
Sandy McLain: How does it feel to make five G's in one day?::Julian: Dancer derives no particular feeling from it.::Sandy McLain: [Sarcastically] Oh, not too much!::Dancer: [With apparent disdain] I've been watching you. McLean. You've been comin' on big, I don't like that.::Sandy McLain: [Defensively] Look, I just...::Julian: Please, we prefer as little conversation as possible from outsiders. Dancer works better that way. You didn't know before - now you do.
Lt. Ben Guthrie: You know, one thing bothers me though.::Insp. Al Quine: What's that?::Lt. Ben Guthrie: Why a well-organized operation would have a junkie as a wheelman.::Insp. Al Quine: You know, that could be the mistake that nails 'em, Ben. Folsom's full of mistakes.::Lt. Ben Guthrie: Let's prowl the rest of this place and get out of here.::Insp. Al Quine: I'm in favor of that!
Lt. Ben Guthrie: [Sarcastically as he looks around Jenkins' cheap, unkempt apartment] Jenkins certainly had a great spot here for a Halloween party.::Insp. Al Quine: [Laconically] Yeah, no self-respectin' witch would bring a broom into this trap.
Julian: [Contemplating not murdering Bradshaw and her daughter] Are you that wise? I hope so for the sake of you both.::Dorothy Bradshaw: Yes, I'll do whatever you say.::Julian: I'm personally very pleased with your decision because in my profession there's one thing i dislike and that's hearing someone's last words. [Knowingly to Dancer] You know, famous last words.
Lt. Ben Guthrie: [Surveying the dead junkie's apartment] Looks like Warner was quite a traveler.::Insp. Al Quine: [Sardonically] And nothin' like the trip he just took.
Julian: [Closing steamroom door after being invited in by Warren] Steam!::Julian: Don't stay in there too long. It opens the pores.::Dancer: [Chuckling] Heh-heh. That's a yock!::Julian: [Disdainfully] A yock?::Dancer: O.K, O.K., That's amusing.::Julian: Better... nuch better. Yock's a crude word.
Philip Dressler: Well, it's unfortunate we have to meet under these awful circumstances, I know.::Insp. Al Quine: [Flatly] We meet a lot of people under unfortunate circumstances, Mr. Dressler.
Sandy McLain: [Referring to Dancer] I knew a guy like him once.::Julian: No, you didn't. There's never been a guy like Dancer. He's a wonderful, pure pathological study. He's a psychopath with no inhibitions.
Plot
Former burlesque star May and her daughter Peggy dance in the chorus. When May has a fight with featured dancer Bubbles, Bubbles leaves the show and Peggy takes her place. When Peggy falls in love with wealthy Randy, May fears class differences may lead to misery.
Keywords: cheesecake, chorus, dancer, daughter, melodrama
A FRONT-ROW VIEW OF THE BURLESQUE WORLD!
Somewhere in your eye, that very special glow.
Something drawing me, to where, I do not know.
I never really thought that I would lose myself.
But now I'm going faster than anybody else.
You move without a sound, touch me with your hand
just like the rain that fondles every grain of sand.
This thing we're gonna do, it's just for you and me.
I'm gonna make it good, good as it can be.
Your kiss is sweeter now, your breath is getting warm.
We must take our time and last it through till dawn.
I wonder will it be? Oh, I expect it to.
There have been other girls, but no one else like you.
I feel a power here I've never felt before.
And I begin to see what drives us to want more.
Oh god of all my dreams, please tell me if I'm wrong.
Because I think you have been in love.
As time past, and all too fast, I just knew it couldn't last.
And I guess that the end was near at hand.
Oh we tried our love inside, it just crumbled up and died.
What went wrong I will never, never understand.
You tell me why.
Alone again - how could you leave me.
Alone again - I don't want to be.
Alone again - yeah!
There's a line, in a rhyme, I was going to send to you.
It says: All that is to be will surely be.
So, though you had to go 'cause you needed someone new,
is there still a chance that you'll come back to me?
I want you back you see.
Alone again - how could you leave me.
Alone again - I don't want to be.
Alone again - yeah!
Somewhere in your eye, that very special glow.
Something drawing me, to where, I do not know.
I never really thought that I would lose myself.
But now I'm going faster than anybody else.
You move without a sound and touch me with your hand
just like the rays that fondle every grain of sand.