That "Super Vixen" Girl is Back and She's Bigger Than Ever!
It's a tidal wave of laughs When "CHESTY" puts her deadly weapons into action!
CPO may refer to:
Lorenzo Jerald Patterson (born June 14, 1969), better known by his stage name MC Ren, is a rapper who formed part of the group N.W.A. His moniker is derived from his first name (Lorenzo).
Patterson was born and raised in Compton, California. He and fellow N.W.A. members Arabian Prince, DJ Yella, Dr. Dre, and Eazy-E all originated in Compton. The only member of N.W.A that wasn't from Compton was Ice Cube who is from South Central Los Angeles. Before N.W.A Mc ren decided to join the army with his friend. But he changed his mind, when he saw a pragmatic U.S. Marine movie, and then he hooked up with Eazy-E and started his career.
He joined the gangsta rap group N.W.A after dropping out of Brown University, where he was studying classical literature. He contributed vocals on their album Straight Outta Compton (1988) as well as co-writing several tracks after Ice Cube left the group in 1989. N.W.A became the first gangsta rap group to gain mainstream success. However, as their album Niggaz4Life reached the #1 spot on the Billboard 200 in 1991, financial conflict between Dr. Dre and Ruthless Records led to the group disbanding. He also personally cited the inevitable tension of a close knit group. Group member Eazy-E was accused of skimming money along with the group's manager, Jerry Heller. Dr. Dre left to form Death Row Records.
John William "Johnny" Carson (October 23, 1925 – January 23, 2005) was an American television host and comedian, known for thirty years as host of The Tonight Show Starring Johnny Carson (1962–1992). Carson received six Emmy Awards, the Governor Award, and a 1985 Peabody Award. He was inducted into the Television Academy Hall of Fame in 1987. Johnny Carson was awarded the Presidential Medal of Freedom in 1992 and received a Kennedy Center Honor in 1993.
Although his show was already successful by the end of the 1960s, during the 1970s Carson became an American icon and remained so until his retirement in 1992. He adopted a casual, conversational approach with extensive interaction with guests, an approach pioneered by Arthur Godfrey and previous Tonight Show hosts Steve Allen and Jack Paar. Late night hosts David Letterman, Jay Leno, Conan O'Brien, Craig Ferguson, and Jimmy Fallon have all cited Carson's influence on their late-night talk shows, which resemble his in format and tone.
Carson was born in Corning, Iowa, in the year 1925, to Homer Lloyd "Kit" Carson, a power company manager, and Ruth Hook Carson, who was of Irish descent. He grew up in the nearby towns of Avoca, Clarinda, and Red Oak in southwest Iowa before moving to Norfolk, Nebraska, at the age of eight. At the age of twelve, Carson found a book on magic at a friend's house and immediately purchased a mail-order magician's kit. He debuted as "The Great Carsoni" at fourteen and was paid $3; many other performances at local picnics and country fairs followed.
Donald Jay "Don" Rickles (born May 8, 1926) is an American stand-up comedian and actor. A frequent guest on The Tonight Show Starring Johnny Carson, Rickles has acted in comedic and dramatic roles, but is best known as an insult comic.
Rickles was born in the New York City borough of Queens to Max Rickles, who had emigrated in 1902 with his parents Joseph and Frances Rickles from Kaunas, Lithuania (then in the Russian Empire), and Etta (Feldman) Rickles, born in New York to immigrant parents from the Austrian Empire. His family was Jewish and spoke Yiddish at home. Rickles grew up in the Jackson Heights area.
After graduating from Newtown High School, Rickles enlisted in the U.S. Navy and served during World War II on the USS Cyrene as a seaman first class. He was honorably discharged in 1946. Two years later, he studied at the American Academy of Dramatic Arts and then played bit parts on television. Frustrated by a lack of acting work, Rickles began doing stand-up comedy. He became known as an insult comedian by responding to his hecklers. The audience enjoyed these insults more than his prepared material, and he incorporated them into his act. When he began his career in the early 1950s he started calling ill-mannered members of the audience a "hockey puck". His style was similar to an older insult comic, "Mr. Warmth" Jack E. Leonard, though Rickles denies that Leonard influenced his style.
[Lil' Nation]
Get up, best to follow the Nation
We are - the Capital Punishment Organization
Alias - we never needed one you know
We are the fortress of the empire C.P.O.
Here it is, yes, a rhythm message to the brothers
and others - who think about killin another
Who abuse the excuse for doin it, because they havin it rough
but ain't no reason valid enough
Listen up, while I tell you a story, devoid of glory
Might even be a little bit gory
cause the way that it happened I won't consider it braggedy
A drive-by shootin that ended up a tragedy
He was shot, layin in the street dead, reasons unknown
Another homey gone, never have his own throne
cause an ignorant brother pulled the trigger
He wasn't even a brother, he was a nigga
Another one dead, shot in the head, a sister
Wonder in retrospect - what if the bullet had missed her?
A victim caught up, in the storm of the stereotypical
Another brother shot condition listed as critical
Band together to override
In order to let slide the ramifications of the dark tide
Seperatin the men from the boys, is the policy of a foe
A boy makes too much noise y'know
Let me put this, in proper perspective
Killin that noise is my prime objective
And when I say noise, I mean the loudest of all
I mean the brothers killin brothers, so foe build the wall.. {*echoes*}
The wall.. {*echoes*}
The wall.. {*echoes*}
The wall.. {*echoes*}
Some try to escape the reality of it all (by doin what.. what..)
by cold drinkin 8-ball
Mind's in a zone below my own
They thinkin on a lower level, cause they in leagues with the devil
Neville Brothers say tell it like it is, so I will, it's a fact
The bigger the headache, the bigger the peer
So expose who oppose because the brains they lack
who distribute the powder white while they killin the color black
Religion, not a smidgen in they mental vision
They choose to live in red - devil makin decisions for em
cause they never knew the meaning of piety
Members only of the dead society
The cluckers the smokers the rock rushers the pipe chokers death
That's what they boast while they walk around comatose
And we'll be the ones to bury em one and all
Teach the religion of the wall
Bet, the jury of fury yes, the rebels of hip-hop will build
They want us to yield, but we'll not, we're visionaires
They buried my commentary in cemetaries
They knew my sermon of freedom was preliminary
to educated the uneducated, who stood in the crowd and waited
for doers of oppression to fall
This is the movement, the foe and the C.P.O.
had chosen to call the war against low-livin - the wall.. {*echoes*}
The wall.. {*echoes*}
The wall.. {*echoes*}
The wall.. {*echoes*}
We on a mission, that is to reposition the coefficient
So listen, cause I will be dissin throughout the coalition
those, who propose to live the life we label atrocious
So as I convert em to C.P.OSis - thus,
I reiterate - before you mitigate a cause to effect the situation
Fade to Lil' Nation
Sellin narcotics so as they increase
mental disillusioned seek to perpetuate the confusion
Scope the negative, to focus on the regulators of crime
This is the premise of a rebel rhyme
The culture with turbulence it's a problem of continous buggin
I go to the wall so I can plug in
the power, this is the hour to push the button
Cause nothin can stop the flow or the purpose of the C.P.O.
The sinners the killers who be runnin it, can suffer a lifetime
The agony of Capital Punishment
And the dope dealers, I push and I push but you never budge
I send you to court - you own the judge and the jury
that acquitted you, they lied cause I know you a pusher
If not for dope, then you pushin for genocide
But I'll ride you, lost I will find you
Blind I will guide you, forget I'll remind you
Your diabolical schemes to reign supreme as the enemy
is about to fall to the strength of, the wall.. {*echoes*}
The wall.. {*echoes*}
The wall.. {*echoes*}
The wall.. {*echoes*}
The wall.. {*echoes*}
The wall.. {*echoes*}
The wall.. {*echoes*}
The wall.. {*echoes*}
{movie dialogue}
Yeah, well if you're the sheriff, you better get these men underground
Get three coffins ready
{D.J. Train cuts and scratches "Welcome to Homicide"}
[Lil' Nation]
Aiyyo, enter the center for the world that's dark and demented
Rap is like a savage to rhythm because I sent it
to push the bass, down to 808, and deeper
To thump the walls on the house of the Grim Reaper
Yo, pump up the funk level then increase to open dome
Punks and peasants bow to the King on the throne
About to bust like a lunatic, snatch the gauge and the mac
Suckers that wish to overthrow? Step the fuck back!
This is madness and I'm the head madman
Time for the straightjacket so loosen up the straps and
yo I'ma get dumb, rip this funky continuum in half
Lil' Nation, the C.P.O. psychopath
You can't demolish the pedestal of the ruler
Suckers who be lackin knowledge I guess I got to school ya
Need I remind you of the fact I'm the eradicator
C.P. too radical, Capital Gladiator
Animal out of a cage, cause bars I'm bendin em
Even when the tempo's slow, I swing like a pendulum
Solid for suckers cause I'm a deadly motherfucker
When your face and my gauge collide
you'll become a victim of homicide
{D.J. Train cuts and scratches screaming sounds}
[Lil' Nation]
Check it this is a warning
So you know to step off when I'm on the scene
Forget expected, catch your neck reject on my guillotine
Beware when I rush, your skull I will crush, like a mallet
Cause I'm the "Menace" just like I said in the "Ballad"
No beginners in the posse allowed
So the wack and new jack can snack a pack of Similak
stacked in the crowd
Occupation, alie-n-ation incredible
Swangin when I'm downsteppin repeatin defeat was inevitable
Mistake me for being unarmed but my tongue is like a pistol
Intercontinental Ballstic Missile
Fire with the fury, from the rage of an Asian
Obliteratin suckers that battle me, it's fatal to rat on me
For those that requestin relocation NO, permission denied
There's no escapin your fate not even suicide!
Push down the lever on the box, so I can explode
Drop like the bomb that's atomic onto the next load
No, I'm not just an image, I'm the reality
Living incarnation of the dark, side of mortality
A nightmare, brought to life - with the primary purpose
of making you DIE - cause my business is strictly homicide
{D.J. Train cuts and scratches screaming sounds}
[Lil' Nation]
The sound in the background, is the melodical rhythm of the Minister
M.C. Ren manufactured the beat symbolic and sinister
But step off, when I flow, listen to intuitions
Kick inhibitions, doin music which enter the C.P.O.
It's a method I kept in my autobiography
like a weapon to deaden the half-steppin that follow me
Before I dismember, burnt to a cinder, blacken they glimmer of hope
and wake em up when they dreamin they dope
I proceed to specialize when I'm hype and demesmerizin the
enemies that attack, then I figure,
that if they should succeed to get any bigger that I'ma have to trigger
Ren, the Ruthless excutioner of niggaz
So, come one, come all, keep your weapons intact
Didn't you know I was steppin with "The Villain in Black"
It's too late, to escape the spot, I'm havin none of it
So when the bass drops, prepare for perils of punishment
It's a thunderstorm, and up your ass I'ma take your victory flag
and.. STICK, you know from the first verse I'm a lunatic
But when it comes to death, I kill to see you die
for the thrill to commit a homicide
{D.J. Train cuts and scratches screaming sounds}
{movie dialogue}
*gun shots fired*