A cable is most often two or more wires running side by side and bonded, twisted or braided together to form a single assembly, but can also refer to a heavy strong rope. In mechanics cables, otherwise known as wire ropes, are used for lifting, hauling and towing or conveying force through tension. In electrical engineering cables are used to carry electric currents. An optical cable contains one or more optical fibers in a protective jacket that supports the fibers.
Electric cables discussed here are mainly meant for installation in buildings and industrial sites. For power transmission at distances greater than a few kilometres see high-voltage cable, power cables and HVDC.
Ropes made of multiple strands of natural fibers such as hemp, sisal, manila, and cotton have been used for millennia for hoisting and hauling. By the 19th century, deepening of mines and construction of large ships increased demand for stronger cables. Invention of improved steelmaking techniques made high-quality steel available at lower cost, and so wire ropes became common in mining and other industrial applications. By the middle of the 19th century, manufacture of large submarine telegraph cables was done using machines similar to those used for manufacture of mechanical cables.
Ali Fazal (Hindi: अली फज़ल, born 15 October 1986) is an Indian actor who appears in Bollywood movies and on stage.
Ali Fazal's acting career started from an early age. He spent a short time living in Saudi Arabia with his parents as well. In high school he attend The Doon School, Dehradun, and performed on stage for the first time. He began his performances at the age of 16. In school he also developed a keen interest in writing scripts and directing. His performances include the Doon Schools production of Girish Karnad's "Hayavadana." Following advice of his teachers and from the response of the audiences, Ali then decided to pursue acting as a career.
Following his completion of studies at the Doon School, Ali traveled to Mumbai. He studied Economics at St. Xavier's College but also continued to pursue his love for acting. He was seen as a protagonist in the plays "Crab" by Arghya Lahiri, "Duck Variations" by David Mamet, "Who's Afraid of Virginia Wolf?", "All about my Mother" and "Proof".
Rhea Chakraborty, also known as VJ, is currently a video jockey on MTV India.
Rhea's stint at MTV India is her first job. After participating in MTV Teen Diva in 2009, she gave an interview at MTV Delhi wherein she was asked to stay back and audition for a VJ spot. She was a contestant on MTV's teen reality show Teen Diva and was a runner-up on the show. Soon she will be seen starring in a South Indian movie. Rhea is currently anchoring MTV India's Teachers' Parties.
She participated in TVS Scooty Teen Diva in 2009 and came out as a runner up of the show. She currently hosts MTV shows including Pepsi MTV Wassup and Gone in 60 seconds. She has also been hosting several shows for MTV like TicTac College Beat and anchoring other shows as well. She is currently doing a South Indian film.
Rhea was born on 1 July 1992.
Anupam Kher (born 7 March 1955) is an Indian actor who has appeared in nearly 450 films and 100 plays. Though mainly appearing in Bollywood films, he has had roles in some films from other nations as well. He has held the post of Chairman of the Censor Board and National School of Drama in India.
Anupam Kher was born into a Kashmiri Pandit family and lived in Shimla and was educated at D.A.V. School there. He is an alumnus and a former chairperson of the National School of Drama. Some of his early acting was in plays performed at the Himachal Pradesh University.
Kher made his acting debut in the 1982 Hindi movie Aagman. Then in 1984 came Saaransh, where 28-year old Kher played a retired man who has lost his son. He hosted TV shows such as Say Na Something To Anupam Uncle, Sawaal Dus Crore Ka and the recent Lead India. He has had many comic roles but has also played the villain such as his acclaimed role as terrorist Dr. Dang in Karma (1986). For his role in Daddy (1989) he received the Filmfare Critics Award for Best Performance. Kher has won the Filmfare Award for Best Performance in a Comic Role five times, more than any other actor.
Daniel Lawrence Whitney (born February 17, 1963), best known by his stage name and character Larry the Cable Guy, is an American stand-up comedian, actor, country music artist, voice artist, and former radio personality.
He is one of the members of the Blue Collar Comedy Tour, a comedy troupe which also includes Bill Engvall, Ron White, and Jeff Foxworthy (with whom he has starred on Blue Collar TV).
Whitney has released seven comedy albums, of which three have been certified gold by the RIAA for shipments of 500,000 copies. In addition, he has starred in three Blue Collar Comedy Tour-related movies, as well as in the films Larry the Cable Guy: Health Inspector, Delta Farce, and Witless Protection. He is widely known for voicing Mater in the Cars franchise. Whitney's catchphrase "Git-R-Done!" is also the title of his book.
On January 26, 2010, the TV channel History announced that it was ordering a series starring Whitney called Only in America with Larry the Cable Guy, in which he would explore the country and immerse himself in different lifestyles, jobs, and hobbies. The first episode of the series aired on February 8, 2011.
Plot
A new detective is attached to a major crime squad in a tough southern district of Sydney. This creates tensions within the squad, particularly when the squad is called out to a homicide and the prime suspect appears to be the new appointment.
[Joe is discussing his plans for the evening]::Det. Sgt. Joe Hill: I'm looking for something a little more...::Det. Snr. Sgt. Ted Hudson: Exciting?::Det. Sgt. Joe Hill: Exciting.::Det. Snr. Sgt. Ted Hudson: You know what your problem is Thrills? You solve a big case and you've got to come down, I've seen it before. You need to do something wild to keep the juices flowing.::Det. Sgt. Joe Hill: Like what?::Det. Snr. Sgt. Ted Hudson: In the old days I would've said go down to the pub and get into a fight. [Joe gets up to leave] Uh-uh, I said that was the old days. These days we live in touchy-feely times.::Det. Sgt. Joe Hill: No disrespect, boss, but I don't exactly want to get touchy-feely with you.::Det. Snr. Sgt. Ted Hudson: That's a shame, I shaved awfully close. [Laughs]::Det. Sgt. Joe Hill: So what do you suggest?::Det. Snr. Sgt. Ted Hudson: Think happy thoughts. Have a merangue. Have six more of these. [pushes beers towards him]::Det. Sgt. Joe Hill: [toasts] To misery.::Det. Snr. Sgt. Ted Hudson: To misery, Thrills. Have a good night.::Det. Sgt. Joe Hill: Bye, boss. [Ted leaves the office. Joe continues drinking]
Det. Sgt. Joe Hill: [to Fran at his door] Tell your daughter to give me a call.::Fran Hoffmann: She's downstairs in the car, actually. We're going out to dinner. We're celebrating.::Det. Sgt. Joe Hill: What's the occasion?::Fran Hoffmann: I'm going back to wrok in a few weeks. Want to join us?::Det. Sgt. Joe Hill: Who's paying? [sighs] Hmm? Come on, what's the catch?::Fran Hoffmann: That's so typical of you, Joe. You think everyone's got an ulterior motive.::Det. Sgt. Joe Hill: Alright, thank you for asking. I accept.::Fran Hoffmann: Good. You can keep Lachlan busy while I talk to my daughter.::Det. Sgt. Joe Hill: I knew there was a catch. There's no way I'm spending my Tuesday night watching that prick feed your daughter garlic bread.::Fran Hoffmann: Now look, [takes Joe's keys from his hand] I'm going to spend some quality time with my daughter and you're going to talk to Lachlan.::Det. Sgt. Joe Hill: Give me my keys, that's theft! Give them back.::Fran Hoffmann: Then arrest me. [she walks downstairs - Joe sighs, and follows]
Daphne Mullins: [about a murder victim] I see Mr.Gibson every six months to sign forms.::Snr. Constable Theo Rahme: What sort of forms are those?::Daphne Mullins: Green ones.
Nicole Brown: [discussing a theif's motive] Maybe that's why he did it. Got sick of being walked all over. Of being Rory Snory.::Det. Sgt. Joe Hill: [hands her a box of Viagra he found] Don't judge a book by its cover.::Nicole Brown: Viagra.::Det. Sgt. Joe Hill: Pills of Thrills. [Nicole chuckles] You hungry? Want to get something to eat?::Nicole Brown: [hands Viagra back] Strictly business?::Det. Sgt. Joe Hill: Don't be ridiculous, Constable Brown, of course. Hey... want to try these out? [both laugh] How long would it take a woman?::Nicole Brown: Don't know. Ask Theo.
Det. Sgt. Joe Hill: Constable Brown?::Nicole Brown: Sorry, I was just thinking about that bed.::Det. Sgt. Joe Hill: My bed? [raises eyebrows mischeviously]::Nicole Brown: Very funny.
Lachlan Shaw: I like that dress.::Det. Snr. Constable Harriet Walker: Thank you.::Lachlan Shaw: [Hugs her] Wonder what it would look like on the floor.::Det. Snr. Constable Harriet Walker: [quietly] My mum's joining us for dinner.::Lachlan Shaw: [Turns and sees Harriet's mum watching them] What a nice surprise!
Det. Snr. Constable Harriet Walker: [holds up set of keys] Could you please drop these off to my mum?::Det. Sgt. Joe Hill: I'd rather stick needles in my eye.::Det. Snr. Constable Harriet Walker: Come on, just throw them at her and run.::Det. Sgt. Joe Hill: I will. [takes keys begrudginly]
Constable Sophia Marinkovitch: [catching Theo] Theo, wait. Look, um, I know that things have been weird between us for a while and I know I said that work relationships can't... work, but maybe they can, I don't know. But the thing is, I know I said I didn't want things to go any further between us, and maybe I do, now. Look, I've finally decided on something I need to do, so I guess what I'm trying to say is, I'm willing to take the risk if you are. [she turns and leaves a very stunned Theo]
Det. Snr. Sgt. Ted Hudson: [at an open house, just before an auction] Yes, there's still a fair amount of blood in between the floorboards. See that. [Gestures to client] You're the forensic boys, aren't you?::Client: No.::Det. Snr. Sgt. Ted Hudson: Oh, sorry. [extends his hand] Detective Chief Ted Hudson, from Kingsway. I'm just finalizing a murder inspection here. [points to floor] Got a lot of blood. It's amazing how difficult it is to get out. And that smell... smell that? You never get it out. Ever. [stands] Still, it's a pretty good place. I like those little lights. I love them. [leaves bewildered clients]::Auctioneer: Who will open the bidding? Anybody? [no one is bidding. Ted shrugs]
Det. Sgt. Joe Hill: If my uncle were a woman, well, he'd be my auntie.
Plot
A group of mostly black infantrymen return from the Spanish-American War with a cache of gold. They travel to the West where their leader searches for the men who lynched his father.
Keywords: african-american, black-independent-film, black-romance, black-western, blaxploitation, bullet-time, comic-relief, cowboy, father-daughter-relationship, female-rear-nudity
The Untold Story of the Wild West
From the director of "New Jack City"
Father Time: Mister... I don't know you. But when I get through with you, won't nobody know you.
Colonel Graham: Jesse, did you know that this man is the last surviving member of the Mo-Tee-Sah tribe? Yes! The Mo-Tee-Sah tribe. I'll show you. [picks up coffee cup]::Weezie: [picks up coffee pot] Mo' Tea, sah?::Colonel Graham: I'm sorry I didn't hear you.::Weezie: Mo' Tea, sah?::Colonel Graham: No, thank you.
Jimmy J. 'Little J' Teeters: Damn! Who turned out the lights? Just a little humor. Have to admit I'm funny, ain't I?
Father Time: The Red Man ain't got no problem with the Black Man. As for you, White Boy, that's a whole different story. I mean, first you enslave the Black Man, exploit the Yellow Man, and then you kill off the Red Man so you can snatch up his land for railroads. Can I get a witness?::Obobo: Amen!::Jimmy J. 'Little J' Teeters: Well if I may approach the bench your Honor, first, I ain't ever personally enslaved nobody so, Time, you can kiss my White ass. Second of all, if there was a train coming through right now, I'd be on it and you'd be on it,except the only difference would be, I'd be gambling on it and you'd be fetching my chips like a little houseboy becuase you can't even cheat right. Now, can I get a witness?::Obobo: Amen!
Plot
Francis Ashby, a senior Oxford don on holiday alone in the Alps, meets holidaying American Caroline and her companion Elinor, the blossoming Irish-American girl she adopted many years before. Ashby finds he enjoys their company, particularly that of Elinor, and both the women are drawn to him. Back at Oxford he is nevertheless taken aback when they arrive unannounced. Women are not allowed in the College grounds, let alone the rooms. Indeed any liaison, however innocent, is frowned on by the upstanding Fellows.
Keywords: 1860s, 19th-century, academia, alps, american-abroad, anglo-american-relations, based-on-true-story, holiday, independent-film, may-december-romance
Education in love
Plot
BASED on "Sans laisser d'adresse" by Alex Joffe and Jean Paul, New York City taxicab driver/owner Ed Nielson has to make a payment on his cab by nightfall, but a passenger he has just picked up, Mary Turner, just off the ship from Ireland, becomes a very deterring factor. She is looking for her husband, an American who visited Ireland, romanced and married her, and then returned alone to the United States. They cover a large portion of the city in their search but when they finally locate him, Mary learns it wasn't worth it. And Ed still has a payment to make.
Keywords: 1950s, american, based-on-book, broadway-manhattan-new-york-city, bronx-new-york-city, butler, cash-payment, delivery-man, dock, driver
The day St Anthony took a New York cabbie for a ride!
We sail through endless skies
stars shine like eyes
the black night sighs
The moon in silver trees
falls down in tears
light of the night
The earth, a purple blaze
of sapphire haze
in orbit always
While down below the trees
bathed in cool breeze
silver starlight breaks down the night
And so we pass on by the crimson eye
of great god Mars
as we travel the universe
Montana is beautiful
This time of the year
What the fuck do I know
My eyes are lying again
The whiskey is wearing off
I'm sobering up
Last piss of the night
Route 6 I fucking hate you
Another accident
Up on 95
Motor oil blues
Zero to sixty cruise
You filthy loser, you Sunday driver
Why don't you buy me a golden sewer?
And paint the walls a pretty color
And paint the walls a pretty color
You just walk right in
Like you still live here
Take your shit home
Because I don't want it anymore
Laughin' at you like a sick joke
You never amused me
Why don't you pour me a cup of coffee?
Put your head right through the windshield
Somebody please call the wrecker 'cause i'm all broken down.
Somebody please call the wrecker and have me towed away.
Sunday driver, caught on radar
Yeah, you don't love me
Gifts of silver and coal
Cold front moving like a snail
Crisp skin, broken legs, "she's here"
You've killed summer, lady luck is a fucking whore
Made in Mississippi , play me your blues old man
Tinted red sunglasses are your best friend
Stained green sheets are Benedict Arnold, "she's here"
I love those moments , still yet hostile
Not today i'm not
Said the greasy disgrace of a man
You're the biggest fuckin' loser in town, fuck.
Cheapest fuckin' hooker in town, fuck.
I can sell you a coke.
But you can't use my telephone.
I just want to get out of this place
Hell is in Missouri.
I've had my fill of coffee & pills,
Give me another smoke.
If you only knew the nightmares i've had
While sleeping in your bed.
You can fuck your southern hospitality,
There's gotta be more than
One way to run to Georgia.
Gonna run those dogs through your heart.
Six dead in the delta
Six dead in the delta
Six dead in the delta
Six dead in the delta
Six dead in the delta
You would look beautiful
With wires through your face
You would look beautiful
With traintracks for teeth
I need your love, twistes and sick
Broken and burned, I need your love
I'm leaving
This town
To Burn
Burn down
Fuck what I said in the letters
I'm a gamblin' man.
Every mintue, every second of my life.
Walking here's the easy part.
Miles from home in my piece of shit car.
Look at me, kiss my face.
It's all 50/50 and it can only get better from here.
Vegas- never-looked- this good.
...Twenty eight days in this steamhouse...
Another scumbag suicide
I'm wide eyed and snow blind
Waiting for the worst of it all to come.
Sold my soul here in the desert
And i'll be damned if i get it back any time soon.
This city's an eyesore among eyesores,
Looks like this round's on the house
So do me a favor and give me one last goodbye fuck.
Set the controls for the heart of the sun
Workin the night shift again
Got one more hour in me
Shouldn't be near these machines,
I'm askin' for trouble.
Didn't learn my lesson the first time.
Body crushin' machine
Body crushin' machine
Baby i'm in love
Baby i'm in love
You would look so good with bandages on your face...
I'm hurt again
I'm hurt again
Another cast, sew me up.
I'm out, fucked up again.
Send me to the therapist so i can spill my guts
I'm losing my mind in this place
The painkiller's wearin' off, get this boss off my back
Paint the windows black
Candles burn to death
Drop me a line
Chlorine in the motor
Give me the shot
Bullet in the chamber.
Feed me glass
(shoot me up)
Make me laugh.
(push it in)
We sail,
through endless skies,
stars shine like eyes,
the black night sighs.
The moon,
in silver trees,
falls down in tears,
light of the night.
The Earth,
a purple blaze,
of sapphire haze,
in orbit always.
While down,
below the trees,
bathed in a coll breeze,
silver starlight breaks down the night.
And so,
we pass on by,
the crimson eye,
of great god Mars,
as we travel...
You would look beautiful
With wires through your face
You would look beautiful
With traintracks for teeth
I need your love, twistes and sick
Broken and burned, I need your love
I'm leaving
This town
To Burn
Burn down
Fuck what I said in the letters
Watch the rubbish on TV
watch it bobble up and down down down down
it goes like water
it shows you nothing
or just enough to keep you docile.
breathe, why dont you breathe, I got your back man
kick your tv in, why dont you kick it
keep the frequencies from coming in
but you just keep on watching
when is static a disease?
when its not upon the screen now, now now
your mind is curved now, but not like space time
more like when a child draws a rainbow.
breathe, why dont you breathe, I got your back man
kick your tv in, why dont you kick it
keep the frequencies from coming in
but you just keep on watching
breathe, why dont you breathe, I got your back man
kick your tv in, why dont you kick it
keep the frequencies from coming in
but you just keep on watching
EINE ZWEI DREI VIER!
breathe, why dont you breathe, I got your back man
kick your tv in, why dont you kick it
keep the frequencies from coming in