- published: 24 Jan 2012
- views: 19093
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Learn the difference between the makeup of a minor and a major triad. See how they are really put together.
Find info and downloads for the charts for my youtube videos at http://www.worshiptheking.com/youtube
Subscribe to the WTK youtube channel and learn more at http://www.worshiptheking.com
Lessons, tutorials, and LIVE webinars for worship guitar, piano, music theory, and tech.
Connect with me today!
http://www.facebook.com/worshipthekingmusic
http://www.facebook.com/groups/wtkmember
http://www.twitter.com/wtkmusic
https://www.instagram.com/wtkmusic
In this lesson we are going to be checking out the E Chord. It's a nice easy one.
Find the related course notes on the following link:
http://justinguitar.com/en/BC-113-E-chord.php
The Justinguitar Beginners Guitar Course, a series of over 100 lessons on guitar for beginners. Text support is on the web site and also in a proper old skool paper book which can be ordered from the web site of your local music store :)
Please subscribe to my channel if you dig what I do! Your support is greatly appreciated and helps me continue to keep it free for everyone!
• Please Subscribe To This Channel
http://www.youtube.com/subscription_center?add_user=JustinSandercoe
See my web site for hundreds more free lessons, loads of songs and detailed courses for beginners and intermediate players getting into blues, jazz, fingerstyle and many lessons on technique, practice, ear training, theory and loads more…
http://www.justinguitar.com
And it is all totally free, no bull. No sample lessons, no memberships, no free ebook. Just hundreds of great lessons :)
To get help with this lesson and get additional notes and tips, use the Lesson ID in the search box at the top of the web site!
Hope you enjoy it - if you do please subscribe to my YouTube Channel and come find me on my socials below. Much appreciate the support!
• Facebook
https://www.facebook.com/justinguitarofficial
• Twitter
https://twitter.com/justinsandercoe
• JustinGuitar Community (GET HELP HERE)
https://www.justinguitarcommunity.com
• YouTube Lessons
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• YouTube Songs
https://www.youtube.com/user/JustinSandercoeSongs
•
- published: 03 Jun 2009
- views: 1544951
This is a cover of the song "Your Love" originally by Daithi DeNogla. The original can be found here: https://www.youtube.com/watch?v=f-wrL...
We want to thank you for watching our first video and we hope you enjoy! We hope to be putting up more videos as soon as possible!
Special thanks to these locations:
5 Stones Church
Ashland University
Gebhart's Family Grooming Center
Linders Sports Bar
- published: 02 Jun 2017
- views: 129
Go to http://JazzHeaven.com/lage for more FREE Lage Lund Videos! This was an excerpt from the Lage Lund instructional video/DVD entitled "Jazz Guitar Chordal Vocabulary".
Jam-packed Jazz Harmony Lesson: 3h Lesson(!), 60-min Interview, mp3 play-along, and PDF sheet music/TABS.
Click on http://JazzHeaven.com - other killer jazz instructional videos for all instruments with Kenny Werner, Lee Konitz, Walt Weiskopf, Vince Herring, Jerry Bergonzi and MORE.
(Plus jazz instructional videos with MANY other great jazz artists like Oz Noy, Eric Harland, Ralph Peterson, Ari Hoenig, Gilad Hekselman, Ingrid Jensen, Geoffrey Keezer, Enrico Pieranunzi & more.)
Go to http://JazzHeaven.com to check it out!
Lage Lund is acclaimed not only as one of the finest guitarists of his generation, but also one of the most compelling jazz artists in the world today. He is “all music and all soul,” according to Russell Malone, one of the judges who awarded Lund top prize in the 2005 Thelonious Monk International Jazz Competition.
Armed with a mastery of the standard repertoire and a growing body of original compositions, Lund swings with great authority, displaying a staggering harmonic sophistication and a singularly fluid voice as a soloist. He also brings a “casually magnetic” presence to the stage, “channeling reticence into a whisper-quiet mystique” (New York Times).
Born and raised in Skien, Norway, Lund relocated to Boston after high school and attended Berklee College of Music. In 2002 he moved to New York and soon became the first electric guitarist ever to enroll at the Juilliard School of Music. In the years since his Monk Competition victory, he has become a sought-after sideman with the David Sanchez Quartet, the Maria Schneider Orchestra, the Seamus Blake Quintet, the Mingus Orchestra and many more. He has been fortunate enough to work with elder statesmen and peers alike: Ron Carter, Mulgrew Miller, Wynton Marsalis, Carmen Lundy, FLY, Marcus Strickland, Jaleel Shaw, Will Vinson, Aaron Parks, Kendrick Scott, Jimmy Greene and Ingrid Jensen, among others.
Lunds 2013 release Foolhardy on the Criss Cross label, his follow up to the critically acclaimed Unlikely Stories is a vibrant set of mainly original tunes with a superb supporting cast: pianist Aaron Parks joining the returning bassist Ben Street and drummer Bill Stewart.
In 2011 he brought out the independent live recording Small Club – Big City, produced by Jimmy Katz and recorded over several nights at the intimate Bar Next Door. This fine album captures the warm sound and intense interplay of Lund’s trio with bassist Orlando Le Fleming and drummer Marcus Gilmore (Jamire Williams on two tracks).
With the 2012 quartet release Live at Smalls — featuring Gilmore, Street and pianist Pete Rende — Lund continues to refine his artistry, bringing tonal clarity and an unerring sense of proportion to music recorded at Smalls, the famed Greenwich Village club. Through stateside appearances and live engagements throughout Europe, Japan and around the world, Lund has ascended to the highest ranks as a performer and a creative force. He is among those setting the agenda for jazz improvisation in the 21st century.
Hope you enjoyed this video clip on Jazz Guitar Harmony
https://www.youtube.com/watch?v=Fdl0elcN4Mk
- published: 11 Jun 2015
- views: 19330
Free Lesson Download: http://www.tomasmichaud.com/guitar-chord-theory-2
My free lesson download includes an Interval Chart with the names and steps of all the intervals as well as diagrams to help you get even more from this lesson.
Get the most from this lesson here: http://www.tomasmichaud.com/guitar-chord-theory-2
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Guitar Chord Theory made Easy Triads And 7th Chords
Hey there, if you wanna learn a little guitar theory in a fun and easy way, you’re in the right place. We’re gonna talk about chords and how they are constructed.
Hey there, for those of you who don’t know me, I’m Tomas Michaud founder of Real Guitar School. Today I’m gonna talk about guitar chords, how they are constructed. Now let me start off by telling you if you are a brand new beginner, this is not the best way to learn chords, really, the best way to start out is to learn some basic chord forms, get using on strums and then supplement that with some understanding of how chords are constructed. It will help you move farther but it’s not the best way to just start out so now were clear on that. I’m assuming you know some basic chords. Let me show you a little short video first that will show you how some basic major minor triads are constructed.
Here we have a basic G major triad. G is the root of the chord. The interval from G to E is called a major third so we called that a major third. I’ll use a capital M for a major third, a little m for minor third. Now the next interval that were interested in here is the root to the fifth. E is the third and G to D is an interval of a fifth. In this case, it’s called a perfect fifth so all major triads will start with a major third from the root and then from the root, a perfect fifth.
Now let’s go over to the next chord which is E minor. From the E to the G, it’s a minor third interval and we will use a small m. From the E to the B again from the root to the next note is another perfect 5th. All minor triads are three notes with the root note to the third being a minor third and the root note to the fifth being a perfect 5th. If you follow that formula you always end up with a minor triad.
Okay let’s take a look at what we just did. Now on the guitar, here’s a basic G chord. Now this chord has those three notes that we talked about in the chord but there’s some duplicate that’s why there’s more than three notes. So we start off with the G B and D those are the three notes. Then we go on to duplicate them. This is another G, another B and then another G, we got three G’s in there. You can almost never go wrong by duplicating the root note in this case G. So now the minor, E minor, E minor chord so let’s start off with the E then we have the B, another E, already we duplicate the E then it goes through the open G that’s the B again and again open E, duplicate notes really with three notes some of them duplicated just like we showed you in the video – E minor. Now let me show you another video, we’re gonna add 7th note to these chords. We’re gonna expand on it a little bit.
Now here we have a G7 chord. This is basically the same triad which has a perfect major third – a major third interval on the bottom – that must be a capital M and then that same perfect 5th interval but in addition it has a 7th interval, that F is the 7th from the root note and we will call that a minor 7. There is such thing as a major 7th also so for now our G7 has a major 7. Let’s go to the E minor and were gonna show you the same thing. It is still the minor triad, this is the minor third, that must be a small m and then the perfect 5th and again that same minor 7th interval from the E to the D and this is E minor 7 (Oh, where’s that minor) there it is.
Hey there welcome back. Okay I’m gonna show you in the guitar what we just learned. Starting with the G chord, I’m gonna start with that regular G triad. I still call it a triad even though we duplicated some of the notes. Now were gonna add an F note to this chord. To do that the most common way, is to put my first finger on the first fret of the first string, that’s an F note, now it’s a G7. There are many forms of G7 but this one is the most common.
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https://www.youtube.com/watch?v=8jB2dBDckUA
You Will Also Enjoy This:
https://www.youtube.com/watch?v=nD_d923Jdi4
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Please watch: "Easy Tutorial 12 Bar Blues in E Lesson [1/3]"
https://www.youtube.com/watch?v=_9S0Mf9-Jn0
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- published: 09 Jun 2016
- views: 2469
This is us playing around with our new recording mic. Comment for critique!
- published: 24 Apr 2012
- views: 118
http://www.beatport.com/release/tunes-from-a-divided-city/1058665
Erich Lesovsky - Tunes from a divided City EP ( CIRCAT001 )
01 - Erich Lesovsky - We ate the third Chord
02 - Erich Lesovsky - She kissed him in Berlin
03 - Erich Lesovsky - Humans
www.soundcloud.com/erich_lesovsky
www.youtube.com/maomakmaa
www.facebook.com/Erich.Lesovsky
www.circat.eu
- published: 30 Oct 2012
- views: 604
Alessio Nanni, italian classical pianist, performs the Scherzo in b minor op.20 nr.1 by Fryderyk Chopin.
This first Scherzo takes A-B-A-Coda form and begins with two chords in fortissimo. At tremendous speed, a series of dramatic outbursts in the B minor tonic follows. Near the center of the piece, the music leads into a slower section in B major; finally one hears a tangible melody in the middle register, surrounded by accompaniment in both the left and upper right hands. Chopin clearly quotes in this section of the composition from an old Polish Christmas song (Lulajże Jezuniu); tempo is marked as Molto Piu Lento. The B major area dissolves as the harmony mysteriously changes character via secondary dominant. The two chords from the very start reappear, superimposed over vestiges of the middle section. Then the beginning presto repeats itself in the familiar minor tonic.
The lead-in to the dramatic, virtuosic coda is similar to the approach toward the Molto Piu Lento, but slightly different (as it is with Chopin's Second and Third Scherzi also). This final section incorporates dizzying arpeggiated flights up and down almost the entire keyboard, suspended by a climactic series of nine ten-note chords (E# diminished seventh (with diminished third), augmented sixth chord in root position, secondary leading-tone chord of tonic B). After the resolution and a rapid chromatic ascent over four octaves in both hands, the coda and piece come to a triumphant end via a bold minor plagal cadence.
__________________________________________________________
Recorded on december 8th 2010 at Passadori Steinway Hall - Brescia
Produced in collaboration with www.passadoripianoforti.it.
Video release date : 23/12/10
IMPORTANT NOTICE:
We suggest to wait until the video is fully downloaded before start watching.
Switching from Flash Player to HTML5 player is strongly recommended in order to avoid any frame-drop.
Please fullscreen it.
Produced by © WHITE NOISE FACTORY
Piano: Steinway & Sons, Concert Grand mod. D
Piano technician: Giulio Passadori
Recorded in super high definition: 96khz/24 bit technology.
Special thanks to: Giovanni Doria, Giulio and Angela Passadori, Simona Passadori, Flavio Gheruzzi.
© by Alessio Nanni - All Rights Reserved
www.alessionanni.com
- published: 23 Dec 2010
- views: 79429
My Favorite Things is a 1961 jazz album by John Coltrane. It is considered by many jazz critics and listeners to be a highly significant and historic recording. It was the first session recorded by Coltrane on the Atlantic label, the first to introduce his new quartet featuring McCoy Tyner (Piano), Elvin Jones (Drums) and Steve Davis (Bass) - neither Jimmy Garrison nor Reggie Workman featured as yet.
It is classed as another album in which Coltrane made a break free of bop, introducing complex harmonic reworkings of such songs as "My Favorite Things", and "But Not For Me". Additionally, at a time when the soprano saxophone was considered obsolete, it demonstrated Coltrane's further investigation of the instrument's capabilities in a jazz idiom.
The standard "Summertime" is notable for its upbeat, searching feel, a demonstration of Coltrane's 'sheets of sound', a stark antithesis to Miles Davis's melancholy, lyrical version on Porgy and Bess. "But Not For Me" is reharmonised using the famous Coltrane changes, and features an extended coda over a repeated ii-V-I-vi progression.
The title track is a modal rendition of the Richard Rodgers/Oscar Hammerstein's seminal song My Favorite Things from The Sound of Music. The melody is heard numerous times throughout the almost 14-minute version, and instead of soloing over the written chord changes, both Tyner and Coltrane taking extended solos over vamps of the two tonic chords, E minor and E major. Tyner's solo is famous for being extremely chordal and rhythmic, as opposed to developing melodies. In the documentary The World According to John Coltrane, narrator Ed Wheeler remarks: "In 1960, Coltrane left Miles [Davis] and formed his own quartet to further explore modal playing, freer directions, and a growing Indian influence. They transformed "My Favorite Things", the cheerful populist song from 'The Sound of Music,' into a hypnotic eastern dervish dance. The recording was a hit and became Coltrane's most requested tune—an abridged broad public acceptance."
A cover of the title track appeared on the OutKast album The Love Below.
It is one of the most well-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D minor7, followed by eight bars of Eb minor7 and another eight of D minor7. This AABA structure puts it in the format of popular song structure.
The piano and bass introduction for the piece was written by Gil Evans for Bill Evans and Paul Chambers on Kind of Blue. An orchestrated version by Gil Evans of this introduction is later to be found on a television broadcast given by Miles' Quintet (minus Cannonball Adderley who was ill that day) and the Gil Evans Orchestra; the orchestra gave the introduction after which the quintet produced a rendition of the rest of "So What".
The distinctive voicing employed by Bill Evans for the chords that interject the head, from the bottom up three perfect fourths followed by a major third, has been given the name "So What chord" by such theorists as Mark Levine.
While the track is taken at a very moderate tempo on Kind Of Blue, it is played at an extremely fast tempo on later live recordings by the Quintet, such as Four and More.
The same chord structure was later used by John Coltrane for his standard "Impressions".
- published: 18 Feb 2010
- views: 10768
Third (chord)
In music, the third factor of a chord is the note or pitch two scale degrees above the root or tonal center. When the third is the bass note, or lowest note, of the expressed triad, the chord is in first inversion 
Play .
Conventionally, the third is third in importance to the root and fifth, with first inversion being the second strongest inversion and the third in all primary triads (I, IV, V and i, iv, v) being variable, major or minor. In jazz chords and theory, the third is required due to it determining chord quality.
The third in both major and augmented chords is major (E♮ in C) and the third in both minor and diminished chords is minor (E♭ in C).
Tenth
In music and music theory, a tenth is the note ten scale degrees from the root of a chord and also the interval between the root and the tenth.
Since there are only seven degrees in a diatonic scale the tenth degree is the same as the mediant and the interval of a tenth is a compound third.
See also
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Third_(chord)
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
The Third
The Third (Japanese: ザ・サード, Hepburn: Za Sādo) is a light novel series, that has also been made into manga and anime series by Ryo Hoshino (星野亮, Hoshino Ryō) and illustrated by Nao Goto (後藤なお, Gotō Nao). The anime series goes under the name The Third: Aoi Hitomi no Shōjo (ザ・サード～蒼い瞳の少女～, Za Sādo - Aoi Hitomi no Shōjo, "The Third: The Girl with the Blue Eye"). According to the New York Comic Convention, The Third has been licensed by Kadokawa Pictures U.S.A. and is distributed by Nozomi Entertainment for U.S. release. The anime was released in summer of 2007.
Plot
The series is set many years after a devastating war, which killed 80% of the Earth's population. Earth is being watched by a group of beings known as The Third from a city called Hyperius. They are named after a red jewel-like eye on their forehead (Space Eye) that serves as a port for data access and other types of communication. These beings are committed to protecting the humans from harm. One of the main ways is to protect the humans is to control the amount of "technos" or technology that the humans have access to, known as the "technos taboo". Humans found using forbidden technos could be killed by The Third's best "autoenforcer" an AI robot named Bluebreaker.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/The_Third
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
E minor
E minor is a minor scale consisting of the pitches E, F♯, G, A, B, C, and D. Its key signature has one sharp. The E harmonic minor raises the note D to D♯.
Its relative major is G major, and its parallel major is E major.
Much of the classical guitar repertoire is in E minor, as this is a very natural key for the instrument. In standard tuning (E A D G B E), four of the instrument's six open (unfretted) strings are part of the tonic chord. The key of E minor is also popular in heavy metal music, as its tonic is the lowest note on a standard-tuned guitar.
Notable classical compositions in this key
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/E_minor
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Chord
Chord may refer to:
- Chord (guitar) a chord played on a guitar, which has a particular tuning
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Chord
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Lage Lund
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Lage Lund (born 12 December 1978 in Skien, Norway) is a Norwegian jazz guitarist living in Brooklyn, New York.
Biography
After discarding his dream of becoming a professional skateboarder, Lund diverted his attention to music and picked up the guitar at the age of 13. He soon founded his own trio playing gigs at local clubs, and at the age of 16 he was allowed to start playing regular. While Skien, Norway might not be the most central of jazz scenes, Lund was drawn to the music. This, along with a scholarship to Berklee College of Music, led him to relocate to Boston after graduating high school. There he found a great community of musicians through the schools and through a steady gig at famed Wally’s jazz café. In 2002 a grant from the Fulbright foundation offered him the opportunity to move to New York. In 2003 he entered The Juilliard School full scholarship jazz program as the first electric guitarist in the history of the school, with graduation in 2005.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Lage_Lund
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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1:51Major and minor third intervals in relation to chords
Major and minor third intervals in relation to chordsMajor and minor third intervals in relation to chords
Learn the difference between the makeup of a minor and a major triad. See how they are really put together. Find info and downloads for the charts for my youtube videos at http://www.worshiptheking.com/youtube Subscribe to the WTK youtube channel and learn more at http://www.worshiptheking.com Lessons, tutorials, and LIVE webinars for worship guitar, piano, music theory, and tech. Connect with me today! http://www.facebook.com/worshipthekingmusic http://www.facebook.com/groups/wtkmember http://www.twitter.com/wtkmusic https://www.instagram.com/wtkmusic -
5:16E Chord - Easy Third Guitar Chord - Beginner Guitar Lessons Stage 1 - JustinGuitar [BC-113]
E Chord - Easy Third Guitar Chord - Beginner Guitar Lessons Stage 1 - JustinGuitar [BC-113]E Chord - Easy Third Guitar Chord - Beginner Guitar Lessons Stage 1 - JustinGuitar [BC-113]
In this lesson we are going to be checking out the E Chord. It's a nice easy one. Find the related course notes on the following link: http://justinguitar.com/en/BC-113-E-chord.php The Justinguitar Beginners Guitar Course, a series of over 100 lessons on guitar for beginners. Text support is on the web site and also in a proper old skool paper book which can be ordered from the web site of your local music store :) Please subscribe to my channel if you dig what I do! Your support is greatly appreciated and helps me continue to keep it free for everyone! • Please Subscribe To This Channel http://www.youtube.com/subscription_center?add_user=JustinSandercoe See my web site for hundreds more free lessons, loads of songs and detailed courses for beginners and intermediate players getting into blues, jazz, fingerstyle and many lessons on technique, practice, ear training, theory and loads more… http://www.justinguitar.com And it is all totally free, no bull. No sample lessons, no memberships, no free ebook. Just hundreds of great lessons :) To get help with this lesson and get additional notes and tips, use the Lesson ID in the search box at the top of the web site! Hope you enjoy it - if you do please subscribe to my YouTube Channel and come find me on my socials below. Much appreciate the support! • Facebook https://www.facebook.com/justinguitarofficial • Twitter https://twitter.com/justinsandercoe • JustinGuitar Community (GET HELP HERE) https://www.justinguitarcommunity.com • YouTube Lessons https://www.youtube.com/user/JustinSandercoe • YouTube Songs https://www.youtube.com/user/JustinSandercoeSongs • -
2:55Your Love - Third Chord Cover
Your Love - Third Chord CoverYour Love - Third Chord Cover
This is a cover of the song "Your Love" originally by Daithi DeNogla. The original can be found here: https://www.youtube.com/watch?v=f-wrL... We want to thank you for watching our first video and we hope you enjoy! We hope to be putting up more videos as soon as possible! Special thanks to these locations: 5 Stones Church Ashland University Gebhart's Family Grooming Center Linders Sports Bar -
5:35*Lage Lund Jazz Guitar Lesson* Getting Away from Obvious (Third) Chord Voicings JazzHeaven.com
*Lage Lund Jazz Guitar Lesson* Getting Away from Obvious (Third) Chord Voicings JazzHeaven.com*Lage Lund Jazz Guitar Lesson* Getting Away from Obvious (Third) Chord Voicings JazzHeaven.com
Go to http://JazzHeaven.com/lage for more FREE Lage Lund Videos! This was an excerpt from the Lage Lund instructional video/DVD entitled "Jazz Guitar Chordal Vocabulary". Jam-packed Jazz Harmony Lesson: 3h Lesson(!), 60-min Interview, mp3 play-along, and PDF sheet music/TABS. Click on http://JazzHeaven.com - other killer jazz instructional videos for all instruments with Kenny Werner, Lee Konitz, Walt Weiskopf, Vince Herring, Jerry Bergonzi and MORE. (Plus jazz instructional videos with MANY other great jazz artists like Oz Noy, Eric Harland, Ralph Peterson, Ari Hoenig, Gilad Hekselman, Ingrid Jensen, Geoffrey Keezer, Enrico Pieranunzi & more.) Go to http://JazzHeaven.com to check it out! Lage Lund is acclaimed not only as one of the finest guitarists of his generation, but also one of the most compelling jazz artists in the world today. He is “all music and all soul,” according to Russell Malone, one of the judges who awarded Lund top prize in the 2005 Thelonious Monk International Jazz Competition. Armed with a mastery of the standard repertoire and a growing body of original compositions, Lund swings with great authority, displaying a staggering harmonic sophistication and a singularly fluid voice as a soloist. He also brings a “casually magnetic” presence to the stage, “channeling reticence into a whisper-quiet mystique” (New York Times). Born and raised in Skien, Norway, Lund relocated to Boston after high school and attended Berklee College of Music. In 2002 he moved to New York and soon became the first electric guitarist ever to enroll at the Juilliard School of Music. In the years since his Monk Competition victory, he has become a sought-after sideman with the David Sanchez Quartet, the Maria Schneider Orchestra, the Seamus Blake Quintet, the Mingus Orchestra and many more. He has been fortunate enough to work with elder statesmen and peers alike: Ron Carter, Mulgrew Miller, Wynton Marsalis, Carmen Lundy, FLY, Marcus Strickland, Jaleel Shaw, Will Vinson, Aaron Parks, Kendrick Scott, Jimmy Greene and Ingrid Jensen, among others. Lunds 2013 release Foolhardy on the Criss Cross label, his follow up to the critically acclaimed Unlikely Stories is a vibrant set of mainly original tunes with a superb supporting cast: pianist Aaron Parks joining the returning bassist Ben Street and drummer Bill Stewart. In 2011 he brought out the independent live recording Small Club – Big City, produced by Jimmy Katz and recorded over several nights at the intimate Bar Next Door. This fine album captures the warm sound and intense interplay of Lund’s trio with bassist Orlando Le Fleming and drummer Marcus Gilmore (Jamire Williams on two tracks). With the 2012 quartet release Live at Smalls — featuring Gilmore, Street and pianist Pete Rende — Lund continues to refine his artistry, bringing tonal clarity and an unerring sense of proportion to music recorded at Smalls, the famed Greenwich Village club. Through stateside appearances and live engagements throughout Europe, Japan and around the world, Lund has ascended to the highest ranks as a performer and a creative force. He is among those setting the agenda for jazz improvisation in the 21st century. Hope you enjoyed this video clip on Jazz Guitar Harmony https://www.youtube.com/watch?v=Fdl0elcN4Mk -
7:21Guitar Chord Theory made Easy Triads And 7th Chords
Guitar Chord Theory made Easy Triads And 7th ChordsGuitar Chord Theory made Easy Triads And 7th Chords
Free Lesson Download: http://www.tomasmichaud.com/guitar-chord-theory-2 My free lesson download includes an Interval Chart with the names and steps of all the intervals as well as diagrams to help you get even more from this lesson. Get the most from this lesson here: http://www.tomasmichaud.com/guitar-chord-theory-2 - - - - Guitar Chord Theory made Easy Triads And 7th Chords Hey there, if you wanna learn a little guitar theory in a fun and easy way, you’re in the right place. We’re gonna talk about chords and how they are constructed. Hey there, for those of you who don’t know me, I’m Tomas Michaud founder of Real Guitar School. Today I’m gonna talk about guitar chords, how they are constructed. Now let me start off by telling you if you are a brand new beginner, this is not the best way to learn chords, really, the best way to start out is to learn some basic chord forms, get using on strums and then supplement that with some understanding of how chords are constructed. It will help you move farther but it’s not the best way to just start out so now were clear on that. I’m assuming you know some basic chords. Let me show you a little short video first that will show you how some basic major minor triads are constructed. Here we have a basic G major triad. G is the root of the chord. The interval from G to E is called a major third so we called that a major third. I’ll use a capital M for a major third, a little m for minor third. Now the next interval that were interested in here is the root to the fifth. E is the third and G to D is an interval of a fifth. In this case, it’s called a perfect fifth so all major triads will start with a major third from the root and then from the root, a perfect fifth. Now let’s go over to the next chord which is E minor. From the E to the G, it’s a minor third interval and we will use a small m. From the E to the B again from the root to the next note is another perfect 5th. All minor triads are three notes with the root note to the third being a minor third and the root note to the fifth being a perfect 5th. If you follow that formula you always end up with a minor triad. Okay let’s take a look at what we just did. Now on the guitar, here’s a basic G chord. Now this chord has those three notes that we talked about in the chord but there’s some duplicate that’s why there’s more than three notes. So we start off with the G B and D those are the three notes. Then we go on to duplicate them. This is another G, another B and then another G, we got three G’s in there. You can almost never go wrong by duplicating the root note in this case G. So now the minor, E minor, E minor chord so let’s start off with the E then we have the B, another E, already we duplicate the E then it goes through the open G that’s the B again and again open E, duplicate notes really with three notes some of them duplicated just like we showed you in the video – E minor. Now let me show you another video, we’re gonna add 7th note to these chords. We’re gonna expand on it a little bit. Now here we have a G7 chord. This is basically the same triad which has a perfect major third – a major third interval on the bottom – that must be a capital M and then that same perfect 5th interval but in addition it has a 7th interval, that F is the 7th from the root note and we will call that a minor 7. There is such thing as a major 7th also so for now our G7 has a major 7. Let’s go to the E minor and were gonna show you the same thing. It is still the minor triad, this is the minor third, that must be a small m and then the perfect 5th and again that same minor 7th interval from the E to the D and this is E minor 7 (Oh, where’s that minor) there it is. Hey there welcome back. Okay I’m gonna show you in the guitar what we just learned. Starting with the G chord, I’m gonna start with that regular G triad. I still call it a triad even though we duplicated some of the notes. Now were gonna add an F note to this chord. To do that the most common way, is to put my first finger on the first fret of the first string, that’s an F note, now it’s a G7. There are many forms of G7 but this one is the most common. - - - - https://www.youtube.com/watch?v=8jB2dBDckUA You Will Also Enjoy This: https://www.youtube.com/watch?v=nD_d923Jdi4 guitar chord theory guitar music theory chords guitar theory chords understanding chords on guitar understanding 7th chords understanding triads what are triads chord theory guitar -~-~~-~~~-~~-~- Please watch: "Easy Tutorial 12 Bar Blues in E Lesson [1/3]" https://www.youtube.com/watch?v=_9S0Mf9-Jn0 -~-~~-~~~-~~-~- -
8:40Martin Nonstatic - Third Chord Part 0 (Original Mix)
Martin Nonstatic - Third Chord Part 0 (Original Mix) -
2:50Fly Away (Acoustic) - The Third Chord
Fly Away (Acoustic) - The Third ChordFly Away (Acoustic) - The Third Chord
This is us playing around with our new recording mic. Comment for critique! -
5:43The Third Chord - Fly Away (January 25th, 2012)
The Third Chord - Fly Away (January 25th, 2012) -
17:33The Third Chord - The DamnLOL! Song
The Third Chord - The DamnLOL! Song -
6:14Erich Lesovsky - We Ate The Third Chord
Erich Lesovsky - We Ate The Third ChordErich Lesovsky - We Ate The Third Chord
http://www.beatport.com/release/tunes-from-a-divided-city/1058665 Erich Lesovsky - Tunes from a divided City EP ( CIRCAT001 ) 01 - Erich Lesovsky - We ate the third Chord 02 - Erich Lesovsky - She kissed him in Berlin 03 - Erich Lesovsky - Humans www.soundcloud.com/erich_lesovsky www.youtube.com/maomakmaa www.facebook.com/Erich.Lesovsky www.circat.eu -
10:43Chopin - Scherzo nr 1 in b minor - Alessio Nanni
Chopin - Scherzo nr 1 in b minor - Alessio NanniChopin - Scherzo nr 1 in b minor - Alessio Nanni
Alessio Nanni, italian classical pianist, performs the Scherzo in b minor op.20 nr.1 by Fryderyk Chopin. This first Scherzo takes A-B-A-Coda form and begins with two chords in fortissimo. At tremendous speed, a series of dramatic outbursts in the B minor tonic follows. Near the center of the piece, the music leads into a slower section in B major; finally one hears a tangible melody in the middle register, surrounded by accompaniment in both the left and upper right hands. Chopin clearly quotes in this section of the composition from an old Polish Christmas song (Lulajże Jezuniu); tempo is marked as Molto Piu Lento. The B major area dissolves as the harmony mysteriously changes character via secondary dominant. The two chords from the very start reappear, superimposed over vestiges of the middle section. Then the beginning presto repeats itself in the familiar minor tonic. The lead-in to the dramatic, virtuosic coda is similar to the approach toward the Molto Piu Lento, but slightly different (as it is with Chopin's Second and Third Scherzi also). This final section incorporates dizzying arpeggiated flights up and down almost the entire keyboard, suspended by a climactic series of nine ten-note chords (E# diminished seventh (with diminished third), augmented sixth chord in root position, secondary leading-tone chord of tonic B). After the resolution and a rapid chromatic ascent over four octaves in both hands, the coda and piece come to a triumphant end via a bold minor plagal cadence. __________________________________________________________ Recorded on december 8th 2010 at Passadori Steinway Hall - Brescia Produced in collaboration with www.passadoripianoforti.it. Video release date : 23/12/10 IMPORTANT NOTICE: We suggest to wait until the video is fully downloaded before start watching. Switching from Flash Player to HTML5 player is strongly recommended in order to avoid any frame-drop. Please fullscreen it. Produced by © WHITE NOISE FACTORY Piano: Steinway & Sons, Concert Grand mod. D Piano technician: Giulio Passadori Recorded in super high definition: 96khz/24 bit technology. Special thanks to: Giovanni Doria, Giulio and Angela Passadori, Simona Passadori, Flavio Gheruzzi. © by Alessio Nanni - All Rights Reserved www.alessionanni.com -
10:17My favorite things - John Coltrane
My favorite things - John ColtraneMy favorite things - John Coltrane
My Favorite Things is a 1961 jazz album by John Coltrane. It is considered by many jazz critics and listeners to be a highly significant and historic recording. It was the first session recorded by Coltrane on the Atlantic label, the first to introduce his new quartet featuring McCoy Tyner (Piano), Elvin Jones (Drums) and Steve Davis (Bass) - neither Jimmy Garrison nor Reggie Workman featured as yet. It is classed as another album in which Coltrane made a break free of bop, introducing complex harmonic reworkings of such songs as "My Favorite Things", and "But Not For Me". Additionally, at a time when the soprano saxophone was considered obsolete, it demonstrated Coltrane's further investigation of the instrument's capabilities in a jazz idiom. The standard "Summertime" is notable for its upbeat, searching feel, a demonstration of Coltrane's 'sheets of sound', a stark antithesis to Miles Davis's melancholy, lyrical version on Porgy and Bess. "But Not For Me" is reharmonised using the famous Coltrane changes, and features an extended coda over a repeated ii-V-I-vi progression. The title track is a modal rendition of the Richard Rodgers/Oscar Hammerstein's seminal song My Favorite Things from The Sound of Music. The melody is heard numerous times throughout the almost 14-minute version, and instead of soloing over the written chord changes, both Tyner and Coltrane taking extended solos over vamps of the two tonic chords, E minor and E major. Tyner's solo is famous for being extremely chordal and rhythmic, as opposed to developing melodies. In the documentary The World According to John Coltrane, narrator Ed Wheeler remarks: "In 1960, Coltrane left Miles [Davis] and formed his own quartet to further explore modal playing, freer directions, and a growing Indian influence. They transformed "My Favorite Things", the cheerful populist song from 'The Sound of Music,' into a hypnotic eastern dervish dance. The recording was a hit and became Coltrane's most requested tune—an abridged broad public acceptance." A cover of the title track appeared on the OutKast album The Love Below. It is one of the most well-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D minor7, followed by eight bars of Eb minor7 and another eight of D minor7. This AABA structure puts it in the format of popular song structure. The piano and bass introduction for the piece was written by Gil Evans for Bill Evans and Paul Chambers on Kind of Blue. An orchestrated version by Gil Evans of this introduction is later to be found on a television broadcast given by Miles' Quintet (minus Cannonball Adderley who was ill that day) and the Gil Evans Orchestra; the orchestra gave the introduction after which the quintet produced a rendition of the rest of "So What". The distinctive voicing employed by Bill Evans for the chords that interject the head, from the bottom up three perfect fourths followed by a major third, has been given the name "So What chord" by such theorists as Mark Levine. While the track is taken at a very moderate tempo on Kind Of Blue, it is played at an extremely fast tempo on later live recordings by the Quintet, such as Four and More. The same chord structure was later used by John Coltrane for his standard "Impressions". -
7:23Nordmann Chord Generator
Nordmann Chord GeneratorNordmann Chord Generator
The Chord Generator is the second Nordmann generative device. Like the Schwarzonator the patch creates chord progressions, but in a more musical language. You can create triads and tetrads by pressing only one key on the keyboard. This key is automatically the root key. You can generally choose between major and minor and add diminished or augmented additional notes. The third can be omitted. Furthermore you can invert the chord from root inversion to the third inversion and set the chord's disposition from close to open. All functions can be randomized. With the random function you can generate some pretty weird stuff. Enjoy! Download the patch @nilsnordmann.de and enjoy! -
0:39maggie's guitar aptitude
maggie's guitar aptitudemaggie's guitar aptitude
this is literally 40 minutes after i spent 10 minutes showing maggie a couple of chords. the third she guessed from watching me play it, and she's verging on a tough fourth chord (D) just from seeing me play it.
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Major and minor third intervals in relation to chords
Learn the difference between the makeup of a minor and a major triad. See how they are really put together. Find info and downloads for the charts for my youtube videos at http://www.worshiptheking.com/youtube Subscribe to the WTK youtube channel and learn more at http://www.worshiptheking.com Lessons, tutorials, and LIVE webinars for worship guitar, piano, music theory, and tech. Connect with me today! http://www.facebook.com/worshipthekingmusic http://www.facebook.com/groups/wtkmember http://www.twitter.com/wtkmusic https://www.instagram.com/wtkmusic
published: 24 Jan 2012 -
E Chord - Easy Third Guitar Chord - Beginner Guitar Lessons Stage 1 - JustinGuitar [BC-113]
In this lesson we are going to be checking out the E Chord. It's a nice easy one. Find the related course notes on the following link: http://justinguitar.com/en/BC-113-E-chord.php The Justinguitar Beginners Guitar Course, a series of over 100 lessons on guitar for beginners. Text support is on the web site and also in a proper old skool paper book which can be ordered from the web site of your local music store :) Please subscribe to my channel if you dig what I do! Your support is greatly appreciated and helps me continue to keep it free for everyone! • Please Subscribe To This Channel http://www.youtube.com/subscription_center?add_user=JustinSandercoe See my web site for hundreds more free lessons, loads of songs and detailed courses for beginners and intermediate players getting...
published: 03 Jun 2009 -
Your Love - Third Chord Cover
This is a cover of the song "Your Love" originally by Daithi DeNogla. The original can be found here: https://www.youtube.com/watch?v=f-wrL... We want to thank you for watching our first video and we hope you enjoy! We hope to be putting up more videos as soon as possible! Special thanks to these locations: 5 Stones Church Ashland University Gebhart's Family Grooming Center Linders Sports Bar
published: 02 Jun 2017 -
*Lage Lund Jazz Guitar Lesson* Getting Away from Obvious (Third) Chord Voicings JazzHeaven.com
Go to http://JazzHeaven.com/lage for more FREE Lage Lund Videos! This was an excerpt from the Lage Lund instructional video/DVD entitled "Jazz Guitar Chordal Vocabulary". Jam-packed Jazz Harmony Lesson: 3h Lesson(!), 60-min Interview, mp3 play-along, and PDF sheet music/TABS. Click on http://JazzHeaven.com - other killer jazz instructional videos for all instruments with Kenny Werner, Lee Konitz, Walt Weiskopf, Vince Herring, Jerry Bergonzi and MORE. (Plus jazz instructional videos with MANY other great jazz artists like Oz Noy, Eric Harland, Ralph Peterson, Ari Hoenig, Gilad Hekselman, Ingrid Jensen, Geoffrey Keezer, Enrico Pieranunzi & more.) Go to http://JazzHeaven.com to check it out! Lage Lund is acclaimed not only as one of the finest guitarists of his generation, but also one of ...
published: 11 Jun 2015 -
Guitar Chord Theory made Easy Triads And 7th Chords
Free Lesson Download: http://www.tomasmichaud.com/guitar-chord-theory-2 My free lesson download includes an Interval Chart with the names and steps of all the intervals as well as diagrams to help you get even more from this lesson. Get the most from this lesson here: http://www.tomasmichaud.com/guitar-chord-theory-2 - - - - Guitar Chord Theory made Easy Triads And 7th Chords Hey there, if you wanna learn a little guitar theory in a fun and easy way, you’re in the right place. We’re gonna talk about chords and how they are constructed. Hey there, for those of you who don’t know me, I’m Tomas Michaud founder of Real Guitar School. Today I’m gonna talk about guitar chords, how they are constructed. Now let me start off by telling you if you are a brand new beginner, this is not the b...
published: 09 Jun 2016 -
Martin Nonstatic - Third Chord Part 0 (Original Mix)
Realize EP Biorecordings #BR005 05.06.2012 http://www.beatport.com/release/realize-ep/921621 http://soundcloud.com/martin-nonstatic http://soundcloud.com/bio-recordings http://www.facebook.com/pages/Biorecordings/174879789239703
published: 19 Sep 2012 -
Fly Away (Acoustic) - The Third Chord
This is us playing around with our new recording mic. Comment for critique!
published: 24 Apr 2012 -
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The Third Chord - The DamnLOL! Song
This is what happens when I decide to hit record while Maurice and I look through DamnLOL! pictures... and I have a guitar in my hand. It's totally worth the long length, guys! We do not own DamnLOL! and any respective pictures belong to their creators.
published: 12 May 2012 -
Erich Lesovsky - We Ate The Third Chord
http://www.beatport.com/release/tunes-from-a-divided-city/1058665 Erich Lesovsky - Tunes from a divided City EP ( CIRCAT001 ) 01 - Erich Lesovsky - We ate the third Chord 02 - Erich Lesovsky - She kissed him in Berlin 03 - Erich Lesovsky - Humans www.soundcloud.com/erich_lesovsky www.youtube.com/maomakmaa www.facebook.com/Erich.Lesovsky www.circat.eu
published: 30 Oct 2012 -
Chopin - Scherzo nr 1 in b minor - Alessio Nanni
Alessio Nanni, italian classical pianist, performs the Scherzo in b minor op.20 nr.1 by Fryderyk Chopin. This first Scherzo takes A-B-A-Coda form and begins with two chords in fortissimo. At tremendous speed, a series of dramatic outbursts in the B minor tonic follows. Near the center of the piece, the music leads into a slower section in B major; finally one hears a tangible melody in the middle register, surrounded by accompaniment in both the left and upper right hands. Chopin clearly quotes in this section of the composition from an old Polish Christmas song (Lulajże Jezuniu); tempo is marked as Molto Piu Lento. The B major area dissolves as the harmony mysteriously changes character via secondary dominant. The two chords from the very start reappear, superimposed over vestiges of th...
published: 23 Dec 2010 -
My favorite things - John Coltrane
My Favorite Things is a 1961 jazz album by John Coltrane. It is considered by many jazz critics and listeners to be a highly significant and historic recording. It was the first session recorded by Coltrane on the Atlantic label, the first to introduce his new quartet featuring McCoy Tyner (Piano), Elvin Jones (Drums) and Steve Davis (Bass) - neither Jimmy Garrison nor Reggie Workman featured as yet. It is classed as another album in which Coltrane made a break free of bop, introducing complex harmonic reworkings of such songs as "My Favorite Things", and "But Not For Me". Additionally, at a time when the soprano saxophone was considered obsolete, it demonstrated Coltrane's further investigation of the instrument's capabilities in a jazz idiom. The standard "Summertime" is notable for it...
published: 18 Feb 2010 -
Nordmann Chord Generator
The Chord Generator is the second Nordmann generative device. Like the Schwarzonator the patch creates chord progressions, but in a more musical language. You can create triads and tetrads by pressing only one key on the keyboard. This key is automatically the root key. You can generally choose between major and minor and add diminished or augmented additional notes. The third can be omitted. Furthermore you can invert the chord from root inversion to the third inversion and set the chord's disposition from close to open. All functions can be randomized. With the random function you can generate some pretty weird stuff. Enjoy! Download the patch @nilsnordmann.de and enjoy!
published: 30 Sep 2011 -
maggie's guitar aptitude
this is literally 40 minutes after i spent 10 minutes showing maggie a couple of chords. the third she guessed from watching me play it, and she's verging on a tough fourth chord (D) just from seeing me play it.
published: 29 Jan 2014 -
SUNDOWNER - Cemetery West (Official Video)
Cemetery West is off the third Sundowner album, Neon Fiction, from Chris McCaughan of The Lawrence Arms, available from Fat Wreck Chords. This video was shot, directed and edited by NYC based photographer Ben Pier.
published: 28 Oct 2013 -
Doug Engelbart's Chorded Keyboard as a Multi-touch Interface
A chorded keyboard works by using combinations of finger presses to signal a keypress (for example, pressing both the first and second finger down simultaneously might send an "A", while pressing the first and third finger down might send a "B"). With 5 fingers, there are 32 possible binary combinations. Leaving out the rest state (all off), and a drag state (all on), we have 30 useful mappings. With 26 letters, that leaves just a few for high level text commands (space, delete, and enter). Here's what makes this little keyboard so exciting: - One handed use. - Bring it up anywhere by putting down all 5 fingers. - large hit area per key (since there are only 5 keys to press) allows for blind/touch-typing operation. - Contextual feedback to make learning easier (possible letters are shown ...
published: 08 Feb 2012 -
Projection mapped MIDI keyboard
Precise projector mapping on a keyboard. Using a single distorted quad to cover the entire keyboard, then algorithmically subdividing to isolate each individual key on a MIDI keyboard. MIDI signal from keyboard is routed into Processing based Java program, and triggers illumination of key when it is pressed. (Forgive the bad playing.. its just a demo! Sick keyboardist wanted for better demo!) Besides all the ideas for purely visual variations on this, there are definite ideas for possible extensions as a learning tool: -illuminate a scale - say G dorian, all over the keyboard -For jazz training, illuminate all the notes on the keyboard in a certain chord.. Say C minor 9, root could be red, minor third orange, 5th yellow and 9th green. -Melody training - red is the next note to play, ...
published: 29 Dec 2009 -
you won the lottery (when you met me)
title: you won the lottery (when you met me) music: dinky loop video production: queens of disco sleaze/dinky loop flicks * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * you won the lottery (when you met me) is the third in a series of 12 music videos to emerge during the queens' "back to the future" revolution. our back to the future revolution, from which these videos emerged, has been filmed over the last 12 months and will be available to view later in 2013... * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * ...
published: 08 Feb 2012 -
Jumpel - 'Edinburgh'
The first single to be taken from Jumpel's forthcoming third album Europa. With ‘Edinburgh’, Jo Dürbeck introduces a bewitching new ingredient to the Jumpel sound – the luscious vocals of Chloë March. Beautifully evoking the rain-soaked streets of the Scottish capital, refracted through a personal lens, ‘Edinburgh’ is an exercise in elegance and restraint, filling out the shadows and backstreets with ennui. Melancholic piano chords carry the track forward while electronic texture’s weave amid March’s luminous lyrical play. A departure – yet also an arrival. ‘Edinburgh’ is taken from the forthcoming Jumpel album Europa, out late November 2010. The song is available for free download from the Hidden Shoal Store - http://agora.hiddenshoal.com Jumpel: http://www.jumpel.de/ Chloë March: http...
published: 26 Oct 2010 -
Orbital feat. Zola Jesus | New France
Creating the new video for the legendary Orbital was always going to be a challenge, with a very strong promo collection already under their banner. Add to this their eight year absence and the amount of airplay the track, 'New France' has received and the pressure was most definitely on. The story was supposed to strike a chord with the manchild in many of us who wants to relive the 'glory days' long after their life has found more substance and meaning. Luckily for me, I had the talents of Hana Backland on my side. She built the puppet from scratch in a ridiculously short span of time on no money and some animatronic assistance from the good folk at Lunas Puppets in the states. The result was a fully realised, emotive puppet actor. Our little Lion holds his own against the dynamic Stuar...
published: 29 May 2012
Major and minor third intervals in relation to chords
- Order: Reorder
- Duration: 1:51
- Updated: 24 Jan 2012
- views: 19093
Learn the difference between the makeup of a minor and a major triad. See how they are really put together.
Find info and downloads for the charts for my youtu...
Learn the difference between the makeup of a minor and a major triad. See how they are really put together.
Find info and downloads for the charts for my youtube videos at http://www.worshiptheking.com/youtube
Subscribe to the WTK youtube channel and learn more at http://www.worshiptheking.com
Lessons, tutorials, and LIVE webinars for worship guitar, piano, music theory, and tech.
Connect with me today!
http://www.facebook.com/worshipthekingmusic
http://www.facebook.com/groups/wtkmember
http://www.twitter.com/wtkmusic
https://www.instagram.com/wtkmusic
https://wn.com/Major_And_Minor_Third_Intervals_In_Relation_To_Chords
Learn the difference between the makeup of a minor and a major triad. See how they are really put together.
Find info and downloads for the charts for my youtube videos at http://www.worshiptheking.com/youtube
Subscribe to the WTK youtube channel and learn more at http://www.worshiptheking.com
Lessons, tutorials, and LIVE webinars for worship guitar, piano, music theory, and tech.
Connect with me today!
http://www.facebook.com/worshipthekingmusic
http://www.facebook.com/groups/wtkmember
http://www.twitter.com/wtkmusic
https://www.instagram.com/wtkmusic
- published: 24 Jan 2012
- views: 19093
E Chord - Easy Third Guitar Chord - Beginner Guitar Lessons Stage 1 - JustinGuitar [BC-113]
- Order: Reorder
- Duration: 5:16
- Updated: 03 Jun 2009
- views: 1544951
In this lesson we are going to be checking out the E Chord. It's a nice easy one.
Find the related course notes on the following link:
http://justinguitar.com/...
In this lesson we are going to be checking out the E Chord. It's a nice easy one.
Find the related course notes on the following link:
http://justinguitar.com/en/BC-113-E-chord.php
The Justinguitar Beginners Guitar Course, a series of over 100 lessons on guitar for beginners. Text support is on the web site and also in a proper old skool paper book which can be ordered from the web site of your local music store :)
Please subscribe to my channel if you dig what I do! Your support is greatly appreciated and helps me continue to keep it free for everyone!
• Please Subscribe To This Channel
http://www.youtube.com/subscription_center?add_user=JustinSandercoe
See my web site for hundreds more free lessons, loads of songs and detailed courses for beginners and intermediate players getting into blues, jazz, fingerstyle and many lessons on technique, practice, ear training, theory and loads more…
http://www.justinguitar.com
And it is all totally free, no bull. No sample lessons, no memberships, no free ebook. Just hundreds of great lessons :)
To get help with this lesson and get additional notes and tips, use the Lesson ID in the search box at the top of the web site!
Hope you enjoy it - if you do please subscribe to my YouTube Channel and come find me on my socials below. Much appreciate the support!
• Facebook
https://www.facebook.com/justinguitarofficial
• Twitter
https://twitter.com/justinsandercoe
• JustinGuitar Community (GET HELP HERE)
https://www.justinguitarcommunity.com
• YouTube Lessons
https://www.youtube.com/user/JustinSandercoe
• YouTube Songs
https://www.youtube.com/user/JustinSandercoeSongs
•
https://wn.com/E_Chord_Easy_Third_Guitar_Chord_Beginner_Guitar_Lessons_Stage_1_Justinguitar_Bc_113
In this lesson we are going to be checking out the E Chord. It's a nice easy one.
Find the related course notes on the following link:
http://justinguitar.com/en/BC-113-E-chord.php
The Justinguitar Beginners Guitar Course, a series of over 100 lessons on guitar for beginners. Text support is on the web site and also in a proper old skool paper book which can be ordered from the web site of your local music store :)
Please subscribe to my channel if you dig what I do! Your support is greatly appreciated and helps me continue to keep it free for everyone!
• Please Subscribe To This Channel
http://www.youtube.com/subscription_center?add_user=JustinSandercoe
See my web site for hundreds more free lessons, loads of songs and detailed courses for beginners and intermediate players getting into blues, jazz, fingerstyle and many lessons on technique, practice, ear training, theory and loads more…
http://www.justinguitar.com
And it is all totally free, no bull. No sample lessons, no memberships, no free ebook. Just hundreds of great lessons :)
To get help with this lesson and get additional notes and tips, use the Lesson ID in the search box at the top of the web site!
Hope you enjoy it - if you do please subscribe to my YouTube Channel and come find me on my socials below. Much appreciate the support!
• Facebook
https://www.facebook.com/justinguitarofficial
• Twitter
https://twitter.com/justinsandercoe
• JustinGuitar Community (GET HELP HERE)
https://www.justinguitarcommunity.com
• YouTube Lessons
https://www.youtube.com/user/JustinSandercoe
• YouTube Songs
https://www.youtube.com/user/JustinSandercoeSongs
•
- published: 03 Jun 2009
- views: 1544951
Your Love - Third Chord Cover
- Order: Reorder
- Duration: 2:55
- Updated: 02 Jun 2017
- views: 129
This is a cover of the song "Your Love" originally by Daithi DeNogla. The original can be found here: https://www.youtube.com/watch?v=f-wrL...
We want to thank...
This is a cover of the song "Your Love" originally by Daithi DeNogla. The original can be found here: https://www.youtube.com/watch?v=f-wrL...
We want to thank you for watching our first video and we hope you enjoy! We hope to be putting up more videos as soon as possible!
Special thanks to these locations:
5 Stones Church
Ashland University
Gebhart's Family Grooming Center
Linders Sports Bar
https://wn.com/Your_Love_Third_Chord_Cover
This is a cover of the song "Your Love" originally by Daithi DeNogla. The original can be found here: https://www.youtube.com/watch?v=f-wrL...
We want to thank you for watching our first video and we hope you enjoy! We hope to be putting up more videos as soon as possible!
Special thanks to these locations:
5 Stones Church
Ashland University
Gebhart's Family Grooming Center
Linders Sports Bar
- published: 02 Jun 2017
- views: 129
*Lage Lund Jazz Guitar Lesson* Getting Away from Obvious (Third) Chord Voicings JazzHeaven.com
- Order: Reorder
- Duration: 5:35
- Updated: 11 Jun 2015
- views: 19330
Go to http://JazzHeaven.com/lage for more FREE Lage Lund Videos! This was an excerpt from the Lage Lund instructional video/DVD entitled "Jazz Guitar Chordal Vo...
Go to http://JazzHeaven.com/lage for more FREE Lage Lund Videos! This was an excerpt from the Lage Lund instructional video/DVD entitled "Jazz Guitar Chordal Vocabulary".
Jam-packed Jazz Harmony Lesson: 3h Lesson(!), 60-min Interview, mp3 play-along, and PDF sheet music/TABS.
Click on http://JazzHeaven.com - other killer jazz instructional videos for all instruments with Kenny Werner, Lee Konitz, Walt Weiskopf, Vince Herring, Jerry Bergonzi and MORE.
(Plus jazz instructional videos with MANY other great jazz artists like Oz Noy, Eric Harland, Ralph Peterson, Ari Hoenig, Gilad Hekselman, Ingrid Jensen, Geoffrey Keezer, Enrico Pieranunzi & more.)
Go to http://JazzHeaven.com to check it out!
Lage Lund is acclaimed not only as one of the finest guitarists of his generation, but also one of the most compelling jazz artists in the world today. He is “all music and all soul,” according to Russell Malone, one of the judges who awarded Lund top prize in the 2005 Thelonious Monk International Jazz Competition.
Armed with a mastery of the standard repertoire and a growing body of original compositions, Lund swings with great authority, displaying a staggering harmonic sophistication and a singularly fluid voice as a soloist. He also brings a “casually magnetic” presence to the stage, “channeling reticence into a whisper-quiet mystique” (New York Times).
Born and raised in Skien, Norway, Lund relocated to Boston after high school and attended Berklee College of Music. In 2002 he moved to New York and soon became the first electric guitarist ever to enroll at the Juilliard School of Music. In the years since his Monk Competition victory, he has become a sought-after sideman with the David Sanchez Quartet, the Maria Schneider Orchestra, the Seamus Blake Quintet, the Mingus Orchestra and many more. He has been fortunate enough to work with elder statesmen and peers alike: Ron Carter, Mulgrew Miller, Wynton Marsalis, Carmen Lundy, FLY, Marcus Strickland, Jaleel Shaw, Will Vinson, Aaron Parks, Kendrick Scott, Jimmy Greene and Ingrid Jensen, among others.
Lunds 2013 release Foolhardy on the Criss Cross label, his follow up to the critically acclaimed Unlikely Stories is a vibrant set of mainly original tunes with a superb supporting cast: pianist Aaron Parks joining the returning bassist Ben Street and drummer Bill Stewart.
In 2011 he brought out the independent live recording Small Club – Big City, produced by Jimmy Katz and recorded over several nights at the intimate Bar Next Door. This fine album captures the warm sound and intense interplay of Lund’s trio with bassist Orlando Le Fleming and drummer Marcus Gilmore (Jamire Williams on two tracks).
With the 2012 quartet release Live at Smalls — featuring Gilmore, Street and pianist Pete Rende — Lund continues to refine his artistry, bringing tonal clarity and an unerring sense of proportion to music recorded at Smalls, the famed Greenwich Village club. Through stateside appearances and live engagements throughout Europe, Japan and around the world, Lund has ascended to the highest ranks as a performer and a creative force. He is among those setting the agenda for jazz improvisation in the 21st century.
Hope you enjoyed this video clip on Jazz Guitar Harmony
https://www.youtube.com/watch?v=Fdl0elcN4Mk
https://wn.com/Lage_Lund_Jazz_Guitar_Lesson_Getting_Away_From_Obvious_(Third)_Chord_Voicings_Jazzheaven.Com
Go to http://JazzHeaven.com/lage for more FREE Lage Lund Videos! This was an excerpt from the Lage Lund instructional video/DVD entitled "Jazz Guitar Chordal Vocabulary".
Jam-packed Jazz Harmony Lesson: 3h Lesson(!), 60-min Interview, mp3 play-along, and PDF sheet music/TABS.
Click on http://JazzHeaven.com - other killer jazz instructional videos for all instruments with Kenny Werner, Lee Konitz, Walt Weiskopf, Vince Herring, Jerry Bergonzi and MORE.
(Plus jazz instructional videos with MANY other great jazz artists like Oz Noy, Eric Harland, Ralph Peterson, Ari Hoenig, Gilad Hekselman, Ingrid Jensen, Geoffrey Keezer, Enrico Pieranunzi & more.)
Go to http://JazzHeaven.com to check it out!
Lage Lund is acclaimed not only as one of the finest guitarists of his generation, but also one of the most compelling jazz artists in the world today. He is “all music and all soul,” according to Russell Malone, one of the judges who awarded Lund top prize in the 2005 Thelonious Monk International Jazz Competition.
Armed with a mastery of the standard repertoire and a growing body of original compositions, Lund swings with great authority, displaying a staggering harmonic sophistication and a singularly fluid voice as a soloist. He also brings a “casually magnetic” presence to the stage, “channeling reticence into a whisper-quiet mystique” (New York Times).
Born and raised in Skien, Norway, Lund relocated to Boston after high school and attended Berklee College of Music. In 2002 he moved to New York and soon became the first electric guitarist ever to enroll at the Juilliard School of Music. In the years since his Monk Competition victory, he has become a sought-after sideman with the David Sanchez Quartet, the Maria Schneider Orchestra, the Seamus Blake Quintet, the Mingus Orchestra and many more. He has been fortunate enough to work with elder statesmen and peers alike: Ron Carter, Mulgrew Miller, Wynton Marsalis, Carmen Lundy, FLY, Marcus Strickland, Jaleel Shaw, Will Vinson, Aaron Parks, Kendrick Scott, Jimmy Greene and Ingrid Jensen, among others.
Lunds 2013 release Foolhardy on the Criss Cross label, his follow up to the critically acclaimed Unlikely Stories is a vibrant set of mainly original tunes with a superb supporting cast: pianist Aaron Parks joining the returning bassist Ben Street and drummer Bill Stewart.
In 2011 he brought out the independent live recording Small Club – Big City, produced by Jimmy Katz and recorded over several nights at the intimate Bar Next Door. This fine album captures the warm sound and intense interplay of Lund’s trio with bassist Orlando Le Fleming and drummer Marcus Gilmore (Jamire Williams on two tracks).
With the 2012 quartet release Live at Smalls — featuring Gilmore, Street and pianist Pete Rende — Lund continues to refine his artistry, bringing tonal clarity and an unerring sense of proportion to music recorded at Smalls, the famed Greenwich Village club. Through stateside appearances and live engagements throughout Europe, Japan and around the world, Lund has ascended to the highest ranks as a performer and a creative force. He is among those setting the agenda for jazz improvisation in the 21st century.
Hope you enjoyed this video clip on Jazz Guitar Harmony
https://www.youtube.com/watch?v=Fdl0elcN4Mk
- published: 11 Jun 2015
- views: 19330
Guitar Chord Theory made Easy Triads And 7th Chords
- Order: Reorder
- Duration: 7:21
- Updated: 09 Jun 2016
- views: 2469
Free Lesson Download: http://www.tomasmichaud.com/guitar-chord-theory-2
My free lesson download includes an Interval Chart with the names and steps of all the...
Free Lesson Download: http://www.tomasmichaud.com/guitar-chord-theory-2
My free lesson download includes an Interval Chart with the names and steps of all the intervals as well as diagrams to help you get even more from this lesson.
Get the most from this lesson here: http://www.tomasmichaud.com/guitar-chord-theory-2
- - - -
Guitar Chord Theory made Easy Triads And 7th Chords
Hey there, if you wanna learn a little guitar theory in a fun and easy way, you’re in the right place. We’re gonna talk about chords and how they are constructed.
Hey there, for those of you who don’t know me, I’m Tomas Michaud founder of Real Guitar School. Today I’m gonna talk about guitar chords, how they are constructed. Now let me start off by telling you if you are a brand new beginner, this is not the best way to learn chords, really, the best way to start out is to learn some basic chord forms, get using on strums and then supplement that with some understanding of how chords are constructed. It will help you move farther but it’s not the best way to just start out so now were clear on that. I’m assuming you know some basic chords. Let me show you a little short video first that will show you how some basic major minor triads are constructed.
Here we have a basic G major triad. G is the root of the chord. The interval from G to E is called a major third so we called that a major third. I’ll use a capital M for a major third, a little m for minor third. Now the next interval that were interested in here is the root to the fifth. E is the third and G to D is an interval of a fifth. In this case, it’s called a perfect fifth so all major triads will start with a major third from the root and then from the root, a perfect fifth.
Now let’s go over to the next chord which is E minor. From the E to the G, it’s a minor third interval and we will use a small m. From the E to the B again from the root to the next note is another perfect 5th. All minor triads are three notes with the root note to the third being a minor third and the root note to the fifth being a perfect 5th. If you follow that formula you always end up with a minor triad.
Okay let’s take a look at what we just did. Now on the guitar, here’s a basic G chord. Now this chord has those three notes that we talked about in the chord but there’s some duplicate that’s why there’s more than three notes. So we start off with the G B and D those are the three notes. Then we go on to duplicate them. This is another G, another B and then another G, we got three G’s in there. You can almost never go wrong by duplicating the root note in this case G. So now the minor, E minor, E minor chord so let’s start off with the E then we have the B, another E, already we duplicate the E then it goes through the open G that’s the B again and again open E, duplicate notes really with three notes some of them duplicated just like we showed you in the video – E minor. Now let me show you another video, we’re gonna add 7th note to these chords. We’re gonna expand on it a little bit.
Now here we have a G7 chord. This is basically the same triad which has a perfect major third – a major third interval on the bottom – that must be a capital M and then that same perfect 5th interval but in addition it has a 7th interval, that F is the 7th from the root note and we will call that a minor 7. There is such thing as a major 7th also so for now our G7 has a major 7. Let’s go to the E minor and were gonna show you the same thing. It is still the minor triad, this is the minor third, that must be a small m and then the perfect 5th and again that same minor 7th interval from the E to the D and this is E minor 7 (Oh, where’s that minor) there it is.
Hey there welcome back. Okay I’m gonna show you in the guitar what we just learned. Starting with the G chord, I’m gonna start with that regular G triad. I still call it a triad even though we duplicated some of the notes. Now were gonna add an F note to this chord. To do that the most common way, is to put my first finger on the first fret of the first string, that’s an F note, now it’s a G7. There are many forms of G7 but this one is the most common.
- - - -
https://www.youtube.com/watch?v=8jB2dBDckUA
You Will Also Enjoy This:
https://www.youtube.com/watch?v=nD_d923Jdi4
guitar chord theory
guitar music theory chords
guitar theory chords
understanding chords on guitar
understanding 7th chords
understanding triads
what are triads
chord theory guitar
-~-~~-~~~-~~-~-
Please watch: "Easy Tutorial 12 Bar Blues in E Lesson [1/3]"
https://www.youtube.com/watch?v=_9S0Mf9-Jn0
-~-~~-~~~-~~-~-
https://wn.com/Guitar_Chord_Theory_Made_Easy_Triads_And_7Th_Chords
Free Lesson Download: http://www.tomasmichaud.com/guitar-chord-theory-2
My free lesson download includes an Interval Chart with the names and steps of all the intervals as well as diagrams to help you get even more from this lesson.
Get the most from this lesson here: http://www.tomasmichaud.com/guitar-chord-theory-2
- - - -
Guitar Chord Theory made Easy Triads And 7th Chords
Hey there, if you wanna learn a little guitar theory in a fun and easy way, you’re in the right place. We’re gonna talk about chords and how they are constructed.
Hey there, for those of you who don’t know me, I’m Tomas Michaud founder of Real Guitar School. Today I’m gonna talk about guitar chords, how they are constructed. Now let me start off by telling you if you are a brand new beginner, this is not the best way to learn chords, really, the best way to start out is to learn some basic chord forms, get using on strums and then supplement that with some understanding of how chords are constructed. It will help you move farther but it’s not the best way to just start out so now were clear on that. I’m assuming you know some basic chords. Let me show you a little short video first that will show you how some basic major minor triads are constructed.
Here we have a basic G major triad. G is the root of the chord. The interval from G to E is called a major third so we called that a major third. I’ll use a capital M for a major third, a little m for minor third. Now the next interval that were interested in here is the root to the fifth. E is the third and G to D is an interval of a fifth. In this case, it’s called a perfect fifth so all major triads will start with a major third from the root and then from the root, a perfect fifth.
Now let’s go over to the next chord which is E minor. From the E to the G, it’s a minor third interval and we will use a small m. From the E to the B again from the root to the next note is another perfect 5th. All minor triads are three notes with the root note to the third being a minor third and the root note to the fifth being a perfect 5th. If you follow that formula you always end up with a minor triad.
Okay let’s take a look at what we just did. Now on the guitar, here’s a basic G chord. Now this chord has those three notes that we talked about in the chord but there’s some duplicate that’s why there’s more than three notes. So we start off with the G B and D those are the three notes. Then we go on to duplicate them. This is another G, another B and then another G, we got three G’s in there. You can almost never go wrong by duplicating the root note in this case G. So now the minor, E minor, E minor chord so let’s start off with the E then we have the B, another E, already we duplicate the E then it goes through the open G that’s the B again and again open E, duplicate notes really with three notes some of them duplicated just like we showed you in the video – E minor. Now let me show you another video, we’re gonna add 7th note to these chords. We’re gonna expand on it a little bit.
Now here we have a G7 chord. This is basically the same triad which has a perfect major third – a major third interval on the bottom – that must be a capital M and then that same perfect 5th interval but in addition it has a 7th interval, that F is the 7th from the root note and we will call that a minor 7. There is such thing as a major 7th also so for now our G7 has a major 7. Let’s go to the E minor and were gonna show you the same thing. It is still the minor triad, this is the minor third, that must be a small m and then the perfect 5th and again that same minor 7th interval from the E to the D and this is E minor 7 (Oh, where’s that minor) there it is.
Hey there welcome back. Okay I’m gonna show you in the guitar what we just learned. Starting with the G chord, I’m gonna start with that regular G triad. I still call it a triad even though we duplicated some of the notes. Now were gonna add an F note to this chord. To do that the most common way, is to put my first finger on the first fret of the first string, that’s an F note, now it’s a G7. There are many forms of G7 but this one is the most common.
- - - -
https://www.youtube.com/watch?v=8jB2dBDckUA
You Will Also Enjoy This:
https://www.youtube.com/watch?v=nD_d923Jdi4
guitar chord theory
guitar music theory chords
guitar theory chords
understanding chords on guitar
understanding 7th chords
understanding triads
what are triads
chord theory guitar
-~-~~-~~~-~~-~-
Please watch: "Easy Tutorial 12 Bar Blues in E Lesson [1/3]"
https://www.youtube.com/watch?v=_9S0Mf9-Jn0
-~-~~-~~~-~~-~-
- published: 09 Jun 2016
- views: 2469
Martin Nonstatic - Third Chord Part 0 (Original Mix)
- Order: Reorder
- Duration: 8:40
- Updated: 19 Sep 2012
- views: 2435
Realize EP Biorecordings #BR005 05.06.2012
http://www.beatport.com/release/realize-ep/921621
http://soundcloud.com/martin-nonstatic
http://soundcloud.com/bio-re...
Realize EP Biorecordings #BR005 05.06.2012
http://www.beatport.com/release/realize-ep/921621
http://soundcloud.com/martin-nonstatic
http://soundcloud.com/bio-recordings
http://www.facebook.com/pages/Biorecordings/174879789239703
https://wn.com/Martin_Nonstatic_Third_Chord_Part_0_(Original_Mix)
Fly Away (Acoustic) - The Third Chord
- Order: Reorder
- Duration: 2:50
- Updated: 24 Apr 2012
- views: 118
This is us playing around with our new recording mic. Comment for critique!
This is us playing around with our new recording mic. Comment for critique!
https://wn.com/Fly_Away_(Acoustic)_The_Third_Chord
This is us playing around with our new recording mic. Comment for critique!
- published: 24 Apr 2012
- views: 118
The Third Chord - Fly Away (January 25th, 2012)
- Order: Reorder
- Duration: 5:43
- Updated: 29 Jan 2012
- views: 73
This is The Third Chord playing an acoustic version of Fly Away out at Steamboat's. I personally love this performance.
This is The Third Chord playing an acoustic version of Fly Away out at Steamboat's. I personally love this performance.
https://wn.com/The_Third_Chord_Fly_Away_(January_25Th,_2012)
The Third Chord - The DamnLOL! Song
- Order: Reorder
- Duration: 17:33
- Updated: 12 May 2012
- views: 636
This is what happens when I decide to hit record while Maurice and I look through DamnLOL! pictures... and I have a guitar in my hand. It's totally worth the lo...
This is what happens when I decide to hit record while Maurice and I look through DamnLOL! pictures... and I have a guitar in my hand. It's totally worth the long length, guys! We do not own DamnLOL! and any respective pictures belong to their creators.
https://wn.com/The_Third_Chord_The_Damnlol_Song
Erich Lesovsky - We Ate The Third Chord
- Order: Reorder
- Duration: 6:14
- Updated: 30 Oct 2012
- views: 604
http://www.beatport.com/release/tunes-from-a-divided-city/1058665
Erich Lesovsky - Tunes from a divided City EP ( CIRCAT001 )
01 - Erich Lesovsky - We ate the...
http://www.beatport.com/release/tunes-from-a-divided-city/1058665
Erich Lesovsky - Tunes from a divided City EP ( CIRCAT001 )
01 - Erich Lesovsky - We ate the third Chord
02 - Erich Lesovsky - She kissed him in Berlin
03 - Erich Lesovsky - Humans
www.soundcloud.com/erich_lesovsky
www.youtube.com/maomakmaa
www.facebook.com/Erich.Lesovsky
www.circat.eu
https://wn.com/Erich_Lesovsky_We_Ate_The_Third_Chord
http://www.beatport.com/release/tunes-from-a-divided-city/1058665
Erich Lesovsky - Tunes from a divided City EP ( CIRCAT001 )
01 - Erich Lesovsky - We ate the third Chord
02 - Erich Lesovsky - She kissed him in Berlin
03 - Erich Lesovsky - Humans
www.soundcloud.com/erich_lesovsky
www.youtube.com/maomakmaa
www.facebook.com/Erich.Lesovsky
www.circat.eu
- published: 30 Oct 2012
- views: 604
Chopin - Scherzo nr 1 in b minor - Alessio Nanni
- Order: Reorder
- Duration: 10:43
- Updated: 03 Feb 2014
- views: 79429
Alessio Nanni, italian classical pianist, performs the Scherzo in b minor op.20 nr.1 by Fryderyk Chopin.
This first Scherzo takes A-B-A-Coda form and begins w...
Alessio Nanni, italian classical pianist, performs the Scherzo in b minor op.20 nr.1 by Fryderyk Chopin.
This first Scherzo takes A-B-A-Coda form and begins with two chords in fortissimo. At tremendous speed, a series of dramatic outbursts in the B minor tonic follows. Near the center of the piece, the music leads into a slower section in B major; finally one hears a tangible melody in the middle register, surrounded by accompaniment in both the left and upper right hands. Chopin clearly quotes in this section of the composition from an old Polish Christmas song (Lulajże Jezuniu); tempo is marked as Molto Piu Lento. The B major area dissolves as the harmony mysteriously changes character via secondary dominant. The two chords from the very start reappear, superimposed over vestiges of the middle section. Then the beginning presto repeats itself in the familiar minor tonic.
The lead-in to the dramatic, virtuosic coda is similar to the approach toward the Molto Piu Lento, but slightly different (as it is with Chopin's Second and Third Scherzi also). This final section incorporates dizzying arpeggiated flights up and down almost the entire keyboard, suspended by a climactic series of nine ten-note chords (E# diminished seventh (with diminished third), augmented sixth chord in root position, secondary leading-tone chord of tonic B). After the resolution and a rapid chromatic ascent over four octaves in both hands, the coda and piece come to a triumphant end via a bold minor plagal cadence.
__________________________________________________________
Recorded on december 8th 2010 at Passadori Steinway Hall - Brescia
Produced in collaboration with www.passadoripianoforti.it.
Video release date : 23/12/10
IMPORTANT NOTICE:
We suggest to wait until the video is fully downloaded before start watching.
Switching from Flash Player to HTML5 player is strongly recommended in order to avoid any frame-drop.
Please fullscreen it.
Produced by © WHITE NOISE FACTORY
Piano: Steinway & Sons, Concert Grand mod. D
Piano technician: Giulio Passadori
Recorded in super high definition: 96khz/24 bit technology.
Special thanks to: Giovanni Doria, Giulio and Angela Passadori, Simona Passadori, Flavio Gheruzzi.
© by Alessio Nanni - All Rights Reserved
www.alessionanni.com
https://wn.com/Chopin_Scherzo_Nr_1_In_B_Minor_Alessio_Nanni
Alessio Nanni, italian classical pianist, performs the Scherzo in b minor op.20 nr.1 by Fryderyk Chopin.
This first Scherzo takes A-B-A-Coda form and begins with two chords in fortissimo. At tremendous speed, a series of dramatic outbursts in the B minor tonic follows. Near the center of the piece, the music leads into a slower section in B major; finally one hears a tangible melody in the middle register, surrounded by accompaniment in both the left and upper right hands. Chopin clearly quotes in this section of the composition from an old Polish Christmas song (Lulajże Jezuniu); tempo is marked as Molto Piu Lento. The B major area dissolves as the harmony mysteriously changes character via secondary dominant. The two chords from the very start reappear, superimposed over vestiges of the middle section. Then the beginning presto repeats itself in the familiar minor tonic.
The lead-in to the dramatic, virtuosic coda is similar to the approach toward the Molto Piu Lento, but slightly different (as it is with Chopin's Second and Third Scherzi also). This final section incorporates dizzying arpeggiated flights up and down almost the entire keyboard, suspended by a climactic series of nine ten-note chords (E# diminished seventh (with diminished third), augmented sixth chord in root position, secondary leading-tone chord of tonic B). After the resolution and a rapid chromatic ascent over four octaves in both hands, the coda and piece come to a triumphant end via a bold minor plagal cadence.
__________________________________________________________
Recorded on december 8th 2010 at Passadori Steinway Hall - Brescia
Produced in collaboration with www.passadoripianoforti.it.
Video release date : 23/12/10
IMPORTANT NOTICE:
We suggest to wait until the video is fully downloaded before start watching.
Switching from Flash Player to HTML5 player is strongly recommended in order to avoid any frame-drop.
Please fullscreen it.
Produced by © WHITE NOISE FACTORY
Piano: Steinway & Sons, Concert Grand mod. D
Piano technician: Giulio Passadori
Recorded in super high definition: 96khz/24 bit technology.
Special thanks to: Giovanni Doria, Giulio and Angela Passadori, Simona Passadori, Flavio Gheruzzi.
© by Alessio Nanni - All Rights Reserved
www.alessionanni.com
- published: 23 Dec 2010
- views: 79429
My favorite things - John Coltrane
- Order: Reorder
- Duration: 10:17
- Updated: 03 Feb 2014
- views: 10768
My Favorite Things is a 1961 jazz album by John Coltrane. It is considered by many jazz critics and listeners to be a highly significant and historic recording....
My Favorite Things is a 1961 jazz album by John Coltrane. It is considered by many jazz critics and listeners to be a highly significant and historic recording. It was the first session recorded by Coltrane on the Atlantic label, the first to introduce his new quartet featuring McCoy Tyner (Piano), Elvin Jones (Drums) and Steve Davis (Bass) - neither Jimmy Garrison nor Reggie Workman featured as yet.
It is classed as another album in which Coltrane made a break free of bop, introducing complex harmonic reworkings of such songs as "My Favorite Things", and "But Not For Me". Additionally, at a time when the soprano saxophone was considered obsolete, it demonstrated Coltrane's further investigation of the instrument's capabilities in a jazz idiom.
The standard "Summertime" is notable for its upbeat, searching feel, a demonstration of Coltrane's 'sheets of sound', a stark antithesis to Miles Davis's melancholy, lyrical version on Porgy and Bess. "But Not For Me" is reharmonised using the famous Coltrane changes, and features an extended coda over a repeated ii-V-I-vi progression.
The title track is a modal rendition of the Richard Rodgers/Oscar Hammerstein's seminal song My Favorite Things from The Sound of Music. The melody is heard numerous times throughout the almost 14-minute version, and instead of soloing over the written chord changes, both Tyner and Coltrane taking extended solos over vamps of the two tonic chords, E minor and E major. Tyner's solo is famous for being extremely chordal and rhythmic, as opposed to developing melodies. In the documentary The World According to John Coltrane, narrator Ed Wheeler remarks: "In 1960, Coltrane left Miles [Davis] and formed his own quartet to further explore modal playing, freer directions, and a growing Indian influence. They transformed "My Favorite Things", the cheerful populist song from 'The Sound of Music,' into a hypnotic eastern dervish dance. The recording was a hit and became Coltrane's most requested tune—an abridged broad public acceptance."
A cover of the title track appeared on the OutKast album The Love Below.
It is one of the most well-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D minor7, followed by eight bars of Eb minor7 and another eight of D minor7. This AABA structure puts it in the format of popular song structure.
The piano and bass introduction for the piece was written by Gil Evans for Bill Evans and Paul Chambers on Kind of Blue. An orchestrated version by Gil Evans of this introduction is later to be found on a television broadcast given by Miles' Quintet (minus Cannonball Adderley who was ill that day) and the Gil Evans Orchestra; the orchestra gave the introduction after which the quintet produced a rendition of the rest of "So What".
The distinctive voicing employed by Bill Evans for the chords that interject the head, from the bottom up three perfect fourths followed by a major third, has been given the name "So What chord" by such theorists as Mark Levine.
While the track is taken at a very moderate tempo on Kind Of Blue, it is played at an extremely fast tempo on later live recordings by the Quintet, such as Four and More.
The same chord structure was later used by John Coltrane for his standard "Impressions".
https://wn.com/My_Favorite_Things_John_Coltrane
My Favorite Things is a 1961 jazz album by John Coltrane. It is considered by many jazz critics and listeners to be a highly significant and historic recording. It was the first session recorded by Coltrane on the Atlantic label, the first to introduce his new quartet featuring McCoy Tyner (Piano), Elvin Jones (Drums) and Steve Davis (Bass) - neither Jimmy Garrison nor Reggie Workman featured as yet.
It is classed as another album in which Coltrane made a break free of bop, introducing complex harmonic reworkings of such songs as "My Favorite Things", and "But Not For Me". Additionally, at a time when the soprano saxophone was considered obsolete, it demonstrated Coltrane's further investigation of the instrument's capabilities in a jazz idiom.
The standard "Summertime" is notable for its upbeat, searching feel, a demonstration of Coltrane's 'sheets of sound', a stark antithesis to Miles Davis's melancholy, lyrical version on Porgy and Bess. "But Not For Me" is reharmonised using the famous Coltrane changes, and features an extended coda over a repeated ii-V-I-vi progression.
The title track is a modal rendition of the Richard Rodgers/Oscar Hammerstein's seminal song My Favorite Things from The Sound of Music. The melody is heard numerous times throughout the almost 14-minute version, and instead of soloing over the written chord changes, both Tyner and Coltrane taking extended solos over vamps of the two tonic chords, E minor and E major. Tyner's solo is famous for being extremely chordal and rhythmic, as opposed to developing melodies. In the documentary The World According to John Coltrane, narrator Ed Wheeler remarks: "In 1960, Coltrane left Miles [Davis] and formed his own quartet to further explore modal playing, freer directions, and a growing Indian influence. They transformed "My Favorite Things", the cheerful populist song from 'The Sound of Music,' into a hypnotic eastern dervish dance. The recording was a hit and became Coltrane's most requested tune—an abridged broad public acceptance."
A cover of the title track appeared on the OutKast album The Love Below.
It is one of the most well-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D minor7, followed by eight bars of Eb minor7 and another eight of D minor7. This AABA structure puts it in the format of popular song structure.
The piano and bass introduction for the piece was written by Gil Evans for Bill Evans and Paul Chambers on Kind of Blue. An orchestrated version by Gil Evans of this introduction is later to be found on a television broadcast given by Miles' Quintet (minus Cannonball Adderley who was ill that day) and the Gil Evans Orchestra; the orchestra gave the introduction after which the quintet produced a rendition of the rest of "So What".
The distinctive voicing employed by Bill Evans for the chords that interject the head, from the bottom up three perfect fourths followed by a major third, has been given the name "So What chord" by such theorists as Mark Levine.
While the track is taken at a very moderate tempo on Kind Of Blue, it is played at an extremely fast tempo on later live recordings by the Quintet, such as Four and More.
The same chord structure was later used by John Coltrane for his standard "Impressions".
- published: 18 Feb 2010
- views: 10768
Nordmann Chord Generator
- Order: Reorder
- Duration: 7:23
- Updated: 03 Feb 2014
- views: 1382
The Chord Generator is the second Nordmann generative device.
Like the Schwarzonator the patch creates chord progressions, but in a more musical language. You ...
The Chord Generator is the second Nordmann generative device.
Like the Schwarzonator the patch creates chord progressions, but in a more musical language. You can create triads and tetrads by pressing only one key on the keyboard. This key is automatically the root key.
You can generally choose between major and minor and add diminished or augmented additional notes. The third can be omitted.
Furthermore you can invert the chord from root inversion to the third inversion and set the chord's disposition from close to open.
All functions can be randomized. With the random function you can generate some pretty weird stuff.
Enjoy!
Download the patch @nilsnordmann.de and enjoy!
https://wn.com/Nordmann_Chord_Generator
The Chord Generator is the second Nordmann generative device.
Like the Schwarzonator the patch creates chord progressions, but in a more musical language. You can create triads and tetrads by pressing only one key on the keyboard. This key is automatically the root key.
You can generally choose between major and minor and add diminished or augmented additional notes. The third can be omitted.
Furthermore you can invert the chord from root inversion to the third inversion and set the chord's disposition from close to open.
All functions can be randomized. With the random function you can generate some pretty weird stuff.
Enjoy!
Download the patch @nilsnordmann.de and enjoy!
- published: 30 Sep 2011
- views: 1382
maggie's guitar aptitude
- Order: Reorder
- Duration: 0:39
- Updated: 02 Feb 2014
- views: 17
this is literally 40 minutes after i spent 10 minutes showing maggie a couple of chords. the third she guessed from watching me play it, and she's verging on a...
this is literally 40 minutes after i spent 10 minutes showing maggie a couple of chords. the third she guessed from watching me play it, and she's verging on a tough fourth chord (D) just from seeing me play it.
https://wn.com/Maggie's_Guitar_Aptitude
this is literally 40 minutes after i spent 10 minutes showing maggie a couple of chords. the third she guessed from watching me play it, and she's verging on a tough fourth chord (D) just from seeing me play it.
- published: 29 Jan 2014
- views: 17
SUNDOWNER - Cemetery West (Official Video)
- Order: Reorder
- Duration: 3:39
- Updated: 03 Feb 2014
- views: 4523
Cemetery West is off the third Sundowner album, Neon Fiction, from Chris McCaughan of The Lawrence Arms, available from Fat Wreck Chords. This video was shot, d...
Cemetery West is off the third Sundowner album, Neon Fiction, from Chris McCaughan of The Lawrence Arms, available from Fat Wreck Chords. This video was shot, directed and edited by NYC based photographer Ben Pier.
https://wn.com/Sundowner_Cemetery_West_(Official_Video)
Cemetery West is off the third Sundowner album, Neon Fiction, from Chris McCaughan of The Lawrence Arms, available from Fat Wreck Chords. This video was shot, directed and edited by NYC based photographer Ben Pier.
- published: 28 Oct 2013
- views: 4523
Doug Engelbart's Chorded Keyboard as a Multi-touch Interface
- Order: Reorder
- Duration: 1:06
- Updated: 03 Feb 2014
- views: 43925
A chorded keyboard works by using combinations of finger presses to signal a keypress (for example, pressing both the first and second finger down simultaneousl...
A chorded keyboard works by using combinations of finger presses to signal a keypress (for example, pressing both the first and second finger down simultaneously might send an "A", while pressing the first and third finger down might send a "B"). With 5 fingers, there are 32 possible binary combinations. Leaving out the rest state (all off), and a drag state (all on), we have 30 useful mappings. With 26 letters, that leaves just a few for high level text commands (space, delete, and enter).
Here's what makes this little keyboard so exciting:
- One handed use.
- Bring it up anywhere by putting down all 5 fingers.
- large hit area per key (since there are only 5 keys to press) allows for blind/touch-typing operation.
- Contextual feedback to make learning easier (possible letters are shown at each level).
- Drag anywhere by pressing all 5 fingers down and moving your hand.
- Cancel a mid-phase chorded keypress by pressing all 5 fingers.
- Issuing keypress on touch-up allows users to type at any speed.
More info on Teague Labs: http://labs.teague.com/?p=1451
https://wn.com/Doug_Engelbart's_Chorded_Keyboard_As_A_Multi_Touch_Interface
A chorded keyboard works by using combinations of finger presses to signal a keypress (for example, pressing both the first and second finger down simultaneously might send an "A", while pressing the first and third finger down might send a "B"). With 5 fingers, there are 32 possible binary combinations. Leaving out the rest state (all off), and a drag state (all on), we have 30 useful mappings. With 26 letters, that leaves just a few for high level text commands (space, delete, and enter).
Here's what makes this little keyboard so exciting:
- One handed use.
- Bring it up anywhere by putting down all 5 fingers.
- large hit area per key (since there are only 5 keys to press) allows for blind/touch-typing operation.
- Contextual feedback to make learning easier (possible letters are shown at each level).
- Drag anywhere by pressing all 5 fingers down and moving your hand.
- Cancel a mid-phase chorded keypress by pressing all 5 fingers.
- Issuing keypress on touch-up allows users to type at any speed.
More info on Teague Labs: http://labs.teague.com/?p=1451
- published: 08 Feb 2012
- views: 43925
Projection mapped MIDI keyboard
- Order: Reorder
- Duration: 1:15
- Updated: 30 Jan 2014
- views: 545
Precise projector mapping on a keyboard.
Using a single distorted quad to cover the entire keyboard, then algorithmically subdividing to isolate each individua...
Precise projector mapping on a keyboard.
Using a single distorted quad to cover the entire keyboard, then algorithmically subdividing to isolate each individual key on a MIDI keyboard. MIDI signal from keyboard is routed into Processing based Java program, and triggers illumination of key when it is pressed. (Forgive the bad playing.. its just a demo! Sick keyboardist wanted for better demo!)
Besides all the ideas for purely visual variations on this, there are definite ideas for possible extensions as a learning tool:
-illuminate a scale - say G dorian, all over the keyboard
-For jazz training, illuminate all the notes on the keyboard in a certain chord.. Say C minor 9, root could be red, minor third orange, 5th yellow and 9th green.
-Melody training - red is the next note to play, orange is the one after, yellow the third one. When you press red, it dissapears and orange becomes red, etc
-Pressing foot sustain pedal could step to the next chord/scale in the song, so you can be assisted through an entire song.
-Solo suggestions - using seeded markov chains from existing compositions or your own playing, program could suggest next few notes in a solo.
https://wn.com/Projection_Mapped_Midi_Keyboard
Precise projector mapping on a keyboard.
Using a single distorted quad to cover the entire keyboard, then algorithmically subdividing to isolate each individual key on a MIDI keyboard. MIDI signal from keyboard is routed into Processing based Java program, and triggers illumination of key when it is pressed. (Forgive the bad playing.. its just a demo! Sick keyboardist wanted for better demo!)
Besides all the ideas for purely visual variations on this, there are definite ideas for possible extensions as a learning tool:
-illuminate a scale - say G dorian, all over the keyboard
-For jazz training, illuminate all the notes on the keyboard in a certain chord.. Say C minor 9, root could be red, minor third orange, 5th yellow and 9th green.
-Melody training - red is the next note to play, orange is the one after, yellow the third one. When you press red, it dissapears and orange becomes red, etc
-Pressing foot sustain pedal could step to the next chord/scale in the song, so you can be assisted through an entire song.
-Solo suggestions - using seeded markov chains from existing compositions or your own playing, program could suggest next few notes in a solo.
- published: 29 Dec 2009
- views: 545
you won the lottery (when you met me)
- Order: Reorder
- Duration: 3:01
- Updated: 03 Feb 2014
- views: 28296
title: you won the lottery (when you met me)
music: dinky loop
video production: queens of disco sleaze/dinky loop flicks
* * * * * * * * * * * * * * * * * ...
title: you won the lottery (when you met me)
music: dinky loop
video production: queens of disco sleaze/dinky loop flicks
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
you won the lottery (when you met me) is the third in a series of 12 music videos to emerge during the queens' "back to the future" revolution. our back to the future revolution, from which these videos emerged, has been filmed over the last 12 months and will be available to view later in 2013...
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
concept/outline: erotic fiction video...
with her friend belle holding her hand, twist has an unforgettable experience at cinéma le champo watching thelma tadlock dance in 'design for dreaming.'
[note: the 'design for dreaming' edit constructed here is a post post-modern reconstruction of the general motors 1956 promotional motorama celebration. in this revision tad tadlock makes her own dreams come true and dances her way from her bedroom to the top, from the fifties to the future... ]
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
some back to the future project guidelines:
no budget- this is an in-it-for-the-love only project.
no cameras or fancy editing software- making videos as if we are back in the disco era means we can only use footage and editing techniques that existed prior to 1980.
adopt vital creative attitudes of the era - post-punk three chords and the truth, disco grooviness and early hip-hop sampling techniques to make a moment from the past into something greater in the future.
find a way to express how creativity feeds off other creativity and how the future becomes the past and the past returns again in the future. normally this might involve cause-and-effect shots one after the other but we’ve found ourselves continually drawn to split-screen expression. wish we could rationalise this decision beyond saying it feels essential and right for this project to allow both to co-exist onscreen simultaneously, but we can’t.
consider each song and completed video as part of an entire series with its own visual identity in a way that factory records had an immediate identity through peter saville’s art direction. no band has ever had a complete visual identity through their music videos. a single thumbnail (with no words) should identify a queens of disco sleaze/dinky loop music video if the project works.
express the classic, but not in-your-face-modern, sexiness to dinky loop’s music through erotic visual parallels that can be found in the past. there’s often something exquisitely, undeniably sexy about the past- never remove the sexiness.
consider the alleged jean-luc godard quote: it’s not what you take, it’s where you take it.
never use poor footage of the past to make ourselves look good in the future. too much irony is a creative block. find great moments and potential stories within movies that had fatal flaws. find great people. find the forgotten heroes who could’ve been the next marilyn monroe but ended up with a one-way ticket to polookaville. and bring them back to the future to be remembered.
learn about filmmaking by trying to produce stories with old footage with the inventiveness of a silent filmmaker, instead of just mood pieces.
never use capitals and lower case letters. in the future no letter will ever look down on another letter… :)
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
dedication: inspired by and starring thelma "tad" tadlock, dancer and choreographer extraordinaire.
source: contains excerpted public domain footage from design for dreaming and bathtime beauty that can be accessed in full at www.archive.com
https://wn.com/You_Won_The_Lottery_(When_You_Met_Me)
title: you won the lottery (when you met me)
music: dinky loop
video production: queens of disco sleaze/dinky loop flicks
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
you won the lottery (when you met me) is the third in a series of 12 music videos to emerge during the queens' "back to the future" revolution. our back to the future revolution, from which these videos emerged, has been filmed over the last 12 months and will be available to view later in 2013...
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
concept/outline: erotic fiction video...
with her friend belle holding her hand, twist has an unforgettable experience at cinéma le champo watching thelma tadlock dance in 'design for dreaming.'
[note: the 'design for dreaming' edit constructed here is a post post-modern reconstruction of the general motors 1956 promotional motorama celebration. in this revision tad tadlock makes her own dreams come true and dances her way from her bedroom to the top, from the fifties to the future... ]
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
some back to the future project guidelines:
no budget- this is an in-it-for-the-love only project.
no cameras or fancy editing software- making videos as if we are back in the disco era means we can only use footage and editing techniques that existed prior to 1980.
adopt vital creative attitudes of the era - post-punk three chords and the truth, disco grooviness and early hip-hop sampling techniques to make a moment from the past into something greater in the future.
find a way to express how creativity feeds off other creativity and how the future becomes the past and the past returns again in the future. normally this might involve cause-and-effect shots one after the other but we’ve found ourselves continually drawn to split-screen expression. wish we could rationalise this decision beyond saying it feels essential and right for this project to allow both to co-exist onscreen simultaneously, but we can’t.
consider each song and completed video as part of an entire series with its own visual identity in a way that factory records had an immediate identity through peter saville’s art direction. no band has ever had a complete visual identity through their music videos. a single thumbnail (with no words) should identify a queens of disco sleaze/dinky loop music video if the project works.
express the classic, but not in-your-face-modern, sexiness to dinky loop’s music through erotic visual parallels that can be found in the past. there’s often something exquisitely, undeniably sexy about the past- never remove the sexiness.
consider the alleged jean-luc godard quote: it’s not what you take, it’s where you take it.
never use poor footage of the past to make ourselves look good in the future. too much irony is a creative block. find great moments and potential stories within movies that had fatal flaws. find great people. find the forgotten heroes who could’ve been the next marilyn monroe but ended up with a one-way ticket to polookaville. and bring them back to the future to be remembered.
learn about filmmaking by trying to produce stories with old footage with the inventiveness of a silent filmmaker, instead of just mood pieces.
never use capitals and lower case letters. in the future no letter will ever look down on another letter… :)
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
dedication: inspired by and starring thelma "tad" tadlock, dancer and choreographer extraordinaire.
source: contains excerpted public domain footage from design for dreaming and bathtime beauty that can be accessed in full at www.archive.com
- published: 08 Feb 2012
- views: 28296
Jumpel - 'Edinburgh'
- Order: Reorder
- Duration: 3:53
- Updated: 01 Feb 2014
- views: 1198
The first single to be taken from Jumpel's forthcoming third album Europa.
With ‘Edinburgh’, Jo Dürbeck introduces a bewitching new ingredient to the Jumpel so...
The first single to be taken from Jumpel's forthcoming third album Europa.
With ‘Edinburgh’, Jo Dürbeck introduces a bewitching new ingredient to the Jumpel sound – the luscious vocals of Chloë March. Beautifully evoking the rain-soaked streets of the Scottish capital, refracted through a personal lens, ‘Edinburgh’ is an exercise in elegance and restraint, filling out the shadows and backstreets with ennui. Melancholic piano chords carry the track forward while electronic texture’s weave amid March’s luminous lyrical play. A departure – yet also an arrival.
‘Edinburgh’ is taken from the forthcoming Jumpel album Europa, out late November 2010. The song is available for free download from the Hidden Shoal Store - http://agora.hiddenshoal.com
Jumpel: http://www.jumpel.de/
Chloë March: http://www.chloemarch.co.uk/
https://wn.com/Jumpel_'Edinburgh'
The first single to be taken from Jumpel's forthcoming third album Europa.
With ‘Edinburgh’, Jo Dürbeck introduces a bewitching new ingredient to the Jumpel sound – the luscious vocals of Chloë March. Beautifully evoking the rain-soaked streets of the Scottish capital, refracted through a personal lens, ‘Edinburgh’ is an exercise in elegance and restraint, filling out the shadows and backstreets with ennui. Melancholic piano chords carry the track forward while electronic texture’s weave amid March’s luminous lyrical play. A departure – yet also an arrival.
‘Edinburgh’ is taken from the forthcoming Jumpel album Europa, out late November 2010. The song is available for free download from the Hidden Shoal Store - http://agora.hiddenshoal.com
Jumpel: http://www.jumpel.de/
Chloë March: http://www.chloemarch.co.uk/
- published: 26 Oct 2010
- views: 1198
Orbital feat. Zola Jesus | New France
- Order: Reorder
- Duration: 5:07
- Updated: 02 Feb 2014
- views: 1155
Creating the new video for the legendary Orbital was always going to be a challenge, with a very strong promo collection already under their banner. Add to this...
Creating the new video for the legendary Orbital was always going to be a challenge, with a very strong promo collection already under their banner. Add to this their eight year absence and the amount of airplay the track, 'New France' has received and the pressure was most definitely on. The story was supposed to strike a chord with the manchild in many of us who wants to relive the 'glory days' long after their life has found more substance and meaning.
Luckily for me, I had the talents of Hana Backland on my side. She built the puppet from scratch in a ridiculously short span of time on no money and some animatronic assistance from the good folk at Lunas Puppets in the states. The result was a fully realised, emotive puppet actor. Our little Lion holds his own against the dynamic Stuart Ellison & Dan Harvey, playing the duplicitous pair that lure him out to play.
Hana's skilled puppetry (with help from assistant Ali Allsop) really gave us an emotional anchor for the video and showcased her at the top of her game.
This marks the third music promo collaboration between myself and Joseph Henderson, the DOP, who totally nails the magical/kitchen sink aesthetic I love so much. Nick Pykett proved to be a great team player, Ad-ing, catering, providing locations - you name it.
We were fortunate to get assistance from Truro College, Half Inch Rails, Justin Heasman @ Sketchwork TV, Dogbite film crew and top filmmaker Brett Harvey - who produced a fantastic making of that Phil Hartnoll insisted was released side by side with the promo.
https://vimeo.com/38430434
The reaction to the video has been amazing, with plaudits from my hero and music video maker and guru Adam Buxton, Guardian/Esquire film critic and author Micheal Holden, NME, Badass Digest, Pitchfork and an entry into Stereogum's top 5 global music videos of the week. I am needless to say, thrilled.
A special thanks to everyone who gave up their time - the reason I insisted on having end credits (never a popular move) was to pay tribute, in a small way, to your tireless dedication, boundless energy and inspired professionalism. I am in your debt...
Check out more filmmaking and puppetry from Hana Backland here --
https://vimeo.com/23636104
Lee Trewhela did a great feature for us here --
http://www.thisiscornwall.co.uk/Cornishman-helms-Orbital-8217-s-new-video/story-15534262-detail/story.html
Shot on Canon 5D Mark II
https://wn.com/Orbital_Feat._Zola_Jesus_|_New_France
Creating the new video for the legendary Orbital was always going to be a challenge, with a very strong promo collection already under their banner. Add to this their eight year absence and the amount of airplay the track, 'New France' has received and the pressure was most definitely on. The story was supposed to strike a chord with the manchild in many of us who wants to relive the 'glory days' long after their life has found more substance and meaning.
Luckily for me, I had the talents of Hana Backland on my side. She built the puppet from scratch in a ridiculously short span of time on no money and some animatronic assistance from the good folk at Lunas Puppets in the states. The result was a fully realised, emotive puppet actor. Our little Lion holds his own against the dynamic Stuart Ellison & Dan Harvey, playing the duplicitous pair that lure him out to play.
Hana's skilled puppetry (with help from assistant Ali Allsop) really gave us an emotional anchor for the video and showcased her at the top of her game.
This marks the third music promo collaboration between myself and Joseph Henderson, the DOP, who totally nails the magical/kitchen sink aesthetic I love so much. Nick Pykett proved to be a great team player, Ad-ing, catering, providing locations - you name it.
We were fortunate to get assistance from Truro College, Half Inch Rails, Justin Heasman @ Sketchwork TV, Dogbite film crew and top filmmaker Brett Harvey - who produced a fantastic making of that Phil Hartnoll insisted was released side by side with the promo.
https://vimeo.com/38430434
The reaction to the video has been amazing, with plaudits from my hero and music video maker and guru Adam Buxton, Guardian/Esquire film critic and author Micheal Holden, NME, Badass Digest, Pitchfork and an entry into Stereogum's top 5 global music videos of the week. I am needless to say, thrilled.
A special thanks to everyone who gave up their time - the reason I insisted on having end credits (never a popular move) was to pay tribute, in a small way, to your tireless dedication, boundless energy and inspired professionalism. I am in your debt...
Check out more filmmaking and puppetry from Hana Backland here --
https://vimeo.com/23636104
Lee Trewhela did a great feature for us here --
http://www.thisiscornwall.co.uk/Cornishman-helms-Orbital-8217-s-new-video/story-15534262-detail/story.html
Shot on Canon 5D Mark II
- published: 29 May 2012
- views: 1155
-
Major and minor third intervals in relation to chords
Learn the difference between the makeup of a minor and a major triad. See how they are really put together. Find info and downloads for the charts for my youtube videos at http://www.worshiptheking.com/youtube Subscribe to the WTK youtube channel and learn more at http://www.worshiptheking.com Lessons, tutorials, and LIVE webinars for worship guitar, piano, music theory, and tech. Connect with me today! http://www.facebook.com/worshipthekingmusic http://www.facebook.com/groups/wtkmember http://www.twitter.com/wtkmusic https://www.instagram.com/wtkmusic
published: 24 Jan 2012 -
E Chord - Easy Third Guitar Chord - Beginner Guitar Lessons Stage 1 - JustinGuitar [BC-113]
In this lesson we are going to be checking out the E Chord. It's a nice easy one. Find the related course notes on the following link: http://justinguitar.com/en/BC-113-E-chord.php The Justinguitar Beginners Guitar Course, a series of over 100 lessons on guitar for beginners. Text support is on the web site and also in a proper old skool paper book which can be ordered from the web site of your local music store :) Please subscribe to my channel if you dig what I do! Your support is greatly appreciated and helps me continue to keep it free for everyone! • Please Subscribe To This Channel http://www.youtube.com/subscription_center?add_user=JustinSandercoe See my web site for hundreds more free lessons, loads of songs and detailed courses for beginners and intermediate players getting...
published: 03 Jun 2009 -
Your Love - Third Chord Cover
This is a cover of the song "Your Love" originally by Daithi DeNogla. The original can be found here: https://www.youtube.com/watch?v=f-wrL... We want to thank you for watching our first video and we hope you enjoy! We hope to be putting up more videos as soon as possible! Special thanks to these locations: 5 Stones Church Ashland University Gebhart's Family Grooming Center Linders Sports Bar
published: 02 Jun 2017 -
*Lage Lund Jazz Guitar Lesson* Getting Away from Obvious (Third) Chord Voicings JazzHeaven.com
Go to http://JazzHeaven.com/lage for more FREE Lage Lund Videos! This was an excerpt from the Lage Lund instructional video/DVD entitled "Jazz Guitar Chordal Vocabulary". Jam-packed Jazz Harmony Lesson: 3h Lesson(!), 60-min Interview, mp3 play-along, and PDF sheet music/TABS. Click on http://JazzHeaven.com - other killer jazz instructional videos for all instruments with Kenny Werner, Lee Konitz, Walt Weiskopf, Vince Herring, Jerry Bergonzi and MORE. (Plus jazz instructional videos with MANY other great jazz artists like Oz Noy, Eric Harland, Ralph Peterson, Ari Hoenig, Gilad Hekselman, Ingrid Jensen, Geoffrey Keezer, Enrico Pieranunzi & more.) Go to http://JazzHeaven.com to check it out! Lage Lund is acclaimed not only as one of the finest guitarists of his generation, but also one of ...
published: 11 Jun 2015 -
Guitar Chord Theory made Easy Triads And 7th Chords
Free Lesson Download: http://www.tomasmichaud.com/guitar-chord-theory-2 My free lesson download includes an Interval Chart with the names and steps of all the intervals as well as diagrams to help you get even more from this lesson. Get the most from this lesson here: http://www.tomasmichaud.com/guitar-chord-theory-2 - - - - Guitar Chord Theory made Easy Triads And 7th Chords Hey there, if you wanna learn a little guitar theory in a fun and easy way, you’re in the right place. We’re gonna talk about chords and how they are constructed. Hey there, for those of you who don’t know me, I’m Tomas Michaud founder of Real Guitar School. Today I’m gonna talk about guitar chords, how they are constructed. Now let me start off by telling you if you are a brand new beginner, this is not the b...
published: 09 Jun 2016 -
Martin Nonstatic - Third Chord Part 0 (Original Mix)
Realize EP Biorecordings #BR005 05.06.2012 http://www.beatport.com/release/realize-ep/921621 http://soundcloud.com/martin-nonstatic http://soundcloud.com/bio-recordings http://www.facebook.com/pages/Biorecordings/174879789239703
published: 19 Sep 2012 -
Fly Away (Acoustic) - The Third Chord
This is us playing around with our new recording mic. Comment for critique!
published: 24 Apr 2012 -
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The Third Chord - The DamnLOL! Song
This is what happens when I decide to hit record while Maurice and I look through DamnLOL! pictures... and I have a guitar in my hand. It's totally worth the long length, guys! We do not own DamnLOL! and any respective pictures belong to their creators.
published: 12 May 2012 -
Erich Lesovsky - We Ate The Third Chord
http://www.beatport.com/release/tunes-from-a-divided-city/1058665 Erich Lesovsky - Tunes from a divided City EP ( CIRCAT001 ) 01 - Erich Lesovsky - We ate the third Chord 02 - Erich Lesovsky - She kissed him in Berlin 03 - Erich Lesovsky - Humans www.soundcloud.com/erich_lesovsky www.youtube.com/maomakmaa www.facebook.com/Erich.Lesovsky www.circat.eu
published: 30 Oct 2012 -
Chopin - Scherzo nr 1 in b minor - Alessio Nanni
Alessio Nanni, italian classical pianist, performs the Scherzo in b minor op.20 nr.1 by Fryderyk Chopin. This first Scherzo takes A-B-A-Coda form and begins with two chords in fortissimo. At tremendous speed, a series of dramatic outbursts in the B minor tonic follows. Near the center of the piece, the music leads into a slower section in B major; finally one hears a tangible melody in the middle register, surrounded by accompaniment in both the left and upper right hands. Chopin clearly quotes in this section of the composition from an old Polish Christmas song (Lulajże Jezuniu); tempo is marked as Molto Piu Lento. The B major area dissolves as the harmony mysteriously changes character via secondary dominant. The two chords from the very start reappear, superimposed over vestiges of th...
published: 23 Dec 2010 -
My favorite things - John Coltrane
My Favorite Things is a 1961 jazz album by John Coltrane. It is considered by many jazz critics and listeners to be a highly significant and historic recording. It was the first session recorded by Coltrane on the Atlantic label, the first to introduce his new quartet featuring McCoy Tyner (Piano), Elvin Jones (Drums) and Steve Davis (Bass) - neither Jimmy Garrison nor Reggie Workman featured as yet. It is classed as another album in which Coltrane made a break free of bop, introducing complex harmonic reworkings of such songs as "My Favorite Things", and "But Not For Me". Additionally, at a time when the soprano saxophone was considered obsolete, it demonstrated Coltrane's further investigation of the instrument's capabilities in a jazz idiom. The standard "Summertime" is notable for it...
published: 18 Feb 2010 -
Nordmann Chord Generator
The Chord Generator is the second Nordmann generative device. Like the Schwarzonator the patch creates chord progressions, but in a more musical language. You can create triads and tetrads by pressing only one key on the keyboard. This key is automatically the root key. You can generally choose between major and minor and add diminished or augmented additional notes. The third can be omitted. Furthermore you can invert the chord from root inversion to the third inversion and set the chord's disposition from close to open. All functions can be randomized. With the random function you can generate some pretty weird stuff. Enjoy! Download the patch @nilsnordmann.de and enjoy!
published: 30 Sep 2011 -
maggie's guitar aptitude
this is literally 40 minutes after i spent 10 minutes showing maggie a couple of chords. the third she guessed from watching me play it, and she's verging on a tough fourth chord (D) just from seeing me play it.
published: 29 Jan 2014 -
SUNDOWNER - Cemetery West (Official Video)
Cemetery West is off the third Sundowner album, Neon Fiction, from Chris McCaughan of The Lawrence Arms, available from Fat Wreck Chords. This video was shot, directed and edited by NYC based photographer Ben Pier.
published: 28 Oct 2013 -
Doug Engelbart's Chorded Keyboard as a Multi-touch Interface
A chorded keyboard works by using combinations of finger presses to signal a keypress (for example, pressing both the first and second finger down simultaneously might send an "A", while pressing the first and third finger down might send a "B"). With 5 fingers, there are 32 possible binary combinations. Leaving out the rest state (all off), and a drag state (all on), we have 30 useful mappings. With 26 letters, that leaves just a few for high level text commands (space, delete, and enter). Here's what makes this little keyboard so exciting: - One handed use. - Bring it up anywhere by putting down all 5 fingers. - large hit area per key (since there are only 5 keys to press) allows for blind/touch-typing operation. - Contextual feedback to make learning easier (possible letters are shown ...
published: 08 Feb 2012 -
Projection mapped MIDI keyboard
Precise projector mapping on a keyboard. Using a single distorted quad to cover the entire keyboard, then algorithmically subdividing to isolate each individual key on a MIDI keyboard. MIDI signal from keyboard is routed into Processing based Java program, and triggers illumination of key when it is pressed. (Forgive the bad playing.. its just a demo! Sick keyboardist wanted for better demo!) Besides all the ideas for purely visual variations on this, there are definite ideas for possible extensions as a learning tool: -illuminate a scale - say G dorian, all over the keyboard -For jazz training, illuminate all the notes on the keyboard in a certain chord.. Say C minor 9, root could be red, minor third orange, 5th yellow and 9th green. -Melody training - red is the next note to play, ...
published: 29 Dec 2009 -
you won the lottery (when you met me)
title: you won the lottery (when you met me) music: dinky loop video production: queens of disco sleaze/dinky loop flicks * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * you won the lottery (when you met me) is the third in a series of 12 music videos to emerge during the queens' "back to the future" revolution. our back to the future revolution, from which these videos emerged, has been filmed over the last 12 months and will be available to view later in 2013... * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * ...
published: 08 Feb 2012 -
Jumpel - 'Edinburgh'
The first single to be taken from Jumpel's forthcoming third album Europa. With ‘Edinburgh’, Jo Dürbeck introduces a bewitching new ingredient to the Jumpel sound – the luscious vocals of Chloë March. Beautifully evoking the rain-soaked streets of the Scottish capital, refracted through a personal lens, ‘Edinburgh’ is an exercise in elegance and restraint, filling out the shadows and backstreets with ennui. Melancholic piano chords carry the track forward while electronic texture’s weave amid March’s luminous lyrical play. A departure – yet also an arrival. ‘Edinburgh’ is taken from the forthcoming Jumpel album Europa, out late November 2010. The song is available for free download from the Hidden Shoal Store - http://agora.hiddenshoal.com Jumpel: http://www.jumpel.de/ Chloë March: http...
published: 26 Oct 2010 -
Orbital feat. Zola Jesus | New France
Creating the new video for the legendary Orbital was always going to be a challenge, with a very strong promo collection already under their banner. Add to this their eight year absence and the amount of airplay the track, 'New France' has received and the pressure was most definitely on. The story was supposed to strike a chord with the manchild in many of us who wants to relive the 'glory days' long after their life has found more substance and meaning. Luckily for me, I had the talents of Hana Backland on my side. She built the puppet from scratch in a ridiculously short span of time on no money and some animatronic assistance from the good folk at Lunas Puppets in the states. The result was a fully realised, emotive puppet actor. Our little Lion holds his own against the dynamic Stuar...
published: 29 May 2012
Major and minor third intervals in relation to chords
- Order: Reorder
- Duration: 1:51
- Updated: 24 Jan 2012
- views: 19093
Learn the difference between the makeup of a minor and a major triad. See how they are really put together.
Find info and downloads for the charts for my youtu...
Learn the difference between the makeup of a minor and a major triad. See how they are really put together.
Find info and downloads for the charts for my youtube videos at http://www.worshiptheking.com/youtube
Subscribe to the WTK youtube channel and learn more at http://www.worshiptheking.com
Lessons, tutorials, and LIVE webinars for worship guitar, piano, music theory, and tech.
Connect with me today!
http://www.facebook.com/worshipthekingmusic
http://www.facebook.com/groups/wtkmember
http://www.twitter.com/wtkmusic
https://www.instagram.com/wtkmusic
https://wn.com/Major_And_Minor_Third_Intervals_In_Relation_To_Chords
Learn the difference between the makeup of a minor and a major triad. See how they are really put together.
Find info and downloads for the charts for my youtube videos at http://www.worshiptheking.com/youtube
Subscribe to the WTK youtube channel and learn more at http://www.worshiptheking.com
Lessons, tutorials, and LIVE webinars for worship guitar, piano, music theory, and tech.
Connect with me today!
http://www.facebook.com/worshipthekingmusic
http://www.facebook.com/groups/wtkmember
http://www.twitter.com/wtkmusic
https://www.instagram.com/wtkmusic
- published: 24 Jan 2012
- views: 19093
E Chord - Easy Third Guitar Chord - Beginner Guitar Lessons Stage 1 - JustinGuitar [BC-113]
- Order: Reorder
- Duration: 5:16
- Updated: 03 Jun 2009
- views: 1544951
In this lesson we are going to be checking out the E Chord. It's a nice easy one.
Find the related course notes on the following link:
http://justinguitar.com/...
In this lesson we are going to be checking out the E Chord. It's a nice easy one.
Find the related course notes on the following link:
http://justinguitar.com/en/BC-113-E-chord.php
The Justinguitar Beginners Guitar Course, a series of over 100 lessons on guitar for beginners. Text support is on the web site and also in a proper old skool paper book which can be ordered from the web site of your local music store :)
Please subscribe to my channel if you dig what I do! Your support is greatly appreciated and helps me continue to keep it free for everyone!
• Please Subscribe To This Channel
http://www.youtube.com/subscription_center?add_user=JustinSandercoe
See my web site for hundreds more free lessons, loads of songs and detailed courses for beginners and intermediate players getting into blues, jazz, fingerstyle and many lessons on technique, practice, ear training, theory and loads more…
http://www.justinguitar.com
And it is all totally free, no bull. No sample lessons, no memberships, no free ebook. Just hundreds of great lessons :)
To get help with this lesson and get additional notes and tips, use the Lesson ID in the search box at the top of the web site!
Hope you enjoy it - if you do please subscribe to my YouTube Channel and come find me on my socials below. Much appreciate the support!
• Facebook
https://www.facebook.com/justinguitarofficial
• Twitter
https://twitter.com/justinsandercoe
• JustinGuitar Community (GET HELP HERE)
https://www.justinguitarcommunity.com
• YouTube Lessons
https://www.youtube.com/user/JustinSandercoe
• YouTube Songs
https://www.youtube.com/user/JustinSandercoeSongs
•
https://wn.com/E_Chord_Easy_Third_Guitar_Chord_Beginner_Guitar_Lessons_Stage_1_Justinguitar_Bc_113
In this lesson we are going to be checking out the E Chord. It's a nice easy one.
Find the related course notes on the following link:
http://justinguitar.com/en/BC-113-E-chord.php
The Justinguitar Beginners Guitar Course, a series of over 100 lessons on guitar for beginners. Text support is on the web site and also in a proper old skool paper book which can be ordered from the web site of your local music store :)
Please subscribe to my channel if you dig what I do! Your support is greatly appreciated and helps me continue to keep it free for everyone!
• Please Subscribe To This Channel
http://www.youtube.com/subscription_center?add_user=JustinSandercoe
See my web site for hundreds more free lessons, loads of songs and detailed courses for beginners and intermediate players getting into blues, jazz, fingerstyle and many lessons on technique, practice, ear training, theory and loads more…
http://www.justinguitar.com
And it is all totally free, no bull. No sample lessons, no memberships, no free ebook. Just hundreds of great lessons :)
To get help with this lesson and get additional notes and tips, use the Lesson ID in the search box at the top of the web site!
Hope you enjoy it - if you do please subscribe to my YouTube Channel and come find me on my socials below. Much appreciate the support!
• Facebook
https://www.facebook.com/justinguitarofficial
• Twitter
https://twitter.com/justinsandercoe
• JustinGuitar Community (GET HELP HERE)
https://www.justinguitarcommunity.com
• YouTube Lessons
https://www.youtube.com/user/JustinSandercoe
• YouTube Songs
https://www.youtube.com/user/JustinSandercoeSongs
•
- published: 03 Jun 2009
- views: 1544951
Your Love - Third Chord Cover
- Order: Reorder
- Duration: 2:55
- Updated: 02 Jun 2017
- views: 129
This is a cover of the song "Your Love" originally by Daithi DeNogla. The original can be found here: https://www.youtube.com/watch?v=f-wrL...
We want to thank...
This is a cover of the song "Your Love" originally by Daithi DeNogla. The original can be found here: https://www.youtube.com/watch?v=f-wrL...
We want to thank you for watching our first video and we hope you enjoy! We hope to be putting up more videos as soon as possible!
Special thanks to these locations:
5 Stones Church
Ashland University
Gebhart's Family Grooming Center
Linders Sports Bar
https://wn.com/Your_Love_Third_Chord_Cover
This is a cover of the song "Your Love" originally by Daithi DeNogla. The original can be found here: https://www.youtube.com/watch?v=f-wrL...
We want to thank you for watching our first video and we hope you enjoy! We hope to be putting up more videos as soon as possible!
Special thanks to these locations:
5 Stones Church
Ashland University
Gebhart's Family Grooming Center
Linders Sports Bar
- published: 02 Jun 2017
- views: 129
*Lage Lund Jazz Guitar Lesson* Getting Away from Obvious (Third) Chord Voicings JazzHeaven.com
- Order: Reorder
- Duration: 5:35
- Updated: 11 Jun 2015
- views: 19330
Go to http://JazzHeaven.com/lage for more FREE Lage Lund Videos! This was an excerpt from the Lage Lund instructional video/DVD entitled "Jazz Guitar Chordal Vo...
Go to http://JazzHeaven.com/lage for more FREE Lage Lund Videos! This was an excerpt from the Lage Lund instructional video/DVD entitled "Jazz Guitar Chordal Vocabulary".
Jam-packed Jazz Harmony Lesson: 3h Lesson(!), 60-min Interview, mp3 play-along, and PDF sheet music/TABS.
Click on http://JazzHeaven.com - other killer jazz instructional videos for all instruments with Kenny Werner, Lee Konitz, Walt Weiskopf, Vince Herring, Jerry Bergonzi and MORE.
(Plus jazz instructional videos with MANY other great jazz artists like Oz Noy, Eric Harland, Ralph Peterson, Ari Hoenig, Gilad Hekselman, Ingrid Jensen, Geoffrey Keezer, Enrico Pieranunzi & more.)
Go to http://JazzHeaven.com to check it out!
Lage Lund is acclaimed not only as one of the finest guitarists of his generation, but also one of the most compelling jazz artists in the world today. He is “all music and all soul,” according to Russell Malone, one of the judges who awarded Lund top prize in the 2005 Thelonious Monk International Jazz Competition.
Armed with a mastery of the standard repertoire and a growing body of original compositions, Lund swings with great authority, displaying a staggering harmonic sophistication and a singularly fluid voice as a soloist. He also brings a “casually magnetic” presence to the stage, “channeling reticence into a whisper-quiet mystique” (New York Times).
Born and raised in Skien, Norway, Lund relocated to Boston after high school and attended Berklee College of Music. In 2002 he moved to New York and soon became the first electric guitarist ever to enroll at the Juilliard School of Music. In the years since his Monk Competition victory, he has become a sought-after sideman with the David Sanchez Quartet, the Maria Schneider Orchestra, the Seamus Blake Quintet, the Mingus Orchestra and many more. He has been fortunate enough to work with elder statesmen and peers alike: Ron Carter, Mulgrew Miller, Wynton Marsalis, Carmen Lundy, FLY, Marcus Strickland, Jaleel Shaw, Will Vinson, Aaron Parks, Kendrick Scott, Jimmy Greene and Ingrid Jensen, among others.
Lunds 2013 release Foolhardy on the Criss Cross label, his follow up to the critically acclaimed Unlikely Stories is a vibrant set of mainly original tunes with a superb supporting cast: pianist Aaron Parks joining the returning bassist Ben Street and drummer Bill Stewart.
In 2011 he brought out the independent live recording Small Club – Big City, produced by Jimmy Katz and recorded over several nights at the intimate Bar Next Door. This fine album captures the warm sound and intense interplay of Lund’s trio with bassist Orlando Le Fleming and drummer Marcus Gilmore (Jamire Williams on two tracks).
With the 2012 quartet release Live at Smalls — featuring Gilmore, Street and pianist Pete Rende — Lund continues to refine his artistry, bringing tonal clarity and an unerring sense of proportion to music recorded at Smalls, the famed Greenwich Village club. Through stateside appearances and live engagements throughout Europe, Japan and around the world, Lund has ascended to the highest ranks as a performer and a creative force. He is among those setting the agenda for jazz improvisation in the 21st century.
Hope you enjoyed this video clip on Jazz Guitar Harmony
https://www.youtube.com/watch?v=Fdl0elcN4Mk
https://wn.com/Lage_Lund_Jazz_Guitar_Lesson_Getting_Away_From_Obvious_(Third)_Chord_Voicings_Jazzheaven.Com
Go to http://JazzHeaven.com/lage for more FREE Lage Lund Videos! This was an excerpt from the Lage Lund instructional video/DVD entitled "Jazz Guitar Chordal Vocabulary".
Jam-packed Jazz Harmony Lesson: 3h Lesson(!), 60-min Interview, mp3 play-along, and PDF sheet music/TABS.
Click on http://JazzHeaven.com - other killer jazz instructional videos for all instruments with Kenny Werner, Lee Konitz, Walt Weiskopf, Vince Herring, Jerry Bergonzi and MORE.
(Plus jazz instructional videos with MANY other great jazz artists like Oz Noy, Eric Harland, Ralph Peterson, Ari Hoenig, Gilad Hekselman, Ingrid Jensen, Geoffrey Keezer, Enrico Pieranunzi & more.)
Go to http://JazzHeaven.com to check it out!
Lage Lund is acclaimed not only as one of the finest guitarists of his generation, but also one of the most compelling jazz artists in the world today. He is “all music and all soul,” according to Russell Malone, one of the judges who awarded Lund top prize in the 2005 Thelonious Monk International Jazz Competition.
Armed with a mastery of the standard repertoire and a growing body of original compositions, Lund swings with great authority, displaying a staggering harmonic sophistication and a singularly fluid voice as a soloist. He also brings a “casually magnetic” presence to the stage, “channeling reticence into a whisper-quiet mystique” (New York Times).
Born and raised in Skien, Norway, Lund relocated to Boston after high school and attended Berklee College of Music. In 2002 he moved to New York and soon became the first electric guitarist ever to enroll at the Juilliard School of Music. In the years since his Monk Competition victory, he has become a sought-after sideman with the David Sanchez Quartet, the Maria Schneider Orchestra, the Seamus Blake Quintet, the Mingus Orchestra and many more. He has been fortunate enough to work with elder statesmen and peers alike: Ron Carter, Mulgrew Miller, Wynton Marsalis, Carmen Lundy, FLY, Marcus Strickland, Jaleel Shaw, Will Vinson, Aaron Parks, Kendrick Scott, Jimmy Greene and Ingrid Jensen, among others.
Lunds 2013 release Foolhardy on the Criss Cross label, his follow up to the critically acclaimed Unlikely Stories is a vibrant set of mainly original tunes with a superb supporting cast: pianist Aaron Parks joining the returning bassist Ben Street and drummer Bill Stewart.
In 2011 he brought out the independent live recording Small Club – Big City, produced by Jimmy Katz and recorded over several nights at the intimate Bar Next Door. This fine album captures the warm sound and intense interplay of Lund’s trio with bassist Orlando Le Fleming and drummer Marcus Gilmore (Jamire Williams on two tracks).
With the 2012 quartet release Live at Smalls — featuring Gilmore, Street and pianist Pete Rende — Lund continues to refine his artistry, bringing tonal clarity and an unerring sense of proportion to music recorded at Smalls, the famed Greenwich Village club. Through stateside appearances and live engagements throughout Europe, Japan and around the world, Lund has ascended to the highest ranks as a performer and a creative force. He is among those setting the agenda for jazz improvisation in the 21st century.
Hope you enjoyed this video clip on Jazz Guitar Harmony
https://www.youtube.com/watch?v=Fdl0elcN4Mk
- published: 11 Jun 2015
- views: 19330
Guitar Chord Theory made Easy Triads And 7th Chords
- Order: Reorder
- Duration: 7:21
- Updated: 09 Jun 2016
- views: 2469
Free Lesson Download: http://www.tomasmichaud.com/guitar-chord-theory-2
My free lesson download includes an Interval Chart with the names and steps of all the...
Free Lesson Download: http://www.tomasmichaud.com/guitar-chord-theory-2
My free lesson download includes an Interval Chart with the names and steps of all the intervals as well as diagrams to help you get even more from this lesson.
Get the most from this lesson here: http://www.tomasmichaud.com/guitar-chord-theory-2
- - - -
Guitar Chord Theory made Easy Triads And 7th Chords
Hey there, if you wanna learn a little guitar theory in a fun and easy way, you’re in the right place. We’re gonna talk about chords and how they are constructed.
Hey there, for those of you who don’t know me, I’m Tomas Michaud founder of Real Guitar School. Today I’m gonna talk about guitar chords, how they are constructed. Now let me start off by telling you if you are a brand new beginner, this is not the best way to learn chords, really, the best way to start out is to learn some basic chord forms, get using on strums and then supplement that with some understanding of how chords are constructed. It will help you move farther but it’s not the best way to just start out so now were clear on that. I’m assuming you know some basic chords. Let me show you a little short video first that will show you how some basic major minor triads are constructed.
Here we have a basic G major triad. G is the root of the chord. The interval from G to E is called a major third so we called that a major third. I’ll use a capital M for a major third, a little m for minor third. Now the next interval that were interested in here is the root to the fifth. E is the third and G to D is an interval of a fifth. In this case, it’s called a perfect fifth so all major triads will start with a major third from the root and then from the root, a perfect fifth.
Now let’s go over to the next chord which is E minor. From the E to the G, it’s a minor third interval and we will use a small m. From the E to the B again from the root to the next note is another perfect 5th. All minor triads are three notes with the root note to the third being a minor third and the root note to the fifth being a perfect 5th. If you follow that formula you always end up with a minor triad.
Okay let’s take a look at what we just did. Now on the guitar, here’s a basic G chord. Now this chord has those three notes that we talked about in the chord but there’s some duplicate that’s why there’s more than three notes. So we start off with the G B and D those are the three notes. Then we go on to duplicate them. This is another G, another B and then another G, we got three G’s in there. You can almost never go wrong by duplicating the root note in this case G. So now the minor, E minor, E minor chord so let’s start off with the E then we have the B, another E, already we duplicate the E then it goes through the open G that’s the B again and again open E, duplicate notes really with three notes some of them duplicated just like we showed you in the video – E minor. Now let me show you another video, we’re gonna add 7th note to these chords. We’re gonna expand on it a little bit.
Now here we have a G7 chord. This is basically the same triad which has a perfect major third – a major third interval on the bottom – that must be a capital M and then that same perfect 5th interval but in addition it has a 7th interval, that F is the 7th from the root note and we will call that a minor 7. There is such thing as a major 7th also so for now our G7 has a major 7. Let’s go to the E minor and were gonna show you the same thing. It is still the minor triad, this is the minor third, that must be a small m and then the perfect 5th and again that same minor 7th interval from the E to the D and this is E minor 7 (Oh, where’s that minor) there it is.
Hey there welcome back. Okay I’m gonna show you in the guitar what we just learned. Starting with the G chord, I’m gonna start with that regular G triad. I still call it a triad even though we duplicated some of the notes. Now were gonna add an F note to this chord. To do that the most common way, is to put my first finger on the first fret of the first string, that’s an F note, now it’s a G7. There are many forms of G7 but this one is the most common.
- - - -
https://www.youtube.com/watch?v=8jB2dBDckUA
You Will Also Enjoy This:
https://www.youtube.com/watch?v=nD_d923Jdi4
guitar chord theory
guitar music theory chords
guitar theory chords
understanding chords on guitar
understanding 7th chords
understanding triads
what are triads
chord theory guitar
-~-~~-~~~-~~-~-
Please watch: "Easy Tutorial 12 Bar Blues in E Lesson [1/3]"
https://www.youtube.com/watch?v=_9S0Mf9-Jn0
-~-~~-~~~-~~-~-
https://wn.com/Guitar_Chord_Theory_Made_Easy_Triads_And_7Th_Chords
Free Lesson Download: http://www.tomasmichaud.com/guitar-chord-theory-2
My free lesson download includes an Interval Chart with the names and steps of all the intervals as well as diagrams to help you get even more from this lesson.
Get the most from this lesson here: http://www.tomasmichaud.com/guitar-chord-theory-2
- - - -
Guitar Chord Theory made Easy Triads And 7th Chords
Hey there, if you wanna learn a little guitar theory in a fun and easy way, you’re in the right place. We’re gonna talk about chords and how they are constructed.
Hey there, for those of you who don’t know me, I’m Tomas Michaud founder of Real Guitar School. Today I’m gonna talk about guitar chords, how they are constructed. Now let me start off by telling you if you are a brand new beginner, this is not the best way to learn chords, really, the best way to start out is to learn some basic chord forms, get using on strums and then supplement that with some understanding of how chords are constructed. It will help you move farther but it’s not the best way to just start out so now were clear on that. I’m assuming you know some basic chords. Let me show you a little short video first that will show you how some basic major minor triads are constructed.
Here we have a basic G major triad. G is the root of the chord. The interval from G to E is called a major third so we called that a major third. I’ll use a capital M for a major third, a little m for minor third. Now the next interval that were interested in here is the root to the fifth. E is the third and G to D is an interval of a fifth. In this case, it’s called a perfect fifth so all major triads will start with a major third from the root and then from the root, a perfect fifth.
Now let’s go over to the next chord which is E minor. From the E to the G, it’s a minor third interval and we will use a small m. From the E to the B again from the root to the next note is another perfect 5th. All minor triads are three notes with the root note to the third being a minor third and the root note to the fifth being a perfect 5th. If you follow that formula you always end up with a minor triad.
Okay let’s take a look at what we just did. Now on the guitar, here’s a basic G chord. Now this chord has those three notes that we talked about in the chord but there’s some duplicate that’s why there’s more than three notes. So we start off with the G B and D those are the three notes. Then we go on to duplicate them. This is another G, another B and then another G, we got three G’s in there. You can almost never go wrong by duplicating the root note in this case G. So now the minor, E minor, E minor chord so let’s start off with the E then we have the B, another E, already we duplicate the E then it goes through the open G that’s the B again and again open E, duplicate notes really with three notes some of them duplicated just like we showed you in the video – E minor. Now let me show you another video, we’re gonna add 7th note to these chords. We’re gonna expand on it a little bit.
Now here we have a G7 chord. This is basically the same triad which has a perfect major third – a major third interval on the bottom – that must be a capital M and then that same perfect 5th interval but in addition it has a 7th interval, that F is the 7th from the root note and we will call that a minor 7. There is such thing as a major 7th also so for now our G7 has a major 7. Let’s go to the E minor and were gonna show you the same thing. It is still the minor triad, this is the minor third, that must be a small m and then the perfect 5th and again that same minor 7th interval from the E to the D and this is E minor 7 (Oh, where’s that minor) there it is.
Hey there welcome back. Okay I’m gonna show you in the guitar what we just learned. Starting with the G chord, I’m gonna start with that regular G triad. I still call it a triad even though we duplicated some of the notes. Now were gonna add an F note to this chord. To do that the most common way, is to put my first finger on the first fret of the first string, that’s an F note, now it’s a G7. There are many forms of G7 but this one is the most common.
- - - -
https://www.youtube.com/watch?v=8jB2dBDckUA
You Will Also Enjoy This:
https://www.youtube.com/watch?v=nD_d923Jdi4
guitar chord theory
guitar music theory chords
guitar theory chords
understanding chords on guitar
understanding 7th chords
understanding triads
what are triads
chord theory guitar
-~-~~-~~~-~~-~-
Please watch: "Easy Tutorial 12 Bar Blues in E Lesson [1/3]"
https://www.youtube.com/watch?v=_9S0Mf9-Jn0
-~-~~-~~~-~~-~-
- published: 09 Jun 2016
- views: 2469
Martin Nonstatic - Third Chord Part 0 (Original Mix)
- Order: Reorder
- Duration: 8:40
- Updated: 19 Sep 2012
- views: 2435
Realize EP Biorecordings #BR005 05.06.2012
http://www.beatport.com/release/realize-ep/921621
http://soundcloud.com/martin-nonstatic
http://soundcloud.com/bio-re...
Realize EP Biorecordings #BR005 05.06.2012
http://www.beatport.com/release/realize-ep/921621
http://soundcloud.com/martin-nonstatic
http://soundcloud.com/bio-recordings
http://www.facebook.com/pages/Biorecordings/174879789239703
https://wn.com/Martin_Nonstatic_Third_Chord_Part_0_(Original_Mix)
Fly Away (Acoustic) - The Third Chord
- Order: Reorder
- Duration: 2:50
- Updated: 24 Apr 2012
- views: 118
This is us playing around with our new recording mic. Comment for critique!
This is us playing around with our new recording mic. Comment for critique!
https://wn.com/Fly_Away_(Acoustic)_The_Third_Chord
This is us playing around with our new recording mic. Comment for critique!
- published: 24 Apr 2012
- views: 118
The Third Chord - Fly Away (January 25th, 2012)
- Order: Reorder
- Duration: 5:43
- Updated: 29 Jan 2012
- views: 73
This is The Third Chord playing an acoustic version of Fly Away out at Steamboat's. I personally love this performance.
This is The Third Chord playing an acoustic version of Fly Away out at Steamboat's. I personally love this performance.
https://wn.com/The_Third_Chord_Fly_Away_(January_25Th,_2012)
The Third Chord - The DamnLOL! Song
- Order: Reorder
- Duration: 17:33
- Updated: 12 May 2012
- views: 636
This is what happens when I decide to hit record while Maurice and I look through DamnLOL! pictures... and I have a guitar in my hand. It's totally worth the lo...
This is what happens when I decide to hit record while Maurice and I look through DamnLOL! pictures... and I have a guitar in my hand. It's totally worth the long length, guys! We do not own DamnLOL! and any respective pictures belong to their creators.
https://wn.com/The_Third_Chord_The_Damnlol_Song
Erich Lesovsky - We Ate The Third Chord
- Order: Reorder
- Duration: 6:14
- Updated: 30 Oct 2012
- views: 604
http://www.beatport.com/release/tunes-from-a-divided-city/1058665
Erich Lesovsky - Tunes from a divided City EP ( CIRCAT001 )
01 - Erich Lesovsky - We ate the...
http://www.beatport.com/release/tunes-from-a-divided-city/1058665
Erich Lesovsky - Tunes from a divided City EP ( CIRCAT001 )
01 - Erich Lesovsky - We ate the third Chord
02 - Erich Lesovsky - She kissed him in Berlin
03 - Erich Lesovsky - Humans
www.soundcloud.com/erich_lesovsky
www.youtube.com/maomakmaa
www.facebook.com/Erich.Lesovsky
www.circat.eu
https://wn.com/Erich_Lesovsky_We_Ate_The_Third_Chord
http://www.beatport.com/release/tunes-from-a-divided-city/1058665
Erich Lesovsky - Tunes from a divided City EP ( CIRCAT001 )
01 - Erich Lesovsky - We ate the third Chord
02 - Erich Lesovsky - She kissed him in Berlin
03 - Erich Lesovsky - Humans
www.soundcloud.com/erich_lesovsky
www.youtube.com/maomakmaa
www.facebook.com/Erich.Lesovsky
www.circat.eu
- published: 30 Oct 2012
- views: 604
Chopin - Scherzo nr 1 in b minor - Alessio Nanni
- Order: Reorder
- Duration: 10:43
- Updated: 03 Feb 2014
- views: 79429
Alessio Nanni, italian classical pianist, performs the Scherzo in b minor op.20 nr.1 by Fryderyk Chopin.
This first Scherzo takes A-B-A-Coda form and begins w...
Alessio Nanni, italian classical pianist, performs the Scherzo in b minor op.20 nr.1 by Fryderyk Chopin.
This first Scherzo takes A-B-A-Coda form and begins with two chords in fortissimo. At tremendous speed, a series of dramatic outbursts in the B minor tonic follows. Near the center of the piece, the music leads into a slower section in B major; finally one hears a tangible melody in the middle register, surrounded by accompaniment in both the left and upper right hands. Chopin clearly quotes in this section of the composition from an old Polish Christmas song (Lulajże Jezuniu); tempo is marked as Molto Piu Lento. The B major area dissolves as the harmony mysteriously changes character via secondary dominant. The two chords from the very start reappear, superimposed over vestiges of the middle section. Then the beginning presto repeats itself in the familiar minor tonic.
The lead-in to the dramatic, virtuosic coda is similar to the approach toward the Molto Piu Lento, but slightly different (as it is with Chopin's Second and Third Scherzi also). This final section incorporates dizzying arpeggiated flights up and down almost the entire keyboard, suspended by a climactic series of nine ten-note chords (E# diminished seventh (with diminished third), augmented sixth chord in root position, secondary leading-tone chord of tonic B). After the resolution and a rapid chromatic ascent over four octaves in both hands, the coda and piece come to a triumphant end via a bold minor plagal cadence.
__________________________________________________________
Recorded on december 8th 2010 at Passadori Steinway Hall - Brescia
Produced in collaboration with www.passadoripianoforti.it.
Video release date : 23/12/10
IMPORTANT NOTICE:
We suggest to wait until the video is fully downloaded before start watching.
Switching from Flash Player to HTML5 player is strongly recommended in order to avoid any frame-drop.
Please fullscreen it.
Produced by © WHITE NOISE FACTORY
Piano: Steinway & Sons, Concert Grand mod. D
Piano technician: Giulio Passadori
Recorded in super high definition: 96khz/24 bit technology.
Special thanks to: Giovanni Doria, Giulio and Angela Passadori, Simona Passadori, Flavio Gheruzzi.
© by Alessio Nanni - All Rights Reserved
www.alessionanni.com
https://wn.com/Chopin_Scherzo_Nr_1_In_B_Minor_Alessio_Nanni
Alessio Nanni, italian classical pianist, performs the Scherzo in b minor op.20 nr.1 by Fryderyk Chopin.
This first Scherzo takes A-B-A-Coda form and begins with two chords in fortissimo. At tremendous speed, a series of dramatic outbursts in the B minor tonic follows. Near the center of the piece, the music leads into a slower section in B major; finally one hears a tangible melody in the middle register, surrounded by accompaniment in both the left and upper right hands. Chopin clearly quotes in this section of the composition from an old Polish Christmas song (Lulajże Jezuniu); tempo is marked as Molto Piu Lento. The B major area dissolves as the harmony mysteriously changes character via secondary dominant. The two chords from the very start reappear, superimposed over vestiges of the middle section. Then the beginning presto repeats itself in the familiar minor tonic.
The lead-in to the dramatic, virtuosic coda is similar to the approach toward the Molto Piu Lento, but slightly different (as it is with Chopin's Second and Third Scherzi also). This final section incorporates dizzying arpeggiated flights up and down almost the entire keyboard, suspended by a climactic series of nine ten-note chords (E# diminished seventh (with diminished third), augmented sixth chord in root position, secondary leading-tone chord of tonic B). After the resolution and a rapid chromatic ascent over four octaves in both hands, the coda and piece come to a triumphant end via a bold minor plagal cadence.
__________________________________________________________
Recorded on december 8th 2010 at Passadori Steinway Hall - Brescia
Produced in collaboration with www.passadoripianoforti.it.
Video release date : 23/12/10
IMPORTANT NOTICE:
We suggest to wait until the video is fully downloaded before start watching.
Switching from Flash Player to HTML5 player is strongly recommended in order to avoid any frame-drop.
Please fullscreen it.
Produced by © WHITE NOISE FACTORY
Piano: Steinway & Sons, Concert Grand mod. D
Piano technician: Giulio Passadori
Recorded in super high definition: 96khz/24 bit technology.
Special thanks to: Giovanni Doria, Giulio and Angela Passadori, Simona Passadori, Flavio Gheruzzi.
© by Alessio Nanni - All Rights Reserved
www.alessionanni.com
- published: 23 Dec 2010
- views: 79429
My favorite things - John Coltrane
- Order: Reorder
- Duration: 10:17
- Updated: 03 Feb 2014
- views: 10768
My Favorite Things is a 1961 jazz album by John Coltrane. It is considered by many jazz critics and listeners to be a highly significant and historic recording....
My Favorite Things is a 1961 jazz album by John Coltrane. It is considered by many jazz critics and listeners to be a highly significant and historic recording. It was the first session recorded by Coltrane on the Atlantic label, the first to introduce his new quartet featuring McCoy Tyner (Piano), Elvin Jones (Drums) and Steve Davis (Bass) - neither Jimmy Garrison nor Reggie Workman featured as yet.
It is classed as another album in which Coltrane made a break free of bop, introducing complex harmonic reworkings of such songs as "My Favorite Things", and "But Not For Me". Additionally, at a time when the soprano saxophone was considered obsolete, it demonstrated Coltrane's further investigation of the instrument's capabilities in a jazz idiom.
The standard "Summertime" is notable for its upbeat, searching feel, a demonstration of Coltrane's 'sheets of sound', a stark antithesis to Miles Davis's melancholy, lyrical version on Porgy and Bess. "But Not For Me" is reharmonised using the famous Coltrane changes, and features an extended coda over a repeated ii-V-I-vi progression.
The title track is a modal rendition of the Richard Rodgers/Oscar Hammerstein's seminal song My Favorite Things from The Sound of Music. The melody is heard numerous times throughout the almost 14-minute version, and instead of soloing over the written chord changes, both Tyner and Coltrane taking extended solos over vamps of the two tonic chords, E minor and E major. Tyner's solo is famous for being extremely chordal and rhythmic, as opposed to developing melodies. In the documentary The World According to John Coltrane, narrator Ed Wheeler remarks: "In 1960, Coltrane left Miles [Davis] and formed his own quartet to further explore modal playing, freer directions, and a growing Indian influence. They transformed "My Favorite Things", the cheerful populist song from 'The Sound of Music,' into a hypnotic eastern dervish dance. The recording was a hit and became Coltrane's most requested tune—an abridged broad public acceptance."
A cover of the title track appeared on the OutKast album The Love Below.
It is one of the most well-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D minor7, followed by eight bars of Eb minor7 and another eight of D minor7. This AABA structure puts it in the format of popular song structure.
The piano and bass introduction for the piece was written by Gil Evans for Bill Evans and Paul Chambers on Kind of Blue. An orchestrated version by Gil Evans of this introduction is later to be found on a television broadcast given by Miles' Quintet (minus Cannonball Adderley who was ill that day) and the Gil Evans Orchestra; the orchestra gave the introduction after which the quintet produced a rendition of the rest of "So What".
The distinctive voicing employed by Bill Evans for the chords that interject the head, from the bottom up three perfect fourths followed by a major third, has been given the name "So What chord" by such theorists as Mark Levine.
While the track is taken at a very moderate tempo on Kind Of Blue, it is played at an extremely fast tempo on later live recordings by the Quintet, such as Four and More.
The same chord structure was later used by John Coltrane for his standard "Impressions".
https://wn.com/My_Favorite_Things_John_Coltrane
My Favorite Things is a 1961 jazz album by John Coltrane. It is considered by many jazz critics and listeners to be a highly significant and historic recording. It was the first session recorded by Coltrane on the Atlantic label, the first to introduce his new quartet featuring McCoy Tyner (Piano), Elvin Jones (Drums) and Steve Davis (Bass) - neither Jimmy Garrison nor Reggie Workman featured as yet.
It is classed as another album in which Coltrane made a break free of bop, introducing complex harmonic reworkings of such songs as "My Favorite Things", and "But Not For Me". Additionally, at a time when the soprano saxophone was considered obsolete, it demonstrated Coltrane's further investigation of the instrument's capabilities in a jazz idiom.
The standard "Summertime" is notable for its upbeat, searching feel, a demonstration of Coltrane's 'sheets of sound', a stark antithesis to Miles Davis's melancholy, lyrical version on Porgy and Bess. "But Not For Me" is reharmonised using the famous Coltrane changes, and features an extended coda over a repeated ii-V-I-vi progression.
The title track is a modal rendition of the Richard Rodgers/Oscar Hammerstein's seminal song My Favorite Things from The Sound of Music. The melody is heard numerous times throughout the almost 14-minute version, and instead of soloing over the written chord changes, both Tyner and Coltrane taking extended solos over vamps of the two tonic chords, E minor and E major. Tyner's solo is famous for being extremely chordal and rhythmic, as opposed to developing melodies. In the documentary The World According to John Coltrane, narrator Ed Wheeler remarks: "In 1960, Coltrane left Miles [Davis] and formed his own quartet to further explore modal playing, freer directions, and a growing Indian influence. They transformed "My Favorite Things", the cheerful populist song from 'The Sound of Music,' into a hypnotic eastern dervish dance. The recording was a hit and became Coltrane's most requested tune—an abridged broad public acceptance."
A cover of the title track appeared on the OutKast album The Love Below.
It is one of the most well-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D minor7, followed by eight bars of Eb minor7 and another eight of D minor7. This AABA structure puts it in the format of popular song structure.
The piano and bass introduction for the piece was written by Gil Evans for Bill Evans and Paul Chambers on Kind of Blue. An orchestrated version by Gil Evans of this introduction is later to be found on a television broadcast given by Miles' Quintet (minus Cannonball Adderley who was ill that day) and the Gil Evans Orchestra; the orchestra gave the introduction after which the quintet produced a rendition of the rest of "So What".
The distinctive voicing employed by Bill Evans for the chords that interject the head, from the bottom up three perfect fourths followed by a major third, has been given the name "So What chord" by such theorists as Mark Levine.
While the track is taken at a very moderate tempo on Kind Of Blue, it is played at an extremely fast tempo on later live recordings by the Quintet, such as Four and More.
The same chord structure was later used by John Coltrane for his standard "Impressions".
- published: 18 Feb 2010
- views: 10768
Nordmann Chord Generator
- Order: Reorder
- Duration: 7:23
- Updated: 03 Feb 2014
- views: 1382
The Chord Generator is the second Nordmann generative device.
Like the Schwarzonator the patch creates chord progressions, but in a more musical language. You ...
The Chord Generator is the second Nordmann generative device.
Like the Schwarzonator the patch creates chord progressions, but in a more musical language. You can create triads and tetrads by pressing only one key on the keyboard. This key is automatically the root key.
You can generally choose between major and minor and add diminished or augmented additional notes. The third can be omitted.
Furthermore you can invert the chord from root inversion to the third inversion and set the chord's disposition from close to open.
All functions can be randomized. With the random function you can generate some pretty weird stuff.
Enjoy!
Download the patch @nilsnordmann.de and enjoy!
https://wn.com/Nordmann_Chord_Generator
The Chord Generator is the second Nordmann generative device.
Like the Schwarzonator the patch creates chord progressions, but in a more musical language. You can create triads and tetrads by pressing only one key on the keyboard. This key is automatically the root key.
You can generally choose between major and minor and add diminished or augmented additional notes. The third can be omitted.
Furthermore you can invert the chord from root inversion to the third inversion and set the chord's disposition from close to open.
All functions can be randomized. With the random function you can generate some pretty weird stuff.
Enjoy!
Download the patch @nilsnordmann.de and enjoy!
- published: 30 Sep 2011
- views: 1382
maggie's guitar aptitude
- Order: Reorder
- Duration: 0:39
- Updated: 02 Feb 2014
- views: 17
this is literally 40 minutes after i spent 10 minutes showing maggie a couple of chords. the third she guessed from watching me play it, and she's verging on a...
this is literally 40 minutes after i spent 10 minutes showing maggie a couple of chords. the third she guessed from watching me play it, and she's verging on a tough fourth chord (D) just from seeing me play it.
https://wn.com/Maggie's_Guitar_Aptitude
this is literally 40 minutes after i spent 10 minutes showing maggie a couple of chords. the third she guessed from watching me play it, and she's verging on a tough fourth chord (D) just from seeing me play it.
- published: 29 Jan 2014
- views: 17
SUNDOWNER - Cemetery West (Official Video)
- Order: Reorder
- Duration: 3:39
- Updated: 03 Feb 2014
- views: 4523
Cemetery West is off the third Sundowner album, Neon Fiction, from Chris McCaughan of The Lawrence Arms, available from Fat Wreck Chords. This video was shot, d...
Cemetery West is off the third Sundowner album, Neon Fiction, from Chris McCaughan of The Lawrence Arms, available from Fat Wreck Chords. This video was shot, directed and edited by NYC based photographer Ben Pier.
https://wn.com/Sundowner_Cemetery_West_(Official_Video)
Cemetery West is off the third Sundowner album, Neon Fiction, from Chris McCaughan of The Lawrence Arms, available from Fat Wreck Chords. This video was shot, directed and edited by NYC based photographer Ben Pier.
- published: 28 Oct 2013
- views: 4523
Doug Engelbart's Chorded Keyboard as a Multi-touch Interface
- Order: Reorder
- Duration: 1:06
- Updated: 03 Feb 2014
- views: 43925
A chorded keyboard works by using combinations of finger presses to signal a keypress (for example, pressing both the first and second finger down simultaneousl...
A chorded keyboard works by using combinations of finger presses to signal a keypress (for example, pressing both the first and second finger down simultaneously might send an "A", while pressing the first and third finger down might send a "B"). With 5 fingers, there are 32 possible binary combinations. Leaving out the rest state (all off), and a drag state (all on), we have 30 useful mappings. With 26 letters, that leaves just a few for high level text commands (space, delete, and enter).
Here's what makes this little keyboard so exciting:
- One handed use.
- Bring it up anywhere by putting down all 5 fingers.
- large hit area per key (since there are only 5 keys to press) allows for blind/touch-typing operation.
- Contextual feedback to make learning easier (possible letters are shown at each level).
- Drag anywhere by pressing all 5 fingers down and moving your hand.
- Cancel a mid-phase chorded keypress by pressing all 5 fingers.
- Issuing keypress on touch-up allows users to type at any speed.
More info on Teague Labs: http://labs.teague.com/?p=1451
https://wn.com/Doug_Engelbart's_Chorded_Keyboard_As_A_Multi_Touch_Interface
A chorded keyboard works by using combinations of finger presses to signal a keypress (for example, pressing both the first and second finger down simultaneously might send an "A", while pressing the first and third finger down might send a "B"). With 5 fingers, there are 32 possible binary combinations. Leaving out the rest state (all off), and a drag state (all on), we have 30 useful mappings. With 26 letters, that leaves just a few for high level text commands (space, delete, and enter).
Here's what makes this little keyboard so exciting:
- One handed use.
- Bring it up anywhere by putting down all 5 fingers.
- large hit area per key (since there are only 5 keys to press) allows for blind/touch-typing operation.
- Contextual feedback to make learning easier (possible letters are shown at each level).
- Drag anywhere by pressing all 5 fingers down and moving your hand.
- Cancel a mid-phase chorded keypress by pressing all 5 fingers.
- Issuing keypress on touch-up allows users to type at any speed.
More info on Teague Labs: http://labs.teague.com/?p=1451
- published: 08 Feb 2012
- views: 43925
Projection mapped MIDI keyboard
- Order: Reorder
- Duration: 1:15
- Updated: 30 Jan 2014
- views: 545
Precise projector mapping on a keyboard.
Using a single distorted quad to cover the entire keyboard, then algorithmically subdividing to isolate each individua...
Precise projector mapping on a keyboard.
Using a single distorted quad to cover the entire keyboard, then algorithmically subdividing to isolate each individual key on a MIDI keyboard. MIDI signal from keyboard is routed into Processing based Java program, and triggers illumination of key when it is pressed. (Forgive the bad playing.. its just a demo! Sick keyboardist wanted for better demo!)
Besides all the ideas for purely visual variations on this, there are definite ideas for possible extensions as a learning tool:
-illuminate a scale - say G dorian, all over the keyboard
-For jazz training, illuminate all the notes on the keyboard in a certain chord.. Say C minor 9, root could be red, minor third orange, 5th yellow and 9th green.
-Melody training - red is the next note to play, orange is the one after, yellow the third one. When you press red, it dissapears and orange becomes red, etc
-Pressing foot sustain pedal could step to the next chord/scale in the song, so you can be assisted through an entire song.
-Solo suggestions - using seeded markov chains from existing compositions or your own playing, program could suggest next few notes in a solo.
https://wn.com/Projection_Mapped_Midi_Keyboard
Precise projector mapping on a keyboard.
Using a single distorted quad to cover the entire keyboard, then algorithmically subdividing to isolate each individual key on a MIDI keyboard. MIDI signal from keyboard is routed into Processing based Java program, and triggers illumination of key when it is pressed. (Forgive the bad playing.. its just a demo! Sick keyboardist wanted for better demo!)
Besides all the ideas for purely visual variations on this, there are definite ideas for possible extensions as a learning tool:
-illuminate a scale - say G dorian, all over the keyboard
-For jazz training, illuminate all the notes on the keyboard in a certain chord.. Say C minor 9, root could be red, minor third orange, 5th yellow and 9th green.
-Melody training - red is the next note to play, orange is the one after, yellow the third one. When you press red, it dissapears and orange becomes red, etc
-Pressing foot sustain pedal could step to the next chord/scale in the song, so you can be assisted through an entire song.
-Solo suggestions - using seeded markov chains from existing compositions or your own playing, program could suggest next few notes in a solo.
- published: 29 Dec 2009
- views: 545
you won the lottery (when you met me)
- Order: Reorder
- Duration: 3:01
- Updated: 03 Feb 2014
- views: 28296
title: you won the lottery (when you met me)
music: dinky loop
video production: queens of disco sleaze/dinky loop flicks
* * * * * * * * * * * * * * * * * ...
title: you won the lottery (when you met me)
music: dinky loop
video production: queens of disco sleaze/dinky loop flicks
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
you won the lottery (when you met me) is the third in a series of 12 music videos to emerge during the queens' "back to the future" revolution. our back to the future revolution, from which these videos emerged, has been filmed over the last 12 months and will be available to view later in 2013...
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
concept/outline: erotic fiction video...
with her friend belle holding her hand, twist has an unforgettable experience at cinéma le champo watching thelma tadlock dance in 'design for dreaming.'
[note: the 'design for dreaming' edit constructed here is a post post-modern reconstruction of the general motors 1956 promotional motorama celebration. in this revision tad tadlock makes her own dreams come true and dances her way from her bedroom to the top, from the fifties to the future... ]
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
some back to the future project guidelines:
no budget- this is an in-it-for-the-love only project.
no cameras or fancy editing software- making videos as if we are back in the disco era means we can only use footage and editing techniques that existed prior to 1980.
adopt vital creative attitudes of the era - post-punk three chords and the truth, disco grooviness and early hip-hop sampling techniques to make a moment from the past into something greater in the future.
find a way to express how creativity feeds off other creativity and how the future becomes the past and the past returns again in the future. normally this might involve cause-and-effect shots one after the other but we’ve found ourselves continually drawn to split-screen expression. wish we could rationalise this decision beyond saying it feels essential and right for this project to allow both to co-exist onscreen simultaneously, but we can’t.
consider each song and completed video as part of an entire series with its own visual identity in a way that factory records had an immediate identity through peter saville’s art direction. no band has ever had a complete visual identity through their music videos. a single thumbnail (with no words) should identify a queens of disco sleaze/dinky loop music video if the project works.
express the classic, but not in-your-face-modern, sexiness to dinky loop’s music through erotic visual parallels that can be found in the past. there’s often something exquisitely, undeniably sexy about the past- never remove the sexiness.
consider the alleged jean-luc godard quote: it’s not what you take, it’s where you take it.
never use poor footage of the past to make ourselves look good in the future. too much irony is a creative block. find great moments and potential stories within movies that had fatal flaws. find great people. find the forgotten heroes who could’ve been the next marilyn monroe but ended up with a one-way ticket to polookaville. and bring them back to the future to be remembered.
learn about filmmaking by trying to produce stories with old footage with the inventiveness of a silent filmmaker, instead of just mood pieces.
never use capitals and lower case letters. in the future no letter will ever look down on another letter… :)
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dedication: inspired by and starring thelma "tad" tadlock, dancer and choreographer extraordinaire.
source: contains excerpted public domain footage from design for dreaming and bathtime beauty that can be accessed in full at www.archive.com
https://wn.com/You_Won_The_Lottery_(When_You_Met_Me)
title: you won the lottery (when you met me)
music: dinky loop
video production: queens of disco sleaze/dinky loop flicks
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
you won the lottery (when you met me) is the third in a series of 12 music videos to emerge during the queens' "back to the future" revolution. our back to the future revolution, from which these videos emerged, has been filmed over the last 12 months and will be available to view later in 2013...
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concept/outline: erotic fiction video...
with her friend belle holding her hand, twist has an unforgettable experience at cinéma le champo watching thelma tadlock dance in 'design for dreaming.'
[note: the 'design for dreaming' edit constructed here is a post post-modern reconstruction of the general motors 1956 promotional motorama celebration. in this revision tad tadlock makes her own dreams come true and dances her way from her bedroom to the top, from the fifties to the future... ]
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some back to the future project guidelines:
no budget- this is an in-it-for-the-love only project.
no cameras or fancy editing software- making videos as if we are back in the disco era means we can only use footage and editing techniques that existed prior to 1980.
adopt vital creative attitudes of the era - post-punk three chords and the truth, disco grooviness and early hip-hop sampling techniques to make a moment from the past into something greater in the future.
find a way to express how creativity feeds off other creativity and how the future becomes the past and the past returns again in the future. normally this might involve cause-and-effect shots one after the other but we’ve found ourselves continually drawn to split-screen expression. wish we could rationalise this decision beyond saying it feels essential and right for this project to allow both to co-exist onscreen simultaneously, but we can’t.
consider each song and completed video as part of an entire series with its own visual identity in a way that factory records had an immediate identity through peter saville’s art direction. no band has ever had a complete visual identity through their music videos. a single thumbnail (with no words) should identify a queens of disco sleaze/dinky loop music video if the project works.
express the classic, but not in-your-face-modern, sexiness to dinky loop’s music through erotic visual parallels that can be found in the past. there’s often something exquisitely, undeniably sexy about the past- never remove the sexiness.
consider the alleged jean-luc godard quote: it’s not what you take, it’s where you take it.
never use poor footage of the past to make ourselves look good in the future. too much irony is a creative block. find great moments and potential stories within movies that had fatal flaws. find great people. find the forgotten heroes who could’ve been the next marilyn monroe but ended up with a one-way ticket to polookaville. and bring them back to the future to be remembered.
learn about filmmaking by trying to produce stories with old footage with the inventiveness of a silent filmmaker, instead of just mood pieces.
never use capitals and lower case letters. in the future no letter will ever look down on another letter… :)
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dedication: inspired by and starring thelma "tad" tadlock, dancer and choreographer extraordinaire.
source: contains excerpted public domain footage from design for dreaming and bathtime beauty that can be accessed in full at www.archive.com
- published: 08 Feb 2012
- views: 28296
Jumpel - 'Edinburgh'
- Order: Reorder
- Duration: 3:53
- Updated: 01 Feb 2014
- views: 1198
The first single to be taken from Jumpel's forthcoming third album Europa.
With ‘Edinburgh’, Jo Dürbeck introduces a bewitching new ingredient to the Jumpel so...
The first single to be taken from Jumpel's forthcoming third album Europa.
With ‘Edinburgh’, Jo Dürbeck introduces a bewitching new ingredient to the Jumpel sound – the luscious vocals of Chloë March. Beautifully evoking the rain-soaked streets of the Scottish capital, refracted through a personal lens, ‘Edinburgh’ is an exercise in elegance and restraint, filling out the shadows and backstreets with ennui. Melancholic piano chords carry the track forward while electronic texture’s weave amid March’s luminous lyrical play. A departure – yet also an arrival.
‘Edinburgh’ is taken from the forthcoming Jumpel album Europa, out late November 2010. The song is available for free download from the Hidden Shoal Store - http://agora.hiddenshoal.com
Jumpel: http://www.jumpel.de/
Chloë March: http://www.chloemarch.co.uk/
https://wn.com/Jumpel_'Edinburgh'
The first single to be taken from Jumpel's forthcoming third album Europa.
With ‘Edinburgh’, Jo Dürbeck introduces a bewitching new ingredient to the Jumpel sound – the luscious vocals of Chloë March. Beautifully evoking the rain-soaked streets of the Scottish capital, refracted through a personal lens, ‘Edinburgh’ is an exercise in elegance and restraint, filling out the shadows and backstreets with ennui. Melancholic piano chords carry the track forward while electronic texture’s weave amid March’s luminous lyrical play. A departure – yet also an arrival.
‘Edinburgh’ is taken from the forthcoming Jumpel album Europa, out late November 2010. The song is available for free download from the Hidden Shoal Store - http://agora.hiddenshoal.com
Jumpel: http://www.jumpel.de/
Chloë March: http://www.chloemarch.co.uk/
- published: 26 Oct 2010
- views: 1198
Orbital feat. Zola Jesus | New France
- Order: Reorder
- Duration: 5:07
- Updated: 02 Feb 2014
- views: 1155
Creating the new video for the legendary Orbital was always going to be a challenge, with a very strong promo collection already under their banner. Add to this...
Creating the new video for the legendary Orbital was always going to be a challenge, with a very strong promo collection already under their banner. Add to this their eight year absence and the amount of airplay the track, 'New France' has received and the pressure was most definitely on. The story was supposed to strike a chord with the manchild in many of us who wants to relive the 'glory days' long after their life has found more substance and meaning.
Luckily for me, I had the talents of Hana Backland on my side. She built the puppet from scratch in a ridiculously short span of time on no money and some animatronic assistance from the good folk at Lunas Puppets in the states. The result was a fully realised, emotive puppet actor. Our little Lion holds his own against the dynamic Stuart Ellison & Dan Harvey, playing the duplicitous pair that lure him out to play.
Hana's skilled puppetry (with help from assistant Ali Allsop) really gave us an emotional anchor for the video and showcased her at the top of her game.
This marks the third music promo collaboration between myself and Joseph Henderson, the DOP, who totally nails the magical/kitchen sink aesthetic I love so much. Nick Pykett proved to be a great team player, Ad-ing, catering, providing locations - you name it.
We were fortunate to get assistance from Truro College, Half Inch Rails, Justin Heasman @ Sketchwork TV, Dogbite film crew and top filmmaker Brett Harvey - who produced a fantastic making of that Phil Hartnoll insisted was released side by side with the promo.
https://vimeo.com/38430434
The reaction to the video has been amazing, with plaudits from my hero and music video maker and guru Adam Buxton, Guardian/Esquire film critic and author Micheal Holden, NME, Badass Digest, Pitchfork and an entry into Stereogum's top 5 global music videos of the week. I am needless to say, thrilled.
A special thanks to everyone who gave up their time - the reason I insisted on having end credits (never a popular move) was to pay tribute, in a small way, to your tireless dedication, boundless energy and inspired professionalism. I am in your debt...
Check out more filmmaking and puppetry from Hana Backland here --
https://vimeo.com/23636104
Lee Trewhela did a great feature for us here --
http://www.thisiscornwall.co.uk/Cornishman-helms-Orbital-8217-s-new-video/story-15534262-detail/story.html
Shot on Canon 5D Mark II
https://wn.com/Orbital_Feat._Zola_Jesus_|_New_France
Creating the new video for the legendary Orbital was always going to be a challenge, with a very strong promo collection already under their banner. Add to this their eight year absence and the amount of airplay the track, 'New France' has received and the pressure was most definitely on. The story was supposed to strike a chord with the manchild in many of us who wants to relive the 'glory days' long after their life has found more substance and meaning.
Luckily for me, I had the talents of Hana Backland on my side. She built the puppet from scratch in a ridiculously short span of time on no money and some animatronic assistance from the good folk at Lunas Puppets in the states. The result was a fully realised, emotive puppet actor. Our little Lion holds his own against the dynamic Stuart Ellison & Dan Harvey, playing the duplicitous pair that lure him out to play.
Hana's skilled puppetry (with help from assistant Ali Allsop) really gave us an emotional anchor for the video and showcased her at the top of her game.
This marks the third music promo collaboration between myself and Joseph Henderson, the DOP, who totally nails the magical/kitchen sink aesthetic I love so much. Nick Pykett proved to be a great team player, Ad-ing, catering, providing locations - you name it.
We were fortunate to get assistance from Truro College, Half Inch Rails, Justin Heasman @ Sketchwork TV, Dogbite film crew and top filmmaker Brett Harvey - who produced a fantastic making of that Phil Hartnoll insisted was released side by side with the promo.
https://vimeo.com/38430434
The reaction to the video has been amazing, with plaudits from my hero and music video maker and guru Adam Buxton, Guardian/Esquire film critic and author Micheal Holden, NME, Badass Digest, Pitchfork and an entry into Stereogum's top 5 global music videos of the week. I am needless to say, thrilled.
A special thanks to everyone who gave up their time - the reason I insisted on having end credits (never a popular move) was to pay tribute, in a small way, to your tireless dedication, boundless energy and inspired professionalism. I am in your debt...
Check out more filmmaking and puppetry from Hana Backland here --
https://vimeo.com/23636104
Lee Trewhela did a great feature for us here --
http://www.thisiscornwall.co.uk/Cornishman-helms-Orbital-8217-s-new-video/story-15534262-detail/story.html
Shot on Canon 5D Mark II
- published: 29 May 2012
- views: 1155
-
All the basic piano chords in one epic tutorial
Check out my book: http://www.billspianopages.com/how-to-really EDIT: one chord I missed out was the minor ninth (-m9). After watching the tutorial you can probably work it out pretty easily: it's the -m7 with an added major third. Several people have asked me to make a tutorial revisiting all the basic piano chords - so here it is! There's a little bit of theory, covering how piano chords are constructed, and how you can voice and invert them on the keyboard. Most chords are built of thirds, and once you've figured out how to make major and minor thirds, and understood a couple of other basic intervals, it's pretty easy to work out all the chords you need, even if you're a relative beginner on the instrument. As always, the secret to really mastering this stuff is to spend time sittin...
published: 21 Dec 2015 -
How Basic Chords Work - Music Theory Lesson 1
UPDATE: Hello, this is Present Day Michael. I would like to point out that Past Michael chose his words poorly when he said "this chord doesn't work", and that statement has led to much anger and confusion throughout the eons (well since 2011 anyway). What he SHOULD have said was "by moving notes closer together than a minor third or farther apart than a major third, you're creating an entirely new chord that you're almost definitely not expecting, and you should watch this video https://youtu.be/Nr2XBoanNJY to understand the crazy nonsense that's happening here." The great thing about improvised YouTube videos that unexpectedly become popular is that you can never change a single thing about them ever. Present Day Michael apologizes profusely for Past Michael's mistakes. END OF TIME-WARP...
published: 10 Sep 2011 -
Johnna Atkinson-Bigelow: The Third Chord-2013 Scentsy Spring Sprint, Murfreesboro, TN
What a privilege to be asked to speak at this year's Spring Sprint on the The Third Chord of Scentsy: Providing Great Customer Service. Feb. 6, 2013. Had a marvelous time in spite of my nervousness.
published: 08 Feb 2013 -
Learning Music With Ray: Chord Progressions
A chord progression is a group of chords that travel or progress through a harmonic sequence. A progression can vary in size from two to seven or more chords. They can be either diatonic or chromatic. There are no set rules for chord progressions, although there are some sequences which tend to occur frequently. Diatonic chord progressions contain chords build on only the seven pitches within a given key signature. A triad or seventh chord can be built using each pitch of a major or minor scale as a root for the chord. These chords are given roman numeral labels that correspond to the scale degree within the key that is the root of the chord. In major keys, the diatonic triads and seventh chords are simply constructed by utilizing the root, third, fifth and seventh (in the case o...
published: 05 Nov 2014 -
The D-C-G Trick : What Famous Bands Did With Easy Chords!
*new videos, giveaways and more at www.song-bike.com !! * www.facebook.com/mysongbike UPDATE : I just posted a video of yet ANOTHER song that uses this trick: "Small Town" by John Mellencamp. Check it out here: https://www.youtube.com/watch?v=EKGVRA6nZss Here's how to take your 3 favorite chords and turn them into something SPECIAL! So many songwriters and bands have employed the trick found here, and you can't really play a lot of famous tunes WITHOUT this technique. it's a MUST for your Bag of Tricks! It's not that it's hard - it's EASY but you wouldn't think to do this D-C-G Trick without someone showing you. So it's a quick way to sound pro, and to learn a handful of famous tunes in the process. This D-C-G Trick has been used by acoustic AND electric guitar players, both with finger...
published: 29 Dec 2013 -
Music Theory 1 - Video 18: Part Writing with Root Position Triads.
This video corresponds with material from Chapter 6 in your textbook. Check that chapter out! 0:49 Voice leading - single line review 1:37 Voice leading - multiple line review 2:26 Quick General Tips 3:51 Part-writing example 1 (Roots a 3rd/6th apart) 9:47 Part-writing example 2 (Roots a 4th/5th apart) 13:51 Part-writing example 3 (Roots a 2nd/7th apart) (with some bad voice leading and correction!)
published: 26 Feb 2015 -
Jazz piano: how it works
http://bit.do/billsbook Here are the chords: F | D7 | Gm7 | C7 | F | Dm | Bb6 | C7 | F | F7 | Bb | Bbm| F,D7|Gm7,C7| F | F | This tutorial gives an overview of some of the techniques used in jazz piano. I use a simple 16-bar chord sequence to demonstrate five basic concepts. These include chord extension and substitution, using the left hand to create rhythm and harmony, and the use of scales in improvisation. In subsequent tutorials I'll look at some specific jazz piano techniques developed from this improvisation. Firstly, take a look at the chords themselves, and try to create richer chords. There are two ways to do this: extensions and substitution. Extending chords means adding notes to the basic chord, and are a useful way of making much jazzier sound. For example, in this impro...
published: 03 Apr 2012 -
Ongaku Concept Podcast: Ep. 3 - "Cadences, Chord Function & the Dominant Chord"
NEW VIDEO EVERY WEDNESDAY & SATURDAY! Subscribe: https://www.youtube.com/user/ongakuconcept/ Welcome to the Ongaku Concept Podcast, where we discuss music theory through video game and anime music! In this episode, we discuss cadences, Sword Art Online, and chord function, in particular that of the dominant chord. For audio examples of what we're talking about... Plagal cadence: https://www.youtube.com/watch?v=xZ-OqqR3P5U&t;=19s Full cadence: https://www.youtube.com/watch?v=c1nsjnU7fPM&t;=2m15s Deceptive cadence: https://www.youtube.com/watch?v=ask1JthbkUU&t;=1m5s bIImaj9 - Imaj7: https://www.youtube.com/watch?v=USVgKQLYqSc&t;=33s "Mario Cadence" - https://www.youtube.com/watch?v=wRkp6apEovA Picardy Third: https://www.youtube.com/watch?v=W4ldf7beu58&t;=1m22s Isus4 as a dominant: https://www.y...
published: 11 Feb 2015 -
Learning Music With Ray: Chord Color Tones
This Learning Music With Ray video discusses chord color tones. These are the additional pitches that can be added to a chord beside the fundamental chord tones. In this video, I identify these color tones and explain the ways they can be added to both triads and seventh chords. I explain why they are sometimes named as intervals within an octave and sometimes named as upper extensions (beyond one octave). Finally, I demonstrate the acceptable uses of these color tones on the piano keyboard. The remaining intervals within the scale (beside the chord tones) are the 2nd, 4th and 6th. These are the pitches that can be used as color tones. When adding color tones to triads, they are labeled as 2nd’s, 4th’s and 6th’s. One acceptable use for a triad color tone is as a suspension. In ...
published: 27 Oct 2014 -
Play-Along with Nick 5/5/15: Power Chord workout
The humble yet mighty power chord is the heart and soul of much of rock and roll. We'll give it's various forms a heavy workout and we'll also mess with octaves, and major third power chords. This is a fun and easy one!
published: 06 May 2015
All the basic piano chords in one epic tutorial
- Order: Reorder
- Duration: 20:44
- Updated: 21 Dec 2015
- views: 151749
Check out my book: http://www.billspianopages.com/how-to-really
EDIT: one chord I missed out was the minor ninth (-m9). After watching the tutorial you can pro...
Check out my book: http://www.billspianopages.com/how-to-really
EDIT: one chord I missed out was the minor ninth (-m9). After watching the tutorial you can probably work it out pretty easily: it's the -m7 with an added major third.
Several people have asked me to make a tutorial revisiting all the basic piano chords - so here it is! There's a little bit of theory, covering how piano chords are constructed, and how you can voice and invert them on the keyboard.
Most chords are built of thirds, and once you've figured out how to make major and minor thirds, and understood a couple of other basic intervals, it's pretty easy to work out all the chords you need, even if you're a relative beginner on the instrument.
As always, the secret to really mastering this stuff is to spend time sitting at the piano practising the techniques I talk about. One thing you could do is dig out a song book that has a vocal line with the chords written in. Practise reading the chords, and soon you won't need the written piano part :)
Here are those timestamp links, by the way (hat tip, Ollie!)
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=6m0s - Basic major and minor
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=7m30s - Dominant seventh (chords ending -7, e.g. G7, Eb7)
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=8m30s - Minor seventh (chords ending -m7)
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=9m05s - Major seventh (-maj7)
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=9m45s - Sixth (-6 or -m6)
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=11m50s - Ninth (-9) - NB, I don't mention this in the tutorial but the minor ninth (-m9) is the -m7 with an added major third.
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=12m29s - Major ninth (-maj9)
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=13m16s - Added ninth (-add9)
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=14m25s - Suspended fourth (-sus or -sus4)
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=15m48s - Diminished and diminished seventh (-dim or -°; -dim7 or -°7)
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=17m43s -Augmented (-aug or -+)
https://wn.com/All_The_Basic_Piano_Chords_In_One_Epic_Tutorial
Check out my book: http://www.billspianopages.com/how-to-really
EDIT: one chord I missed out was the minor ninth (-m9). After watching the tutorial you can probably work it out pretty easily: it's the -m7 with an added major third.
Several people have asked me to make a tutorial revisiting all the basic piano chords - so here it is! There's a little bit of theory, covering how piano chords are constructed, and how you can voice and invert them on the keyboard.
Most chords are built of thirds, and once you've figured out how to make major and minor thirds, and understood a couple of other basic intervals, it's pretty easy to work out all the chords you need, even if you're a relative beginner on the instrument.
As always, the secret to really mastering this stuff is to spend time sitting at the piano practising the techniques I talk about. One thing you could do is dig out a song book that has a vocal line with the chords written in. Practise reading the chords, and soon you won't need the written piano part :)
Here are those timestamp links, by the way (hat tip, Ollie!)
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=6m0s - Basic major and minor
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=7m30s - Dominant seventh (chords ending -7, e.g. G7, Eb7)
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=8m30s - Minor seventh (chords ending -m7)
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=9m05s - Major seventh (-maj7)
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=9m45s - Sixth (-6 or -m6)
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=11m50s - Ninth (-9) - NB, I don't mention this in the tutorial but the minor ninth (-m9) is the -m7 with an added major third.
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=12m29s - Major ninth (-maj9)
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=13m16s - Added ninth (-add9)
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=14m25s - Suspended fourth (-sus or -sus4)
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=15m48s - Diminished and diminished seventh (-dim or -°; -dim7 or -°7)
http://www.youtube.com/watch?v=C1i-cFx7__M&t;=17m43s -Augmented (-aug or -+)
- published: 21 Dec 2015
- views: 151749
How Basic Chords Work - Music Theory Lesson 1
- Order: Reorder
- Duration: 25:50
- Updated: 10 Sep 2011
- views: 1261824
UPDATE: Hello, this is Present Day Michael. I would like to point out that Past Michael chose his words poorly when he said "this chord doesn't work", and that ...
UPDATE: Hello, this is Present Day Michael. I would like to point out that Past Michael chose his words poorly when he said "this chord doesn't work", and that statement has led to much anger and confusion throughout the eons (well since 2011 anyway). What he SHOULD have said was "by moving notes closer together than a minor third or farther apart than a major third, you're creating an entirely new chord that you're almost definitely not expecting, and you should watch this video https://youtu.be/Nr2XBoanNJY to understand the crazy nonsense that's happening here." The great thing about improvised YouTube videos that unexpectedly become popular is that you can never change a single thing about them ever. Present Day Michael apologizes profusely for Past Michael's mistakes.
END OF TIME-WARPING UPDATE
Check me out on Patreon if you want to help me make more of these: http://patreon.com/michaelnew
Next up, check out how rhythm works: http://youtu.be/Utzyi4gfBDE
or more about chords: http://youtu.be/3tbK2jtVRM8
or how major and minor keys work: http://youtu.be/rHlWP-nc4tM
This lesson is on chords, how they work, and the basic intervals that make them up. Learning the underlying music theory behind chords will not only allow you to find any chord you want, anywhere you want, it will also give you a solid foundation to build your entire understanding of music theory on.
I have a bachelor's in music (I took about a billion theory courses), and I'm a full time music teacher. After trying to help so many people learn music theory, I've decided that this is the best, most useful and most easily understood way into music theory. You don't need to know anything about music to get started on this, other than the names of the notes (and if you don't know that then google it; it's cake). Have fun.
https://wn.com/How_Basic_Chords_Work_Music_Theory_Lesson_1
UPDATE: Hello, this is Present Day Michael. I would like to point out that Past Michael chose his words poorly when he said "this chord doesn't work", and that statement has led to much anger and confusion throughout the eons (well since 2011 anyway). What he SHOULD have said was "by moving notes closer together than a minor third or farther apart than a major third, you're creating an entirely new chord that you're almost definitely not expecting, and you should watch this video https://youtu.be/Nr2XBoanNJY to understand the crazy nonsense that's happening here." The great thing about improvised YouTube videos that unexpectedly become popular is that you can never change a single thing about them ever. Present Day Michael apologizes profusely for Past Michael's mistakes.
END OF TIME-WARPING UPDATE
Check me out on Patreon if you want to help me make more of these: http://patreon.com/michaelnew
Next up, check out how rhythm works: http://youtu.be/Utzyi4gfBDE
or more about chords: http://youtu.be/3tbK2jtVRM8
or how major and minor keys work: http://youtu.be/rHlWP-nc4tM
This lesson is on chords, how they work, and the basic intervals that make them up. Learning the underlying music theory behind chords will not only allow you to find any chord you want, anywhere you want, it will also give you a solid foundation to build your entire understanding of music theory on.
I have a bachelor's in music (I took about a billion theory courses), and I'm a full time music teacher. After trying to help so many people learn music theory, I've decided that this is the best, most useful and most easily understood way into music theory. You don't need to know anything about music to get started on this, other than the names of the notes (and if you don't know that then google it; it's cake). Have fun.
- published: 10 Sep 2011
- views: 1261824
Johnna Atkinson-Bigelow: The Third Chord-2013 Scentsy Spring Sprint, Murfreesboro, TN
- Order: Reorder
- Duration: 24:13
- Updated: 08 Feb 2013
- views: 446
What a privilege to be asked to speak at this year's Spring Sprint on the The Third Chord of Scentsy: Providing Great Customer Service. Feb. 6, 2013. Had a marv...
What a privilege to be asked to speak at this year's Spring Sprint on the The Third Chord of Scentsy: Providing Great Customer Service. Feb. 6, 2013. Had a marvelous time in spite of my nervousness.
https://wn.com/Johnna_Atkinson_Bigelow_The_Third_Chord_2013_Scentsy_Spring_Sprint,_Murfreesboro,_Tn
Learning Music With Ray: Chord Progressions
- Order: Reorder
- Duration: 1:14:56
- Updated: 05 Nov 2014
- views: 60792
A chord progression is a group of chords that travel or progress through a harmonic sequence. A progression can vary in size from two to seven or more chords. ...
A chord progression is a group of chords that travel or progress through a harmonic sequence. A progression can vary in size from two to seven or more chords. They can be either diatonic or chromatic. There are no set rules for chord progressions, although there are some sequences which tend to occur frequently.
Diatonic chord progressions contain chords build on only the seven pitches within a given key signature. A triad or seventh chord can be built using each pitch of a major or minor scale as a root for the chord. These chords are given roman numeral labels that correspond to the scale degree within the key that is the root of the chord. In major keys, the diatonic triads and seventh chords are simply constructed by utilizing the root, third, fifth and seventh (in the case of seventh chords) of each scale degree while remaining within the given key signature.
In minor keys, the diatonic triads and seventh chords are constructed in almost the same way. However, a slight adjustment needs to be made for two of the chords. The five chord and the seven chord both can act as harmonies that lead to the one chord, so they must possess a leading tone. The natural minor scale contains no leading tone, since the interval between the 7th and 8th scale degrees is a whole step. The harmonic minor scale was created to provide a leading tone when needed for harmonic motion. The key signature of this scale is used when constructing the pitches of the five and seven diatonic chords in minor keys. The key signature of the natural minor scale is used for the construction of all other diatonic minor chords.
In addition to diatonic chord progressions, chromatic progressions are also used in music. There are several common methods for utilizing chromatic chord progressions. Mixture is a method in which chords from the parallel minor diatonic sequence are used within a major diatonic progression. Circle of 5th (two-five-one) progressions can be used to created temporary alternate key centers. In this type of situation, a chord you are traveling to (like a four chord) could be temporarily perceived as a one chord, and a two-five-one progression can be used to travel to this chord. Chromatic leading chords can also be used to travel to diatonic chords. The most popular chromatic leading chord is the diminished seventh chord that is a half step below the chord you are traveling to. Seventh chords with altered upper extensions can be used to introduce chromatic pitches. Finally, tritone substitution can be used to created altered two-five-one progressions. Every dominant seventh chord shares a tritone shell (3rd and 7th) with another dominant seventh chord a tritone away. These two dominant seventh chords can be used interchangeably in two-five-one progressions.
The best way to acquaint yourself with common chord progressions is to listen to the progressions used in the music on your playlists. Listen first to the bass line and use it to determine the roots of the chords. Then listen for the upper tones to establish the quality of the chords. In addition, experiment on either a guitar or piano forming various chord progressions. Listen to the character of each progression and the relationships between the different chords. Expand your knowledge by developing strategies for connecting progressions. The study of chord progressions can be an advanced musical topic, but an understanding of this topic will unlock the knowledge needed for even larger future topics.
Links:
Ray Melograne YouTube site: http://www.youtube.com/user/raymelogranemsusic
Ray Melograne website: http://www.raymelograne.com
Ray Melograne Facebook site: https://www.facebook.com/pages/Ray-Melograne/108305282593513
Ray Melograne Twitter site: https://twitter.com/RayMelograne
Ray Melograne Reverbnation site: http://www.reverbnation.com/raymelogranemusic
Ray Melograne Itunes page: https://itunes.apple.com/us/artist/ray-melograne/id595089400
Ray Melograne CdBaby page: http://www.cdbaby.com/Artist/RayMelograne
Ray Melograne Amazon page: http://www.amazon.com/s/ref=ntt_srch_drd_B00B4JSN6Y/178-2554698-9896402?ie=UTF8&field-keywords;=Ray%20Melograne&index;=digital-music&search-type;=ss
Ray Melograne Rhapsody page: http://www.rhapsody.com/artist/ray-melograne
Ray Melograne TheZone.com site: https://www.thezoen.com/teachers/ray-melograne-music-theory-piano-saxophone-songwriting-and-voice
Ray Melograne Myspace site: https://myspace.com/raymelograne
Ray Melograne Eyoked site: http://www.eyoked.com/profile/RayMelograne
Ray Melograne Bandmix page: http://www.bandmix.com/ray-melograne-music/
Ray Melograne AirPlayDirect page: http://www.airplaydirect.com/music/RayMelograne/
Ray Melograne Teacher Eboard page: http://www1.eboard.com/eboard/servlet/BoardServlet?ACTION=BOARD_SHOW&SITE;_NAME=lindenhurstschools&BOARD;_NAME=rmelograne&SESSION;_ID=mqnxj01cs63o2yq9961
https://wn.com/Learning_Music_With_Ray_Chord_Progressions
A chord progression is a group of chords that travel or progress through a harmonic sequence. A progression can vary in size from two to seven or more chords. They can be either diatonic or chromatic. There are no set rules for chord progressions, although there are some sequences which tend to occur frequently.
Diatonic chord progressions contain chords build on only the seven pitches within a given key signature. A triad or seventh chord can be built using each pitch of a major or minor scale as a root for the chord. These chords are given roman numeral labels that correspond to the scale degree within the key that is the root of the chord. In major keys, the diatonic triads and seventh chords are simply constructed by utilizing the root, third, fifth and seventh (in the case of seventh chords) of each scale degree while remaining within the given key signature.
In minor keys, the diatonic triads and seventh chords are constructed in almost the same way. However, a slight adjustment needs to be made for two of the chords. The five chord and the seven chord both can act as harmonies that lead to the one chord, so they must possess a leading tone. The natural minor scale contains no leading tone, since the interval between the 7th and 8th scale degrees is a whole step. The harmonic minor scale was created to provide a leading tone when needed for harmonic motion. The key signature of this scale is used when constructing the pitches of the five and seven diatonic chords in minor keys. The key signature of the natural minor scale is used for the construction of all other diatonic minor chords.
In addition to diatonic chord progressions, chromatic progressions are also used in music. There are several common methods for utilizing chromatic chord progressions. Mixture is a method in which chords from the parallel minor diatonic sequence are used within a major diatonic progression. Circle of 5th (two-five-one) progressions can be used to created temporary alternate key centers. In this type of situation, a chord you are traveling to (like a four chord) could be temporarily perceived as a one chord, and a two-five-one progression can be used to travel to this chord. Chromatic leading chords can also be used to travel to diatonic chords. The most popular chromatic leading chord is the diminished seventh chord that is a half step below the chord you are traveling to. Seventh chords with altered upper extensions can be used to introduce chromatic pitches. Finally, tritone substitution can be used to created altered two-five-one progressions. Every dominant seventh chord shares a tritone shell (3rd and 7th) with another dominant seventh chord a tritone away. These two dominant seventh chords can be used interchangeably in two-five-one progressions.
The best way to acquaint yourself with common chord progressions is to listen to the progressions used in the music on your playlists. Listen first to the bass line and use it to determine the roots of the chords. Then listen for the upper tones to establish the quality of the chords. In addition, experiment on either a guitar or piano forming various chord progressions. Listen to the character of each progression and the relationships between the different chords. Expand your knowledge by developing strategies for connecting progressions. The study of chord progressions can be an advanced musical topic, but an understanding of this topic will unlock the knowledge needed for even larger future topics.
Links:
Ray Melograne YouTube site: http://www.youtube.com/user/raymelogranemsusic
Ray Melograne website: http://www.raymelograne.com
Ray Melograne Facebook site: https://www.facebook.com/pages/Ray-Melograne/108305282593513
Ray Melograne Twitter site: https://twitter.com/RayMelograne
Ray Melograne Reverbnation site: http://www.reverbnation.com/raymelogranemusic
Ray Melograne Itunes page: https://itunes.apple.com/us/artist/ray-melograne/id595089400
Ray Melograne CdBaby page: http://www.cdbaby.com/Artist/RayMelograne
Ray Melograne Amazon page: http://www.amazon.com/s/ref=ntt_srch_drd_B00B4JSN6Y/178-2554698-9896402?ie=UTF8&field-keywords;=Ray%20Melograne&index;=digital-music&search-type;=ss
Ray Melograne Rhapsody page: http://www.rhapsody.com/artist/ray-melograne
Ray Melograne TheZone.com site: https://www.thezoen.com/teachers/ray-melograne-music-theory-piano-saxophone-songwriting-and-voice
Ray Melograne Myspace site: https://myspace.com/raymelograne
Ray Melograne Eyoked site: http://www.eyoked.com/profile/RayMelograne
Ray Melograne Bandmix page: http://www.bandmix.com/ray-melograne-music/
Ray Melograne AirPlayDirect page: http://www.airplaydirect.com/music/RayMelograne/
Ray Melograne Teacher Eboard page: http://www1.eboard.com/eboard/servlet/BoardServlet?ACTION=BOARD_SHOW&SITE;_NAME=lindenhurstschools&BOARD;_NAME=rmelograne&SESSION;_ID=mqnxj01cs63o2yq9961
- published: 05 Nov 2014
- views: 60792
The D-C-G Trick : What Famous Bands Did With Easy Chords!
- Order: Reorder
- Duration: 28:41
- Updated: 29 Dec 2013
- views: 4334824
*new videos, giveaways and more at www.song-bike.com !!
* www.facebook.com/mysongbike
UPDATE : I just posted a video of yet ANOTHER song that uses this trick:...
*new videos, giveaways and more at www.song-bike.com !!
* www.facebook.com/mysongbike
UPDATE : I just posted a video of yet ANOTHER song that uses this trick: "Small Town" by John Mellencamp. Check it out here: https://www.youtube.com/watch?v=EKGVRA6nZss
Here's how to take your 3 favorite chords and turn them into something SPECIAL! So many songwriters and bands have employed the trick found here, and you can't really play a lot of famous tunes WITHOUT this technique. it's a MUST for your Bag of Tricks! It's not that it's hard - it's EASY but you wouldn't think to do this D-C-G Trick without someone showing you. So it's a quick way to sound pro, and to learn a handful of famous tunes in the process. This D-C-G Trick has been used by acoustic AND electric guitar players, both with fingerpicking and flatpicking. If you can play your basic D C and G chords these might even feel easier. But these modified chords have a different musical tone than the standard D, C, and G and that's the trick! **ALERT: there are a few times in the video when the acoustic guitar takes on a sweet distorted tone which was unintentional, but delightful.
https://wn.com/The_D_C_G_Trick_What_Famous_Bands_Did_With_Easy_Chords
*new videos, giveaways and more at www.song-bike.com !!
* www.facebook.com/mysongbike
UPDATE : I just posted a video of yet ANOTHER song that uses this trick: "Small Town" by John Mellencamp. Check it out here: https://www.youtube.com/watch?v=EKGVRA6nZss
Here's how to take your 3 favorite chords and turn them into something SPECIAL! So many songwriters and bands have employed the trick found here, and you can't really play a lot of famous tunes WITHOUT this technique. it's a MUST for your Bag of Tricks! It's not that it's hard - it's EASY but you wouldn't think to do this D-C-G Trick without someone showing you. So it's a quick way to sound pro, and to learn a handful of famous tunes in the process. This D-C-G Trick has been used by acoustic AND electric guitar players, both with fingerpicking and flatpicking. If you can play your basic D C and G chords these might even feel easier. But these modified chords have a different musical tone than the standard D, C, and G and that's the trick! **ALERT: there are a few times in the video when the acoustic guitar takes on a sweet distorted tone which was unintentional, but delightful.
- published: 29 Dec 2013
- views: 4334824
Music Theory 1 - Video 18: Part Writing with Root Position Triads.
- Order: Reorder
- Duration: 20:14
- Updated: 26 Feb 2015
- views: 7166
This video corresponds with material from Chapter 6 in your textbook. Check that chapter out!
0:49 Voice leading - single line review
1:37 Voice leading - mult...
This video corresponds with material from Chapter 6 in your textbook. Check that chapter out!
0:49 Voice leading - single line review
1:37 Voice leading - multiple line review
2:26 Quick General Tips
3:51 Part-writing example 1 (Roots a 3rd/6th apart)
9:47 Part-writing example 2 (Roots a 4th/5th apart)
13:51 Part-writing example 3 (Roots a 2nd/7th apart) (with some bad voice leading and correction!)
https://wn.com/Music_Theory_1_Video_18_Part_Writing_With_Root_Position_Triads.
This video corresponds with material from Chapter 6 in your textbook. Check that chapter out!
0:49 Voice leading - single line review
1:37 Voice leading - multiple line review
2:26 Quick General Tips
3:51 Part-writing example 1 (Roots a 3rd/6th apart)
9:47 Part-writing example 2 (Roots a 4th/5th apart)
13:51 Part-writing example 3 (Roots a 2nd/7th apart) (with some bad voice leading and correction!)
- published: 26 Feb 2015
- views: 7166
Jazz piano: how it works
- Order: Reorder
- Duration: 20:25
- Updated: 03 Apr 2012
- views: 327000
http://bit.do/billsbook
Here are the chords:
F | D7 | Gm7 | C7 |
F | Dm | Bb6 | C7 |
F | F7 | Bb | Bbm|
F,D7|Gm7,C7| F | F |
This tutorial gives an overview ...
http://bit.do/billsbook
Here are the chords:
F | D7 | Gm7 | C7 |
F | Dm | Bb6 | C7 |
F | F7 | Bb | Bbm|
F,D7|Gm7,C7| F | F |
This tutorial gives an overview of some of the techniques used in jazz piano. I use a simple 16-bar chord sequence to demonstrate five basic concepts. These include chord extension and substitution, using the left hand to create rhythm and harmony, and the use of scales in improvisation.
In subsequent tutorials I'll look at some specific jazz piano techniques developed from this improvisation.
Firstly, take a look at the chords themselves, and try to create richer chords. There are two ways to do this: extensions and substitution. Extending chords means adding notes to the basic chord, and are a useful way of making much jazzier sound. For example, in this improvisation I took the basic chord of F and experimented by changing it to other chords of F (such as F major 7, F6 with an added ninth, and F11).
Substitution is a more dramatic way of making a chord sequence more interesting. It’s important to avoid sequences that sound too simple for jazz, and we can do this by completely replacing a chord. Tritone substitution is one useful substitution technique to use when playing jazz.
Secondly, we need to use the left hand to give the sequence clarity. The left hand defines the harmony, and we use it to give the basic identity of the chords in the sequence. It’s often best to use shell chords, since the large number of overtones further down the keyboard can lead to full chords sounding muddy.
The third basic concept is the role of the left hand in suggesting a sense of tempo and rhythm. It is not, however, necessary for the left hand to do all of the work here such as in ‘walking bass’ left hand parts. Try using ‘stabby’ chords to hint at rhythm, and your listener’s brain should fill in the rest!
Fourthly, it’s important to think about what you’re playing with your right hand. Pentatonic and blues scales are a very good place to start. In this example, I mainly use F and A minor pentatonic and the F blues scale. The handy thing about using these scales is that you can play pretty much any note from them with almost any of the chords in the sequence. If you’re a beginner, you might want to start out just playing one note. Once you’ve mastered that, try adding in more notes to create an improvised melody.
Finally, a crucial aspect of improvisation is making both hands work together. If you’ve ever had any classical training, a really good way to do this is to take a look at classical music. Baroque music in particular - in the tutorial I use some Bach - will force you to use both hands together with good fingering technique. When you return to jazz piano and improvisation you should find that your technique has improved massively.
If you enjoyed this video and you’re starting out with improvisation, you might be interested in my book, How to Really Play the Piano. It’s full of handy stuff on improvisation taught through blues piano, harmony and chords.
https://wn.com/Jazz_Piano_How_It_Works
http://bit.do/billsbook
Here are the chords:
F | D7 | Gm7 | C7 |
F | Dm | Bb6 | C7 |
F | F7 | Bb | Bbm|
F,D7|Gm7,C7| F | F |
This tutorial gives an overview of some of the techniques used in jazz piano. I use a simple 16-bar chord sequence to demonstrate five basic concepts. These include chord extension and substitution, using the left hand to create rhythm and harmony, and the use of scales in improvisation.
In subsequent tutorials I'll look at some specific jazz piano techniques developed from this improvisation.
Firstly, take a look at the chords themselves, and try to create richer chords. There are two ways to do this: extensions and substitution. Extending chords means adding notes to the basic chord, and are a useful way of making much jazzier sound. For example, in this improvisation I took the basic chord of F and experimented by changing it to other chords of F (such as F major 7, F6 with an added ninth, and F11).
Substitution is a more dramatic way of making a chord sequence more interesting. It’s important to avoid sequences that sound too simple for jazz, and we can do this by completely replacing a chord. Tritone substitution is one useful substitution technique to use when playing jazz.
Secondly, we need to use the left hand to give the sequence clarity. The left hand defines the harmony, and we use it to give the basic identity of the chords in the sequence. It’s often best to use shell chords, since the large number of overtones further down the keyboard can lead to full chords sounding muddy.
The third basic concept is the role of the left hand in suggesting a sense of tempo and rhythm. It is not, however, necessary for the left hand to do all of the work here such as in ‘walking bass’ left hand parts. Try using ‘stabby’ chords to hint at rhythm, and your listener’s brain should fill in the rest!
Fourthly, it’s important to think about what you’re playing with your right hand. Pentatonic and blues scales are a very good place to start. In this example, I mainly use F and A minor pentatonic and the F blues scale. The handy thing about using these scales is that you can play pretty much any note from them with almost any of the chords in the sequence. If you’re a beginner, you might want to start out just playing one note. Once you’ve mastered that, try adding in more notes to create an improvised melody.
Finally, a crucial aspect of improvisation is making both hands work together. If you’ve ever had any classical training, a really good way to do this is to take a look at classical music. Baroque music in particular - in the tutorial I use some Bach - will force you to use both hands together with good fingering technique. When you return to jazz piano and improvisation you should find that your technique has improved massively.
If you enjoyed this video and you’re starting out with improvisation, you might be interested in my book, How to Really Play the Piano. It’s full of handy stuff on improvisation taught through blues piano, harmony and chords.
- published: 03 Apr 2012
- views: 327000
Ongaku Concept Podcast: Ep. 3 - "Cadences, Chord Function & the Dominant Chord"
- Order: Reorder
- Duration: 28:16
- Updated: 11 Feb 2015
- views: 599
NEW VIDEO EVERY WEDNESDAY & SATURDAY! Subscribe: https://www.youtube.com/user/ongakuconcept/
Welcome to the Ongaku Concept Podcast, where we discuss music theo...
NEW VIDEO EVERY WEDNESDAY & SATURDAY! Subscribe: https://www.youtube.com/user/ongakuconcept/
Welcome to the Ongaku Concept Podcast, where we discuss music theory through video game and anime music! In this episode, we discuss cadences, Sword Art Online, and chord function, in particular that of the dominant chord.
For audio examples of what we're talking about...
Plagal cadence: https://www.youtube.com/watch?v=xZ-OqqR3P5U&t;=19s
Full cadence: https://www.youtube.com/watch?v=c1nsjnU7fPM&t;=2m15s
Deceptive cadence: https://www.youtube.com/watch?v=ask1JthbkUU&t;=1m5s
bIImaj9 - Imaj7: https://www.youtube.com/watch?v=USVgKQLYqSc&t;=33s
"Mario Cadence" - https://www.youtube.com/watch?v=wRkp6apEovA
Picardy Third: https://www.youtube.com/watch?v=W4ldf7beu58&t;=1m22s
Isus4 as a dominant: https://www.youtube.com/watch?v=ask1JthbkUU&t;=13s
I apologize for the lower audio quality this time, we're still dealing with mic issues! ^^;
Hosts:
Joshua Taipale (@joshuataipale)
http://youtube.com/joshuataipale
Anh-Thu Mai (@anh2mai)
http://youtube.com/happyricepaddle
Tumblr: http://ongakuconcept.com/
Twitter: http://twitter.com/ongakuconcept/
Facebook: https://www.facebook.com/ongakuconceptvgm
Intro/Outro music by Joshua Taipale: https://www.youtube.com/user/JoshuaTaipale
Logo art by CreatorzOwn: http://soundcloud.com/creatorz-own
https://wn.com/Ongaku_Concept_Podcast_Ep._3_Cadences,_Chord_Function_The_Dominant_Chord
NEW VIDEO EVERY WEDNESDAY & SATURDAY! Subscribe: https://www.youtube.com/user/ongakuconcept/
Welcome to the Ongaku Concept Podcast, where we discuss music theory through video game and anime music! In this episode, we discuss cadences, Sword Art Online, and chord function, in particular that of the dominant chord.
For audio examples of what we're talking about...
Plagal cadence: https://www.youtube.com/watch?v=xZ-OqqR3P5U&t;=19s
Full cadence: https://www.youtube.com/watch?v=c1nsjnU7fPM&t;=2m15s
Deceptive cadence: https://www.youtube.com/watch?v=ask1JthbkUU&t;=1m5s
bIImaj9 - Imaj7: https://www.youtube.com/watch?v=USVgKQLYqSc&t;=33s
"Mario Cadence" - https://www.youtube.com/watch?v=wRkp6apEovA
Picardy Third: https://www.youtube.com/watch?v=W4ldf7beu58&t;=1m22s
Isus4 as a dominant: https://www.youtube.com/watch?v=ask1JthbkUU&t;=13s
I apologize for the lower audio quality this time, we're still dealing with mic issues! ^^;
Hosts:
Joshua Taipale (@joshuataipale)
http://youtube.com/joshuataipale
Anh-Thu Mai (@anh2mai)
http://youtube.com/happyricepaddle
Tumblr: http://ongakuconcept.com/
Twitter: http://twitter.com/ongakuconcept/
Facebook: https://www.facebook.com/ongakuconceptvgm
Intro/Outro music by Joshua Taipale: https://www.youtube.com/user/JoshuaTaipale
Logo art by CreatorzOwn: http://soundcloud.com/creatorz-own
- published: 11 Feb 2015
- views: 599
Learning Music With Ray: Chord Color Tones
- Order: Reorder
- Duration: 42:10
- Updated: 27 Oct 2014
- views: 7311
This Learning Music With Ray video discusses chord color tones. These are the additional pitches that can be added to a chord beside the fundamental chord tone...
This Learning Music With Ray video discusses chord color tones. These are the additional pitches that can be added to a chord beside the fundamental chord tones. In this video, I identify these color tones and explain the ways they can be added to both triads and seventh chords. I explain why they are sometimes named as intervals within an octave and sometimes named as upper extensions (beyond one octave). Finally, I demonstrate the acceptable uses of these color tones on the piano keyboard.
The remaining intervals within the scale (beside the chord tones) are the 2nd, 4th and 6th. These are the pitches that can be used as color tones.
When adding color tones to triads, they are labeled as 2nd’s, 4th’s and 6th’s. One acceptable use for a triad color tone is as a suspension. In this case, the color tone temporarily replaces a chord tone, and then resolves to the missing chord tone. We can also add color tones to triads as a fourth pitch that is not part of the structure of the chord. The pitch simply adds color and texture to the sound of the harmony. When the 6th is added to a major triad it will cause the chord to sound like a major seventh. In addition, the 6th can convert a minor triad into a minor seventh chord.
When adding color tones to seventh chords, the pitches are usually identified as upper extensions. This means that they are named by intervals that are one octave higher than their basic identities. The 2nd is called a 9th, the 4th is called an 11th and the 6th is called a 13th. The primary purpose for these alternate names is to simplify chord labels. For example, a major seventh chord with a tonic of C would normally be labeled as CΔ7 or Cmaj7. If we add a 9th to this chord the label could get confusing (CΔ7+9 or Cmaj7 add 9). The use of the label “9” implies that the 7th is present since upper extensions are only added to seventh chords. This allows us to simplify the chord label in our example to CΔ9 or Cmaj9.
The seventh chords that usually have upper extensions applied to them are the minor seventh, dominant seventh and major seventh. When these upper extensions are added, they are labeled as natural, flat or sharp. We do not assign qualities to them such as major or minor, because qualities imply structural significance. Since these pitches are not structural cord tones, they do not have an impact on the structural quality of the cord.
The primary uses for the major seventh chord are adding the 9th or the #11th. The only use for the 13th is as a 6th substituting for the 7th. The primary uses for the minor seventh chord are adding the 9th or the 11th.
The most versatile seventh chord when adding upper extensions is the dominant seventh chord. This is mostly due to the tritone that is formed between the 3rd and 7th of the chord. This sonic quality allows for increased levels of dissonance to sound permissible. Every type of 9th (flat, sharp or natural) can be added to a dominant seventh chord. In addition, both the flat and natural 13th can be added. The sharp 13th would be enharmonically equivalent to the minor 7th. Finally the sharp 11th can be added. The other forms of the 11th are not usable for the same reasons mentioned with the major seventh chord.
Links:
Ray Melograne YouTube site: http://www.youtube.com/user/raymelogranemsusic
Ray Melograne website: http://www.raymelograne.com
Ray Melograne Facebook site: https://www.facebook.com/pages/Ray-Melograne/108305282593513
Ray Melograne Twitter site: https://twitter.com/RayMelograne
Ray Melograne Reverbnation site: http://www.reverbnation.com/raymelogranemusic
Ray Melograne Itunes page: https://itunes.apple.com/us/artist/ray-melograne/id595089400
Ray Melograne CdBaby page: http://www.cdbaby.com/Artist/RayMelograne
Ray Melograne Amazon page: http://www.amazon.com/s/ref=ntt_srch_drd_B00B4JSN6Y/178-2554698-9896402?ie=UTF8&field-keywords;=Ray%20Melograne&index;=digital-music&search-type;=ss
Ray Melograne Rhapsody page: http://www.rhapsody.com/artist/ray-melograne
Ray Melograne TheZone.com site: https://www.thezoen.com/teachers/ray-melograne-music-theory-piano-saxophone-songwriting-and-voice
Ray Melograne Myspace site: https://myspace.com/raymelograne
Ray Melograne Eyoked site: http://www.eyoked.com/profile/RayMelograne
Ray Melograne Bandmix page: http://www.bandmix.com/ray-melograne-music/
Ray Melograne AirPlayDirect page: http://www.airplaydirect.com/music/RayMelograne/
Ray Melograne Teacher Eboard page: http://www1.eboard.com/eboard/servlet/BoardServlet?ACTION=BOARD_SHOW&SITE;_NAME=lindenhurstschools&BOARD;_NAME=rmelograne&SESSION;_ID=mqnxj01cs63o2yq9961
https://wn.com/Learning_Music_With_Ray_Chord_Color_Tones
This Learning Music With Ray video discusses chord color tones. These are the additional pitches that can be added to a chord beside the fundamental chord tones. In this video, I identify these color tones and explain the ways they can be added to both triads and seventh chords. I explain why they are sometimes named as intervals within an octave and sometimes named as upper extensions (beyond one octave). Finally, I demonstrate the acceptable uses of these color tones on the piano keyboard.
The remaining intervals within the scale (beside the chord tones) are the 2nd, 4th and 6th. These are the pitches that can be used as color tones.
When adding color tones to triads, they are labeled as 2nd’s, 4th’s and 6th’s. One acceptable use for a triad color tone is as a suspension. In this case, the color tone temporarily replaces a chord tone, and then resolves to the missing chord tone. We can also add color tones to triads as a fourth pitch that is not part of the structure of the chord. The pitch simply adds color and texture to the sound of the harmony. When the 6th is added to a major triad it will cause the chord to sound like a major seventh. In addition, the 6th can convert a minor triad into a minor seventh chord.
When adding color tones to seventh chords, the pitches are usually identified as upper extensions. This means that they are named by intervals that are one octave higher than their basic identities. The 2nd is called a 9th, the 4th is called an 11th and the 6th is called a 13th. The primary purpose for these alternate names is to simplify chord labels. For example, a major seventh chord with a tonic of C would normally be labeled as CΔ7 or Cmaj7. If we add a 9th to this chord the label could get confusing (CΔ7+9 or Cmaj7 add 9). The use of the label “9” implies that the 7th is present since upper extensions are only added to seventh chords. This allows us to simplify the chord label in our example to CΔ9 or Cmaj9.
The seventh chords that usually have upper extensions applied to them are the minor seventh, dominant seventh and major seventh. When these upper extensions are added, they are labeled as natural, flat or sharp. We do not assign qualities to them such as major or minor, because qualities imply structural significance. Since these pitches are not structural cord tones, they do not have an impact on the structural quality of the cord.
The primary uses for the major seventh chord are adding the 9th or the #11th. The only use for the 13th is as a 6th substituting for the 7th. The primary uses for the minor seventh chord are adding the 9th or the 11th.
The most versatile seventh chord when adding upper extensions is the dominant seventh chord. This is mostly due to the tritone that is formed between the 3rd and 7th of the chord. This sonic quality allows for increased levels of dissonance to sound permissible. Every type of 9th (flat, sharp or natural) can be added to a dominant seventh chord. In addition, both the flat and natural 13th can be added. The sharp 13th would be enharmonically equivalent to the minor 7th. Finally the sharp 11th can be added. The other forms of the 11th are not usable for the same reasons mentioned with the major seventh chord.
Links:
Ray Melograne YouTube site: http://www.youtube.com/user/raymelogranemsusic
Ray Melograne website: http://www.raymelograne.com
Ray Melograne Facebook site: https://www.facebook.com/pages/Ray-Melograne/108305282593513
Ray Melograne Twitter site: https://twitter.com/RayMelograne
Ray Melograne Reverbnation site: http://www.reverbnation.com/raymelogranemusic
Ray Melograne Itunes page: https://itunes.apple.com/us/artist/ray-melograne/id595089400
Ray Melograne CdBaby page: http://www.cdbaby.com/Artist/RayMelograne
Ray Melograne Amazon page: http://www.amazon.com/s/ref=ntt_srch_drd_B00B4JSN6Y/178-2554698-9896402?ie=UTF8&field-keywords;=Ray%20Melograne&index;=digital-music&search-type;=ss
Ray Melograne Rhapsody page: http://www.rhapsody.com/artist/ray-melograne
Ray Melograne TheZone.com site: https://www.thezoen.com/teachers/ray-melograne-music-theory-piano-saxophone-songwriting-and-voice
Ray Melograne Myspace site: https://myspace.com/raymelograne
Ray Melograne Eyoked site: http://www.eyoked.com/profile/RayMelograne
Ray Melograne Bandmix page: http://www.bandmix.com/ray-melograne-music/
Ray Melograne AirPlayDirect page: http://www.airplaydirect.com/music/RayMelograne/
Ray Melograne Teacher Eboard page: http://www1.eboard.com/eboard/servlet/BoardServlet?ACTION=BOARD_SHOW&SITE;_NAME=lindenhurstschools&BOARD;_NAME=rmelograne&SESSION;_ID=mqnxj01cs63o2yq9961
- published: 27 Oct 2014
- views: 7311
Play-Along with Nick 5/5/15: Power Chord workout
- Order: Reorder
- Duration: 24:54
- Updated: 06 May 2015
- views: 6277
The humble yet mighty power chord is the heart and soul of much of rock and roll. We'll give it's various forms a heavy workout and we'll also mess with octave...
The humble yet mighty power chord is the heart and soul of much of rock and roll. We'll give it's various forms a heavy workout and we'll also mess with octaves, and major third power chords. This is a fun and easy one!
https://wn.com/Play_Along_With_Nick_5_5_15_Power_Chord_Workout
The humble yet mighty power chord is the heart and soul of much of rock and roll. We'll give it's various forms a heavy workout and we'll also mess with octaves, and major third power chords. This is a fun and easy one!
- published: 06 May 2015
- views: 6277
fullscreen slideshow
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fullscreen slideshow
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1:51
Major and minor third intervals in relation to chords
Learn the difference between the makeup of a minor and a major triad. See how they are rea...
published: 24 Jan 2012
Major and minor third intervals in relation to chords
Major and minor third intervals in relation to chords
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- views: 19093
5:16
E Chord - Easy Third Guitar Chord - Beginner Guitar Lessons Stage 1 - JustinGuitar [BC-113]
In this lesson we are going to be checking out the E Chord. It's a nice easy one.
Find th...
published: 03 Jun 2009
E Chord - Easy Third Guitar Chord - Beginner Guitar Lessons Stage 1 - JustinGuitar [BC-113]
E Chord - Easy Third Guitar Chord - Beginner Guitar Lessons Stage 1 - JustinGuitar [BC-113]
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2:55
Your Love - Third Chord Cover
This is a cover of the song "Your Love" originally by Daithi DeNogla. The original can be ...
published: 02 Jun 2017
Your Love - Third Chord Cover
Your Love - Third Chord Cover
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- published: 02 Jun 2017
- views: 129
5:35
*Lage Lund Jazz Guitar Lesson* Getting Away from Obvious (Third) Chord Voicings JazzHeaven.com
Go to http://JazzHeaven.com/lage for more FREE Lage Lund Videos! This was an excerpt from ...
published: 11 Jun 2015
*Lage Lund Jazz Guitar Lesson* Getting Away from Obvious (Third) Chord Voicings JazzHeaven.com
*Lage Lund Jazz Guitar Lesson* Getting Away from Obvious (Third) Chord Voicings JazzHeaven.com
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- published: 11 Jun 2015
- views: 19330
7:21
Guitar Chord Theory made Easy Triads And 7th Chords
Free Lesson Download: http://www.tomasmichaud.com/guitar-chord-theory-2
My free lesson d...
published: 09 Jun 2016
Guitar Chord Theory made Easy Triads And 7th Chords
Guitar Chord Theory made Easy Triads And 7th Chords
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- published: 09 Jun 2016
- views: 2469
8:40
Martin Nonstatic - Third Chord Part 0 (Original Mix)
Realize EP Biorecordings #BR005 05.06.2012
http://www.beatport.com/release/realize-ep/9216...
published: 19 Sep 2012
Martin Nonstatic - Third Chord Part 0 (Original Mix)
Martin Nonstatic - Third Chord Part 0 (Original Mix)
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- views: 2435
2:50
Fly Away (Acoustic) - The Third Chord
This is us playing around with our new recording mic. Comment for critique!
published: 24 Apr 2012
Fly Away (Acoustic) - The Third Chord
Fly Away (Acoustic) - The Third Chord
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- published: 24 Apr 2012
- views: 118
5:43
The Third Chord - Fly Away (January 25th, 2012)
This is The Third Chord playing an acoustic version of Fly Away out at Steamboat's. I pers...
published: 29 Jan 2012
The Third Chord - Fly Away (January 25th, 2012)
The Third Chord - Fly Away (January 25th, 2012)
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- views: 73
17:33
The Third Chord - The DamnLOL! Song
This is what happens when I decide to hit record while Maurice and I look through DamnLOL!...
published: 12 May 2012
The Third Chord - The DamnLOL! Song
The Third Chord - The DamnLOL! Song
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- views: 636
6:14
Erich Lesovsky - We Ate The Third Chord
http://www.beatport.com/release/tunes-from-a-divided-city/1058665
Erich Lesovsky - Tunes ...
published: 30 Oct 2012
Erich Lesovsky - We Ate The Third Chord
Erich Lesovsky - We Ate The Third Chord
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- published: 30 Oct 2012
- views: 604
10:43
Chopin - Scherzo nr 1 in b minor - Alessio Nanni
Alessio Nanni, italian classical pianist, performs the Scherzo in b minor op.20 nr.1 by Fr...
published: 23 Dec 2010
Chopin - Scherzo nr 1 in b minor - Alessio Nanni
Chopin - Scherzo nr 1 in b minor - Alessio Nanni
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- views: 79429
10:17
My favorite things - John Coltrane
My Favorite Things is a 1961 jazz album by John Coltrane. It is considered by many jazz cr...
published: 18 Feb 2010
My favorite things - John Coltrane
My favorite things - John Coltrane
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- published: 18 Feb 2010
- views: 10768
7:23
Nordmann Chord Generator
The Chord Generator is the second Nordmann generative device.
Like the Schwarzonator the ...
published: 30 Sep 2011
Nordmann Chord Generator
Nordmann Chord Generator
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- published: 30 Sep 2011
- views: 1382
0:39
maggie's guitar aptitude
this is literally 40 minutes after i spent 10 minutes showing maggie a couple of chords. ...
published: 29 Jan 2014
maggie's guitar aptitude
maggie's guitar aptitude
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- published: 29 Jan 2014
- views: 17
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1:51
Major and minor third intervals in relation to chords
Learn the difference between the makeup of a minor and a major triad. See how they are rea...
published: 24 Jan 2012
Major and minor third intervals in relation to chords
Major and minor third intervals in relation to chords
- Report rights infringement
- published: 24 Jan 2012
- views: 19093
5:16
E Chord - Easy Third Guitar Chord - Beginner Guitar Lessons Stage 1 - JustinGuitar [BC-113]
In this lesson we are going to be checking out the E Chord. It's a nice easy one.
Find th...
published: 03 Jun 2009
E Chord - Easy Third Guitar Chord - Beginner Guitar Lessons Stage 1 - JustinGuitar [BC-113]
E Chord - Easy Third Guitar Chord - Beginner Guitar Lessons Stage 1 - JustinGuitar [BC-113]
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- published: 03 Jun 2009
- views: 1544951
2:55
Your Love - Third Chord Cover
This is a cover of the song "Your Love" originally by Daithi DeNogla. The original can be ...
published: 02 Jun 2017
Your Love - Third Chord Cover
Your Love - Third Chord Cover
- Report rights infringement
- published: 02 Jun 2017
- views: 129
5:35
*Lage Lund Jazz Guitar Lesson* Getting Away from Obvious (Third) Chord Voicings JazzHeaven.com
Go to http://JazzHeaven.com/lage for more FREE Lage Lund Videos! This was an excerpt from ...
published: 11 Jun 2015
*Lage Lund Jazz Guitar Lesson* Getting Away from Obvious (Third) Chord Voicings JazzHeaven.com
*Lage Lund Jazz Guitar Lesson* Getting Away from Obvious (Third) Chord Voicings JazzHeaven.com
- Report rights infringement
- published: 11 Jun 2015
- views: 19330
7:21
Guitar Chord Theory made Easy Triads And 7th Chords
Free Lesson Download: http://www.tomasmichaud.com/guitar-chord-theory-2
My free lesson d...
published: 09 Jun 2016
Guitar Chord Theory made Easy Triads And 7th Chords
Guitar Chord Theory made Easy Triads And 7th Chords
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- published: 09 Jun 2016
- views: 2469
8:40
Martin Nonstatic - Third Chord Part 0 (Original Mix)
Realize EP Biorecordings #BR005 05.06.2012
http://www.beatport.com/release/realize-ep/9216...
published: 19 Sep 2012
Martin Nonstatic - Third Chord Part 0 (Original Mix)
Martin Nonstatic - Third Chord Part 0 (Original Mix)
- Report rights infringement
- published: 19 Sep 2012
- views: 2435
2:50
Fly Away (Acoustic) - The Third Chord
This is us playing around with our new recording mic. Comment for critique!
published: 24 Apr 2012
Fly Away (Acoustic) - The Third Chord
Fly Away (Acoustic) - The Third Chord
- Report rights infringement
- published: 24 Apr 2012
- views: 118
5:43
The Third Chord - Fly Away (January 25th, 2012)
This is The Third Chord playing an acoustic version of Fly Away out at Steamboat's. I pers...
published: 29 Jan 2012
The Third Chord - Fly Away (January 25th, 2012)
The Third Chord - Fly Away (January 25th, 2012)
- Report rights infringement
- published: 29 Jan 2012
- views: 73
17:33
The Third Chord - The DamnLOL! Song
This is what happens when I decide to hit record while Maurice and I look through DamnLOL!...
published: 12 May 2012
The Third Chord - The DamnLOL! Song
The Third Chord - The DamnLOL! Song
- Report rights infringement
- published: 12 May 2012
- views: 636
6:14
Erich Lesovsky - We Ate The Third Chord
http://www.beatport.com/release/tunes-from-a-divided-city/1058665
Erich Lesovsky - Tunes ...
published: 30 Oct 2012
Erich Lesovsky - We Ate The Third Chord
Erich Lesovsky - We Ate The Third Chord
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- published: 30 Oct 2012
- views: 604
10:43
Chopin - Scherzo nr 1 in b minor - Alessio Nanni
Alessio Nanni, italian classical pianist, performs the Scherzo in b minor op.20 nr.1 by Fr...
published: 23 Dec 2010
Chopin - Scherzo nr 1 in b minor - Alessio Nanni
Chopin - Scherzo nr 1 in b minor - Alessio Nanni
- Report rights infringement
- published: 23 Dec 2010
- views: 79429
10:17
My favorite things - John Coltrane
My Favorite Things is a 1961 jazz album by John Coltrane. It is considered by many jazz cr...
published: 18 Feb 2010
My favorite things - John Coltrane
My favorite things - John Coltrane
- Report rights infringement
- published: 18 Feb 2010
- views: 10768
7:23
Nordmann Chord Generator
The Chord Generator is the second Nordmann generative device.
Like the Schwarzonator the ...
published: 30 Sep 2011
Nordmann Chord Generator
Nordmann Chord Generator
- Report rights infringement
- published: 30 Sep 2011
- views: 1382
0:39
maggie's guitar aptitude
this is literally 40 minutes after i spent 10 minutes showing maggie a couple of chords. ...
published: 29 Jan 2014
maggie's guitar aptitude
maggie's guitar aptitude
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- views: 17
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20:44
All the basic piano chords in one epic tutorial
Check out my book: http://www.billspianopages.com/how-to-really
EDIT: one chord I missed ...
published: 21 Dec 2015
All the basic piano chords in one epic tutorial
All the basic piano chords in one epic tutorial
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- published: 21 Dec 2015
- views: 151749
25:50
How Basic Chords Work - Music Theory Lesson 1
UPDATE: Hello, this is Present Day Michael. I would like to point out that Past Michael ch...
published: 10 Sep 2011
How Basic Chords Work - Music Theory Lesson 1
How Basic Chords Work - Music Theory Lesson 1
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- published: 10 Sep 2011
- views: 1261824
24:13
Johnna Atkinson-Bigelow: The Third Chord-2013 Scentsy Spring Sprint, Murfreesboro, TN
What a privilege to be asked to speak at this year's Spring Sprint on the The Third Chord ...
published: 08 Feb 2013
Johnna Atkinson-Bigelow: The Third Chord-2013 Scentsy Spring Sprint, Murfreesboro, TN
Johnna Atkinson-Bigelow: The Third Chord-2013 Scentsy Spring Sprint, Murfreesboro, TN
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- published: 08 Feb 2013
- views: 446
1:14:56
Learning Music With Ray: Chord Progressions
A chord progression is a group of chords that travel or progress through a harmonic sequen...
published: 05 Nov 2014
Learning Music With Ray: Chord Progressions
Learning Music With Ray: Chord Progressions
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- published: 05 Nov 2014
- views: 60792
28:41
The D-C-G Trick : What Famous Bands Did With Easy Chords!
*new videos, giveaways and more at www.song-bike.com !!
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published: 29 Dec 2013
The D-C-G Trick : What Famous Bands Did With Easy Chords!
The D-C-G Trick : What Famous Bands Did With Easy Chords!
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- published: 29 Dec 2013
- views: 4334824
20:14
Music Theory 1 - Video 18: Part Writing with Root Position Triads.
This video corresponds with material from Chapter 6 in your textbook. Check that chapter o...
published: 26 Feb 2015
Music Theory 1 - Video 18: Part Writing with Root Position Triads.
Music Theory 1 - Video 18: Part Writing with Root Position Triads.
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- published: 26 Feb 2015
- views: 7166
20:25
Jazz piano: how it works
http://bit.do/billsbook
Here are the chords:
F | D7 | Gm7 | C7 |
F | Dm | Bb6 | C7 |
F |...
published: 03 Apr 2012
Jazz piano: how it works
Jazz piano: how it works
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- views: 327000
28:16
Ongaku Concept Podcast: Ep. 3 - "Cadences, Chord Function & the Dominant Chord"
NEW VIDEO EVERY WEDNESDAY & SATURDAY! Subscribe: https://www.youtube.com/user/ongakuconcep...
published: 11 Feb 2015
Ongaku Concept Podcast: Ep. 3 - "Cadences, Chord Function & the Dominant Chord"
Ongaku Concept Podcast: Ep. 3 - "Cadences, Chord Function & the Dominant Chord"
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- published: 11 Feb 2015
- views: 599
42:10
Learning Music With Ray: Chord Color Tones
This Learning Music With Ray video discusses chord color tones. These are the additional ...
published: 27 Oct 2014
Learning Music With Ray: Chord Color Tones
Learning Music With Ray: Chord Color Tones
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- published: 27 Oct 2014
- views: 7311
24:54
Play-Along with Nick 5/5/15: Power Chord workout
The humble yet mighty power chord is the heart and soul of much of rock and roll. We'll g...
published: 06 May 2015
Play-Along with Nick 5/5/15: Power Chord workout
Play-Along with Nick 5/5/15: Power Chord workout
- Report rights infringement
- published: 06 May 2015
- views: 6277
All the basic piano chords in one epic tutorial...
How Basic Chords Work - Music Theory Lesson 1...
Johnna Atkinson-Bigelow: The Third Chord-2013 Scen...
Learning Music With Ray: Chord Progressions...
The D-C-G Trick : What Famous Bands Did With Easy ...
Music Theory 1 - Video 18: Part Writing with Root ...
Jazz piano: how it works...
Ongaku Concept Podcast: Ep. 3 - "Cadences, Chord F...
Learning Music With Ray: Chord Color Tones...
Play-Along with Nick 5/5/15: Power Chord workout...
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