1991 (MCMXCI) was a common year starting on Tuesday (link will display full calendar) of the Gregorian calendar in the 20th century. It was the second year of the 1990s, and is usually considered the final year of the Cold War that had begun in the late 1940s. During the year, the Union of Soviet Socialist Republics collapsed into fifteen sovereign republics. A U.N.-authorized coalition force from thirty-four nations fought against Iraq, which had invaded Kuwait in the previous year, 1990. The conflict would be called the Gulf War. The year 1991 was the 1991st year of Anno Domini, the 991st year of the 2nd millennium, the 91st year of the 20th century and 2nd in the 1990s.
Azealia Amanda Banks (born May 31, 1991) is an American rapper, singer and lyricist from Harlem, New York signed to Interscope/Polydor, and formerly known under the pseudonym Miss Bank$. Banks rose in notability in 2011 when she topped NME's "Cool List" for the year. On December 5, 2011, the BBC announced that Banks had been nominated for the Sound of 2012, where she ultimately finished third. Her debut single, "212" featuring Lazy Jay, was released on December 6, 2011, charting in some European countries.
Banks was born in 1991. Her mother raised her and two older sisters in Harlem, after their father died when she was two years old. At a young age she became interested in musical theater, acting, and singing. Aged ten, she began performing in off-Broadway musicals with the Tada! Youth Theater in Lower Manhattan. She had lead roles in three productions (Rabbit Sense, Sleepover, and Heroes) in addition to performing as a soloist. Banks was trained in the performing arts at the LaGuardia High School of Performing Arts in Manhattan. At the age of sixteen, Banks starred in a production of the comedy-noir musical City of Angels. She never finished high school, instead choosing to follow her dream of becoming a recording artist.
Samuel Pack "Sam" Elliott (born August 9, 1944) is an American actor. His rangy physique, thick horseshoe moustache, deep, resonant voice, and Western drawl lend to frequent casting as cowboys and ranchers.
Sam Elliott was born in Sacramento, California, to a physical training instructor mother and a father who worked for the Department of the Interior. He moved from California to Oregon with his family during his teenage years, where he graduated from David Douglas High School in Portland. He attended Clark College in Vancouver, Washington, where he completed a two-year program and was cast as one of the leads in Guys and Dolls. The local newspaper suggested that Elliott should be a professional actor. Soon after, Elliott declared he was going to Hollywood to become a star. Elliott is a member of the Sigma Alpha Epsilon fraternity at Cal State L.A.. He worked in construction while studying acting in Los Angeles. Elliott also lived for a short time in Princeton, West Virginia.[citation needed]
Katharine Juliet Ross (born January 29, 1940) is an American film and stage actress. Trained at the San Francisco Workshop, she came to prominence as Elaine Robinson in the 1967 film The Graduate, for which she won a Golden Globe award and received an Academy Award nomination.
She then starred as Etta Place in 1969's Butch Cassidy and the Sundance Kid, and won a BAFTA for role in Tell Them Willie Boy Is Here the same year. She has also starred in The Stepford Wives in 1975 and won another Golden Globe for Voyage of the Damned in 1977. She has established herself as an author, publishing several children's books.
Ross was born in Hollywood, California, when her father was in the Navy. He had also worked for the Associated Press. Her family later settled in Walnut Creek, California, east of San Francisco. She graduated from Las Lomas High School. Ross was a keen horse rider in her youth, and was friends with Casey Tibbs, a rodeo rider.
She studied at Santa Rosa Junior College for a year, where she had her introduction to acting in a production of The King and I. She dropped out of the course and moved to San Francisco to study acting. She joined The Actors Workshop and was with them for three years working as an understudy; for one role in Jean Genet's The Balcony she appeared nude on stage, and in 1964 she was cast by John Houseman as Cordelia in a production of King Lear. While at the Workshop, she began acting bit parts in television series in Los Angeles to earn extra money. She was brought to Hollywood by Metro, dropped, then picked up by Universal.
Leonard Barrie Corbin, known as Barry Corbin (born October 16, 1940), is an American actor with more than one hundred film, television and video game credits.
Corbin was born in Lamesa, the seat of Dawson County, south of Lubbock in west Texas. He is the son of the former Alma LaMerle Scott (1918–1994), a teacher, and Kilmer Blaine Corbin, Sr. (1919–1993), a school principal, a judge and a Democratic member of the Texas State Senate for two terms from 1949-1957. Corbin was named for author J. M. Barrie by his mom. He played football briefly in 8th grade, but soon moved to the arts, including acting and ballet classes. He graduated from Monterey High School. Corbin studied theatre arts at Texas Tech University in Lubbock. At 21, he joined the United States Marines, served two years and then returned to Tech.
Corbin began his career as a Shakespearean actor in the 1960s, but today he is more likely to be seen in the role of the local sheriff, military leader, or some other authority figure, though on occasion, he has effectively portrayed murderous villains as well. To moviegoers he is well remembered as General Beringer in WarGames, John Travolta's uncle in Urban Cowboy, co-starring with Clint Eastwood in Any Which Way You Can, or Roscoe Brown, who was July Johnson's bumbling deputy, in the acclaimed western Lonesome Dove.
This song goes out to all the money men
He drives around in a fancy car
Smokes those long, Cuban cigars
He don't know how to play guitar
And he can't sing but still the pretty girls think he's a star
We play music, got families to feed
Ain't good with numbers and he knows we can't read
If we get a dollar you know he gets three
It ain't hard to figure out, it's as simple as can be
Don't ask me, ask the money man
These boys are livin' in a fantasy land
I just keep 'em on the road so they can pay the money man
I'll be long gone before they understand
My promises are strong like a road made out of sand
I wanna be your money man
My mortgage is picked up by the band
I wanna be your money man
The boys, oh they're sleepin' out in the van
Don't ask me, ask the money man
You boys are livin' in fantasy land
You signed the dotted line, I'm takin' all I can
Your money's lookin' good in my retirement plan
That's just the way it is when you're playin' in a band
That's my money man, down on his knees
He ain't prayin' but he damn sure ought to be
He's at a place where money doesn't grow on trees
And all his prison buddies doin' more than shoot the breeze
How does it feel no money man, not too good
What did you do with my money man
Well I a, well a you know a
How does it feel to be a honey man
Are you sure that you're still a man
Aw you're dressed up like a little girl
Just shootin' the breeze, down on your knees
Money man, oh money man
Oh, là là là, flirting with a cool french dude named Antoine
Wanna taste the pastry chocolate croissant
Ce soir with your bitch, café au lait?
Voulez-vous nigga mad francois
Who are you nigga, hahaha
Miss one, miss young, miss cutie pie
Young noobie, young coochy tight
Young juicy, young Uzi-mic
Rata-tat-tat-tat nick-nack pitty-pat-pat-pat
Silly cat, you know how that scratch?
How you do that, do that, do do that that that?
1991 my time has come
Oh, nah nah Ma, your time is done
Primadonna mama, like a virgin
Private jets, my flights, no fly Virgin
I sell you, you buy, that's my version
Mommy tie these rhymes it's my verses
Oh me, Oh my, you will not persist
Pyramid, one eye, all my assets
Here it is, off top, peep my progress
Here it is, off top, peep my progress
Peep my progress, here it is off top
He took her to the Louvre in Paris
You want a chance with a youngin, wanna ruin the weave
And get the grams and the hundreds
And the shoe with the "blead?"
And fit the grams and the hundreds
Send the Lou to the V
High class, no school, the tuition is free
Lil Bam(bi) no fool
And tuition is G
Gimme the gem or the jewels
I'll commission a fee
I make hits, motherfucker
Never do it for free, ha!
Young tender from the NYC
No contender
None in my league
Young kill-em-in-the-denims
Young venom on the M-I-C
Young villain and
Developing the heat that's sick
Elite rap bitch, I gotta send that beat back quick
Tip-tippin on these niggas, suck a T.I. dick
Cause you gonna be a bitch nigga
I'mma be that bitch, what?
Juste believe that shit
You gonna be a bitch nigga
I'mma be that bitch!
Believe that shit
Believe that shit
Nigga ima be that bitch
(What?)
[Verse 2]
Come around, come around
Let the litte bambi
Run it down, run it down
With a sip of bailey's
Sip of champy on the alls
1991 be pressing up your doubt
Sex kitten honeys, no cougars in the house
Imma hush the rumors and the doubt
Came in the game with a beat and a bounce
Never for the fame, my feet on the ground
Cloud number 9, headed to the stars
Baby I ride with my mic and my bra
Baby I recite in the raw the appetite for life and the hunger for the more
The island of Manhattan, I was Born in New York, city never slumbers
I would always dream it never sleep to the hundreds
Coco with the cream and abundance
Million dollar baby you can get it if you want it, what?
NY rose me, most high chose me
Let me know what I can can can can do for you
If you don't speak, boy you know you won't see none
Let me know what a man man man man want
NY rose me, most high chose me
Let me know what I can can can can do for you
If you don't speak, boy you know you won't none
Let me know what a man man man man want
NY rose me, most high chose me
Let me know what I can can can can do for you
If you don't speak, boy you know you won't see none
Let me know what a man man man man want
NY rose me, most high chose me
Let me know what I can can can can do for you
If you don't speak, boy you know you won't none
Ahh oh
a- a- Ahh oh
Ahh oh
a- a- Ahh oh
Don`t
Ahh oh
a- a- Ahh oh - never life life
Don`t
Ahh oh
a- a- Ahh oh - never life life
Don`t
a- a- Ahh oh - never life life
Don`t
Where do you think you go?
looking for the right thing
Relax your mind with bombs
ready for the future rain
Don`t
you have a ready Gun
massive for a nuke bang
hmm
saying the only word
i love
you can´t give a giant
Don`t
look behind
your life
will never never be the same again
don´t belive it
oh o o
Don`t
look behind
your life
will never never be the same again
don´t belive it
oh o o
and you are good to go
looking for the right time
hmm
to leave your fading pound
a shadow of your forgotten crime
you have a ready bomb
somthing give a leed thing
you send a brand new world
he knows raising on a feet
Don`t
look behind
your life
will never never be the same again
don´t belive it
oh o o
Don`t
look behind
your life
will never never be the same again
don´t belive it
oh o o
Ahh oh
a- a- Ahh oh
your alive -live
Ahh oh
a- a- Ahh oh
your alive -live
Ahh oh
a- a- Ahh oh
your alive -live
Ahh oh
a- a- Ahh oh
your alive -live
Don`t
look behind
your life
will never never be the same again
don´t belive it
Don`t
look behind
your life
will never never be the same again
don´t belive it
Don`t
look behind
your life
will never never be the same again
don´t belive it
Don`t
look behind
your life
will never never be the same again
don´t belive it
Don`t
look behind
your life
will never never be the same again
don´t belive it
Don`t
look behind
your life
will never never be the same again
don´t belive it