Year 1942 (MCMXLII) was a common year starting on Thursday (link will display the full calendar) of the Gregorian calendar.
Below, events of World War II have the "WWII" prefix.
Sir Alfred Joseph Hitchcock, KBE (13 August 1899 – 29 April 1980) was an English film director and producer. He pioneered many techniques in the suspense and psychological thriller genres. After a successful career in British cinema in both silent films and early talkies, Hitchcock moved to Hollywood. On 19 April 1955, he became an American citizen while remaining a British subject.
Over a career spanning more than half a century, Hitchcock fashioned for himself a distinctive and recognisable directorial style. He pioneered the use of a camera made to move in a way that mimics a person's gaze, forcing viewers to engage in a form of voyeurism. He framed shots to maximise anxiety, fear, or empathy, and used innovative film editing. His stories frequently feature fugitives on the run from the law alongside "icy blonde" female characters. Many of Hitchcock's films have twist endings and thrilling plots featuring depictions of violence, murder, and crime, although many of the mysteries function as decoys or "MacGuffins" meant only to serve thematic elements in the film and the extremely complex psychological examinations of the characters. Hitchcock's films also borrow many themes from psychoanalysis and feature strong sexual undertones. Through his cameo appearances in his own films, interviews, film trailers, and the television program Alfred Hitchcock Presents, he became a cultural icon. Hitchocks reputation as a filmmaker is offset by claims that he engaged in obsessive and controlling behaviour towards many of his leading ladies, and that in some cases this extended to physical abuse and sexual harrassment.
A Love (사랑 - Sarang) is a 2007 South Korean film directed by Kwak Kyung-taek. Kwak Kyung-taek's most notable film is Chingoo. A Love stars Ju Jin-mo from 200 Pounds Beauty and Park Si-yeon.
At age 17, In ho meets a girl as beautiful as a watercolor painting, and promises to protect her after her brother dies. Although he is the best fighter in his school, he dreams of making his mother proud by going to college. It takes him 7 years to confess to the girl of his dreams. He stabs a gangster in the neck for her, although he wanted to live quietly like everyone else. But to keep his promise to protect her, he stabs Chi-kwon, a notorious mobster in Busan. He devotes his life to working for Chairman Yoo. He buries his love for the vanished girl and gets a second chance while working at the docks. He offers his life to the man who first holds out his hand for him. The girl he cannot forget returns as a love he cannot have. She becomes his patron’s woman and beyond reach... But as he decides to be happy for once in life, cruel destiny rattles everything in his life.
Marion Mitchell Morrison (born Marion Robert Morrison; May 26, 1907 – June 11, 1979), better known by his stage name John Wayne, was an American film actor, director and producer. An Academy Award-winner, Wayne was among the top box office draws for three decades, and was named the all-time top money-making star. An enduring American icon, he epitomized rugged masculinity and is famous for his demeanor, including his distinctive calm voice, walk, and height.
Wayne was born in Winterset, Iowa but his family relocated to the greater Los Angeles area when he was four years old. He found work at local film studios when he lost his football scholarship to USC as a result of a bodysurfing accident. Initially working for the Fox Film Corporation, he mostly appeared in small bit parts. His acting breakthrough came in 1939 with John Ford's Stagecoach, making him an instant star. Wayne would go on to star in 142 pictures, primarily typecast in Western films.
Among his best known films are The Quiet Man (1952), which follows him as an Irish-American boxer and his love affair with a fiery spinster played by Maureen O'Hara; The Searchers (1956), in which he plays a Civil War veteran who seeks out his abducted niece; Rio Bravo (1959), playing a Sheriff with Dean Martin; True Grit (1969), playing a humorous U.S. Marshal who sets out to avenge a man's death in the role that won Wayne an Academy Award; and The Shootist (1976), his final screen performance in which he plays an aging gunslinger battling cancer.
Charlie Chan is a fictional Chinese-American detective created by Earl Derr Biggers. Loosely based on Honolulu detective Chang Apana, Biggers conceived of the benevolent and heroic Chan as an alternative to Yellow Peril stereotypes, such as villains like Fu Manchu. Chan is a detective for the Honolulu police, though many stories feature Chan traveling the world as he investigates mysteries and solves crimes.
Chan first appeared in Biggers' novels, but went on to be featured in a number of media. Over four dozen films featuring Charlie Chan have been made, beginning in 1926. The character was at first portrayed by Asian actors, and the films met with little success. In 1931, the Fox Film Corporation cast Swedish actor Warner Oland as Chan in Charlie Chan Carries On; the film was a success, and Fox went on to produce 15 more Chan films with Oland in the title role. After Oland's death, American actor Sidney Toler was cast as Chan; Toler made 22 Chan films, first for Fox and then for Monogram Studios. After Toler's death, six more films were made, starring Roland Winters.
THE EXECUTION ENDS, ANOTHER ONE LINES UP
WE WAIT IN SILENCE ON THE MISTED HILLS
WE RAISE OUR BARRELS, AND THE STORY HERE BEGINS
THEY TOOK OUR MEN, BUT LET’S JUST SEE WHO WINS
IT WAS A NIGHT WHICH SEEMED TO LAST FOREVERMORE
WITH SPLINTERED BONES AND BLEEDINGS WE ARE APPROACHED
OUR RANGE
A BULLET WITH MY NAME THEN SHOT ME TO THE GROUND
I SAW TWO FEET IN FRONT OF ME, RED CROSS ON HIS ARM
MERCENARY:
“UNLESS YOU WANT TO DIE NOW, STAND UP
RAISE YOUR HEAD, CHARGE YOUR WEAPON INTO WAR
NEVER GIVE IN TO THE ENEMY
KEEP YOUR MIND SET ON YOUR SANITY
UNLESS YOU WANT A SHALLOW GRAVE, FIND YOU STRENGTH
PICK UP YOUR BULLETS. ON YOUR FEET. BETTER RUN
WE NEVER GIVE THEM WHAT THEY WANT, NEVER WILL
BE A SOLDIER. THAT’S AN ORDER, NOW GO!”
WITH AMMO IN OUR GUNS AND GRENADE IN OUR HANDS
WE LIT THE NIGHT WITH FLAMES SO HIGH. WE FOUGHT OUR WAY
COMBINING STRATEGY WITH A HUNGER FOR THE KILL
WE MADE IT THROUGH THE BARRIERS. FIRE IN OUR WILL
PILES OF BODIES AS FAR AS THE EYE COULD SEE
A SMELL OF DEATH COMBINES WITH BURNING GASOLINE
IT IS A VISION I SHALL BEAR INTO MY GRAVE
I’D RATHER TAKE A STAB OR TWO AND HAVE THEM SAVED
WITH ALL THE HATRED IN THIS WORLD, WE SHALL AVENGE
THE TWISTED BODIES WHO CANNOT SEEK THEIR REVENGE
WE TRIED TO SAVE THEM, (BUT) NOW THE PLAN IS LAID TO
WASTE
GOT TO FIND THEM, HUNT THEM DOWN
WE CAUGHT THEM ONE BY ONE. NO MERCY COULD PROTECT
THE AIM WAS KILL AND KILL AGAIN TILL NOTHING LEFT
FOR EVERY DROP OF BLOOD THAT FELL UNTO THE EARTH
SHALL JUSTIFY OUR HISTORY FROM HERE INTO ETERNITY
STILL TO THIS DAY I CAN STILL HEAR THEM SCREAM
EVERY NIGHT THEY COME TO ME TO SET THEM FREE
THE STENCH OF BURNING FLESH IN EVERY BREATH I TAKE
HOW I WISH I COULD GO BACK AGAIN…
PILES OF BODIES AS FAR AS THE EYE COULD SEE
A SMELL OF DEATH COMBINES WITH BURNING GASOLINE
IT IS A VISION I SHALL BEAR INTO MY GRAVE
I’D RATHER TAKE A STAB OR TWO AND HAVE THEM SAVED
WITH ALL THE HATRED IN THIS WORLD, WE SHALL AVENGE
THE TWISTED BODIES WHO CANNOT SEEK THEIR REVENGE
WE TRIED TO SAVE THEM, (BUT) NOW THE PLAN IS LAID TO
WASTE
It was night, when the ship pulled ashoreTo collect, the
comrades of war
When a man, my old man's old man
Spied a dame, that lit up his heart with a bang
And that night, that night
That moon, shone about as bright as it could shine
Those stars, climbed about as high as they could climb
They knew, something strange was going on
When the man, who was Stan,
saw the dame, by the name, of Joan
But her face, was soon lost in the crowd
Morning came, and that chance was drowned
At his post, he moped then leapt when he saw
She'd be there, to share the whole of the war
And that night, that night
That moon, shone about as bright as it could shine
Those stars, climbed about as high as they could climb
They knew, something strange was going on
When the man, who was Stan,
met the dame, by the name, of Joan
In a frame, on a shelf, in the lounge
They look old, black and white, buttoned down
You forget, that they lived, and they ripped, and they