- published: 16 Dec 2011
- views: 2819
Keith Tyson (born Keith Thomas Bower, 23 August 1969) is an English artist. In 2002, he was the winner of the Turner Prize. His work is concerned with an interest in generative systems, and an embrace of the complexity and interconnectedness of existence. Tyson works in a wide range of media, including painting, drawing and installation.
Bower moved to Dalton-in-Furness when he was four, adopting his stepfather's Christian name Tyson. He showed an interest in and talent for art at an early age, having been inspired by his "very creative and enthusiastic" primary school art teacher. However he left school at the age of 15 without qualifications, and took employment as a fitter and turner with VSEL (Vickers Shipbuilding and Engineering Ltd., now BAE Systems) in Barrow-in-Furness.
In 1989, he began an art foundation course at the Carlisle College of Art, and the following year he moved south to take up a place on experimental Alternative Practice degree at The Faculty of Arts and Architecture, University of Brighton (1990–1993).
A complex painting by Keith Tyson called '12 Harmonics' is displayed in the reception of Deutsche Bank's UK Headquarters in London. In this video Keith Tyson explains his thoughts about the work and how it was made. For more information on the Deutsche Bank Art Collection go to www.db-artmag.com
Keith Tyson at the Turner Prize retrospective. Keith Tyson won the Turner Prize in 2002, the year the then culture minister Kim Howells caused a media storm by describing the entries as 'cold, mechanical, conceptual, bullshit'. Tyson talks about the effect winning had on him, and discusses the works he showed in the Turner Prize Retrospective, including The Thinker (After Rodin), a black hexagonal column containing a bank of computers that emit a constant hum, first shown in the 2002 exhibition. Subscribe for weekly films about art: http://www.youtube.com/subscription_center?add_user=tate
”To understand a coffee cup, you would have to understand the entire universe”. Meet British artist Keith Tyson, as he explains the interconnectedness of existence through a coffee cup. A coffee cup is many things. It deals with the laws of physics, as it smashes, when dropping it to the floor. It is also design. But mostly we tend to think of it as a utility we drink coffee from, Tyson says. With art it is different. “The strength of an artwork is that it doesn’t have a use. It allows us to access these questions of why is it there, why is it the way it is, what does it mean, and these are questions about ourselves, of what is means to exist in the world”. Keith Tyson sees his works as being unimportant, they don’t have to be there, and yet they are, and that is what makes them importa...
Artist profile of Keith Tyson and his Large Field Array exhibit for The Pace Gallery
Read more: http://www.newscientist.com/channel/opinion/dn14312?DCMP=youtube Artist Keith Tyson talks about why reason needs creativity and intuition.
Turner Prize-winning artist Keith Tyson speaks with Mother Of Pearl creative director Maia Norman in the first of our discussion series Café Conversations, alongside SHOWstudio fashion director Alexander Fury.
The Making of Gordian Knot. Designed by Keith Tyson Woven by Chris Cochius (Project Leader), Sue Batten, Pamela Joyce & Milena Paplinska ATW recently worked with British artist Keith Tyson on a challenging new commission. Tyson visited the ATW in early 2014 to meet the weavers and get an understanding of the process of tapestry weaving. The weavers worked on a range of samples using some experimental weaving techniques to show the artist an indication of the different ways his initial design ideas could be realised in tapestry. The information that Tyson gathered on this first visit was instrumental in the final design he created. Keith Tyson wrote after this visit: “Seeing the fantastic work that is being, and has been done there, was both inspiring and incredibly humbling. The labour...
When British artist Keith Tyson was 13 years old he took apart his computer and “it was a complete mystery how it worked”. Even though he understood programming, the interconnectedness of everything was like a labyrinth, he says. These mysteries of how the universe work, is a key element in his art. The work “Object With Associative Array, 2014”, shows how Keith Tyson’s infinite patterns of mystery connects words, places, figures and thought. As he explains, “Under every thought there is a sponsor in thought, there is something else, and something else”. So an artwork is these things we do on the surface, but underneath there is a deeper process to it all, a pattern. “ I like to think of myself as software, and these drawings are the output”. Working in a process of constant search is a...
Keith Thurman talks about how he looked up to Mike Tyson growing up and how he wanted to have more knockouts. He also touched on where the nickname "One Time" came from. -~-~~-~~~-~~-~- Please watch: "Tae Starks talks Darwin Price and their upcoming bout on NBC" https://www.youtube.com/watch?v=rImGIb7UQM4 -~-~~-~~~-~~-~-
Keith Tyson: Large Field Array at Pace Wildenstein, New York More videos on contemporary art, design, architecture: http://vernissage.tv Connect: http://www.facebook.com/vernissagetv http://twitter.com/vernissagetv Browse our Archive: http://vernissage.tv/archive/posts/ Find Artists, Designers, Architects: http://vernissage.tv/archive/artists/ Art TV pioneer Vernissage TV provides you with an authentic insight into the world of contemporary fine arts, design and architecture. With its two main series "No Comment" and "Interviews", art tv channel VernissageTV attends opening receptions of exhibitions worldwide, interviews artists, designers, architects. VTV provides art lovers with news, reports and features from the international art scene. VernissageTV: the window to the art world. D...
Keith Thurman pays homage to Mike Tyson and talks about being todays "Tyson" in the sport.
There's a foul taste in my mouth today
I'm looking at the world from my fragile bubble
Turning me inside out, tipping me upside down
Undermining, suffocating pressure
I will find my own space to breath
New life living in me
Go with the sun...
Never look back into yesterday
No pillar of salt in the desert sunshine
Being the here and now
And seeing beyond my dreams
Stimulating, celebrating
I will find my own space to breath
New life living in me