Le Concert des Nations is an orchestra with period instruments, able to perform the orchestral and symphonic repertoire from the Baroque to Romanticism: 1600 - 1900. The orchestra was created in 1989, the youngest of the groups conducted by the Catalan maestro and viola da gamba virtuoso Jordi Savall. Le Concert des Nations is the first orchestra of its kind made up of musicians who originate mainly from Latin countries (Spain, South America, Italy, Portugal, France as well as many other countries). The name Le Concert des Nations refers to the work by François Couperin as an assembly of "tastes" and bears the mark of the Age of Enlightenment. Le Concert des Nations is the orchestra of La Capella Reial de Catalunya.
Le Concert is a 2009 French comedy film by Radu Mihăileanu starring Aleksei Guskov, Mélanie Laurent and Miou-Miou. It won the Best Original Score and Best Sound awards at César Awards 2010. It was also nominated for two Magritte Awards in the category of Best Film in Coproduction and Best Editing for Ludo Troch in 2011, and Best Foreign Film at the 68th Golden Globe Awards.
A former world-famous conductor of the Bolshoi Theatre orchestra, known as "The Maestro," Andrey Simonovich Filipov, had had his career publicly broken by Leonid Brezhnev for defending Jewish musicians and is reduced to working as a mere janitor in the theatre where he once conducted, becoming an alcoholic in the process.
While cleaning his boss's office, he intercepts an official invitation from the prestigious Théâtre du Châtelet in Paris to replace a concert of the Los Angeles Philharmonic Orchestra that was canceled at the last minute. Filipov comes up with a plan to reunite his old orchestra, composed of old Jewish and Gypsy musicians - who also have been reduced to making a living as movers or taxi drivers - to perform in Paris and complete a performance of Tchaikovsky's Violin Concerto, which was interrupted 30 years earlier by former KGB Agent Ivan Gavrilov, who is enrolled by Filipov in his scheme as the orchestra's manager and is actively and efficiently supporting Filipov's plan, much to the dismay of Aleksandr 'Sasha' Abramovich Grossman (the orchestra's main cellist), because he suspects that Gavrilov has his own agenda for the Paris trip.
Ça y est, plus rien ne reste debout
Ils sont venus, hier
Reprendre tout ça
Toutes ces choses que nous
Gardions
Assis en bas
Je ne vois plus
Les raisons de bouger
De là
Alors, laissez moi
Encore un peu
Tranquille
Je ne crois plus
Qu'il y ait
Pour vous
Quoique ce soit
De moi
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