Agathias or Agathias Scholasticus (Ancient Greek: Ἀγαθίας σχολαστικός) c. AD 530-582/594), of Myrina (Mysia), an Aeolian city in western Asia Minor (now in Turkey), was a Greek poet and the principal historian of part of the reign of the Roman emperor Justinian I between 552 and 558.
Agathias was a native of Myrina (Mysia). His father was Memnonius. His mother was presumably Pericleia. A brother of Agathias is mentioned in primary sources, but his name has not survived. Their probable sister Eugenia is known by name. The Suda clarifies that Agathias was active in the reign of the Roman emperor Justinian I, mentioning him as a contemporary of Paul the Silentiary, Macedonius of Thessalonica and Tribonian.
Agathias mentions being present in Alexandria as a law student at the time when an earthquake destroyed Berytus (Beirut). The law school of Berytus had been recognized as one of the three official law schools of the empire (533). Within a few years, as the result of the disastrous earthquake of 551, the students were transferred to Sidon. The dating of the event to 551: as a law student, Agathias could be in his early twenties, which would place his birth to c. 530.
Macedonius of Thessalonica or Macedonius Consul (Greek: Μακηδόνιος or Μακεδόνιος Ύπατος, ο Θεσσαλονικεύς, c.500-560 AD) a Byzantine hypatos during the reign of Justinian, is the author of 42 epigrams in the Greek Anthology, the best of which are some delicate and fanciful amatory pieces. His poems were published in 567 AD by Agathias in his collection of contemporary epigrams, the "Kyklos".
Margit Carstensen (born 29 February 1940) is a German theatre and film actress, best known outside Germany for roles in the works of film director Rainer Werner Fassbinder.
Margit Carstensen is the daughter of a physician, and was born and raised in the north-German city of Kiel. Upon graduation from the local Gymnasium in 1958, she attended acting school in Hamburg.[1] This education led to her first stage appearances in Kleve, Heilbronn, Münster and Braunschweig. In 1965 Margit Carstensen received a four year engagement with the Deutsches Schauspielhaus (German Playhouse) in Hamburg. There she played leading roles in plays by, among others, John Osborne and the classical Spanish playwright Lope de Vega.
In 1969 she gained local fame in the Theater am Goetheplatz in Bremen, where she met director Rainer Werner Fassbinder.[2] She then worked under his direction in a comedy by the eighteenth century Venetian Carlo Goldoni The Coffee Shop (which was recorded for television in 1970), bringing her to national fame. She subsequently played the role of serial murderess Geesche Gottfried in the premiere of Fassbinder’s own play Bremen Freedom (also televised, in 1972), and then in the title role of his Henrik Ibsen adaptation Nora Helmer (televised in 1974) derived from A Doll's House.
John Arbuthnot, often known simply as Dr. Arbuthnot, (baptised April 29, 1667 – February 27, 1735), was a physician, satirist and polymath in London. He is best remembered for his contributions to mathematics, his membership in the Scriblerus Club (where he inspired both Jonathan Swift's Gulliver's Travels book III and Alexander Pope's Peri Bathous, Or the Art of Sinking in Poetry, Memoirs of Martin Scriblerus, and possibly The Dunciad), and for inventing the figure of John Bull.
In his mid-life, Arbuthnot, complaining of the work of Edmund Curll, among others, who would commission and invent a biography as soon as an author died, said, "Biography is one of the new terrors of death," and so a biography of Arbuthnot is made difficult by his own reluctance to leave records. Alexander Pope noted to Joseph Spence that Arbuthnot allowed his infant children to play with, and even burn, his writings. Throughout his professional life, Arbuthnot exhibited a strong humility and conviviality, and his friends complained that he would not take credit for his own work.
Edmondo De Amicis (21 October 1846 – 11 March 1908) was an Italian novelist, journalist, poet and short-story writer. His best-known book is the children's novel Heart.
Born in Oneglia (today part of the city of Imperia), he went to military school in Modena, and became an Army officer in the new Kingdom of Italy. De Amicis fought in the battle of Custoza during the Third Independence War, a defeat of Savoy forces against the Austrian Empire; the spectacle left him disappointed, and contributed to his later decision to leave military life.
In Florence, he wrote his first sketches dealing with his frontline experience, collected as La vita militare ("Military Life", 1868), and first published by the journal of the Ministry of Defense, L'Italia Militare. In 1870, he joined the staff of the journal La Nazione in Rome, and his correspondence at the time later served as base for his travel writings: Spagna (1873), Olanda (1874), Ricordi di Londra (1874), Marocco (1876), Costantinopoli (1878), Ricordi di Parigi (1879). A new edition of Costantinopoli, considered by many his masterpiece and the best description of the city in the 19th century, was published in 2005, with a foreword by Umberto Eco.
One laydown machine
Burned a road
Right through the prairie
Stream of boiling ash
Painted up with perfect lines
Discount labor packing
Each lane
Bargain basement homes
Sewn to the road
Slipshod directions
Do not explain
I got these shoes for nothing
And they have lasted me forever
Searching up and down the lost highway
I can read the grid
I have memorized the key
Counting every inch
From C-4 to J-3
I can think in scale
'Cause I know it ain't
On my map
Scraping off the typeset
Dig into the atlas
Well they can paint it up
Make it appear to go somewhere
Well they can paint it up
But I know where it doesn't lead
One laydown machine burned a road, right through the prairie, stream of =
boiling ash painted up with perfect lines, discount labor packing each =
lane, bargain basement homes sewn to the road, slipshod directions do =
not explain. I got these shoes for nothing and they have lasted me =
forever, searching up and down the lost highway. I can read the grid, I =
have memorized the key, counting every inch from C-4 to J-3, I can think =
in scale 'cause I know it ain't on my map, scraping off the typeset, dig =
into the atlas. Well they can paint it up, make it appear to go =
somewhere, well they can paint it up, but I know where it doesn't lead.
The Price Upon my head is death
They've pushed us underground
for all who dare to speak the name
the iron fist comes down
face the test, put to death if discovered
its the price we pay
Lord, bless my brothers with courage I pray
(Enemies castigate
but darkness doth illuminate
Irony: the blood we bleed
every drop this fire feeds
into forever...)
Lines of faith drawn in the sand, completed by another
Stranger, show me where you stand
and if you are my brother
One part by me, one by you
CENTURIES FLY
BUT THE FLAME IS STILL ALIVE
THE MAY HIDE IT, BUT IT WILL NEVER DIE
CARVED IN THE WALL,
SEE THE TWO HALVES OF THE SIGN
THROUGH THE AGES HIS GLORY WILL ARISE
FOR ALL TIME
Forced into the catacombs
unite to praise the King of kings
they fear a revolution
and the power that He brings
heaven's sons stand as one, as believers
in the blood of Christ
even in death we have true life
(Enemies castigate
but darkness doth illuminate
Irony: the blood we bleed
every drop this fire feeds
into forever...)
Lines of faith carved in the wall,
a sign of peace abided
Stare into the eyes of death
clothed in the grace provided
this will live on without me
CENTURIES FLY
BUT THE FLAME IS STILL ALIVE
THE MAY HIDE IT, BUT IT WILL NEVER DIE
CARVED IN THE WALL,
SEE THE TWO HALVES OF THE SIGN
THROUGH THE AGES HIS GLORY WILL ARISE
FOR ALL TIME
This will live on without me...
CENTURIES FLY
BUT THE FLAME IS STILL ALIVE
THE MAY HIDE IT, BUT IT WILL NEVER DIE
CARVED IN OUR SOULS,
SEE THE TWO HALVES OF THE SIGN
THROUGH THE AGES HIS GLORY WILL ARISE