Amar may refer to:

Alejandra Gabriela Guzmán Pinal (born February 9, 1968 in Mexico City), better known as Alejandra Guzmán, is a Latin Grammy Award–winning Mexican pop singer and actress. She has had a dedicated fanbase throughout Latin America since the late 1980s, and is known as the "Queen of Rock" in the Hispanic world. She has sold 15 million albums.

Guzmán is the daughter of Mexican actress Silvia Pinal and Venezuelan-born Mexican rock and roll singer Enrique Guzmán. She is the half-sister of actresses Sylvia Pasquel and Viridiana Alatriste. Her niece Stephanie Salas is also a well known entertainer in Mexico.

After traveling with her mother's theater troupe, Guzmán decided she wanted to focus on singing and recorded her debut album Bye Mama in 1988, which yielded "La plaga", the first of many hits.

In 1990, Guzmán scored one of the biggest hits of her career, the song "Eternamente Bella" ("Eternally Beautiful"), which became a number one hit in Mexico and other Latin countries. The song is considered a classic by many Spanish rock fans.

Florin Stoian (born 1979, Bucharest), better known under the stage name of Florin Salam and (previously) Florin Fermecătoru, is a Gypsy singer of manele from Romania. He is one of the best known and appreciated manele performers.

Stoian has been singing since he was a child; his first contact with music took place at age of four. His father and uncle were well-known lăutari. He debuted in 2002 with help from bandleader Dan Bursuc. His first hit single was "Ce gagică şmecherită" (Romanian: "Such a picky chick"). He played an important part when the smash hit "Of, viaţa mea" (Romanian: "Oh, my life") was released in 2000, sung by Adrian Minune and Costi Ioniţă. In 2002 Florin Stoian changed his stage name from Fermecătoru (Romanian: "The Glamorous") to Salam (Arabian: "peace", cf. Hebrew "shalom", and Romanian: "salami" ).

In 2008 he performed a song together with pop singer Paula Seling and the Bucharest Symphonic Orchestra. The show host described their performance as a reconciliation between manele and mainstream pop music; in the same respect, the song's lyrics raised the problem of ethnic intolerance.