In human anatomy, the forehead is the fore part of the head. It is, formally, an area of the head bounded by three features, two of the skull and one of the scalp. The top of the forehead is marked by the hairline, the edge of the area where hair on the scalp grows. The bottom of the forehead is marked by the supraorbital ridge, the bone feature of the skull above the eyes. The two sides of the forehead are marked by the temporal ridge, a bone feature that links the supraorbital ridge to the coronal suture line and beyond.
The forehead comprises, and the musculature and skin of the forehead lies above, the portion of the frontal bone of the skull that is known as the squama frontalis, the plate-like portion of the frontal bone.
The sensory nerves of the forehead connect to the ophthalmic branch of the trigeminal nerve and the cervical plexus, and lie within the subcutaneous fat. The motor nerves of the forehead connect to the facial nerve.
The musculature of the forehead comprises the Occipitofrontalis, Procerus, and Corrugator supercilii muscles, all of which are controlled by the temporal branch of the facial nerve.
Joaquin Rafael Phoenix ( /hwɑːˈkiːn ˈfiːnɪks/; born October 28, 1974), formerly credited as Leaf Phoenix, is an American film actor. He was born in San Juan, Puerto Rico, and his family returned to the continental United States four years later. Phoenix is from a family of performers, including his older brother, the late River Phoenix.
Phoenix has ventured behind the camera, directing music videos as well as producing movies and television shows, and has recorded an album, the soundtrack to Walk the Line. He is also known for his work as a social activist, particularly as an advocate for animal rights.
Phoenix was born Joaquín Rafael Bottom in Río Piedras, located in the city of San Juan, Puerto Rico, to American parents. He is the third of five children, including River (1970–1993), Rain (1972), Liberty (1976), and Summer (1978). He also has a half-sister named Jodean (1964) from a previous relationship of his father's.
His father, John Lee Bottom, was a lapsed Catholic from Fontana, California. His mother, Arlyn (née Dunetz), was born in The Bronx, New York to Jewish parents whose families emigrated from Russia and Hungary. In 1968, Arlyn left her family and moved to California, later meeting Phoenix's father while hitch-hiking. They married in 1969, then later joined the religious cult the Children of God. They began travelling throughout South America.
Polly Jean Harvey (born 9 October 1969) is an English musician, singer-songwriter, composer and occasional artist. Primarily known as a vocalist and guitarist, she is also proficient with a wide range of instruments including piano, organ, bass, saxophone, harmonica, and most recently, the autoharp.
Harvey began her career in 1988 when she joined local band Automatic Dlamini, whose vocalist and saxophone player, John Parish, would become her long-term collaborator. In 1991, she formed an eponymous trio and subsequently began her professional career. The trio released two studio albums, Dry (1992) and Rid of Me (1993) before disbanding, after which Harvey continued as a solo artist. Since 1995, she has released a further six studio albums with collaborations from various musicians including John Parish, former bandmate Rob Ellis, Mick Harvey, and Eric Drew Feldman and has also worked extensively with record producer Flood.
Among the accolades she has received are the 2001 and 2011 Mercury Prize for Stories from the City, Stories from the Sea (2000) and Let England Shake (2011) respectively—the only artist to have been awarded the prize twice—eight BRIT Award nominations, six Grammy Award nominations and two further Mercury Prize nominations. Rolling Stone awarded her 1992's Best New Artist and Best Singer Songwriter and 1995's Artist of the Year, and listed Rid of Me and To Bring You My Love (1995) on its 500 Greatest Albums of All Time list. In 2011, she was awarded for Outstanding Contribution To Music at the NME Awards.
Plot
After breaking out of a moon-based maximum security prison, Boris the Animal decides to go back in time and eliminate the person who arrested him - Agent K. When he does so, Agent J realizes that the time line has been changed and he too travels back to July 15, 1969, the day before Agent K is killed. After overcoming some disbelief, J manages to convince K and others of just who he is and why he's there. With the help of a being who can see all time lines, they track Boris down. J also learns a secret, something K had never told him.
Keywords: 1960s, 1960s-spirit, 2010s, 20th-century, 21st-century, 3-dimensional, 3d, 3d-sequel-to-2d-film, actor-talks-to-audience, alien
They are back... in time.
Back to the past... to save the future
This summer, he'll have to find the answers... in time.
Back in time to save the future
[from trailer]::Agent J: Who are we?::Agent K: We are no-one. Our mission is to monitor extraterrestrial activity on Earth.
[from trailer]::Agent J: I'm looking for K, have you seen him? Sort of a surly, older gentleman, smiles like this...::[J makes a poker face]::Agent O: K's been dead for over forty years.
[from trailer]::[at the top of the Chrysler Building]::Jeffrey Price: [hands J a device] Here, take this, and all you have to do is jump.::Agent J: You want me to jump?::Jeffrey Price: Time jump!
Agent O: Don't ask questions you don't want the answer to.::Agent J: It's funny, K said exactly the same thing.::Agent O: He's a very wise man.
[a tasered J wakes up in 1969 MIB headquarters]::Agent J: You need to turn the electricity on that damn thing. I can't taste my fricking tongue, K.::Young Agent K: How do you know my name?
[from trailer]::Agent J: I know what you're thinking: MIB, 3-D, we're going to be blowing stuff up and all that. But that's not really what we're doing right now. We're here for one purpose, and for one purpose only: Just to let you know that I'm about to make 3-D look good.
[from trailer]::Agent J: Knuckles, you know you're not supposed to be north of Canal Street!::Hood: Who's Knuckles?::[a graffiti drawing comes to life in front of the hood]::Knuckles: Relax, punk. They're looking for me, not you!::Agent J: Crazy, right? Two grown men talking to the wall, wall talking back? It's a mess. Hey, don't even worry about it.::[flashes the neuralyzer]
Agent K: I promised the secrets of the universe, nothing more.::Agent J: [on phone] Well, what other secrets are there?
[from trailer]::Agent K: There are things out there you don't need to know about.::Agent J: That's not the lie you told me when you recruited me!
[from trailer]::Agent J: All right, pay attention... [neuralyzes a crowd]::Agent J: Okay. You know how you kids won the goldfish in that little baggy at the school fair, and you didn't want that nasty thing in your house so you flushed it down the toilet? Well, this's what happened... [points to an alien fish towed away]