Plot
Life is frustrating for Jiyoung. Her best friends are moving forward while she's stuck dealing with car accidents, health scares and a dwindling office romance. In spite of all this turmoil, she finds comfort in the studio while recording her songs. Nobody seems to realize the extent of her musical passion, angering Jiyoung and ultimately leading to a confrontation.
She has to find the killer no matter what the cost. (dvd)
Plot
The story of the personal lives and professional careers of the show-business family The Osmonds, and how the stresses and strains of their careers and the turbulent '70s and '80s affected their relationships with each other and their families.
Keywords: brother-brother-relationship, brother-sister-relationship, career, character-name-in-title, debt, faith, family-relationships, father-daughter-relationship, father-son-relationship, mission
They couldn't live without the spotlight. They couldn't share it either.
Wayne: 80 million records and I'm a dancing crustacean.
George Osmond: You're too young.::Merrill: I'm twenty. I'm old enough to know how I feel... sir::George Osmond: You're too young for marriage.::Merrill: How old were you when you married mother?::George Osmond: My stepfather drove me out of the house when I was fourteen years old I didn't have a family like this.::Merrill: So I can never get married? I just hang out with my brothers until we're so senile that we can't remember which one's which?::George Osmond: Don't play the wise guy with me, son.::Merrill: I love her!::George Osmond: You asked. I don't think you're ready.
Alan Osmond: Seriously, Mr.Regas. We want to play Rock-N-Roll.::Jack Regas: Well, it's not that easy, Alan.::George Osmond: You work with him on the show. You know how fast they pick up a new routine.
Alan Osmond: Don't ever do that again.::Merrill: That's my song! I sing the lead!::Alan Osmond: No, we agreed Donny would sing that.::Merrill: YOU agreed! I didn't!
Merrill: I'm starting to feel like the last dog on a sled team. And I'm not liking the view.
Alan Osmond: We want to go in a different direction. That's all this is about.::George Osmond: A different direction?::Alan Osmond: Musically.::George Osmond: I see. So you go into the studio and cut an album. Who's Donny going to record with? Who's he going to tour with? How is this family going to stay in one piece? "Family, faith, career" in that order. How many times do I have to say it?::Alan Osmond: If Merrill wants to leave I can't stop him.::George Osmond: You can. You can hold the brothers together or not. You're the oldest in the group, you lead. Now that's a big responsibility. If you don't want that, you tell me right now. Take a good look at that wall. Covered with gold records. All of them with one name on them - "Osmond". Don't lose sight of that.
Family Attorney: Chapter 11, you file for bankruptcy all debts are cancelled.::George Osmond: No. This family will not betray those who trusted and believed in us. We will not run from our debts.
Olive Osmond: Jimmy came home with a bloody lip today. Some teenagers beat him up because he wouldn't smoke drugs with them.::George Osmond: What's the matter with people these days? Everywhere the kids go they're being harassed.::Olive Osmond: Did you know Marie hasn't eaten anything today?::George Osmond: Is she sick?::Olive Osmond: No. Some fool executive told her she was fat. George, I hate LA. It's no place to raise children.::George Osmond: It's where the work is.::Olive Osmond: Why can't the work be in Utah?::George Osmond: Because it can't.
Jay: Senior Prom. You ever wonder what that would've been like?::Wayne: I swear. My kids are going to have a normal life.
George Osmond: Boys, lets stay focused. We didn't leave Utah for fame and fortune. The whole point of singing Barber Shop was to raise money for your missions.
Plot
In a futuristic society, an old man tells the legend of a strange medal to two children. In flashback, we learn that after a nuclear catastrophe, two teenagers were living in an artificial paradise, maintained by electronic means, and once decide to leave that shelter and escape using that same medal - a mini video-disc - in search of outer-space freedom.
Keywords: mutant, post-apocalypse
Plot
Waldimar Daninsky, a lone survivor of a Tibetian expedition, returns home to find his wife has been unfaithful to him. Carrying the curse of the pentagram (or pentagon, as stated by the monk who nursed him back to health), the fury of the wolfman is unleashed! After disposing of his cheating spouse, he finds himself captive in a castle by a female mad scientist conducting mind control experiments. In a vein attempt at escape, he discovers the freaks left over from past experiments dwelling in the dungeons.
Keywords: bare-chested-male, chained, coffin, cure, drug, experiment, investigation, laboratory, luger, mad-scientist
Merrill may refer to:
In the United States:
Robert Merrill (June 4, 1917 – October 23, 2004) was an American operatic baritone, who was also active in the musical theatre circuit.
Merrill was born Moishe Miller, later known as Morris Miller, in the Williamsburg section of Brooklyn, New York, to tailor Abraham Miller, originally Milstein, and his wife Lillian, née Balaban, immigrants from Warsaw, Poland.
His mother claimed to have had an operatic and concert career in Poland (a fact denied by her son in his biographies) and encouraged her son to have early voice training: he had a tendency to stutter, which disappeared when singing. Merrill was inspired to pursue professional singing lessons when he saw the baritone Richard Bonelli singing Count Di Luna in a performance of Il Trovatore at the Metropolitan Opera, and paid for them with money earned as a semi-professional pitcher.[citation needed]
In his early radio appearances as a crooner he was sometimes billed as Merrill Miller. While singing at bar mitzvahs and weddings and Borscht Belt resorts, he met an agent, Moe Gale, who found him work at Radio City Music Hall and with the NBC Symphony Orchestra, conducted by Arturo Toscanini. With Toscanini conducting, he eventually sang in two of the maestro's NBC broadcasts of famous operas, La traviata (with Licia Albanese, in 1946), and Un ballo in maschera (with Herva Nelli, in 1954). Both of those broadcasts were eventually released on both LP and CD. His ranking as an important NBC performer is evidenced by his inclusion in NBC's 1947 promotional book, NBC Parade of Stars: As Heard Over Your Favorite NBC Station, displaying Sam Berman's caricatures of leading NBC personalities.
Merrill Alan Reese (born September 2, 1942) is an American sports radio announcer best known for his role as the play-by-play radio announcer for the Philadelphia Eagles on SportsRadio 94.1 WIP-FM. He has been the voice of the Eagles since 1977.
Reese is a graduate of Temple University earning a Bachelor's degree in Communications and Broadcasting. While in college, he learned his craft by doing play-by-play over the college's radio station, WRTI FM. At WRTI, Reese also had a music show every Wednesday afternoon where he spun 45-rpm records from his own personal collection.
After college and a stint in the United States Navy, Reese set out to obtain his first paid broadcasting gig auditioning at WCOJ in Coatesville, Pennsylvania and WPAZ in Pottstown, Pennsylvania.
Reese eventually landed a job in Philadelphia as a newscaster and sportscaster at WHAT and its FM companion WWDB. After a few years he moved on to WIP as a backup for that station's Sports Director, Charlie Swift, who did drive-time sportscasts and Philadelphia Eagles play-by-play. While Swift was vacationing, Reese began doing the pre-game and post-game shows for the Eagles on WIP and later was assigned to do color commentary during the games. He became the voice of the Eagles in the middle of the 1977 season, after Swift committed suicide. Herb Adderly took over the color commentary for the remainder of the season. His 30 years of service as the voice of the Eagles makes him the longest-serving current announcer in the NFL, tied with Gil Santos of the New England Patriots.
Helen Merrill (born Jelena Ana Milcetic on July 21, 1930 in New York City) is an internationally known jazz vocalist.
Merrill's recording career has spanned six decades and she is popular with fans of jazz in Japan and Italy (where she lived for many years) as well as in her native United States. She has recorded and performed with some of the most notable figures in the American jazz scene.
Merrill was born in 1930 to Croatian immigrant parents. She began singing in jazz clubs in the Bronx at the age of fourteen. By the time she was sixteen, Merrill had taken up music full time. In 1952, Merrill made her recording debut when she was asked to sing "A Cigarette For Company" with the Earl Hines Band; the song was released on their Xanadu album. Etta Jones made her debut on the same album.
At this time she was married to musician Aaron Sachs. They divorced in 1956.
As a result of the exposure she received from "A Cigarette for Company" and two subsequent singles recorded for the Roost record label, Merrill was signed by Mercury Records for their new Emarcy label.
Clifford Brown (October 30, 1930 – June 26, 1956), aka "Brownie," was an influential and highly rated American jazz trumpeter. He died aged 25, leaving behind only four years' worth of recordings. Nonetheless, he had a considerable influence on later jazz trumpet players, including Donald Byrd, Lee Morgan, Booker Little, Freddie Hubbard, Woody Shaw, Valery Ponomarev, Wynton Marsalis, and many others.
He won the Down Beat critics' poll for the "New Star of the Year" in 1954; he was inducted into the Down Beat "Jazz Hall of Fame" in 1972 in the critics' poll.
Brown was born in Wilmington, Delaware. After briefly attending Delaware State University and Maryland State College, he was seriously injured in a car accident in June 1950. During his year-long hospitalization, Dizzy Gillespie visited the younger trumpeter and pushed him to pursue his musical career. Brown moved into playing music professionally, where he quickly became one of the most highly regarded trumpeters in jazz.
He was influenced and encouraged by Fats Navarro, sharing Navarro's virtuosic technique and brilliance of invention. His sound was warm and round, and notably consistent across the full range of the instrument. He could articulate every note, even at very fast tempos which seemed to present no difficulty to him; this served to enhance the impression of his speed of execution. His sense of harmony was highly developed, enabling him to deliver bold statements through complex harmonic progressions (chord changes), and embodying the linear, "algebraic" terms of bebop harmony. In addition to his up-tempo prowess, he could express himself deeply in a ballad performance.
Love me when nobody else can see
Touch my soul, then treat me like I am a stranger
This is not the way I want to feel
Should have known a love this strong
Would bring some danger
But if it's all in my head
I'll find a way to make it end
It's magic and it's tragic
Slingshots whisper my teardrops an answer
What am I to you
Slingshots you forgot my kisses don't miss this
What am I to you
Shame, how you got me
Ripping words off my lips to keep from asking
I fall when you call
Press my ear against the phone to hear your lips move
I guess it's all in my head
And in time I'll make amends
It's magic but it's so tragic
I want you so bad
What's wrong with me baby
I want you so bad
What's wrong with you baby
Love me when nobody else can see
Touch my soul then treat me like a stranger
This is not the way I like to feel
I should have known a love this strong
Would bring some danger
Slingshots whisper my teardrops an answer
What am I to you
Slingshots you forgot my kisses don't miss this
What am I to you
Beads fall from a delicate string
My love is too strong to want you
Sweet, sweet lemonade
Around the corner I wait
For you start the flashlight
Up and down your blue shade
No one knows our hands flow
Now we're making rainbows
Fell into it, now I'm in it
This is what my soul knows
Oooh When I love you
Street lamps turn to treetops
Reaching for the sky
Oooh When I love you
Traffic turns to horses
And they're runnin' wild
Soft eye, strong thigh
Sipping on a milkshake
Just a minute, put me in it
Now you know it tastes great
Elevate me, re-create
A place so far away from here
I'm giving, everything I feel dear
Oooh When I love you
Street lamps turn to treetops
Reaching for the sky
Oooh When I love you
Traffic turns to horses
And they're runnin' wild
(oooh)
(ohhh)
(ahhh)
Everything we give babe
Is everything we feel
Anytime you sigh babe
I will appear
Oooh When I love you
Street lamps turn to treetops
Reaching for the sky
Oooh When I love you
Subways turn into a magic carpet ride
Oooh When I love you
All the dreams I forgot
Come back to my mind
Oooh When I love you
Traffic turns to horses
I lost you because of truth / don’t try anymore /
it’s all the guilt that’s in your eyes /
gripping our lungs with sad goodbyes / don’t hide anymore
Judgment has no place near me as far as I can see /
you’re a struggling angel with one missing wing /
I’m just like you / did you ever catch my fall /
you’re just like me / why do you wait so long? / Imagine
all we could be / difference is a sad affair when there
is so much love to share /
if we were together / It’s been so long since last we
spoke /
sometimes silence brings new songs / you must have known
that silence / would bring your child guidance / quicker
than you could speak / No bitterness in my heart / must
been a plan from the start /
I’m a struggling angel with one missing wing / I’m just
like you / did you ever catch my fall /
you’re just like me / why do you wait so long? / Imagine
all we could be / difference is a sad affair / when there
is so much love to share / if we were together / just
like you / could you ever think of that / just like me /
oh so much more than fact /
just like you / every living thing must breathe /
just like me / eternal love will set you free / if we
were together / I see the life everlasting signal in the
sky / reminds me all I have to do while I’m alive / give
to live and not to get until the day that I ascend /
there’s no one like you in my life. /
Call on me
If you find yourself standing in a courtyard
Of a dream that's not your own
Flashes of silver and saffron, wind off the ocean floor
You can call on me
Cause I haven't moved
Since the last time you pulled yourself through
You can call on me
Cause I haven't strayed
Since the last time you found your own way
Spinning off into the thunder
Trying to out run man kinds hunger
With blood and soil on your knees
Over those country roads, over those ghettos
Staggering through war zones now
Look at all those fires you could never put out...
Alone
Call on me
'Cause I haven't moved
Since the last time you pulled yourself through
Can call on me
Cause I haven't strayed
Since the last time you found your own way
Night brings space to city streets where you have been
wandering constellations colliding what do you know to
But don't you worry, in each direction,
If you look into my eyes you will see your perfection
Call on me
'Cause I haven't moved
Since the last time you pulled yourself through
Call on me
'Cause I haven't strayed
Reasons To Be Cheerful
playing In My Head
the Tv's Got Me Lonely
the Cable Line Is Dead
can You See Me When I Call You?
can You Hear Me On The Phone ?
my Sex Is Sad And Lonely
my Skin Feels All Alone
reasons To Be Cheerful
playing In My Head
the Tv's Got Me Lonely
the Cable Line Is Dead
can You See Me When I Call You?
can You Hear Me On The Phone ?
my Sex Is Sad And Lonely
my Skin Feels All Alone
this Is How The World Ends
not With A Bang - But With A Whimper
this Is How The World Ends
not With A Bang - But With A Whimper
just Like Any 19 Year Old
she Says She's Gonna Be
she'll Turn On For You
watching Color Tv
echo's Down The Hall
the Man Next Door Has A Ball
he Says He's Lonely Now
and He Seems To Be
and She's Always Making Love On The Tv
well She's All Dressed Up In Loneliness
seems That Sex Is Success
she Says She's Gonna Be Like Me
but She's Always Making Love On The Tv
well She's All Dressed Up In Loneliness
making Love On The Tv
this Is How The World Ends
not With A Bang - But With A Whimper
She was a princess, Queen of the Highway
Sign on the road said: 'Take us to Madre'
No one could save her, save the blind tiger
He was a monster, black dressed in leather
She was a princess, Queen of the Highway
Now they are wedded, she is a good girl
Naked as children out in a meadow
Naked as children, wild as can be
Soon to have offspring, start it all over
Start at all over
American boy, American girl
Most beautiful people in the world!
Son of a frontier Indian Swirl
Dancing through the midnight whirl-pool, formless
I can’t hide any more
I’m you lover I’m your whore
I can’t be anyone
My world is just about undone
Its getting hard to be with you
Its getting hard to be all by myself
If you love me
If my words get Tongue tied
Then you’ll know I have lied
If I start to shake
You’ll know love is my mistake
Its getting hard to be with you
Its getting hard to be all by myself
I wish I was you and you were
someone else
If you love me I won’t fight
If you love me I’ll be right
Will you know
When it's time
Time to go
Will you see
See the sign
When to leave
Will you bring
Bring me down
To my knees
Will you spin
Me around
Set me free
You never know when love
Comes knocking at your door
You never can be sure
An ocean to explore
A sea without a shore
Keep coming back for more
You never know when love
Comes knocking at you door
You never can be sure
Will you be
What I want
You to be
Will you stay
Stay inside
Side of me
Will you bring
Bring me joy
Make me stay
Will I be
Be your toy
Night and day
You never know when love
Comes knocking at your door
You never can be sure
An ocean to explore
A sea without a shore
Keep coming back for more
You never know when love
Comes knocking at you door
You never can be sure
It can bring me the skies
Give me heartache and lies
But the story goes on and on and on...
You never know when love is knocking at your door
And only time will show what love might have in store
You never know when love
Comes knocking at your door
You never can be sure
An ocean to explore
A sea without a shore
Keep coming back for more