Edvard Hagerup Grieg /ˈɛdʋɑɖ ˈhɑːgəɾʉːp gɾiːg/ (15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is best known for his Piano Concerto in A minor, for his incidental music to Henrik Ibsen's play Peer Gynt (which includes Morning Mood and In the Hall of the Mountain King), and for his collection of piano miniatures Lyric Pieces.
Edvard Hagerup Grieg was born in Bergen, Norway on 15 June 1843. His parents were Alexander Grieg (1806–1875), a merchant and vice consul in Bergen, and Gesine Judithe Hagerup (1814–1875), a music teacher and daughter of Edvard Hagerup. The family name, originally spelled Greig, has Scottish origins. After the Battle of Culloden in 1746, Grieg's great-grandfather traveled widely, settling in Norway about 1770, and establishing business interests in Bergen.
Edvard Grieg was raised in a musical area. His mother was his first piano teacher and taught him to play at the age of 6. Grieg studied in several schools,[clarification needed] including Tank's School. He often brought in samples of his music to class.[citation needed]
Esau Mwamwaya is a singer from Lilongwe, Malawi. He is best known for his collaboration, The Very Best with London based DJ/production duo Radioclit. His music has been described as an Afro-Western mix of dance, hiphop, pop and the traditional music of Malawi.
Esau Mwamwaya was born in Mzuzu, Malawi, but grew up in the capital, Lilongwe, where he played drums in various bands. He played with numerous artists including Masaka Band and Evison Matafale.
In 1999 he moved to London and while running a second-hand furniture shop in Clapton, East London, Esau sold a bicycle to the producer from the band Radioclit, Etienne Tron. Radioclit's studio was on the same street as Esau's shop, and eventually, Esau became friends with both Tron and Johan Karlberg aka Radioclit.
In 2008, the three men worked together to create a project known as 'The Very Best', releasing a critically lauded free mixtape through the label GREEN OWL() in collaboration with other indie artists, including M.I.A., Vampire Weekend, Architecture in Helsinki, BLK JKS, Santigold and the Ruby Suns. The songs are sung in Chichewa, the national language of Malawi.
Alice Sara Ott (born 1988) is a German-Japanese classical pianist.
Ott was born in Munich, Germany, in 1988; her Japanese mother had studied piano in Tokyo, and her father was a German civil engineer. At the age of three, after being taken to a concert, she decided she wanted to become a pianist; as she says, she realised that "music was the language that goes much beyond any words" and that she wanted to communicate and express herself through music. She started piano lessons when she was four, and reached the final stage of the youth competition in Munich at the age of five, playing to a full house in the Hercules Hall.
From the age of twelve, she studied at the Salzburg Mozarteum with Karl-Heinz Kämmerling while continuing her school education in Munich. Ott has won awards at a number of piano competitions, including first prize at the 2004 Pianello Val Tidone Competition. She has made recordings of Franz Liszt's Transcendental Etudes and Frédéric Chopin's waltzes for Deutsche Grammophon, and is currently performing concert tours in Europe, Japan, and the United States.
Kurt Masur (born 18 July 1927) is a German conductor, particularly noted for his interpretation of German Romantic music.
Masur was born in Brieg, Lower Silesia, Germany (now Brzeg in Poland) and studied piano, composition and conducting in Leipzig, Saxony. Masur has been married three times. His second wife, with whom he had a daughter, died in 1972 in a car accident in which Masur was severely injured. He and his third wife, Tomoko Sakurai, have a son, Ken-David, a classical singer and conductor.
Masur conducted the Dresden Philharmonic Orchestra for three years ending in 1958 and again from 1967 to 1972. He also worked with the Komische Oper of East Berlin. In 1970, he became Kapellmeister of the Gewandhausorchester Leipzig, serving in that post until 1996.
In 1991, Masur succeeded Zubin Mehta as music director of the New York Philharmonic (NYP). During his tenure, there were reports of tension between Masur and the NYP's Executive Director at the time, Deborah Borda, which eventually contributed to his contract not being renewed beyond 2002. In a television interview with Charlie Rose, Masur stated that regarding his leaving the NYP, "it was not my wish". The root of the problem was a fundamental discordance in status between the Americas and Germany regarding employed personalities of standing. In the former case, the hired beneficiary is expected "to report" to the benefactor, in the latter, he expects a free hand to execute his tasks as he feels best on account of his (to be) recognized experience. Masur stepped down as the NYP's Music Director in 2002, and was named its Music Director Emeritus, a new title created for him. The critical consensus is that Masur improved the playing of the orchestra compared to his more pliable and forbearing predecessor.
Rikard Nordraak (12 June 1842 – 20 March 1866) was a Norwegian composer. He is best known as the composer of the Norwegian national anthem.
Rikard Nordraak was born and grew up in Oslo, Norway. His family came from the Nordraak farm in the Randsfjorden area in the county of Oppland. His father was a brother of Inger Elise Nordraach, the mother of the Norwegian writer and poet, Bjørnstjerne Bjørnson.
Nordraak's musical gifts became evident at an early age, but as for many other artists at that time, a different career was already planned. He was going to pursue a career within business, and when he was fifteen he was sent to business school in Copenhagen. Nonetheless his musical interests prevailed and instead of studying business he ended up studying music, and in 1859 he went to Berlin for advanced studies. After six months he had to return home and he continued studies in Oslo, and his first compositions came during the winter of 1859–60. In 1861 he went back to Berlin to continue his studies, and he stayed there for two more years.
A song for the heart to sing...for the world to love!