Plot
Award winning news reporter Daria Valdez Morrow ('Barbie Castro' (qv)) was investigating a series of murders caused by a local serial killer when she gets into a car accident and suffers from Retrograde Amnesia. When she comes to, she begins to suspect that her husband, Sam Morrow ('Casper Van Dien' (qv)) is the serial killer she had been reporting about and embarks on a journey to discover the truth.
Could her husband be a notorious serial killer? Or is her mind playing tricks on her?
Plot
Award winning news reporter Daria Valdez Morrow ('Barbie Castro' (qv)) was investigating a series of murders caused by a local serial killer when she gets into a car accident and suffers from Retrograde Amnesia. When she comes to, she begins to suspect that her husband, Sam Morrow ('Casper Van Dien' (qv)) is the serial killer she had been reporting about and embarks on a journey to discover the truth.
Could her husband be a notorious serial killer? Or is her mind playing tricks on her?
Plot
In 1994 Time Magazine covered the story about a 11 year old child gang member who is coerced by older gang members into committing a string of murders. He also committed other felonious crimes. Yummy is then killed by the older gang members in order to silence him before the authorities could find out who sent 'Yummy' on those murder missions. The storylines used in the movie are based on true events.
Plot
Jamie Klein is an out-of-work butch lesbian actor willing to try almost anything for a role. Not being a traditionally feminine woman, Jamie dresses up for auditions as "Femme Jamie," but has no success in landing roles. To add insult to injury, her roommate Lola's cat (named Howard) is also an actor, and he gets cast in virtually anything he auditions for. After watching Howard's acting reel, Jamie is ready to rise to the challenge and prove to herself that she can be more successful than a stupid cat. Jamie's best friend David convinces her that the way to do this is to simply be yourself, which in Jamie's case, is what she refers to as "Butch Jamie" -- short hair spiked up with gel, Doc Martin boots, a studded belt, and a neck chain. This unintentionally tips Jamie's perceived gender in the opposite direction, and she gets offered a role in a film as a man - Steve. Offended by the reality that there is little room for butch women in show biz, Jamie is reluctant to take the role, but accepts. Under the producer's requests, she is bound to confidentiality as Male Jamie and cannot reveal her true identity as a woman. On set, Jamie confronts a whole new set of hoops to jump through as a male imposter. "He" meets a flirtatious and alluring straight woman named Jill, and despite Jamie's better judgement, the two begin a hilariously complicated and sexy affair.
Keywords: actor, butch, cat-actor, character-name-in-title, gender-bending, hollywood, lesbian, los-angeles-california, male-drag
Life's a drag
Jamie: Yeah, I banged her. She was good - I was better.
Jill: I think short guys are hot.
Jill: I've never met a man who was a vegetarian before - only lesbians.
Jamie: They, uh, have this technology now - raccoon heart.::Jill: Yes, I'm familiar.::Jamie: OK...
Plot
Jamie Klein is an out-of-work butch lesbian actor willing to try almost anything for a role. Not being a traditionally feminine woman, Jamie dresses up for auditions as "Femme Jamie," but has no success in landing roles. To add insult to injury, her roommate Lola's cat (named Howard) is also an actor, and he gets cast in virtually anything he auditions for. After watching Howard's acting reel, Jamie is ready to rise to the challenge and prove to herself that she can be more successful than a stupid cat. Jamie's best friend David convinces her that the way to do this is to simply be yourself, which in Jamie's case, is what she refers to as "Butch Jamie" -- short hair spiked up with gel, Doc Martin boots, a studded belt, and a neck chain. This unintentionally tips Jamie's perceived gender in the opposite direction, and she gets offered a role in a film as a man - Steve. Offended by the reality that there is little room for butch women in show biz, Jamie is reluctant to take the role, but accepts. Under the producer's requests, she is bound to confidentiality as Male Jamie and cannot reveal her true identity as a woman. On set, Jamie confronts a whole new set of hoops to jump through as a male imposter. "He" meets a flirtatious and alluring straight woman named Jill, and despite Jamie's better judgement, the two begin a hilariously complicated and sexy affair.
Keywords: actor, butch, cat-actor, character-name-in-title, gender-bending, hollywood, lesbian, los-angeles-california, male-drag
Life's a drag
Jamie: Yeah, I banged her. She was good - I was better.
Jill: I think short guys are hot.
Jill: I've never met a man who was a vegetarian before - only lesbians.
Jamie: They, uh, have this technology now - raccoon heart.::Jill: Yes, I'm familiar.::Jamie: OK...
Plot
PANDANGGO has three stories with parallel themes converging in one event, the Kasilonawan Festival in Obando: a career woman learning to dance tango who is torn between her dance partner and live-in partner has to choose the man who will satisfy her dream of raising a family; a wife whose wish to conceive a baby boy to make her husband happy brings her feet to the festival, but fate has other plans of bringing the child into her life; and a modern woman who, amidst her medical condition that might render her childless for the rest of her life, finds connection with an ancient lore about fertility.
Keywords: dance, dance-film, fertility-festival, independent-film, one-word-title
Gusto Mo Bang Sumayaw?
Plot
PANDANGGO has three stories with parallel themes converging in one event, the Kasilonawan Festival in Obando: a career woman learning to dance tango who is torn between her dance partner and live-in partner has to choose the man who will satisfy her dream of raising a family; a wife whose wish to conceive a baby boy to make her husband happy brings her feet to the festival, but fate has other plans of bringing the child into her life; and a modern woman who, amidst her medical condition that might render her childless for the rest of her life, finds connection with an ancient lore about fertility.
Keywords: dance, dance-film, fertility-festival, independent-film, one-word-title
Gusto Mo Bang Sumayaw?
Plot
A boy named George Jung grows up in a struggling family in the 1950's. His mother nags at her husband as he is trying to make a living for the family. It is finally revealed that George's father cannot make a living and the family goes bankrupt. George does not want the same thing to happen to him, and his friend Tuna, in the 1960's, suggests that he deal marijuana. He is a big hit in California in the 1960's, yet he goes to jail, where he finds out about the wonders of cocaine. As a result, when released, he gets rich by bringing cocaine to America. However, he soon pays the price.
Keywords: 1950s, 1960s, 1970s, 1980s, 1990s, absent-mother, actor, adultery, airplane, airplane-stewardess
Based on a True Story.
George: It was the greatest feeling I ever had. Followed abruptly by the worst feeling I ever had.
[last lines]::George: So in the end, was it worth it? Jesus Christ. How irreparably changed my life has become. It's always the last day of summer and I've been left out in the cold with no door to get back in. I'll grant you I've had more than my share of poignant moments. Life passes most people by while they're making grand plans for it. Throughout my lifetime, I've left pieces of my heart here and there. And now, there's almost not enough to stay alive. But I force a smile, knowing that my ambition far exceeded my talent. There are no more white horses or pretty ladies at my door.
George: Life passes most people by while they're making grand plans for it.
Fred Jung: Sometimes you're flush and sometimes you're bust, and when you're up, it's never as good as it seems, and when you're down, you never think you'll be up again, but life goes on.
Ermine Jung: You think people don't know you're a drug dealer. Everyone knows, its no secret. Every time I go out I'm humiliated. So you go to jail. It's for your own good. You need to straighten your life out. What are you looking at Mrs. Gracie, your son's no prize.
Mirtha Jung: We are broke, that is my fucking problem and you are a fucking spy. That's right. Always spyin', always judgin'. Everyone's laughing in your face, you fucking pussy. You let Diego fuck you in the ass. Maybe because you like it, maybe because you're a fucking faggot. That's what I think you are. I think you are really fuckin' him cause you're not fucking me. Why's that? Why? Why don't you fuck me anymore? Don't you ever touch me again, motherfucker! Don't ever put your hands on me again, asshole! Get your hands off me. [Mirtha is carried out of the car by police] He's a fugitive and a fucking cocaine dealer! He's got a kilo in his trunk right now!
Mirtha Jung: I'm divorcin' you George. I am getting custody of Kristina. And when you get out next week, you're gonna pay support and that's the end of it. There is someone else. I did not think you would want to know but I wanted to tell you. Say something.::George: What do you want me to say? I'm in prison. You should know you're the one who put me in here.::Mirtha Jung: I knew you would say something like that. Always thinkin' about yourself.
George: May the wind always be at your back and the sun upon your face.::Fred Jung: And may the wings of destiny carry you aloft to dance with the stars.::Fred Jung: Cheers, Georgie.::George: Cheers, pop.
George: Hello Dad. You know I remember a lifetime ago, when I was about 3 1/2 feet tall, weighing all of 60 pounds, but every inch your son. I remember those Saturday mornings going to work with my dad, we'd climb into that big green truck. I thought that truck... was the biggest truck in the universe pop. I remember how important the job we did was, how if it wasn't for us, people would freeze to death. I thought you were the strongest man in the world. And remember those home videos when mom would dress up like Loretta Young, barbeques and football games, ice cream, playing with the Tuna. And when I left for California only to come home with the FBI chasing me, and that FBI agent Trout had to kneel down to put my boots on and you said, "That's where you belong you son of a bitch, puttin on Georgie's boots." That was a good one Dad. That was really something. You remember that? And remember that time when you told me that money wasn't real. Well old man, I'm 42 years old, and I finally realize what you were trying to tell me, so many years ago. I finally understand. Your the best, pop, just wish I could have done more for you, wish we had more time. Anyway, may the wind always be at your back, and the sun always upon your face, and may the wings of destiny carry you aloft to dance with the stars. I love you Dad. Love George.
George: So, what'd I tell ya, Derek?::Derek: It's great, but what am I supposed to do with it?::George: Sell it.::Derek: Jesus Christ, George, I don't see you for two years and you show up on my doorstep with 110 pounds of blow.::George: Just fucking sell it, Derek.::Derek: Okay, but it's going to take me a year.::[scene shift to interior Derek's bar surrounded by stacks of cash]::Derek: 36 hours, 36 hours, I can't believe we got rid of it in 36 hours.::George: I think it's fair to say you underestimated the market, Derek.::Derek: Right on. It's going to take us longer to count it than it did to sell it.
Restaurant is a 1998 independent film starring Adrien Brody, Elise Neal, David Moscow and Simon Baker. Written by Tom Cudworth and directed by Eric Bross, Restaurant was the follow-up to this writing–directing duo's first film, TenBenny, which also starred Adrien Brody. Restaurant premiered at the Los Angeles Independent Film Festival on April 17, 1998, and garnered Adrien Brody an Independent Spirit Award nomination for Best Male Lead. Set in Hoboken, New Jersey, Restaurant is a romantic comedy about young waiters with big dreams, but few chances to actually succeed. This is Grammy Award winning, Hip Hop artist Lauryn Hill's last movie to date.
Atlantic City Film Festival
Can I take you to a restaurant, that has a bar
You can eat good, i know you like it like that
Then walk over to the bar,
No it ain't that far
And we can get drunk, you talk shh i talk back
Lets google somewhere that you would prefer
Do you like Middle Eastern food or Italian
Do you like Japanese, Moroccan, or Soul food
Tell me what you want, baby we'll go together
Take you where the floors, they rise up, rise up
The drink in your glass, lights up, lights up
And the flowers that surround our table, smell good,
In conjunction with your perfume, smells good
Can I take you to a restaurant, that has a bar
You can eat good, i know you like it like that
Then walk over to the bar,
No it ain't that far
And we can get drunk, you talk shh i talk back
We can go to a place off the beach, where the waters next to you
And the dolphins be swimming so close, that they could eat your food
We can go somewhere classy,
Or just keep it hood.
I worked so hard for that man
And he worked me to the bone
Said success wont belong
He bought that old factory
Cause the rich are born free and thats how you want to be
So I looked down from the rooftops one night
And I knew I could go far if you never left my sight
But this will never be what I want in some fancy restaurant like now.
This will never be what I want, and all I ever wanted was you.
He was a beggar on a horse, he was another brave man
?? our jobs get sold
He took the drinks from our hands so I took you in my arms we watched the sun go down
Then I knew I had been taken for a fool
I took you for granted I took fate as a rule
But this will never be what I want in some fancy restaurant like now.
This'll never be what I want and all I ever wanted was you.
I need you now more than before
I need you now more than before
I need you to be there true and fair
If I prove myself here I'll prove it anywhere
But this'll never be what I want in some fancy restaurant like now.
This'll never be what I want and all I ever wanted was you.
This'll never be what I want. [x4]
I worked so hard for that man
And he worked me to the bone
Said success wont belong
He bought that old factory
Cause the rich are born free and thats how you want to be
So I looked down from the rooftops one night
And I knew I could go far if you never left my sight
But this will never be what I want in some fancy restaurant like now.
This will never be what I want, and all I ever wanted was you.
He was a beggar on a horse, he was another brave man
?? our jobs get sold
He took the drinks from our hands so I took you in my arms we watched the sun go down
Then I knew I had been taken for a fool
I took you for granted I took fate as a rule
But this will never be what I want in some fancy restaurant like now.
This'll never be what I want and all I ever wanted was you.
I need you now more than before
I need you now more than before
I need you to be there true and fair
If I prove myself here I'll prove it anywhere
But this'll never be what I want in some fancy restaurant like now.
This'll never be what I want and all I ever wanted was you.
(Hills 3:29)
I wanna live in a restaurant
Far from you
I make a living thinking slowly
That's all I can do
Don't think of me, I won't think of you, It's too hard to do
Picture what everyone sees
A Disney day Parade
You missed the show
It ends without you
I'm amazed
At all that I put you through
And on that day that I saw you
I knew I was through.
I wanna live like the rest of you
With nothing to do
A simple life is never easy
When freaks look like you
I'm so tired of being tired
In a room with no view
I'll only need a little money
It should get me through
I'm amazed
At all that you put me through
And on that day that I saw you
I knew I was through
She won't get me this time
I'm buying a Rover
And driving her over
She can run she can't hide
I'll try to explode her
So I can get older
Get on with my life
I wanna live in a Restaurant
When I'm through with you
I'll be laughing cause it's funny
You'll be less amused
I'm amazed
At all that I put you through
And on that day that I saw you
I knew I was through
I'm amazed
At all that you put me through
And on that day that I saw you
I knew I was through
I wanna live in a restaurant
Far from you
I make a living thinking slowly
That’s all I can do
Don’t think of me, I won’t think of you, It’s too hard to do
Picture what everyone sees
A Disney day Parade
You missed the show
It ends without you
I’m amazed
At all that I put you through
And on that day that I saw you
I knew I was through.
I wanna live like the rest of you
With nothing to do
A simple life is never easy
When freaks look like you
I’m so tired of being tired
In a room with no view
I’ll only need a little money
It should get me through
I’m amazed
At all that you put me through
And on that day that I saw you
I knew I was through
She won’t get me this time
I’m buying a Rover
And driving her over
She can run she can’t hide
I’ll try to explode her
So I can get older
Get on with my life
I wanna live in a Restaurant
When I’m through with you
I’ll be laughing cause it’s funny
You’ll be less amused
I’m amazed
At all that I put you through
And on that day that I saw you
I knew I was through
I’m amazed
At all that you put me through
And on that day that I saw you