Aldama is a surname shared by several notable people:
Rosa de Castilla (born María Victoria Ledesma Cuevas on May 30, 1931) is a Mexican actress and singer known for participating in "ranchera" films during Mexican cinema's Golden Age. She was nominated for an Ariel Award for "Best Actress in a Minor Role" for her participation in Tal para cual, starring Jorge Negrete. De Castilla is from Jalisco and is one of the few surviving legends of the Golden Age.
De Castilla was a leading lady of the 50s and 60s, the era critics claim as the "Golden Age of Mexican cinema", marking her debut in the film Los tres alegres compadres (1952). Shortly after, she was nominated for an Ariel Award for Best Actress in a Minor Role for Tal para cual (1953) starring Jorge Negrete and Luis Aguilar. She was a contract player at Producciones Rosas Priego, appearing in three of its many successful productions all released in 1959: Yo... el aventurero, with Antonio Aguilar, Tan bueno el giro como el colorado with Luis Aguilar, and Dos corazones y un cielo, with Demetrio González. Besides her acting career, de Castilla was an established singer who knew how to combine acting and singing.
Rosita Quintana (born Trinidad Rosa Quintana Muñóz de Kogan on July 16, 1925) is a Argentinan born Mexican film actress and singer of the Golden Age of Mexican cinema.
Quintana is remembered for her participation in numerous Mexican films between 1948-1960. She starred in movies like Calabacitas Tiernas (1949), along Tin Tan and Amalia Aguilar; Susana (1951) (directed by Luis Buñuel; El Mil Amores (1954), with Pedro Infante and many others. In 2005, she returned to the films with Club Eutanasia. As a singer, she is remembered in notable tangos and boleros as Bendita Mentira.
Alfredo Sadel (February 22, 1930 – June 28, 1989) was a popular Venezuelan singer and actor.
Born Alfredo Sánchez Luna in Caracas, Venezuela, Sadel was affectionately called "The Favorite Tenor of Venezuela". He adopted his stage name by combining the first syllable of his surname with the last syllable of the surname of his favorite idol, tango singer Carlos Gardel. According to musician Aldemaro Romero, Sadel became Venezuela's heart-throb due to his huge popularity with the feminine audience. Being in the peak of his popularity he was shown to the doors of Hollywood, but convinced of his conditions for the bel canto, he went to Europe to cultivate his spirit through the serious music, studying in important conservatories, to devote himself to the opera and zarzuela genres.
The means meanness certain and his political affinity carried difficulties to him in his country. Nevertheless, he was acclaimed. He made films in Cuba and Mexico next to Graciela Naranjo and Amador Bendayán, among other important Venezuelan artists.
Eulalio González (December 16, 1921 – September 1, 2003) was a Mexican film actor, singer, screenwriter, film director, film producer, and songwriter. Starting his career as a radio personality for the XEW and an extra in uncredited roles in films, González was later best-known for his comic performance of an elderly norteño named "Piporro", in the film Ahí viene Martín Corona and the radio-novela of the same name.
His popular portrayals of comical, witty "norteño" characters from Nuevo León during the Golden era of Mexican cinema, led him to become a famous leading man in films of the 1960s. "Piporro" later became his permanent professional nickname.
Nominated two times for a Silver Ariel Award in 1955-56 and winning the latter year, Piporro's highest-grossing films include El rey del tomate, and La Valentina with María Félix.
Piporro was born Eulalio González Ramírez in the provincial town of Los Herrera, Nuevo León approximately 50 miles east of Monterrey, to Pablo González Barrera, a Mexican customs agent, and his wife Elvira Ramírez. During his early infancy, González's father had to work in various towns across the northern border of Mexico, one of them being Río Bravo, Tamaulipas. This caused the family to relocated several times to different populations. He was known as a witty, young boy.
this is Joliet Correctional Facility
you have a collect call from inmate
yeah this is Tucker
to accept this call please press 3 now
thank you
hello
hey sis let me speak to momma
who me on find besides all the drama
the system took me in but then they took me under
I suffer being another number
I wonder if I could conquer dis criminal structure built to puncture
the hearts of men
when them guards come in the bars and the pen
I know I'm in hell and its hard to win
I stay up late lying in the dark for me
thinking bout the night the police came marching in
its like they wouldn't stop barging in
asking momma what mob I'm in
try strictly left us some scars within
fighting back the lyrics of a favorite baptist him
its over now cant hold a child
mold a child scold a child or own a child a soldier now
baby hold your tears
become a teacher mold ya peers
let em know its cold in here
this ain't the way to spend them older years
I'm over the fears of the world
no longer momma's pearl in here
its all clear them older cats school me to the game
I'm all ears no mo rats or any cold beers
the ghetto famous disappear
they run up in my home
and took you from my world
now ya gone and I'm feeling all the pain that your going through
sometimes I lay back in my cell crying
hells blind but I hope I make it through this jail time
trying to stay focus but I heard they mad me panic before
I guess thats what I got my family for behind bars
I'm running outta time
momma there yet
where my little brother let me holla at him
whats up cat
I got you covered
stay in the books them streets is a motha
undercovers posing as hustlers exposing the brothers controlling the
struggle by any means
brutality got the police running like the enemy
our community need more hugs instead of the slugs the guns the drugs
got crime on killing the love the spirits above
drop a warning sigh its only 1999
but all I think about is 85 them good times
momma give us her last dime
icey cups you drop yours I give you mine
true love define us to divine
calling it on another's pride but I hate to see you cry
the rain come shine
my family feel my pain inside
by the way my baby momma getting married
brought tears to my eyes I just hope my son happy
ran to the phone got a hundred guys like me
and all we have is precious minutes to reach our people our free
brother listen be strong for momma
let her know I never meant to cause her no drama
the pain make my vain cries thunder
will I recover my name and still discover how the game become us
look how they done us
watered down our pride and drunkers riders g's and hustlers
we gotta guide our younger theres better days among us
never let the rage you under upstage the promise till tomorrow
and the C's just follow wont feel the sorrow
for the misery we wallowing time swallowing
them better days in this gaze got my mind boggling
oh momma and hey lady I miss you
and them ways you raised me them hard head things that drove you crazy
realize ya son took a lot of heart from ya