Plot
Lt. Samuel Drake (Chadwick Boseman) is a troubled vet plagued by his actions while deployed in Iraq. Recently discharged, he is trying to piece his life back together while he works as a cab driver and lives in a rundown motel room. He also attends counseling sessions led by Marshall (Billy Zane) to help cope with the horrors of his past. While on this path to a fresh start, Drake's fragile new life is shattered when two executives (Peter Greene and Ted Rooney), who represent a private military contractor, present a new mission, one with no option to refuse; track down and kill Sgt. Devin Carter (Tory Kittles), an AWOL Marine Corps. sniper who knows the truth about Drake's past and who himself is on a mission to target and kill members of the mercenary firm. A gripping, lyrical meditation on war and the scars it leaves on those who fight, The Kill Hole is a story of one man who is forced to face his violent past, and the uneasy bond he forms with the mysterious assassin he must confront in his quest for redemption.
Plot
Two male English school chums find themselves falling in love at Cambridge. To regain his place in society, Clive gives up his forbidden love, Maurice (pronounced "Morris") and marries. While staying with Clive and his shallow wife, Anne, Maurice finally discovers romance in the arms of Alec, the gamekeeper. Written from personal pain, it's E.M. Forster's story of coming to terms with sexuality in the Edwardian age.
Keywords: 1900s, 1910s, amphitheater, anglican-priest, apple, argentina, arrest, atheist, baby, bandage
Archie: Oh, cheer up, old man! What's gotten into you?::Maurice Hall: Would you believe - it's my birthday.
Maurice Hall: England for me!
Lasker-Jones: England has always been disinclined to accept human nature.
Maurice Hall: I'm an unspeakable of the Oscar Wilde sort.
Clive Durham: Maurice, I hope nothing is wrong?::Maurice Hall: Pretty well everything. You would think so.::Clive Durham: Very well, I'm at your service. My advice there is to sleep here tonight and ask Anne. Where a woman is in question, it's always better to ask another woman.::Maurice Hall: I'm not here to see Anne. [pauses] I'm in love with Alec Scudder.::Clive Durham: What a grotesque announcement.::Maurice Hall: [ironically] Most grotesque. But I felt I should tell you.::Clive Durham: Maurice, Maurice, we did everything we could when you and I clashed out the subject.::Maurice Hall: When you brought yourself to kiss my hand.::Clive Durham: Don't allude to that! Come in here. [lowers his voice] I am more sorry for you than I can possibly say and I do, do beg you to resist to return on this obsession.::Maurice Hall: I don't need advice. I'm flesh and blood Clive, if you'll condescend to such low things. I've shared with Alec.::Clive Durham: Shared what?::Maurice Hall: Everything. Alec slept with me in the Russet Room when you and Anne were away.::Clive Durham: [turns away from him] Oh God.::Maurice Hall: Also in town.::Clive Durham: The sole excuse for a relationship between two men is that it remains purely platonic. Surely you agree to that.::Maurice Hall: I don't know. I've come to tell you what I did.::Clive Durham: Well, Alec Scudder is in point of fact no longer in my service. In fact, he is no longer in England. He sailed for Buenos Aires this very day.::Maurice Hall: He didn't. He sacrificed his career for my sake. Without a guarantee. I don't know if that's platonic or not but it's what he did.::Clive Durham: missed his boat? Maurice, you're going mad! May I ask if you intend...::Maurice Hall: [interrupts him] No, you may not ask. I told you everything up to this minute, not a word beyond.
Lasker-Jones: You should not resist me. You're resisting me.::Maurice Hall: Damnit, I'm not!
Alec Scudder: Was you calling for me, Sir? I know, Sir. It's all right. I know, Sir.
Alec Scudder: Tomorrow's Thursday. Friday's packing. Saturday's Southampton, so it's goodbye, Old England.::Maurice Hall: You mean that you and I shan't meet again after now?::Alec Scudder: That's right, you've got it quite correct.::Maurice Hall: Stay with me.::Alec Scudder: Stay? Miss my boat? You daft? Of all the bloody rubbish. Order me about again, you would.::Maurice Hall: It's a chance in a thousand we met. You know it. Why don't you stay?::Alec Scudder: Stay? With you? How? And where? With your Ma? Oh yeah. What would she say if she saw me? All rough and ugly the way I am. My people wouldn't take to you one bit. I don't blame them, either. And how would you run your job, I'd like to know?::Maurice Hall: I shall chuck it.::Alec Scudder: Your job in the City? What gives you money and position? You talk like a man who's never had to earn his living.::Maurice Hall: You can do anything. Once you know what it is. We can live without money, without people. We can live without position. We're not fools. We're both strong. There'd be some place we could go.::Alec Scudder: Wouldn't work, Maurice. Be the ruin of [pauses; gestures with both hands towards crotch or balls] *us both*. Can't you see?
Alec Scudder: Now, we shan't never be parted. It's finished.
Maurice Hall: Alec, did you dream you had a friend? Someone to last your whole life?
Plot
Somewhere in the 18th century Great Britain, noble but penniless young boy John Mohune is sent by his dying mother to Moonfleet, to put himself under the protection of a certain Jeremy Fox. The boy discovers that Fox is both a former lover of his mother and the leader of a gang of buccaneers. A strange friendship grows as their adventures go on.
Keywords: based-on-novel, coming-of-age, diamond, one-word-title, smuggle, smuggler, smuggling
Plot
Elwood Martin ('Gordon Jones (I)' (qv)), a brash extrovert with an aversion to work come to live with Walt Wallet ('Don Beddoe' (qv)) and his wife, Phyllis ('Madelon Baker' (qv)). He blunders about their house, and the diner owned by Corky Wallet ('Scotty Beckett' (qv)) and the fix-it shop belonging to Skeezix Wallet ('Jimmy Lydon' (qv)), creating havoc at every stop. Corky and his kid sister, Judy Wallet ('Patti Brady' (qv)) decide the only way to save the Wallet family from bankruptcy and insanity is to persuade the free-loading Elwood to move on. The latter then fakes an injured back.
Keywords: 1950s, adopted-brother, adopted-son, adoptive-father, adoptive-mother, archive-footage, auto-repair-shop, b-movie, bankruptcy, based-on-comic
A GAY-JAMBOREE OF JOE-VITALITY! (original one-sheet poster- all caps)
HE'S HAVE GIRLS ON HIS MIND...IF HE HAD A MIND! (Original six-sheet poster - all caps)
Girls all kiss him on the mouth...How can they help it? (original insert card)
SHE KISSED HIM ON THE MOUTH...HOW COULD SHE HELP I? (original one-sheet poster - all caps)
He's been weak in the head from birth! You'll be weak in the ribs from mirth! (original Card B )
His Crowning Piece Of Clowning!
See Your Favorite Clown Go To Town!
Plot
After Southern belle Elizabeth Lloyd runs off to marry Yankee Jack Sherman, her father, a former Confederate colonel during the Civil War, vows to never speak to her again. Several years pass and Elizabeth returns to her home town with her husband and young daughter. The little girl charms her crusty grandfather and tries to patch things up between him and her mother.
Keywords: 1870s, 1880s, 19th-century, african-american, american-civil-war, applause, army, arrest, baptism, based-on-novel
Hail to the conquerer of ten million hearts.
Miss Lloyd Sherman: [to a picture of her grandfather] You're a bad man to make my mama cry!
Miss Lloyd Sherman: Will you tell me a pink story?::Becky Porter: If you ain't the beatinest child I ever seen. When you want to hear a blue story, everything in it has got to be blue. And when you want to hear a green story, everything in it has got to be green. [laughs] Now, I could tell you a *black* story 'bout my first husband...
Col. Lloyd: What under the sun's goin' on here? What are you doing?::Miss Lloyd Sherman: Hello, Grandfather! We were just baptizing Henry Clay.::Col. Lloyd: Baptizing Henry Clay?::Miss Lloyd Sherman: Yes, and he must be *awful* bad, because it took two dunks to save him!
Miss Lloyd Sherman: Grandfather, do you know any blue stories?::Col. Lloyd: [surprised] Blue stories? Well, I do... a few.::Miss Lloyd Sherman: Tell me one.::Col. Lloyd: I don't know any that I can tell *you.*
Col. Lloyd: Confound you, Walker! Watch what you're doing!::Walker: I'm sorry, sir.::Col. Lloyd: If you'd broken that, I'd have broken your head.::Walker: Yes, sir.::Dr. Scott: Someday your temper is going to split you wide open.::Col. Lloyd: Well, I won't call for you to sew me up!
Col. Lloyd: What are you doing here?::Elizabeth Lloyd Sherman: Wait, Jack, let me tell him! Father, this is the man I'm going to marry. I knew you would never give your consent, so that's why we were going to elope.::Jack Sherman: I wanted to come to you, sir, and ask your permission, but?::Col. Lloyd: Silence! Why did you assume that I would object to an honorable marriage?::Elizabeth Lloyd Sherman: I know how you feel about the South.::Col. Lloyd: I hate all Yankees.::Elizabeth Lloyd Sherman: That's why we didn't come and tell you.::Col. Lloyd: Then you knew you were doing wrong! How can you marry a man who represents everything that a true Southerner should hate? A man who fought against your father, your brother, and all your kinfolk. For all you know, he may have fired the shot that killed your brother!::Jack Sherman: I was in the war, sir, and though I fought on the other side, the South has always had my admiration and respect. My mother was a Virginian. But might I remind you, sir, that the war has been over for some time.::Col. Lloyd: The war will never be over for me and mine, sir. I want to kill you. I don't know but what I will. Elizabeth, go to your room.::Elizabeth Lloyd Sherman: No.::Col. Lloyd: Go to your room, I tell you!::Elizabeth Lloyd Sherman: I'm going with Jack!::Col. Lloyd: Elizabeth, when that door closes, it will never open for you again!
Col. Lloyd: Let's get back to this game. These men are yours. Now, I'll be the Confederacy, and you'll be the Union.::Miss Lloyd Sherman: Oh, goody, goody, goody! I got the winning side already.::Col. Lloyd: Oh, no, you haven't! I'll show you!::Miss Lloyd Sherman: Maybe you'd like to be the North, and I'll be the South?
Col. Lloyd: Oh, stop chattering, Walker!::Walker: Yes, sir.::Col. Lloyd: I don't want to hear all this gossip.::Walker: No, sir. I was going to tell you about the cottage, sir, but I suspect you're not interested.::Col. Lloyd: The cottage?::Walker: Yes, sir. Someone's moved into it.::Col. Lloyd: Walker! Confound you, why don't you let me know when things are going on around here? Who's moving into the cottage?::Walker: I don't know, sir.::Col. Lloyd: It's been empty a long time now, ever since - well, maybe I'd better call on our new neighbors and see what kind of folks they are.::Walker: Yes, sir. Having some new neighbors won't make it so lonely 'round here.::Col. Lloyd: Who says it's lonely 'round here?::Walker: Not me, no sir!::Col. Lloyd: Anyway, I like it lonely!
Miss Lloyd Sherman: Mother, who was that?::Elizabeth Lloyd Sherman: Your grandfather.::Miss Lloyd Sherman: Why didn't he come in?::Elizabeth Lloyd Sherman: He didn't want to.::Miss Lloyd Sherman: Did he make you cry?
Miss Lloyd Sherman: Mom Beck, why doesn't my grandfather want to come in and see my mother?::Becky Porter: Well, he mighty mad at she, and I guess she mad at he.::Miss Lloyd Sherman: Why?::Becky Porter: Your grandfather get mad when your mama marry your daddy.::Miss Lloyd Sherman: But he's her papa, isn't he?::Becky Porter: Sure 'nough.::Miss Lloyd Sherman: Aren't papas supposed to love their little girls?::Becky Porter: Yes, honey, they should.::Miss Lloyd Sherman: It seems might funny to me.::Becky Porter: It's 'cause all the Lloyds are stubborn. The old colonel is, your mama is, and you is.::Miss Lloyd Sherman: I'm not stubborn! Don't you call me that!::Becky Porter: Don't you stomp your foot at me. That don't change it, that just proves it.
Hull may refer to:
Matthew James Norman (born 17 September 1986), an Australian citizen, was convicted in Indonesia for drug trafficking as a member of the Bali Nine. In 2005, Norman was arrested in a room at the Melasti Hotel in Kuta together with three others. Police uncovered 334 g (11.8 oz) of heroin in a suitcase in the room. After a criminal trial, on 15 February 2006 Norman was sentenced to life imprisonment. His appeal to the Indonesian Supreme Court to have the sentence reduced suffered a shock when the Supreme Court imposed the death penalty on 6 September 2006. A subsequent appeal to the Indonesian Supreme Court, following a full confession by Norman to his role in the plan to import heroin from Bali to Australia, resulted in the original sentence of life imprisonment being reinstated.
From Quakers Hill in Sydney's western suburbs, Norman was employed at Eurest, a catering company, where he met colleagues Martin Stephens, Renae Lawrence, and his supervisor, Andrew Chan. All four would later be convicted of drug trafficking as fellow members of the Bali Nine.
Alexei David Sayle (born 7 August 1952) is a British stand-up comedian, actor and author. He was a central part of the alternative comedy circuit in the early 1980s. He was voted the 18th greatest stand-up comic on Channel 4's 100 Greatest Stand-ups in 2007. In the updated 2010 poll he came 72nd.
Much of Sayle's humour is in the tradition of Spike Milligan and Monty Python, with riffs based on absurd and surreal premises. His act is noted for its cynicism and political awareness, as well as physical comedy.
Sayle was born and raised in Anfield, Liverpool, the son of Molly (Malka) Sayle (née Mendelson), a pools clerk, and Joseph Henry Sayle, a railway worker, both of whom were members of the Communist Party of Great Britain. Sayle's mother was of Lithuanian Jewish descent, and some members of his immediate family were very devout Jews, as he mentioned on the BBC Radio 4 programme Great Lives when he nominated the Palestinian rights advocate, Edward Said on the programme. In the aftermath of the May 1968 French uprising, he joined the Communist Party of Britain (Marxist-Leninist). In later years he has said that, while no longer active in left politics, ‘I still would adhere to those philosophical and economic ideas of Marxism that I got when I was sixteen...it’s seemed to me as true now as it did then...’. From 1964-1969 he attended Alsop High School in Walton, and was expelled half way through sixth form. After that, Sayle took a foundation course in art at Southport, before attending Chelsea College of Art and Design in London. He attended Garnett College, Roehampton, a training college for teachers in Further Education. He has been married to Linda Rawsthorn since 1974.
Philip Arthur Larkin, CH, CBE, FRSL (9 August 1922 – 2 December 1985) is widely regarded as one of the great English poets of the latter half of the twentieth century. His first book of poetry, The North Ship, was published in 1945, followed by two novels, Jill (1946) and A Girl in Winter (1947), but he came to prominence in 1955 with the publication of his second collection of poems, The Less Deceived, followed by The Whitsun Weddings (1964) and High Windows (1974). He contributed to The Daily Telegraph as its jazz critic from 1961 to 1971, articles gathered together in All What Jazz: A Record Diary 1961–71 (1985), and he edited The Oxford Book of Twentieth Century English Verse (1973). He was the recipient of many honours, including the Queen's Gold Medal for Poetry. He was offered, but declined, the position of poet laureate in 1984, following the death of John Betjeman.
After graduating from Oxford in 1943 with a first in English language and literature, Larkin became a librarian. It was during the thirty years he served as university librarian at the Brynmor Jones Library at the University of Hull that he produced the greater part of his published work. His poems are marked by what Andrew Motion calls a very English, glum accuracy about emotions, places, and relationships, and what Donald Davie described as lowered sights and diminished expectations. Eric Homberger called him "the saddest heart in the post-war supermarket"—Larkin himself said that deprivation for him was what daffodils were for Wordsworth. Influenced by W. H. Auden, W. B. Yeats, and Thomas Hardy, his poems are highly structured but flexible verse forms. They were described by Jean Hartley, the ex-wife of Larkin's publisher George Hartley (The Marvell Press), as a "piquant mixture of lyricism and discontent", though anthologist Keith Tuma writes that there is more to Larkin's work than its reputation for dour pessimism suggests.
Hull
Baby let me take you by the hand
show you something for to see.
When you grown I know you understand.
One sky, one sea, one world will be.
Know you growing in a broken world
the future spread its wings so wide.
Don't giving the tide is on the turn.
One land, one home, one world will come.
Chorus:
One world will be, one world is free, one world will surely come
'cause if the men in grey, never get their way
for certain we'll have none.
One sky, one sea, one world will be.
Chorus:
One world will be, one world is free, one world wull surely come
'cause if the men in grey, never get their ways
for certain we'll have none.
Oh, let me walking thru the promised land.
feel the wind in the air.
All is changing like the ship in sand.
One sky, one home, one world will be
one land, one home, one world will com
one sky, one home, one world will be