Sediment, a naturally occurring material that is broken down by processes of weathering and erosion, and is subsequently transported by the action of fluids such as wind, water, or ice, and/or by the force of gravity acting on the particle itself.
Sediments are most often transported by water (fluvial processes), wind (aeolian processes) and glaciers. Beach sands and river channel deposits are examples of fluvial transport and deposition, though sediment also often settles out of slow-moving or standing water in lakes and ocean dunes and loess are examples of aeolian transport and deposition. Glacial moraine deposits and till are ice-transported sediments.
Sediment can be classified based on its grain size and/or its composition.
Sediment size is measured on a log base 2 scale, called the "Phi" scale, which classifies particles by size from "colloid" to "boulder".
Composition of sediment can be measured in terms of:
This leads to an ambiguity in which clay can be used as both a size-range and a composition (see clay minerals).
Laurie Spiegel (born September 20, 1945 in Chicago) is an American composer. She has worked at Bell Laboratories, in computer graphics, and is known primarily for her electronic-music compositions and her algorithmic composition software Music Mouse. She also plays the guitar and lute.
Spiegel was seen by some as a pioneer of the New York new-music scene. She withdrew from this scene in the early 1980s, believing that its focus had shifted from artistic process to product. While she continues to support herself through software development, Spiegel aims to use technology in music as a means of furthering her art rather than as an end in itself. In her words, "I automate whatever can be automated to be freer to focus on those aspects of music that can't be automated. The challenge is to figure out which is which."
Spiegel's realization of Johannes Kepler's "Harmonices Mundi" was chosen for the opening track on the "Sounds of Earth" section of the golden record placed on board the Voyager spacecraft in 1977. Her piece called "Sediment" was used in the "cornucopia scene" of the 2012 movie The Hunger Games.
Every phone call, every single wasted breath
Is always taken down
There's at least a single paragraph a day
On numbers you left out
Single out a camera to focus on
Burn another bridge with your smile
It's a made up conversation
It's supposed to take you a while
There is a message from the company
On your way to the park
There is an agent who will greet you
Hand off the plates and go dark
There is the danger of complicity (Stay on target)
All they need is a spark (Stay on point)
If they can see through your duplicity (Keep to the mission)
Check if your wine glass is marked (Stay in the moment)
One false turn and it all starts again
In a villa on the outskirts of Taormina
They're staking your room out
On a rogue tip off a busker in Vienna
Who rolled you once down south
Churchill even painted a burro there, yeah
Really isn't part of your style
Is this a made up confrontation
Are you keeping us in denial
You dropped your boarding pass for Tuscany
Your train is prepped to embark
There is a separate continuity
The poisoned watermark
There is a message from the company (Stay on target)
On your way to the park (Stay on point)
There is an agent who will greet you (Keep to the mission)
Hand off the plates and go dark (Stay in the moment)
There is the danger of complicity (Stay on target)
All they need is a spark (Stay on point)
If they can see through your duplicity (Keep to the mission)
Check if your wine glass is marked (Stay in the moment)