Plot
Steve Austin stars as U.S. Border Patrol agent Jim Rhodes, a tough divorce mourning the loss of his murdered partner while struggling to raise his rebellious daughter in the mountains of Montana. But when a crew of trigger-happy fugitives takes Rhodes and his daughter hostage, a rugged wilderness will explode in all-terrain vengeance. Is there any wounded animal more dangerous than a lawman left for dead?
Keywords: abandoned-factory, abandoned-mine, action-hero, ambush, bald, beaten-to-death, beating, betrayal, blood, blood-spatter
Vengeance belongs to one man.
Survival of the baddest.
[last lines]::Kim Rhodes: So dad, can I have a new car?::Jim Rhodes: Can you have a new car?::Kim Rhodes: Well yeah, you don't think, after all this, I deserve one?::Jim Rhodes: Something to talk about over vacation, I guess.::Kim Rhodes: Well no, something to talk about on the way home. Lord knows we'll be walking home forever.
[first lines]::Title Card: Texas. Somewhere near the border.::Jim Rhodes: There it is at eleven hundred. Doesn't look like much, but our informant swears it's a clearing house for human trafficking.
Banks: I don't like her family!
Banks: All that will be left of him after the bears and the birds are done with him is the smell of disappointment.
Geary: [talking to himself] Hey Geary, if you had the chance to start your day over again, would you do anything different? Geary sat there in silence... yeah, I shoulda worn underwear.
Geary: [full of arrows] Why are you doing this?::Jim Rhodes: I had to put a pin in your enthusiasm.
Plot
A teen girl enjoying a rare free weekend from her religious parents is suddenly confronted by a young Mexican intruder, who randomly chose her house to hide out. Seems he was badly beaten by two local thugs in a racially motivated attack and he took his revenge on the two. This put him on the run from the local bigoted sheriff. Slowly the two reveal their emotional baggage and become genuinely attracted to one another.
Keywords: attack, bandage, bar, bartender, baseball-bat, bath, bathroom, bathtub, beating, bible-quote
Lolly Ann Summers: Dear God, while father and mother are on the highway, please let the earth open wide and swallow them whole. Amen.
Lolly Ann Summers: [to parents' friend] If all of you aren't there, hell should be a big improvement!
[first lines]::Mrs. Summers: Lolly? Lolly! I know you're playing possum. [yanks back covers] Now, little Missy. Men loved darkness rather than light, because their deeds were evil. John 3:19.
Joseph: Better sleep with a sober cannibal than a drunken Christian.
Plot
On August 23, 1992, a black-ops research program led by General Roberts perfected a device to control the weather. It was launched from a specially outfitted plane and tested for the first time. But control of the machine was lost, and within hours a deadly hurricane had formed. It became the greatest natural disaster since the San Francisco Earthquake - Hurricane Andrew. In the wake of this catastrophe, all evidence of the program was buried. Seven years later, General Roberts has revived the top-secret project. He recruits ambitious meteorologist Ron Young, who has developed software that directs weather systems. The STORM device, now equipped with this software, has been launched into a weather front 300 miles off the California coast. Moments after the device has whipped the storm into a full-blown hurricane, Roberts orders it targeted at Mexico. The storm has grown in power to a super-hurricane, with wind speeds exceeding 400 miles per hour. A struggle on board the plane ensues, causing the deadly hurricane to head straight for Los Angeles. Young, who goes up in another C-123, has less than 3 hours to fly directly into the eye of this super hurricane and regain control of the STORM device. However, there are saboteurs on board. A battle at 20,000 feet above the Pacific Ocean is taking place while the city of Los Angeles awaits the coming siege.
Keywords: 1990s, black-ops, breaking-into-a-desk, california, captain, catastrophe, cloud, coastline, cover-up, death
You WILL get wet.
Nothing shall stand. No one can escape. Nobody will survive.
God created the world in six days, some thing will destroy it in one.
Plot
Two astronauts return to earth ("a few miles off the coast of Los Angeles") to find that it has been destroyed by nuclear war. L.A. has been taken over by Cutter and his gang of outlaw bikers (straight out of the 70s with bell bottoms and everything). Cutter rapes and pillages. Of course, there are also mutants. The astronauts hook-up with the only normal people left: two good-looking women, and two cute little children; a boy and a girl.
Keywords: astronaut, attempted-rape, bandit, bare-breasts, biker, child-murder, child-with-gun, death, destruction, disaster
The lucky ones were already dead
Mutants - A Savage Encounter
Hell in the aftermath. Who will survive?
What comes after World War III?
Plot
This is the hard and shocking story of life in a British Borstal for young offenders. Luckily the regime has changed since this film was made. The brutal regime made no attempt to reform or improve the inmates and actively encouraged a power struggle between the 'tough' new inmate and the 'old hands'. The film was originally made as a BBC play but it was banned before ever being shown. So 'Alan Clarke' and 'Roy Minton' got it re-made as a film. This is a tough and brutal film and should not be viewed lightly.
Keywords: anarchism, anarchy, bare-chested-male, based-on-play, based-on-tv-movie, bleeding-to-death, blood, cafeteria, child-abuse, child-suicide
The film they tried to ban! A brutal story of today.
In borstal survival rules!
A brutal story - the uncut, uncensored version
Carlin: Vegetarians? I've shit 'em...
Mr Sands: Carlin! Carlin!::[Carlin stands to his ground]::Carlin: Sir?::Mr Sands: Ok, Carlin. You're really for it this time. Banks and Richards have both named you. You get 3 years for this, scum.::Carlin: I don't know what you're talking about, sir.::Mr Sands: You fuckin' well know, toe-rag. I run this wing. I'm not letting it disrupted by a back-street villain like you. You'll sign a statement downstairs.::Carlin: I've got nothin' to say. I'd like to see the House Master.::Mr Sands: You will, Carlin. You will.::Carlin: And the governor, sir. I've got a witness.::Mr Sands: Shit witness. I'm having you lad. You banged that officer at Roly. You must have thought you walked quietly away from that one. But he's here. He's me. He's every fucking screw in this borstal. Every one of us. Come on! [prods Carlin] Fancy taking a poke at me? Come on, big man.::Carlin: I've banged no screw, I retaliated. There was two of 'em, kicking the shit out of me.::[Mr Sands slaps Carlin]::Mr Sands: Well, retaliate here. Come on! [Mr Sands slap Carlin again] I'll have you. [Prods Carlin]
Mr Sands: [grabs Richards] Who was it, Richards? Who was it? Carlin? The coon?::Richards: I slipped, sir.::Mr Sands: I'll give you fucking slipped.::[throws Richards to the ground]::Mr Sands: [to everyone] Right, on your feet! Who did this?::[everyone mumbles, "Don't know, sir."]::Mr Sands: Come on! Who did it?::[everyone mumbles, "No-one, sir."]::Mr Sands: Where's Banks?::[everyone mumbles, "Don't know."]
[Mr Sands finds Banks on the floor]::Mr Sands: [grabs Banks and slams him against a wall] Dozy bastard, Banks! You let him do you over, you twat!::Banks: I slipped, sir.::[Mr Sands slaps him]::Mr Sands: Don't come at me! Who d'yer think yer talking to? Carlin! I want you to name Carlin!::Banks: I slipped, sir.::[Mr Sands slaps him again]
Davis: I feel lonely, sir... I feel depressed, even.
Carlin: [noticing Archer's bare feet] You don't do yourself no favours, mate.
Governor: There is NO violence here!
Carlin: Right Banks, you bastard! I'm the daddy now, next time, I'll fucking kill ya!
[Angel, Davis and Carlin are all lined up against a wall]::Mr Sands: Right. I'm Mr. Sands, this is Mr Greaves. I'm the senior officer and I run A wing. I run it. Right, Carlin?::Carlin: Yes, Sir!::Mr Sands: I come down very heavy on anyone who doesn't grasp that fact. Right? Right?::Carlin: Yes, Sir!::[Mr Sands walks up to Angel]::Mr Sands: Angel, you're in a single room. Some of the lads are what you might call..."prejudiced". You're well advised to keep yourself to yourself. It's your first borstal, innit lad?::Angel: Yes, sir, apart from the Scrubs...::Mr Sands: [interrupts Angel] Forget the Scrubs! The holiday's over.::Mr. Greaves: Move!::[Angel moves]::Mr Sands: Davis, you were foolish enough to run away from an open borstal and you'll soon be wishing you were back there. You're in a single room. Now move!::[Davis moves]::Mr. Greaves: [at Davis] Move it!::Mr Sands: [at Carlin] Carlin, you're in a dormitory. Now, move!::[Carlin moves]::Mr Sands: That's it! In there, on the left.::[Carlin goes to the dormitory on the left and stops. Mr Sands walks in]::Mr Sands: [points at an empty bed] That's yours, Carlin. [Carlin moves to the empty bed] You know the ropes and you know why you're here. I'll jump on you from a great height if you so much as breathe. Got that?::Carlin: Yes, sir!::Mr Sands: There's a lad, a big lad called Pongo in that bed. He heard you were coming. Now, grab that broom and get to work on that floor. I wanna shave in it! [Carlin grabs the broom and scrubs the floor. As he scrubs the floor, Mr Sands deliberately drops Carlin's gear] Carlin? [Carlin stops momentarily] We don't leave our bed space in that condition in here. Make up your bed and your gear away. On the double! [Carlin puts the broom away and unpacks his gear] Next time, you're on report.
Meakin: Up your fucking borstal!
Plot
This is the hard and shocking story of life in a British borstal for young offenders. Luckily the regime has changed since this TV film was made. The brutal regime made no attempt to reform or improve the inmates and actively encouraged a power struggle between the 'tough' new inmate and the 'old hands'.
Keywords: 1970s, banned-film, borstal, brutality, corruption, criminal, detention-center, england, illiteracy, independent-film
Formby: [In the self-help meeting] Why am I so far away from home Matron?::Eckersley: Because you murdered that kid.
Plot
When a reporter is killed under mysterious circumstances, the political cartoonist on his paper begins to investigate on his own. He finds that a vengeful industrialist may be trying to manipulate an international peace conference to stage a bombing attack on London.
Plot
Ultus is still being pursued by detective Conway Bass and decides to hide out in disguise in a quiet country village, but he hears stories from the local children of a ghost haunting a mysterious manor. Little daunted, he investigates and discovers that the source of the screams is a mistreated little girl whom he determines to rescue from her abductors...
Keywords: sequel
Banks or The Banks may refer to:
Azealia Amanda Banks (born May 31, 1991) is an American rapper, singer and lyricist from Harlem, New York signed to Interscope/Polydor, and formerly known under the pseudonym Miss Bank$. Banks rose in notability in 2011 when she topped NME's "Cool List" for the year. On December 5, 2011, the BBC announced that Banks had been nominated for the Sound of 2012, where she ultimately finished third. Her debut single, "212" featuring Lazy Jay, was released on December 6, 2011, charting in some European countries.
Banks was born in 1991. Her mother raised her and two older sisters in Harlem, after their father died when she was two years old. At a young age she became interested in musical theater, acting, and singing. Aged ten, she began performing in off-Broadway musicals with the Tada! Youth Theater in Lower Manhattan. She had lead roles in three productions (Rabbit Sense, Sleepover, and Heroes) in addition to performing as a soloist. Banks was trained in the performing arts at the LaGuardia High School of Performing Arts in Manhattan. At the age of sixteen, Banks starred in a production of the comedy-noir musical City of Angels. She never finished high school, instead choosing to follow her dream of becoming a recording artist.
Elizabeth Banks (born Elizabeth Irene Mitchell; February 10, 1974) is an American actress. Banks made her film debut in the low-budget independent film Surrender Dorothy. She is best known for her roles in the films Definitely, Maybe, Zack and Miri Make a Porno, W., Role Models, Wet Hot American Summer, The Uninvited, and The Hunger Games.
On television, Banks had a recurring role of Avery Jessup on the sitcom 30 Rock, which gained her a nomination for an Emmy Award. Previously, Banks had starred in the recurring role of Dr. Kim Briggs on Scrubs from 2006 to 2009.
Banks was born in Pittsfield, Massachusetts, the eldest of four children of Ann (née Wallace) and Mark P. Mitchell. Her father was a factory worker for General Electric and her mother worked in a bank.
As a girl, she loved playing baseball and riding horses. She played little league until she broke her leg sliding into third at a game. Looking for something else, she tried the school play. After that, acting became her passion.[citation needed] . She graduated from Pittsfield High School in 1992 and attended the University of Pennsylvania, where she was a member of the Delta Delta Delta Sorority. Banks graduated magna cum laude in 1996. In 1998, she completed schooling at the American Conservatory Theater and earned an MFA.
Everyone knows I'm right about one thing
You and I don't work out
You bring out the mean in me
I bring out your insecurities
You know what I am talking bout
Eventually you'll be fine if we break up
And one day I'll be fine too
But we should just end it now
Before someone gets more hurt than they have to.
As for our house, I'll move out
You can keep the dog we trained
Things soon will be like before I ever met you
Before I ever met you
Before I ever met you
I never knew that my heart could love so hard
Before I ever met you
I never knew I would be enemies with disregard
Before I ever met you
I never knew that I liked to be kissed for days
Before I ever met you
I never knew I could be broken in so many ways
I never knew I could be broken in so many ways
I never knew I could be broken in so many
Everyone knows I'm right about one thing
You are my only vice
And I got you addicted to trying to be bulletproof
But you have too much to lose
As for our house, I'll move out
You can keep the dog we trained
Things soon will be like before I ever met you
Before I ever met you
Before I ever met you
I never knew that my heart could love so hard
Before I ever met you
I never knew I would be enemies with disregard
Before I ever met you
I never knew that I liked to be kissed for days
Before I ever met you
I never knew I could be broken in so many ways
I never knew I could be broken in so many ways
I never knew I could be broken in so many
Everyone knows I'm right about one thing...