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Actors François Dalou (actor), Yvonne Gamy (actress), Michel Grisoni (actor), Max Gérard (director), Patrice Keller (actor), César Choisi (actor), Jean Bouvier (actor), Charles Galtier (writer),
Charles Gounod (1818-1893), France - "Faust" ("Marguerite") est un opéra en cinq actes de Charles Gounod, livret de Jules Barbier et Michel Carré, fondé sur ...
Charles Gounod (1818-1893) The "Funeral March of a Marionette," slight as it is, has never lost its charm. It was originally written as one of the movements ...
Charles Gounod - Petite Symphonie, for flute, 2 oboes, 2 clarinets, 2 french horns and 2 bassons. Adagio. Allegretto. Andante cantabile. Scherzo. Finale. Collegium Musicum, Copenhagen: Toke Lund Christiansen, flute. Bjørn Carl Nielsen, Gert Herzberg, oboe. Niels Thomsen, Jørgen Misser Jensen, clarinet. Søren Elbo, Klaus Tônshoff, basset horn. Per McClelland Jacobsen, Leif Lind, Henning Hansen, Kjeld Rud Pedersen, french horn. Asger Svendsen, Klaus Fredriksen, bassoon. Frederikke Svendsen, double basson. Michael Schønwandt, conductor.
Charles Gounod (1818-1893), was a French composer noted particularly for his Ave Maria, based on Johann Sebastian Bach's Prelude in C Major (from The Well-Te...
Charles Gounod Work: Symphony No.2 in E-flat major (1855) Mov.I: Adagio - Allegro agitato 00:00 Mov.II: Larghetto non troppo 12:28 Mov.III: Scherzo: Allegro ...
Vocalisti, I 0:00 Kyrie 2:41 Gloria 7:21 Sanctus 9:05 O Salutaris 11:26 Agnus Dei.
Faust - Giuseppe Sabbatini Méphistophélès - Samuel Ramey Marguerite - Deborah Riedel Valentin - Jeffrey Black Siébel - Martine Mahé Marthe - Claire Larcher Wagner - Fabrice Raviola Conductor - John Nelson Orchestra - Orchestre de la Suisse Romande Chorus - Grand Théâtre de Genève
Director: Götz Friedrich Conductor: Patrick Fournillier. Cast: Jonas Kaufmann, Faust ; Elena Mosuc, Marguerite ; Carlo Colombara, Méphistophélès ; Oliver Wid...
Charles Gounod (1818-1893), France "Faust", Act II: Waltz Wiener Philharmoniker Rudolf Kempe -------------------
Title : Charles Gounod - Judex from 'Mors et Vita'
Orchestre Philharmonique de Radio France Direction : Michel Plasson Chorégies d'Orange, Théâtre antique - 5 août 2008 Déposons les armes! Déposons les armes!...
Charles Gounod, Messe brève No. 7. Performed by Belgrade Madrigal Choir in 2006 at Concert House Kolarac, Belgrade, Serbia. Soloists: Ljubomir Popovic, tenor...
Charles Gounod Work: Symphony No.1 in D-major (1855) Mov.I: Allegro molto 00:00 Mov.II: Allegretto moderato 05:56 Mov.III: Scherzo: Non troppo presto 12:00 Mov.IV: Finale: Adagio - Allegro vivace 19:44 Orchestra: Sinfonia Finlandia Jyväskylä Conductor: Patrick Gallois
Choeur de l'église Saint François Xavier - Dir. Eric Leroy.
Charles-François Gounod (17 June 1818 – 17 October or 18 October 1893) was a French composer, best known for his Ave Maria, based on a work by Bach, as well as his opera Faust. Another opera by Gounod, occasionally still performed, is Roméo et Juliette. Messe solennelle de Sainte-Cécile (1855) No. 1 Kyrie No. 2 Gloria in excelsis (4:48) No. 3 Credo (13:42) No. 4 Offertory (25:49) Sanctus (29:23) No. 5 Benedictus (34:57) No. 6 Agnus Dei (38:06) No. 7 Domine Salvum (42:27) 1. Priere de l'Eglise 2. Priere de l'Armee 3. Priere de la Nation Barbara Hendricks, soprano Laurence Dale, tenor Jean-Philippe Lafont, baritone French Radio National Chorus & Nouvel Orchestre Philharmonique De Radio France conducted by Georges Prêtre Description by Erik Eriksson [-] Although Charles Gounod is today better known for his operas, his contemporary Camille Saint-Saëns contended that "In the faint distant future when inexorable time has completed its work and the operas of Gounod are forever in repose in the dusty sanctuary of libraries, the Messe de Sainte Cécile, the Rédemption and the oratorio Mors et Vita will still retain life. They will show coming generations what a splendid musician lent luster and renown to France in the nineteenth century." While Saint-Saëns' analysis fell short of the mark, it was understandable that he should have written what he did. Gounod's works for the church far outnumber his 13 operas and continued to occupy his attention long after his last stage work had been premiered. Indeed, given his earliest predilections (he undertook a course in theology at Saint-Sulpice and referred to himself for a time as Abbé Gounod), he might easily have confined himself to the composition of sacred works. Gounod approached the writing of his Messe Sainte Cécile with the same reverence that had informed his creative life from the beginning. Even other composers recognized that this was no mere posturing; after winning the Grand Prix de Rome in 1839, Gounod spent much time at the Sistine Chapel studying the works of the sixteenth century masters. During the summer of 1855, while at work on the Sainte Cécile Mass, he wrote to his mother, "During the afternoons I usually go to the woods and read selections from my beloved Sainte Augustin. I have translated them; that is my time of reflection. Following that, I contemplate my mass." Gounod took some liberties with the liturgical text of the mass. In the Agnus Dei he changed the words slightly and added the "Domine Salvum," which is heard three times at the conclusion. Following the composer's lifetime, the reference to the Emperor Napoleon III was changed to "Domine salva fac Republicam" (Lord, deliver thy people). Throughout, one hears the composer's quintessentially French discernment added to his great respect for the major sacred composers of the past. The premiere took place at the church of Saint-Eustache on November 22, 1855, and led Saint-Saëns to comment that "The appearance of the Messe Saint-Cécile caused a kind of shock. This simplicity, this grandeur, this serene light which rose before the musical world like a breaking dawn, troubled people enormously." He concluded by saying, "at first one was dazzled, then charmed, then conquered." Arranger: Joseph Barnby (1838–1896), piano reduction Language: Latin Publisher Info.: London: Novello, Ewer & Co., n.d.[1872]. Plate 8034. Copyright: Public Domain
Charles Gounod - "Messe Solennelle de Sainte Cécile Busan Catholic Choir 부산가톨릭합창단 Conductor Lee seong hoon 이성훈 Sop: Kang hye jung 강혜정 Ten: Kim seong jin 김성진 Br. Lee chang yong 이창룡
CHARLES GOUNOD.- Misa solemne en Honor de Santa Cecilia Soprano: Barbara Hendricks Tenor: Laurence Dale Barítono: Jean-Philippe Lafont Órgano: Jean-Louis Gil...
Georges Pretre, Conductor Jean-Philippe Lafont, Tenor Choeurs de Radio-France Nouvel Ochestre Philharmonique 1984/1990 EMI Classics Sanctus, Sanctus, Sanctus...
aus "Messe brève No. 7" in C-Dur von Charles Gounod (1818-1893) Live Mitschnitt von der Aufführung beim Patrozinium am 03.07.2011 in St. Peter / Mannheim durch den Kirchenchor von St. Peter. Orgel: Andreas Lauer Leitung: Thomas Jandl
Elīna Garanča performs Gounod's "Repentir" from her new album "Meditation" on Deutsche Grammohpon. http://www.deutschegrammophon.com/cat/4792071 Order the CD: http://www.smarturl.it/Garanca_Medit_CD Order on iTunes: http://www.smarturl.it/Garanca_Medit_dwl Elīna Garanča presents a beautiful selection of spiritual music dedicated to the eternal search and longing for inner peace. Elīna Garanča is joined on this recording by her husband, the well-known Gibraltan conductor Karel Mark Chichon OBE. Learn more: http://www.deutschegrammophon.com/cat/4792071 http://www.deutschegrammophon.com/artist/garanca/ Find Deutsche Grammophon on Facebook and Twitter: http://www.facebook.com/deutschegrammophon http://www.twitter.com/dgclassics
Da Pacem Domine -- Charles Gounod Performed by the William and Mary Women's Chorus 2009 - 2010.
Ah! Turn me not away, Receive me tho' unworthy; Hear Thou my cry, Behold, Lord, my distress! Answer me from thy throne Haste Thee, Lord to mine aid, Thy pity shew in my deep anguish! Let not the sword of vengeance smite me, Though righteous thine anger, O Lord! Shield me in danger, O regard me! On Thee, Lord, alone will I call. O Divine Redeemer! O Divine Redeemer! I pray Thee, grant me pardon, and remember not, remember not my sins! Forgive me, O Divine Redeemer! Night gathers round my soul; Fearful, I cry to Thee; Come to mine aid, O Lord! Haste Thee, Lord, haste to help me! Hear my cry! Save me Lord in Thy mercy; Come and save me O Lord Save, in the day of retribution, From Death shield Thou me, O my God! O Divine Redeemer, have mercy! Help me, my Saviour!
Charles Gounod,Ave Verum Corpus. Performed by Peyjang Chorus.
The Hindemith Quintett and The Israel Quintet, Joint Concert, December 2011, Voice of Music Radio Station, Live Broadcast.
Enregistrement "live" Paris 2012 Sébastien Romignon Ercolini, Ténor Yoan Hereau, piano www.romignon.be.
Charles Gounod: "Je veux vivre" (from "Roméo et Juliette") Varduhi Khachatryan, mezzo Hayk Melikyan, piano From Yerevan Komitas Chamber Music Hall, December ...
aus "Messe brève No. 7" in C-Dur von Charles Gounod (1818-1893) Live Mitschnitt von der Aufführung beim Patrozinium am 03.07.2011 in St. Peter / Mannheim dur...
Charles Gounod CÄCILIENMESSE - Kyrie Live-Mitschnitt des Weihnachtskonzerts der Städt. Musikgesellschaft Eschweiler am 21.Dezember 2013 in der Ev. Dreieinigk...
aus "Messe brève No. 7" in C-Dur von Charles Gounod (1818-1893) Live Mitschnitt von der Aufführung beim Patrozinium am 03.07.2011 in St. Peter / Mannheim dur...
aus "Messe brève No. 7" in C-Dur von Charles Gounod (1818-1893) Live Mitschnitt von der Aufführung beim Patrozinium am 03.07.2011 in St. Peter / Mannheim dur...
Maria Callas, Georges Prêtre Live In Concert Hamburg 1962
Charles Gounod "AVE MARIA" Registrazione live del 1951 Tenore italiano BENIAMINO GIGLI (1890-1957)
St. Patrick’s Cathedral Chamber Concert Series Featuring Soprano Andrea Lynn Cianflone Guitarist Bill Wurtzel Salomé Soloists Presents The Two Loves February 5, 2015 7:00 PM In his book, The Four Loves, author C.S. Lewis takes readers on a journey by exploring the nature of love utilizing the four different definitions used by the ancient Greeks: Agape (charity), Storge (brotherly affection), Philia (friendship), and Eros (sensual). According to Lewis, Agape is the most perfect form of love. It is that selfless love which God has for man and which man attempts to attain and perfect within himself. Sensual love is more pleasure oriented, needing to be purified in its journey to Agape. The program tonight is entitled “Two Loves.” It is a play on the title of C.S. Lewis’ work and seeks to musically express two of these four loves. Agape “We were made for God. Only by being in some respect like Him, only by being a manifestation of His beauty, lovingkindness, wisdom or goodness, has any earthly Beloved excited our love.” ― C.S. Lewis, The Four Loves Concerto Grosso op. 6 no. 1 in G major by George Frideric Handel Movements IV and V Salomé Soloists “Rejoice greatly, O daughter of Zion,” from Messiah by George Frideric Handel Andrea Lynn Cianflone Salomé Soloists Ave Maria by Vladimir Vavilov Andrea Lynn Cianflone Bill Wurtzel Salomé Soloists O Divine Redeemer by Charles Gounod Andrea Lynn Cianflone Bill Wurtzel Salomé Soloists Divertimento in D Major, K. 136 by Wolfgang Amadeus Mozart Salomé Soloists “Pie Jesu,” from Requiem by Gabriel Fauré Andrea Lynn Cianflone Salomé Soloists Omnis Bene by Mark Hayes Andrea Lynn Cianflone Salomé Soloists Eros “Eros needs to be disciplined and purified if it is to provide not just fleeting pleasure, but a certain foretaste of the pinnacle of our existence, of that beatitude for which our whole being yearns. -Pope Benedict XVI (from the Encylical Letter Deus Caritas Est) Libertango by Astor Piazzola Salomé Soloists Youkali by Kurt Weill Andrea Lynn Cianflone Salomé Soloists Chitarra romana by Eldo di Lazzaro arranged by Mario Cianflone Andrea Lynn Cianflone Bill Wurtzel Salomé Soloists Capricio Arabe by Francisco Tarrega Bill Wurtzel Bésame Mucho by Consuelo Velázquez Andrea Lynn Cianflone Bill Wurtzel My Vow by Andrea Lynn Cianflone Andrea Lynn Cianflone Bill Wurtzel Salomé Soloists Por una Cabeza by Carlos Gardel Salomé Soloists Les filles de Cadix by Léo Delibes Andrea Lynn Cianflone Salomé Soloists
Messe Brève en Ut Majeur n.º 7 | Charles Gounod (1818-1893) Camerata ad Aeternum Organ | Diogo Zão Live recording | 07.09.2008 Igreja de S. Bartolomeu de Fon...
Live performance 28 Octobre 1972 Air de Valentin extrait de FAUST : Opéra en 5 actes Charles Gounod (1818 - 1893) Libretto : Jules Barbier & Michel Carré d'a...
It's me playing my Yamaha P140 digital piano again, but there's no usual video this time. It was too hot outside to bake myself under the offhand lighting system. Listen to my rendetion of famous Gounod's Ave Maria. Actually Gounod copied J. S. Bach's prelludium, added text and solo melody. But it's nice and really well-known piece. Be sure to choose high quality link under video (if available) to hear much better stereo sound. I optimized this video for the best possible sound, picture quality wasn't important. If you want only to listen, I recommend Deezer playlist with most of my music in good MP3 audio quality: http://www.deezer.com/music/playlist/marekl-and-his-piano-15948185 You can also download all music tracks in MP3 from SkyDrive: http://cid-40ecf9ec99af041e.skydrive.live.com/browse.aspx/Piano%20works
MARCELO ISLANDER - Piano/Teclados NEUSA NASCIMENTO - Voz ANDRÉ TACIANO - Violino LEANDRO CARDOSO - Flauta MÁRIO LÚCIO LEMOS - Percussão HELDER PRADO - Trompete DANIEL TAMIETTI - Violoncelo CONTATO PARA EVENTOS EM TODO BRASIL E EXTERIOR Santa Cecília Eventos e Promoções: (31) 3332-8339 - Leandro de Paiva Belo Horizonte, Minas Gerais, Brasil.
Romeo - Roberto Alagna Juliette - Leontina Vaduva Mercutio - Francois Le Roux Cont Capulet - Peter Sidhom Stephano - Anna Maria Panzarella Friar Laurence - R...
Stella Zambalis (Artistic Director for Bel Canto) "O Divine Redeemer" by Charles Gounod. Recorded Live at First United Methodist Church in Valdosta, GA April...
Thomas Hell (Piano) and Felix Klieser (Horn) play Six Melodies for Horn and Piano by Charles Gounod I. Larghetto bien posé Live recording form the Freden International Music Festival (Germany), August 2014
Roméo et Juliette de Charles Gounod - Récit et Air de capulet (Live 2003) Direction Musicale : Daniel Tosi - www.cyrilrovery.com symphonique orchestre Langue...
Lionel Stoffel chante le célèbre "Ave Maria" de Charles Gounod. Ou: Grande Salle du Conservatoire Royal de Bruxelles Date: 6 Décembre 2014 Interview: de Claudine Desbuquoit Pianiste: Diego Morris Violoniste: Astrid Buol
Répétitions et interview de Juliette, interprétée par la soprano Annick Massis. Roméo & Juliette (Gounod) au Théâtre Royal de Liège, du 17 au 26 novembre 2013.
Opéra en cinq actes de Charles Gounod. Livret de Michel Carré. Direction musicale, Alain Guingal ; Mise en scène, Robert Fortune ; Avec Nathalie Manfrino, Florian Laconi, Nicolas Cavallier. Et l'Orchestre Régional Avignon-Provence ; le Chœur, Ballet & Maîtrise de l’Opéra Grand d’Avignon. Inspiré du poème « Mireio » de Frédéric Mistral, cet opéra créé en 1864 et maintes fois remanié est peut-être le chef-d’œuvre de Charles Gounot. Une œuvre simple, d’une douce fragilité et par là même très délicate, dont l’intrigue se situe à la frontière du pittoresque régionaliste et de la tragédie. Plus d'infos : http://operagrandavignon.fr/spectacles/mireille/ Interview réalisée le 28/11/14. http://www.Concertclassic.com - la musique classique, vivante. Vidéos / Agenda / Journal / Billetterie. Retrouvez-nous sur http://www.concertclassic.com, Facebook (https://www.facebook.com/concertclassic), Twitter (https://twitter.com/concertclassic) Concertclassic.com - Living classical music. Videos / Diary / Newspaper / Ticketing. Find us on www.concertclassic.com, Facebook (https://www.facebook.com/concertclassic), Twitter (https://twitter.com/concertclassic) ClassicalExperience - (Re)Discover the best classical music - ClassicalExperience is your channel for all the best classical music where you can experience classical music in high quality audio. Subscribe to stay connected to our channel and receive all of our video updates! - ClassicalExperience: http://www.youtube.com/classicalexperience
ClassicalExperience - (Re)Discover the best classical music - ClassicalExperience is your channel for all the best classical music where you can experience c...
Music visualization by Božidar Svetek. Slovenia, 1996-2004. All visualizations were HAND DRAWN on a computer screen, none of the animation was generated auto...
http://fr.euronews.com/ L'Opéra de Vienne est un véritable temple de l'art lyrique. Au programme cette saison, l'immanquable Faust de Charles Gounod avec Jon...
Extrait de l'Opéra en cinq actes de Charles Gounod. Livret de Michel Carré. Direction musicale, Alain Guingal ; Mise en scène, Robert Fortune ; Avec Nathalie Manfrino, Florian Laconi, Nicolas Cavallier. Et l'Orchestre Régional Avignon-Provence ; le Chœur, Ballet & Maîtrise de l’Opéra Grand d’Avignon. Inspiré du poème « Mireio » de Frédéric Mistral, cet opéra créé en 1864 et maintes fois remanié est peut-être le chef-d’œuvre de Charles Gounot. Une œuvre simple, d’une douce fragilité et par là même très délicate, dont l’intrigue se situe à la frontière du pittoresque régionaliste et de la tragédie. Plus d'infos : http://operagrandavignon.fr/spectacles/mireille/ http://www.Concertclassic.com - la musique classique, vivante. Vidéos / Agenda / Journal / Billetterie. Retrouvez-nous sur http://www.concertclassic.com, Facebook (https://www.facebook.com/concertclassic), Twitter (https://twitter.com/concertclassic) Concertclassic.com - Living classical music. Videos / Diary / Newspaper / Ticketing. Find us on www.concertclassic.com, Facebook (https://www.facebook.com/concertclassic), Twitter (https://twitter.com/concertclassic) ClassicalExperience - (Re)Discover the best classical music - ClassicalExperience is your channel for all the best classical music where you can experience classical music in high quality audio. Subscribe to stay connected to our channel and receive all of our video updates! - ClassicalExperience: http://www.youtube.com/classicalexperience
Erwin Schrott: rehearsing Le veau d'or (from Charles Gounod's Faust) Wiener Staatsoper, April 2014.
Soprano: Kathleen Battle Conductor: Robert Sadin Album: Kathleen Battle - Grace (1997)
Download: http://v.blnk.fr/Ax62jP7h Subscribe now and never miss a video: http://bit.ly/1C1KlDZ Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise."
Lionel Stoffel chante le célèbre Ave Maria de Gounod avec sa voix de Sopraniste ! Il est accompagné à l'orgue par Michel Wiggers.
Tenor Charles Castronovo was last with us as Nadir in The Pearl Fishers. According to this interview, his voice has darkened and he's been taking on heavier,...
www.theaterhagen.de
Je veux vivre, by Anna Netrebko, from Romeo and Juliet Act 1, opera by Charles Gounod. Je veux vivre, par Anna Netrebko, dans l'Acte 1 de Roméo et Juliette, ...
Georges Thill sings Charles Gounod's 'Salut! demeure chaste et pur' from 'Faust'. This recording is from 1930. Georges Thill (14 December 1897 17 October 198...
This is another unreleased track by Aaliyah that she sung when she was auditioning to get into high school. She is singing the song in Latin, I think so if you don't understand her, it's okay!! I have the lyrics :) And again I made the cover art, tell me what you think! :)) [*Lyrics*] Ave Maria, gratia plena, Dominus, tecum, benedicta tu in mulieribus et benedictus fructus ventris tui, Iesus. Sancta Maria, sancta Maria, Maria, ora pro nobis nobis peccatoribus, nunc et in hora, in hora mortis nostrae. Sancta Maria, sancta Maria, Maria, ora pro nobis nobis peccatoribus, nunc et in hora, in hora mortis nostrae. Amen! Amen! ****If you don't know what these lyrics mean, but you know the Hail Mary prayer, this is basically it, it's just in Latin.
SERENADE Victor Hugo, Charles Gounod Quand tu chantes, bercée Le soir entre mes bras, Entends-tu ma pensée Qui te répond tout bas? Ton doux chant me rappelle...
Retrouvez l'intégralité de nos reportages sur http://www.leprojecteur.com, WEB TV culturelle en Provence. Opéra très coloré, Mireille reflète la Provence. Inspirée du poème de Mirèio, écrit par Frédéric Mistral, figure emblématique de la poésie en Provence, cette représentation est une célébration à la commémoration du centenaire de la disparition de ce grand poète, et 150 ans de la disparition du compositeur à l'élégance musicale, Charles Gounod. Par une distribution 100% française, cette oeuvre promeut un patrimoine culturel du Sud de la France d'exception. Direction musicale : Alain Guingal Direction des chœurs : Aurore Marchand Etudes musicales : Elisabeth Brusselle Mise en scène : Robert Fortune Assistant: Pierre Ziadé Chorégraphie : Eric Belaud Décors: Dominique Pichu Costumes : Rosalie Varda Lumières : Jean-Michel Bauer Mireille : Nathalie Manfrino Taven : Sylvie Brunet-Grupposo Vincenette : Ludivine Gombert Clémence : Clémence Olivier La voix / Andreloum : Aurélie Ligerot Vincent : Florian Laconi Ourrias : Marc Barrard Ramon : Nicolas Cavallier Ambroise : Philippe Ermelier Le passeur : Jean-Marie Delpas Le farandoleur : Jean-François Baron Orchestre Régional Avignon-Provence Chœur, Ballet & Maîtrise de l’Opéra Grand d’Avignon
Julie Fuchs Roméo et Juliette by Charles Gounod.
Charles GOUNOD - Messe solennelle de Sainte Cécile / St. Cecilia Mass / Cäcilien-Messe -- Czech Philharmonic Chorus & Orchestra (Igor MARKEVITCH) -- --- with...
Gounod was born in Paris, the son of a pianist mother and an artist father. His mother was his first piano teacher. Under her tutelage, Gounod first showed h...
Choeur de Ceze 2013
Concert Requiem de Charles Gounod de fin de stage Loos Canto du 31 aout 2012 Chef de Choeur Pierrick Meunier.
Charles Gounod. ROMEO ET JULIETTE. Paris 1867. Opera in 5 Acts. Libretto by Jules Barbier and Michel Carre. Romeo: FRANCO CORELLI tenor. Juliette: MIRELLA FR...
Concert ECOK 08-11-2013 in Enschede.
Mireille Opéra en cinq actes de Charles Gounod - Extraits - Acte I ActeII Début Acte III Distribution Mireille - Michelle Command Vincent - Luca Lombardo Tav...
Messe de la solennité de sainte Cécile - 23 novembre 2014. Célébrée par M. l'Abbé Faure, curé de Saint-Eugène - Sainte-Cécile (Paris IX), assisté de MM. les Abbés Billot (diacre) et Iborra (sous-diacre). Livret : http://www.schola-sainte-cecile.com/programmes/2013-2014/09-sanctoral/11-22-Sainte-Cecile.pdf * Propre du jour en vieux plain-chant parisien * Messe polyphonique : Charles Gounod (1818 † 1893), Messe solennelle Sainte Cécile * Procession d’entrée : Judex – extrait de l’oratorio Mors & Vita de Charles Gounod * Introït – Loquebar (ton v.) * Epître : Ecclésiastique LI, 13-17 : C’est pourquoi je veux te rendre grâces et te chanter tes louanges, Seigneur, notre Dieu. * Graduel – Audi filia (ton vii.) * Alleluia – Quinque prudentes virgines (ton v.) * Evangile : Matthieu XXV, 1-13 : L’époux vint, et celles qui étaient prêtes entrèrent avec lui aux noces, et la porte fut fermée. * Offertoire – Afferentur (ton iv.) * Pendant les encensements de l’offertoire : Offertoire de la Messe solennelle Sainte Cécile de Charles Gounod * Préface des Saints au propre de l’archidiocèse de Paris * A l’élévation : Benedictus de la Messe solennelle Sainte Cécile de Charles Gounod * Pendant la communion : Mors & Vita (extraits) de Charles Gounod * Communion – Confundantur (ton i.) * Prière pour la France de la messe la Messe solennelle Sainte Cécile de Charles Gounod * Ite missa est VIII * Au dernier Evangile : Salve Regina * Procession de sortie : Psaume CL de César Franck (1822 † 1890), organiste de la Basilique Sainte Clotilde à Paris – Cette œuvre fut créée pour l’Institut des Jeunes Aveugles, interprété par ceux-ci lors de la fête de fin d’année – Le Psaume 150 est le dernier du psautier biblique, qu’il conclut par une acclamation générale de tous les chœurs, auxquels se joignent tous les instruments de musique en usage au Temple de Jérusalem. http://www.schola-sainte-cecile.com/2014/11/22/programme-de-la-solennite-de-sainte-cecile-vierge-martyre-patronne-de-la-paroisse-de-notre-schola-des-musiciens/ Photos : Gonzague Bridault : messe de la solennité de sainte Cécile 2013. https://www.flickr.com/photos/96802117@N06/sets/72157638516415183/
Anne-Marie Rodde: Baucis Jean-Claude Orliac: Philémon Pierre Nequecaur: Jupiter Félix Giband: Vulcain Orchestre Lyrique de Radio-France dir. Henri Gallois re...
Orchester der Hochschule Ulm Virgil Bunea - Leitung 21.Januar 2012 - Korhaus Ulm - allegro molto - allegretto moderato - Menuett: non troppo presto - Finale:...
2. Oktober 2011 Charles Gounod (1818-1893): Messe Nr. 2 op. 1 G-Dur (Deuxième Messe brève et salut en Sol majeur "A l'Association des Sociétés chorales de Pa...
Opéra de Charles Gounod Albert Lance Liric Company. chapiteau Colomars 12 6 2009 extraits.
Highlights from Kilrush Operatic Society's 1961 production of Charles Gounod's FAUST. Produced by: Mr. Harry Powell Lloyd of London and featuring a host International Artistes. All Opera Programmes available at: https://www.facebook.com/media/set/?set=a.189606137330.136496.187907517330&type;=3 John Carolan [Tenor] Josephine Scanlan [Soprano] Russell Cooper [Baritone] Stanislav Pieczora [Bass]
Background Music - Georg Friedrich Händel, Charles Gounod, Franz Schubert - FIREWORKS MUSIC Our relaxing videos combine instrumental background music with na...
Cristo de la sangre por la alfalfa suena ave maria de gounod, al cielo y el dios del perdon, banda cristo de la sangre.
CHARLES GOUNOD.- Sinfonía Nº 1 en Re mayor Allegro Allegro moderato Scherzo Adagio-Allegro Sinfónica de Bamberger Director: Lucas Vis En la Sinfonía nº 1, el Allegro inicial es prometedor de lo que después vendrá, expuesto de principio a fin con una naturalidad casi perfecta, brioso y radiante. El breve Allegro moderato que le sigue resulta elegante y equilibrado en todas sus líneas mientras que en el Scherzo nos encontramos con un movimiento de factura clásica, danzable, con reminiscencias haydianas, ejecutado con galantería por la siempre estupenda Academy. El Adagio-Allegro vivace final, con repetición incluida del tema principal, es un estimulante ejercicio de texturas ágiles, cristalinas, dibujadas con tiralíneas, con un comienzo y final soberbios. Precisamente, sería Gounod el que inspirase, casi sin quererlo, una de las pequeñas obras maestras perdurables del género sinfónico en su país. Se cree que hacia 1843, esto es,mucho antes de su primera ópera, comenzó a esbozar una sinfonía, proyecto constantemente demorado, que se decidiría a rematar doce años después, cuando ya era una celebridad, incluso fuera de Francia.Curiosamente, todavía no había sido encumbrado por el género lírico y sus primeros laureles los obtuvo gracias a una notable misa, llamada De Santa Cecilia, estrenada en Londres en 1851.Y es que un detenido vistazo al catálogo de Gounod, donde encontramos oratorios, cuartetos de cuerda y otras obras camerísticas, demuestra que intentó ser un compositor todo terreno, si bien la posterioridad sólo lo recordaría por su faceta como músico teatral. Es por ello que no debe extrañar su perseverancia, a la hora de abordar el género supremo de la música instrumental, y el hecho de que se remitiera a modelos tan nobles como el de las sinfonías haydnianas. Sobre los mimbres de éstas, pero revestidos con el encanto de su propia personalidad, logró Gounod presentar en abril de 1855 al exigente e ingrato público parisino su Sinfonía Nº 1 en Re Mayor. La partitura obtuvo un éxito resonante y se saludó a su autor como uno de los grandes maestros de su tiempo.
Gounod Charles "Petite Symphonie" Pour instruments à vent Conductor : Ohan Duryan Part 1.- Adagio allegretto Part 2.- Andante cantabile Part 3.- Scherzo Part...
Henry sang "The Jewel Song" from Charles Gounod's opera "Faust" and the aria "O mio babbino caro" ...
Milwaukee Journal Sentinel 2015-03-16... scheme, has accepted the challenge with enthusiasm for this presentation of Charles Gounod’s Faust.
The Irish Times 2015-02-24... Charles Gounod, Giacomo Meyerbeer, Jules Massenet, Ernest Reyer, Alfred Bruneau, and Henri Rabaud.
The Examiner 2015-02-23... and Cork Operatic Society join forces to present a new production of Charles Gounod’s Faust.
The Irish Times 2015-02-20... well as two different arrangements of "Ave Maria," one by Charles Gounod and one by Franz Schubert.
noodls 2015-02-13The programme began with Ave Maria, a soul-searching classic arranged by Charles Gounod from Johann ...
South China Morning Post 2015-01-26Regardez [TITRE] par Charles Gounod gratuit en HD avec un son de haute qualit� sur MUZU ainsi que plus de 120.000 ... >.
MUZU.TV 2014-12-15Regardez [TITRE] par Charles Gounod gratuit en HD avec un son de haute qualit� sur MUZU ainsi que plus de 120.000 ... >.
MUZU.TV 2014-12-15The music will all be by 19th century French composer Charles Gounod.
The Malta Independent 2014-11-17Special to the Star-Telegram ... By the way, the music for that short film is by the French master Charles Gounod.
Star Telegram 2014-11-13Regardez [TITRE] par Charles Gounod gratuit en HD avec un son de haute qualit� sur MUZU ainsi que plus de 120.000
MUZU.TV 2014-11-12Regardez [TITRE] par Charles Gounod gratuit en HD avec un son de haute qualit� sur MUZU ainsi que plus de 120.000
MUZU.TV 2014-11-08(Source: NYU - New York University ) ... .8750 ... Works by Jacques Ibert, Charles Gounod, Darius Milhaud, Maurice Ravel, and others.
noodls 2014-11-03Charles-François Gounod (French pronunciation: [ʃaʁl fʁɑ̃swa ɡuno]; 17 June 1818 – 17 October or 18 October 1893) was a French composer, known for his Ave Maria as well as his operas Faust and Roméo et Juliette.
Gounod was born in Paris, the son of a pianist mother and an artist father. His mother was his first piano teacher. Under her tutelage, Gounod first showed his musical talents. He entered the Paris Conservatoire, where he studied under Fromental Halévy and Pierre Zimmermann (he later married Zimmermann's daughter). In 1839, he won the Prix de Rome for his cantata Fernand. He was following his father; François-Louis Gounod (d. 1823) had won the second Prix de Rome in painting in 1783. During his stay of four years in Italy, Gounod studied the music of Palestrina and other sacred works of the sixteenth century; these he never ceased to cherish. Around 1846-47 he gave serious consideration to joining the priesthood, but he changed his mind before actually taking holy orders, and went back to composition. During that period, he was attached to the Church of Foreign Missions in Paris.