Got a problem??? There is nothing a little SLAP can't solve...
Slap therapy will cure you!
Plot
When TOMAX discovers that his girlfriend, EVE, cheated on him, what was a normal self-consciousness about his stomach muscles, becomes an obsession with building the perfect washboard abs. As Tomax tries to work it out with Eve and justify their continued relationship, Tomax becomes enchanted with an anorexic gym addict, KATIE and slowly descends deeper and deeper into Body Dysmorphic Disorder (BDD). In a world filled with self-obsession, Tomax questions the lengths one will go to achieve perfection. Will he succumb?
Keywords: body-dysmorphic-disorder
Plot
Jessie, is in love with Tony. They have dating since 2 Years, but live in separate places, in New York City. She recently found out, that she is dying of cancer and has only a few months left to live. Since the discovery of her illness, and having told him about it, their relationship has been under a lot of strain. In fact, sometimes Jessie doubts, the loyalty of Tony. She is more and more afraid to be left alone.
Plot
Luke Davenport is the 13 year old son of Paul Davenport, the President of the United States, and first lady Linda Davenport. Ill tempered Agent Woods is the secret service agent in charge of Luke. Woods is fired after mistreating Luke in front of media cameras. Woods is then replaced by former boxer Sam Simms, who won a boxing title in 1977. Sam is eager to take the job-even though no one else wants it. Everyone thinks that Luke is just a brat when the only thing Luke wants is to just fit in and be like every other kid at his school, the Georgetown Academy. Sam almost gets fired when Luke gets decked at school by school bully Rob MacArthur. This is when Sam decides to use his boxing expertise to teach Luke how to fight. Luke has his eyes on classmate Katie Warren, but so does Rob. Katie agrees to go with Luke to an upcoming school dance, so Sam teaches Luke how to dance. Rob is also at the dance, but this time when Rob tries to deck Luke, Luke turns the tables and decks Rob. Sam is then fired for taking Luke to the dance without permission, although Luke had the permission of his parents, but secret service chief Morton didn't want Luke leaving the White House grounds while Luke's parents were on the campaign trail. Luke runs away anyway to meet a friend that he has been chatting on the internet with. The meeting is set to take place at a local mall,where Luke discovers that his secret friend is a now psychotic Woods, who blames Luke for his firing and wants revenge on Luke, but not if Sam can help it.
Keywords: blow-pipe, bodyguard, boxer, boxing, boxing-gloves, brawl, bully, chase, chat-room, clothing-store
He's young. He's wild. He's fun. And he's the one protecting the president's son.
Sam Simms: Just be careful out there in cyberspace. Don't tell them anything.
Luke Davenport: Online I'm a normal kid, just like everybody else.::Sam Simms: [Quietly] You ought to try that here.::Luke Davenport: What?::Sam Simms: I said, "Go to bed". And be careful out there in cyber space. Be careful what you tell people.::Luke Davenport: Okay! And stop telling me what to do. You're not my father.::Sam Simms: [Quietly] Lucky for me.::Luke Davenport: What?::Sam Simms: Nice PJs. They got feet on them, don't they?
Woods: I'll have a Harvey Wallbanger. Make it a Harvey Oswald.::Sam Simms: What's the difference?::Woods: Oswald has three shots.
Linda Davenport: You're in high school now, and I expect you to act like it.::Luke Davenport: Then don't dress me in these dorky clothes.::Linda Davenport: You're not dressed in dorky clothes, you're in nice clothes. You look very handsome. You should consider yourself lucky.::Luke Davenport: I should consider myself dorky.
Wilkes: This is the black tie affair!::Sam Simms: I know, sir and I got it covered. I'm black and I'm wearing a tie.
Speet: He spanked you like a four year old at K-Mart.
Agent Dash: You guys suck.::Sam Simms: We suck, ya hear that Luke? We suck, alright, we suck! Let's make a sucky left turn here.
Luke Davenport: What are you doing?::Sam Simms: I'm doing my job, keepin' you alive, I'm testing your food.::Luke Davenport: But why do you always test my cookies?
Luke Davenport: The kitchen's closed.::Sam Simms: I'm Agent Double-Oh Simms. I can get into any kitchen.
Sam Simms: I ain't skated since I was a kid, and *back then* I had a pizza face. Now I got a great big pizza face!
Plot
An updated, hour-long version of the classic Hannah-Barbera mystery cartoon. Fred, Daphne, Velma, Shaggy and Scooby-Doo travel from town to town in their van, The Mystery Machine, solving cases of hauntings, monsters and unexplained occurrences. In this series, the gang is joined by Scooby's pint-sized nephew, Scrappy-Doo. Unlike his uncle, little Scrappy is constantly looking for a fight, and it is all Scooby and Shaggy can do to keep him from hurtling head-on into every ghost and monster they encounter. Of course, after doing a little investigating, most of these ghosts and monsters turn out not to be so scary after all.
Keywords: animal-in-title, animal-name-in-title, cartoon-dog, character-name-in-title, dog, great-dane, scooby-doo, scrappy-doo, surrealism, title-spoken-by-character
A dash is one of several kinds of punctuation mark. Dashes are similar to hyphens, but differ from them primarily in length, and serve different functions. The most common versions of the dash are the en dash (–) and the em dash (—).
There are several forms of dash, of which the most common are:
Less common are the two-em dash (⸺) and three-em dash (⸻), both added to Unicode with version 6.1 as U+2E3A and U+2E3B. Windows character codes require that Num Lock be on.
The figure dash (‒) is so named because it is the same width as a digit, at least in fonts with digits of equal width. This is true of most fonts, not only monospaced fonts.
The figure dash is used when a dash must be used within numbers (e.g. phone number 555‒0199). It does not indicate a range, for which the en dash is used; nor does it function as the minus sign, which also uses a separate glyph.
The figure dash is often unavailable; in this case, one may use a hyphen-minus instead. In Unicode, the figure dash is U+2012 (decimal 8210). HTML authors must use the numeric forms ‒
or ‒
to type it unless the file is in Unicode; there is no equivalent character entity. In TeX, the standard fonts have no figure dash; however, the digits normally all have the same width as the en dash, so an en dash can be substituted when using standard TeX fonts.
Dash Berlin (born 8 November 1979) is a Dutch progressive-trance project created in 2007 in The Hague by Jeffrey Sutorius, Eelke Kalberg and Sebastiaan Molijn. The front man of the group is the DJ Jeffrey Sutorius a.k.a Dash Berlin . Kalberg and Molijn have been contributing to the international dance scene for over ten years, with award-winning and platinum-selling hits for dance acts such as Alice Deejay, Vengaboys, Candee Jay, Pronti & Kalmani and Solid Sessions . They also have been working together with DJ Sander Kleinenberg on classic tracks like “This Is Miami” and “The Fruit” and remixes for major artists such as Justin Timberlake ('Rock Your Body' Remix winning the award for 'Best Remix' at the Dance Star USA Awards), Janet Jackson, BT, Usher, N.E.R.D., Lenny Kravitz, Junkie XL, Röyksopp, Mylo, and Annie Lennox .
Dash Berlin was formed when Jeffrey Sutorius (born in November 1979 in The Hague, The Netherlands) and his close friends, Kalberg and Molijn teamed up in 2006. . Jeffrey Sutorius was a fan of electronic music from his high school days and in his late teens worked in a record store and became a collector of vinyl trance music. Inspired by pioneering figures such as Sven Vath, Oliver Lieb and Sander Kleinenberg, Sutorius began mixing and producing his own music. He started performing in the Dutch underground music scene in early '95 and teamed up with fellow producers and close friends Kalberg and Molijn to form Dash Berlin in 2006 .
Stacey Lauretta Dash (born January 20, 1966) is an American film and television actress.
She made her first TV appearance in Farrell for the People starring Valerie Harper and a virtually unknown Ed O'Neill in 1982, which did not make it past its pilot episode. Her notable first appearance was as 'Michelle' in the 1985 The Cosby Show episode "Denise's Friend" alongside Lisa Bonet, and in The Fresh Prince of Bel-Air. Dash's first substantial television role was in the 1988 television series TV 101, which also featured Matt LeBlanc and Sam Robards. The series was canceled after 13 episodes.
Dash's first major film role was in the Richard Pryor comedy Moving in 1988. She also had sizeable roles in Mo' Money and Renaissance Man during this time. In 1995, Dash starred as a femme fatale in a low budget film, Illegal in Blue. Dash received her big break with the 1995 film Clueless, which starred Alicia Silverstone and Brittany Murphy. Dash played Cher's high school best friend Dionne Marie Davenport, even though Dash was twenty-eight at the time. In 1996 the film spawned a television spinoff, also called Clueless, in which Dash reprised her role as Dionne and Rachel Blanchard played Cher. The series ran from 1996–1999.
Dwight Grant, (born March 6, 1974), also known as Beanie Sigel, is an American rapper from Philadelphia, Pennsylvania. He is a former member/artist of Dame Dash Music Group and Roc-A-Fella Records where he had formed a close association with rappers Jay-Z, Freeway and other former and current artists on the Roc-A-Fella roster. His stage name comes from a street in South Philadelphia, the rapper's former stomping grounds where he worked alongside Senior Durham in the projects. He has sold more than two million albums worldwide. He decided to end his career in middle 2010 when he made his last song, "I Go Off" with 50 Cent who had signed Grant to his G-Unit Records label in 2009. In early 2011 Grant appeared in Travis Barker's album Give the Drummer Some, saying that it was the end of his career. In May 31, 2011 Grant apologized to his former boss Jay-Z. But in an interview with DJ Green Lantern, he said that he had never "apologized" to Jay-Z, and that he was still making music.
In 2002, Sigel and much of the Roc roster starred in a Dame Dash-produced movie entitled State Property. Its release coincided with the creation and promotion of State Property, a group of artists signed to Roc-A-Fella that hailed from Philadelphia and organized by Sigel and Freeway. Its members included Peedi Crakk, the Young Gunz Chris,Neef, Oschino and Omilio Sparks. Their first collaboration was for the movie's soundtrack, an eponymous release that featured the original "Roc the Mic" by Sigel and Freeway. They followed up with 2003's The Chain Gang Vol. 2, featuring the single "Can't Stop, Won't Stop" by the Young Gunz; the record was nominated for a Grammy Award for Best Rap Performance By a Duo or Group.
The term black people is used in some socially-based systems of racial classification for humans of a dark-skinned phenotype, relative to other racial groups represented in a particular social context. Different societies apply different criteria regarding who is classified as "black", and often social variables such as class and socio-economic status also play a role, so that relatively dark-skinned people can be classified as white if they fulfill other social criteria of "whiteness" and relatively light-skinned people can be classified as black if they fulfill the social criteria for "blackness" in a particular setting.
As a biological phenotype being "black" is often associated with the very dark skin colors of some people who are classified as "black". But, particularly in the United States, the racial or ethnic classification also refers to people with all possible kinds of skin pigmentation from the darkest through to the very lightest skin colors, including albinos, if they are believed by others to have African ancestry, or to exhibit cultural traits associated with being "African-American". As a result, in the United States the term "black people" is not an indicator of skin color but of socially based racial classification.
i see the line up ahead of me, should i just take off sudden i don't wanna come in next
i wanna win but they holler me, suddenly feels afraid and i start to go back
you have to put me before my stupid metaphors, i don't use them anymore
i'm in love, i'm falling in love and i'm at ease like a summer breeze
and cut off shorts and a share with those sleeves
hearts brazing fast, put on a gas, imagine a mask and where you wanna go, let's go
dash i cross whatever if you hold me as
i wanna dash, take both hands off of the wheel and crash
i wanna dash like a guster wind, like a wake i'm rushing in, to your arms again
and then a flash, the laughter gets louder and louder the faster we dash, dash
i see a part of me that lives in you and i glow each time i see your face
don't know where i'll end but i'll take chance
if i'm guilty of loving i'll take the blame
so excuse me when i'm just off again, i'm so complicated i'm in love, i'm falling in love
and i'm at ease like a summer breeze
and cut off shorts and a share with those sleeves
hearts brazing fast, put on a gas, imagine a mask and where you wanna go, let's go
dash i cross whatever if you hold me as
i wanna dash, take both hands off of the wheel and crash
i wanna dash like a guster wind, like a wake i'm rushing in, to your arms again
and then a flash, the laughter gets louder and louder the faster we dash, dash
like a waterfall, i'm running, on a hurricane i'm coming
it's so predictable, but my heart's beating too fast and i, i'm dash
i don't wanna jump the tonight, i'm dash, i'm too afraid that you may pass me by
don't wanna fight it anymore, so i'm opening up a door, and i'm about to make a
dash, dash, i just wanna
dash i cross whatever if you hold me as, i cross whatever,
i wanna dash, take both hands off of the wheel and crash, crash
i wanna dash like a guster wind, like a wake i'm rushing in, to your arms again
and then a flash, the laughter gets louder and louder the faster we dash, dash
dash like a guster wind, like a wake i'm rushing in, to your arms again
YES LADY AND GENTLEMAN
THIS IS LEDAPPLE TIME
CHECK IT OUT NOW
Bol so myo chil jae
Ya ae man tae u nen gé
Nal sa rang han dan
Han ma di mal jo cha
Ha ji mot han chae
Yong gi ga ob nen
Non da ga o ji mot ha go
On jé ka ji na ge roh gé
Mol li so ba ra bol go ya
RAP)
Mon jo mal hal lae nae ga mal hal gé
So ro won ha nen dé
i tho rok him den gon dé
Mwol mang so ri nen dé
Mal mu nel dad go ma rel an hae
Sol jik han sa rang go baek hal gi hwei rel
Jé bal nae gé
Han bon jwo
Ba da jwo mi do jwo
Nol ma mé du go i so
Jin ja ro nol sa ro ja bel jun bi dwein nam ja
Nol chae wo jul nam ja nae so nel kok jab ja
Nol noh chi go siph ji a na da si han bon
i ron yae gil nae ga mon jo han da myon
On jé na ba bo cho rom bu dam se ro wo ha ji
No yok si ge roh da myon o jol su ob so
Non sa rang ba del ja gyok do ob nen go ni ka
i jén nae ga no bo da mon jo da ga gal go ya
Nol sa rang han da ge ma rel
Nae ga mon jo ha go mal go ya
So ro ga sa rang in gol al go it nen dé
Wae i ro go man i so ya ha nen ji do
Jong mal dab dab hae
Nae saeng gak dae ro nol sa rang ha gé so
Mol li so ji kyo bo nen i ren ob sel ko ya
i jé bu tho
Hon ja so go rot don ge gi rel
Du ri so ham ké kok go rel ko ya
Sa rang han dan ma rel ha myo
Bul an hae ha ji ma yo nae du nu nel bwa yo
Han bon en sa rang é pa jyo yo u ril bwa yo
DASH DASH nal ba da jwo
Won ob si jal hae jul ja sin it nen nam ja ni ka
Nu ga mon jo ran gon
Ge ri jung yo ha ji a na
Jal ben saeng el sa rang
Ha na man e ro san da myon
No rel sa rang han hu nae ga dal la jin gon
Wei rob don na eui si gan i chae wo jun
No eui saeng gak del
Bul cho rom tha o ren yol jong eun a ni ji man
Kae ji ji an nen
Sa rang eui mi dem i saeng gyo nan go ya
i jén nae ga no bo da mon jo da ga gal go ya
Nol sa rang han da ge ma rel
Nae ga mon jo ha go mal go ya
So ro ga sa rang in gol al go it nen dé
Wae i ro go man i so ya ha nen ji do
Jong mal dab dab hae
(UH sa rang é nu nel to so!
UH! Nol buth jab go si pho
UH! Mo den gol da gol gé so
beolsseo myeo chiljjae ya ae mantae uneun ge
nal saranghandan hanmadi maljo chaha jimot hanchae
yonggi ga eobtneun neon dagao jimot hago
eonjekkajina geureoh ge meolli seobara bolgeoya
ijen naega neo boda meon jeo daga galgeoya
neol saranghanda geumal eulnae ga meonjeo hago malgeoya
seoro ga sarangin geol algoitneunde
wae ireo goman isseoya haneun jido jeongmal dap-daphae
ireon yaegil naega meon jeo handamyeon
eonjena namja deul eunbu damseureowo haji
neo yeoksi geureohdamyeon eojjeolsueopseo
neon sarang badeul jagyeok do eobtneun geonikka
ije waseo ireon yaegil hagiga
jogeumeun kkeolkkeu reopgoeo saekhagin hajiman
sarangeun geuriswip geeod eulsu eopseo
eonjekkaji a ireol sun eobtjanha
nuga meon jeorangeon geuri jungyo hajianha
jjalbeun saengeul sarang hanamaneuro sandamyeon
neoreul sarang hanhunae gadalla jingeon
oerop deon naui sigan i chae wo jun neoui saenggak deul
bulcheoreom ta oreun yeoljeong euna nijiman
kkaeji jianhneun sarangui mideum isaenggyeo nangeoya
ijen naega neobodameonjeo daga galgeoya
neol saranghanda geumaleul naega meonjeo hagomal geoya
seoroga sarangin geol algo itneunde
wae ireo gomanisseoya haneun jido jeongmal dap-daphae
ireon yaegil naega meonjeo handamyeon
eonjena namjadeuleun budam seureowohaji
neo yeoksi geureohdamyeon eojjeol su eopseo
neon sarang badeul jagyeok do eobtneun geonikka
And everything will come to pass.
And it all happened in the dash
I saw the numbers on each side
But all that mattered was the line
When you left so many came
To see the stone they had engraved
It all happened way too fast
It all happened in the dash
And everything will come and go
And we will never really know
Just how much falls in-between
Or we'd say everything will be.
But we can't sum up every page
With just one cover and one name
It all happened way too fast
And all we had becomes a dash
And if I had one more chance for us to start things over
Ya know I wouldn't change a thing
And if I had one more chance for us to be together
If I could do it all again
I wouldn't change a thing
And everything will come to be
Another distant memory
Something alone to make you laugh
One for your own epitaph
And in the end what will they say
About your spirit and your name
It all happened way too fast
And all we are becomes a dash
And if I had one more chance for us to start things over
Ya know I wouldn't change a thing
And if I had one more chance for us to be together
If I could do it all again
I wouldn't change a thing
Life is what happens in-between the dreams you're trying to remember
Life is what happens in-between going for your longest breath underwater
Life is what happens in-between the red lights and stop signs
Life is what happens in-between losing your patience on the express line
Life is what happens in-between letting the phone ring and staring at the number
Life is what happens in-between finding out what no one wants to tell ya.
Life is what happens in-between staying for the end of your favorite song
Life is what happens in-between wanting to say it, but waiting too long
Life is what happens in-between each fight on the message board
Life is what happens in-between each time I leave for another tour
Life is what happens in-between the holding out for a better spot
Life is what happens when you take a chance and lose what ya got
Life is what happens in-between the traffic stopped to look at the crash
Life is what happens in-between forgetting to hit save and starting from scratch
Life is what happens between agreeing that the year went by so fast
Shhh / Baby Don't Say a word / Silence/
Tonight we gon get real private/ Just me and you girl/
Bout to set the mood /
So/ I'ma take you anyplace you wanna go/ Fulfill your
every fantasy and even more/ And you should know/
That everything'z about ya/ Don't worry cuz I got ya
Hook:
So Slow Down / We Gon Take It Slow Now/
Ain't no need in rushin / Ain't no interruptions /
& Haters in discussion / But we ain't hearin nuthin
Cuz I don't want Nunadat / (Shhh) / Disturbin Us
I don't want Nunadat / (Shhh) / No Nunadat/
No x 6
Verse 2:
Take me to/ Your private place/ Girl i'll make it /
Our secret hiding place / So tell your girls / Space is
what we need, unless it's space between Us /
So/ I'ma take you anyplace you wanna go/ Fulfill your
every fantasy and even more/ And you should know/
That everything'z about ya/ Don't worry cuz I got ya
Hook
Bridge: Let's live like we have 1 last night /
And I don't want the phone 2 ring/
Sometimes 3 is a crowd/
So right now is 4 you and me baby/
Rep yourself, rep your fam
Rep your health and rep your clan
If the test of a man
Is to throw up your hands
Then we gonna do that part of it
'Cause it's united we stand
I put my heart in this
I'm a part of the art of this
My cartilage is seeping out my nose
like smoke from Parliaments
If God is just,
Then why do I continue to sweat it
I'm ready to set it
Don't anybody down who ain't jetted
I'm headed for a brawl
I like to get locked up and then bailed out
Can't wait to get a taste
And meet my mates at the alehouse
These soldiers in the war for sport
Report on the double
Forever blowing bubbles
I can't resist, it takes one dis
I get pissed and here come my beer balls
I flip my shit, get ballistic
When one of my peers falls
We got a man down,
See how this fam bound?
Step up and face them, adjacent
That's how we stand ground
I feel serenity when I'm facing my enemies
Knowing any friend will be
Sending me plenty of energy
Lending no thought to penalties
Never get what the end will be
It's time to knuckle up
And yo, you ready? Well, you better be
Rep yourself, rep your fam
Rep your health and rep your clan
If the test of a man
Is to throw up your hands
They we gonna do that part of it
'Cause it's united we stand
From both coasts of the Atlantic
From the seas to seashores
Once the fires undo our alliance
In these wars
We see the probable cause
In most of our killing
But what about the ones not willing
And the ones who was children?
We supposed to be building
A better day for tomorrow
I feel like we climbing a mountain
As big as Kilimanjaro
If you feeling the sorrow
You know that your heart isn't hollow
I'm ready to lead a new mission
Are you ready to follow?
Not swallow government interests
Or their excuses devour
While corporations killing millions
With the abuses of power
I refuse to sour
To just step by and be quiet
But I'm curbing my urges
So these motherfuckers are riot
We gotta question the weapon
Used for reppin' up in our habitat
The pen is mightier, why do you
Wanna go and grab a gat?
The goal is evolution
But it has to be passive
Start with the health of self
To pass the mental wealth to the massive
Rep yourself, rep your fam
Rep your health and rep your clan
The real test of a man
Is to put down his hands
And we can be united