The Weimar Republic (Weimarer Republik [ˈvaɪmaʁɐ ʁepuˈbliːk] ( listen)) is the name given by historians to the federal republic and parliamentary representative democracy established in 1919 in Germany to replace the imperial form of government. It was named after Weimar, the city where the constitutional assembly took place. Its official name was German Reich (Deutsches Reich)

Following World War I, the republic emerged from the German Revolution in November 1918. In 1919, a national assembly convened in Weimar, where a new constitution for the German Reich was written, then adopted on 11 August of that same year. The ensuing period of liberal democracy lapsed in the early 1930s, leading to the ascent of the nascent Nazi Party and Adolf Hitler in 1933. The legal measures taken by the Nazi government in February and March 1933, commonly known as Gleichschaltung ("coordination") meant that the government could legislate contrary to the constitution. The republic nominally continued to exist until 1945, as the constitution was never formally repealed. However, the measures taken by the Nazis in the early part of their rule rendered the constitution irrelevant. Thus, 1933 is usually seen as the end of the Weimar Republic and the beginning of Hitler's Third Reich.

Anita Berber (10 June 1899 – 10 November 1928) was a German dancer, actress, and writer who was the subject of an Otto Dix painting. She lived during the Weimar period.

Born in Leipzig to musician parents who later divorced, she was raised mainly by her grandmother in Dresden. By the age of 16, she had moved to Berlin and made her debut as a cabaret dancer. By 1918 she was working in film, and she began dancing nude in 1919. Scandalously androgynous, she quickly made a name for herself. She wore heavy dancer's make-up, which on the black-and-white photos and films of the time came across as jet black lipstick painted across the heart-shaped part of her skinny lips, and charcoaled eyes.

Her hair was cut fashionably into a short bob and was frequently bright red, as in 1925 when the German painter Otto Dix painted a portrait of her, titled "The Dancer Anita Berber". Her dancer friend and sometime lover Sebastian Droste, who performed in the film Algol (1920), was skinny and had black hair with gelled up curls much like sideburns. Neither of them wore much more than lowslung loincloths and Anita occasionally a corsage worn well below her small breasts.

The Crisis is the official magazine of the National Association for the Advancement of Colored People (NAACP), and was founded in 1910 by W. E. B. Du Bois (editor), Oswald Garrison Villard, J. Max Barber, Charles Edward Russell, Kelly Miller, W.S. Braithwaite, M. D. Maclean.

The original title of the journal was The Crisis: A Record of The Darker Races. From 1997 to 2003, it appeared as The New Crisis: The Magazine of Opportunities and Ideas, but the title has since reverted to The Crisis. The title derives from the poem "The Present Crisis" by James Russell Lowell. Published monthly, by 1920 its circulation had reached 100,000 copies. Du Bois proclaimed his intentions in his first editorial:

Predominantly a current-affairs journal, The Crisis also included poems, reviews, and essays on culture and history. Du Bois' initial position as editor was in line with the NAACP's liberal programme of social reform and racial equality, but by the 1930s Du Bois was advocating a form of black separatism. This led to disputes between Du Bois and the NAACP resulting in his resignation as editor in 1934. He was replaced by Roy Wilkins.

Margo Lion is a producer for plays and musicals both on Broadway and off-Broadway. She is known for her role in producing the stage and screen hit Hairspray. Combined, the works Lion produced have won 20 Tony Awards and a Pulitzer Prize.

Margo Lion is from Baltimore, Maryland. She started her producing career with Lyn Austin at The Music-Theater Group/Lenox Arts Center. Her first commercial production was How I Got That Story in 1982. Later off-Broadway productions included the 1987 version of Martha Clarke's The Garden of Earthly Delights, Frankie and Johnny in the Clair de Lune and The Cryptogram.

Her first Broadway production was I Hate Hamlet in 1991.

In 1987 Lion commissioned George Wolfe, Susan Birkenhead and Luther Henderson to write a show about Jelly Roll Morton. That musical became the 1992 Broadway show, Jelly's Last Jam, starring Gregory Hines.

In 1993-94 Lion produced Angels in America: Millennium Approaches and Perestroika followed by the 1995 production of Seven Guitars. Angels in America: Millennium Approaches won the 1993 Pulitzer Prize for Drama.