Ernő Dohnányi (pronounced [ˈɛrnøː ˈdohnaːɲi]) (July 27, 1877 – February 9, 1960) was a Hungarian conductor, composer, and pianist. He used the German form of his name Ernst von Dohnányi for most of his published compositions.

The Dohnányi family was ennobled by Leopold I, Holy Roman Emperor and King of Hungary.^{[citation needed]}

Biography[link]

Dohnányi was born in Pozsony, Kingdom of Hungary, Austria-Hungarian Empire, (today Bratislava, capital of Slovakia). He first studied music with his father, a professor of mathematics and amateur cellist, at gymnasium, but afterwards became a pupil at the Budapest Academy of Music, studying piano and composition with Carl Forstner, organist of the Bratislava Cathedral. In 1894 he became a pupil of István Thomán for piano and of Hans von Koessler (a cousin of Max Reger) for composition. Béla Bartók was one of his classmates there. Dohnányi's first published composition, his Piano Quintet in C minor, earned the approval of Johannes Brahms, who promoted the work in Vienna.

After a few lessons with Eugen d'Albert, Dohnányi made his debut in Berlin in 1897 and was at once recognized as an artist of high attainments. Similar success in Vienna followed, and he then made the tour of Europe with the greatest success. He made his London debut at a Richter concert in the Queen's Hall, where he gave a memorable performance of Beethoven's Piano Concerto No. 4.

Using his position as a conductor, Dohnányi pioneered the performance of Bartók's more accessible music to boost its popularity.

During the following season, he visited the United States and established his reputation playing the Beethoven Piano Concerto No. 4 for his American debut with the Saint Louis Symphony Orchestra.

Unlike most other famous pianists of the time, Dohnányi did not limit himself to solo recitals and concerto solos, but also played chamber music.

Ernő married Elisabeth Kunwald, who was also a pianist. In 1902, their first son, Hans von Dohnányi, was born. Hans later distinguished himself as a leader of the anti-Nazi resistance in Germany and was a friend and collaborator of Dietrich Bonhoeffer (his brother-in-law). Hans in turn became the father of the well-known orchestral conductor, Christoph von Dohnányi.

Joseph Joachim invited Dohnányi to teach at the Hochschule in Berlin, which he did from 1905 to 1915. Going back to Budapest, Dohnányi organized over a hundred concerts there each year. In 1919, he was appointed director of the Budapest Academy, but was replaced the same year for purely political reasons. He became music director of the Budapest Philharmonic Orchestra and promoted the music of Bartók, Zoltán Kodály and other Hungarians, but did not play his own music very often. Dohnányi's pupils include Andor Földes, Ervin Nyíregyházi, Géza Anda, Annie Fischer, Edward Kilenyi, Bálint Vázsonyi, Sir Georg Solti, Istvan Kantor, Joseph Running, György/Georges Cziffra, Frank Cooper and Ľudovít Rajter.

In the 1920 season, he played the complete piano works of Beethoven. During the 1920s, he also recorded several of his works on the AMPICO reproducing piano.

In 1934 he was again appointed director of the Budapest Academy, a post he held until 1941, when he resigned from the post "as a protest against the anti-Jewish legislations [of that year]".^[1] That year he also had to disband the Budapest Philharmonic Orchestra. In 1943 he founded the Budapest Symphony Orchestra.^[2]

After World War II, which had claimed the lives of both of his sons, one in combat and the other executed by the Nazis for his role in a plot to assassinate Hitler, Dohnányi moved to the United States. He had remained in fascist Hungary during the war, using his influence and expending his own fortune to protect Jewish musicians. A whisper campaign against him was promoted by the new Communist government of Hungary, to the point where he found it necessary to leave. He was not able to revive his career as a concert pianist, but continued to compose and became interested in American folk music. His last orchestral work, American Rhapsody (1953), was written for the sesquicentennial of Ohio University and included folk material, for example, Turkey in the straw, On Top of Old Smokey and I am a poor wayfaring stranger. Dohnányi also taught for ten years at the Florida State University School of Music in Tallahassee. In 1946, he was initiated as an honorary member of the Epsilon Iota Chapter of Phi Mu Alpha Sinfonia Fraternity at the Florida State University.

Dohnányi's gravesite at Roselawn Cemetery, Tallahassee, Florida, USA

His last public performance, on January 30, 1960, was at Florida State University, conducting the university orchestra in a performance of the Beethoven Piano Concerto No. 4 with his doctoral student, Edward R. Thaden, as soloist. Following this performance, Dohnányi traveled to New York City to record some Beethoven piano sonatas, as well as other works, on stereo LP discs for Everest Records. He had previously recorded a Mozart concerto, his own Variations on a Nursery Tune, the second movement of his Ruralia Hungarica (Gypsy Andante), and a few solo works (but no Beethoven sonatas) on 78 rpm and various works, including Beethoven's Tempest Sonata, on early mono LP discs. He died 10 days later, on February 9, 1960, of pneumonia in New York City. The BBC issued an LP recording taken from one of his last concerts with sonatas by Beethoven and Schubert, now considered one of the glories of the heritage of Romantic pianism.

He was buried in Tallahassee, Florida.

His 3 volumes of Daily Finger Exercises for the Advanced Pianist were published by Mills Music in 1962.

The Warren D. Allen Music Library at Florida State University's College of Music holds a large archive of Dohnányi's papers, manuscripts, and related materials.

Influence and legacy[link]

The Hungarian government posthumously awarded him its highest civilian honor, the Kossuth Prize, in 1990.^[3]

An International Ernst von Dohnányi Festival was held at Florida State University in 2002.

Compositions[link]

Dohnányi's compositional style was personal. Although he used influences from Hungarian folk music, he is not considered a nationalist composer like Béla Bartók or Zoltán Kodály. Dohnányi's approach is deeply rooted in the strongest traditions of European classical music and particularly bears the imprint of Johannes Brahms.

Stage[link]

• Der Schleier der Pierrette (The Veil of Pierrette), Mime in three parts (Libretto after Arthur Schnitzler), Op. 18 (1909)
• Tante Simona (Aunt Simona), Comic Opera in one act (Libretto by Victor Heindl), Op. 20 (1912)
• A vajda tornya (The Tower of the Voivod), Romantic Opera in three acts (Libretto by Viktor Lányi, after Hans Heinz Ewers and Marc Henry), Op. 30 (1922)
• A tenor (The Tenor), Comic Opera in three acts (Libretto by Ernő Góth and Carl Sternheim, after Bürger Schippel by Carl Sternheim), Op. 34 (1927)

Choral[link]

• Szegedi mise (Szeged Mass), Op. 35 (1930)
• Cantus vitae, Symphonic Cantata, Op. 38 (1941)
• Stabat mater, Op. 46 (1953)

Orchestral[link]

• Symphony in F major (1896, unpublished)
• Symphony No. 1 in D minor, Op. 9 (1901)
• Suite in F-sharp minor, Op. 19 (1909)
• Ünnepi nyitány (Festival Overture), Op. 31 (1923)
• Ruralia Hungarica (based on Hungarian folk tunes), Op. 32b (1924)
• Szimfonikus percek (Symphonic Minutes), Op. 36 (1933)
• Symphony No. 2 in E major, Op. 40 (1945, revised 1954-7) ^[4]
• American Rhapsody, Op. 47 (1953)

Solo instrument and orchestra[link]

• Piano Concerto No. 1 in E minor, Op. 5 (1898) (the opening theme was inspired by Brahms's Symphony No. 1)
• Konzertstück (Concertpiece) in D major for cello and orchestra, Op. 12 (1904)
• Variations on a Nursery Tune (Variationen über ein Kinderlied) for piano and orchestra, Op. 25 (1914)
• Violin Concerto No. 1 in D minor, Op. 27 (1915)
• Piano Concerto No. 2 in B minor, Op. 42 (1947)
• Violin Concerto No. 2 in C minor, Op. 43 (1950)
• Concertino for harp and chamber orchestra, Op. 45 (1952)

Chamber and instrumental[link]

• Piano Quartet in F♯ minor, (1894)
• Piano Quintet No. 1 in C minor, Op. 1 (1895)
• String Quartet No. 1 in A major, Op. 7 (1899)
• Sonata in B♭ major for cello and piano, Op. 8 (1899)
• Serenade in C major for string trio, Op. 10 (1902)
• String Quartet No. 2 in D♭ major, Op. 15 (1906)
• Sonata in C♯ minor for violin and piano, Op. 21 (1912)
• Piano Quintet No. 2 in E♭ minor, Op. 26 (1914)
• String Quartet No. 3 in A minor, Op. 33 (1926)
• Sextet in C for piano, strings and winds, Op. 37 (1935)
• Aria for flute and piano, Op 48, No. 1 (1958)
• Passacaglia for solo flute, Op. 48, No. 2 (1959)

Piano[link]

• Four Pieces, Op. 2 (1897, pub. 1905)
• Waltzes for four hands, Op. 3 (1897)
• Variations and Fugue on a Theme of E[mma].G[ruber]., Op. 4 (1897)
• Gavotte and Musette (WoO, 1898)
• Albumblatt (WoO, 1899)
• Passacaglia in E♭ minor, Op. 6 (1899)
• Four Rhapsodies, Op. 11 (1903)
• Winterreigen, Op. 13 (1905)
• Humoresque in the form of a Suite, Op. 17 (1907)
• Three Pieces, Op. 23 (1912)
• Fugue for left hand (WoO, 1913)
• Suite in the Old Style, Op. 24 (1913)
• Six Concert Etudes, Op. 28 (1916)
• Variations on a Hungarian Folksong, Op. 29 (1917)
• Pastorale on a Hungarian Christmas Song (WoO, 1920)
• Ruralia Hungarica, Op. 32a (1923)
• Waltz Suite, for two pianos, Op. 39a (1945),
• Limping Waltz for solo piano, Op. 39b (1947)
• Six Pieces, Op. 41 (1945)
• Three Singular Pieces, Op. 44 (1951)

References[link]

Sources[link]

• Ilona von Dohnanyi and James A, Grymes, eds., Ernst von Dohnanyi: A Song of Life (Bloomington: Indiana University Press, 2002), ISBN 0-253-34103-5
• William Lines Hubbard et al., eds., The American History and Encyclopedia of Music, vol. 1 (London: Irving Squire, 1908), 183-4, available online

This article is based on a text from the Etude magazine, prior to 1923, that is in the public domain.

External links[link]

• Ernő Dohnányi at Allmusic
• Ernő Dohnányi Discography
• Ernő Dohnányi Profile at The Remington Site
• Dohnanyi String Quartet Nos 1 & 2 sound-bites
• Warren D. Allen Music Library at Florida State University
• Lecture by D. Kiszely-Papp on piano music of Dohnányi
• In Memoriam concerts
• http://www.box.net/shared/s3zj5efniy Ampico Piano Solo "Music Of The Spheres", (Sphärenmusik) from "Winterreigen" Opus 13, by Ernst Von Dohnanyi, played by E.V.Dohnanyi on the Ampico Reproducing Piano (7 ft Grand Piano)

Videos[link]

• Rondo from Serenade Op.10 played by the Valencia String Trio
• E. Dohnanyi: Serenade-Tema con variazioni played by Classical Jam
• E. von Dohnanyi: I - Piano Quintet No. 1 in C minor, Op. 1 - Allegro
• E. von Dohnanyi: II - Piano Quintet No. 1 in C minor, Op. 1 - Scherzo. Allegro vivace
• E. von Dohnanyi: III - Piano Quintet No. 1 in C minor, Op. 1 - Adagio, quasi andante
• E. von Dohnanyi: IV - Piano Quintet No. 1 in C minor, Op. 1 - Allegro animato

Dohnányi is a Hungarian family name belonging to a notable family of politicians and musicians descended from composer Ernő Dohnányi. The addition of "von" was a personal choice made by Ernő as it was usual by Hungarian noble families not having a prädicate to indicate their nobility.

• Ernő Dohnányi, also known as Ernst von Dohnanyi (1877–1960), Hungarian pianist, conductor and composer.
  • Hans von Dohnanyi (1902–1945), son of Ernő; German jurist and resistance fighter against the Third Reich.
    • Klaus von Dohnanyi (born 1928), son of Hans; German politician, mayor of Hamburg.
    • Christoph von Dohnányi (born 1929), son of Hans; renowned conductor
      • Justus von Dohnányi (born 1960), son of Christoph; German actor
• Oliver von Dohnányi (born 1955), Slovak and Czech conductor

This page or section lists people with the surname Dohnányi. If an internal link intending to refer to a specific person led you to this page, you may wish to change that link by adding the person's given name(s) to the link.

Zoltán Kocsis (Hungarian pronunciation: [ˈzoltaːn ˈkotʃiʃ]) (born May 30, 1952) is a Hungarian pianist, conductor, and composer.

Born in Budapest, he started his musical studies at the age of five and continued them at the Béla Bartók Conservatory in 1963, studying piano and composition. In 1968 he was admitted to the Franz Liszt Academy of Music, where he was a pupil of Pál Kadosa and Ferenc Rados.^[1]

In 1970, he gave his first important debuts both at home and abroad. During the following 25 years he toured all over the world, performing with the Berliner Philharmoniker, Chicago Symphony Orchestra, the Dresden Staatskapelle, the San Francisco Symphony Orchestra, the New York Philharmonic, the Philharmonia of London, and the Wiener Philharmoniker. American critic Harold Schonberg praised Kocsis' extraordinary technique and fine piano tone.^[2] Kocsis has recorded the complete solo and with orchestra piano work of Béla Bartók.^[3] In 1990, his recording of Debussy's "Images"^[4] won "The Gramophone" Instrumental Award for that year.

In recent years, Kocsis has taken the role of conductor, especially with the Budapest Festival Orchestra (of which he was a founder)^[5] and the Hungarian National Philharmonic, where he is the current musical director.^[6]

References[link]

External links[link]

• Zoltán Kocsis biography
• Listing and reviews of Kocsis recordings
• TV and Video Productions with Zoltán Kocsis
• Hungarian National Philharmonic Orchestra website
• Budapest Festival Orchestra website
• Opus 3 Artists, Profile

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